A memoir and meditation on creativity by the star of "Breaking Bad" chronicles his theatrical childhood and recommitment to acting in the aftermath of his father's disappearance, describing his early acting jobs and the performances that earned him Tony and Emmy Awards.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A memoir and meditation on creativity by the star of "Breaking Bad" chronicles his theatrical childhood and recommitment to acting in the aftermath of his father's disappearance, describing his early acting jobs and the performances that earned him Tony and Emmy Awards.
Group Captain Randolph Tremayne, RAF, the British Air Attaché and Lieutenant Colonel Bradford Rantzen, USAF, the United States' Assistant Air Attaché, both serving in their respective embassies in Bangkok, are embittered and disillusioned men. Passed over for promotion and beset by family discord and tragedy. Both men are former heroes, but are now tarnished by their experiences or weaknesses. Tremayne is a gallant, but philandering, self-indulgent opportunist and Rantzen is a heroic, but war-wearied veteran, suffering nightmares over the time he was a prisoner of war in Korea and fears he's losing his grip on life. A chain of deadly circumstances forces the two men to form an alliance to save those they love more than life, in a final desperate act of heroism and redemption.
“A main intent of this book is to show how freedom relates to ethics in journalism and at the same time to discuss how a number of other contraries or antinomies are unsuitable in the real world of journalism. I also hope to demonstrate how a synthesis—a position near the Aristotelian Golden Mean—is the best solution to many of the problems of mass communication. We need to form the habit of thinking dialectically about many of our journalistic problems realizing that a clash of opposing positions is not harmful but useful in the constantly changing world of journalism.” —From the Introduction Over the past thirty years, John C. Merrill has produced what many critics consider an essential body of writing on the relatedness of journalism and philosophy. He speaks with authority for a growing group of scholars who are looking behind the product of journalism for the ideologies that create them. His latest work, The Dialectic in Journalism,is an ambitious and comprehensive examination of the forces at work throughout the press. The book focuses on two important and timely issues: journalistic license and social control, or in a larger sense, freedom and responsibility. What are the just limits of the press? Where may libertarians and statists of the press find common ground? How do journalists convert the world into the word? Merrill places sweeping questions such as these in the context of the Western intellectual tradition. Beginning with the Heraclitean observation that reality is constantly changing, he traces the development of the dialectic through Plato and Aristotle to Rousseau, Spinoza, Nietzsche, and Hegel. Merrill connect these thinkers with many of the problems facing the journalistic community today. He uses the Hegelian dialectic to suggest that a moderating force is at work in the contemporary journalism. He shows that the tensions created between the concept of freedom of expression and necessity of restraint resolve themselves in a synthesis of “social responsibility.” Readers familiar with Merrill’s earlier works will find in this new book the same strong concern for the ethical foundations of journalism. The Dialectic in Journalism is sufficiently rigorous philosophically that it sustains a close critical reading, and yet the general reader will find it straightforward and lucid. Journalists will want to read this book to gain new insight into the frequently unexamined philosophy of their trade, and the public will profit from a broader understand of the force that plays a central role in shaping our view of the world.
Mr. Bryan's unfinished memoirs, which close with an account of the Baltimore convention of 1912, make up less than half the volume. Mrs. Bryan then takes up the tale. She traces some of the steps in his career, going back to his student days, and fills out the unfinished record with an account of his life in Washington and his later years.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
As one of the first roadies ever, Rooney tells firsthand about life on and off the road and around the world with Procol Harum, Reinhard Mey, The Beatles, Harry Nilsson, Keith Moon, Donna Summer, and others.
For twenty-six straight seasons--from 1978 to 2003--Mount Saint Charles Academy captured the hearts of its fans and the state's high school hockey championship. Attributing the streak to a near-mystical force called "Mount Pride," beloved coach Bill Belisle and his team have built the most successful hockey program in Rhode Island. In the thrilling 2013 season, they recaptured the Mount glory as state champions. Yet the high school hockey team is much more than its wins and losses--it's a culture and a family. Beginning with the earliest days when Rhode Island's four-team league took to the frozen ponds with tree branches serving as rudimentary hockey sticks, author Bryan Ethier chronicles the history of the MSC "Flying Frenchmen." Join Ethier as he takes to the ice with the great games, the star players and the unforgettable moments to tell the remarkable story of Mount Saint Charles Hockey.
This is an informative, balanced biography that embraces a man who seemed defined by contradictions. McGovern unravels these to reveal how Mitchel made sense of himself and his world. The result is a must-read book for anyone interested in nineteenth-century Irish and American history." --Susannah U. Bruce, author of The Harp and the Eagle: Irish-American Volunteers and the Union Army, 1861-1865 This book chronicles the life and times of John Mitchel, a radical Irish nationalist who relocated to the American South, where he became an ardent supporter of the Confederacy before and during the Civil War. Mitchel was exiled for his beliefs by the British government in 1848, during the Great Famine (1845-52). Though neither a peasant nor a Catholic, he empathized with the plight of over one million impoverished Irish Catholic emigrants who fled starvation. These expatriates believed that they had been forced unwillingly from their homes by the British government, which they also blamed for causing the famine or at least creating conditions that seriously threatened Irish survival. As a publisher of several expatriate newspapers, Mitchel was able to echo the sentiments of his audience, and perhaps more important, shape the prevailing attitudes of Irish Americans attempting to adjust to a hostile society. Well educated, bourgeois, and respected by the Irish immigrant community, the Protestant Mitchel became an ardent Irish nationalist during a time when most Irish Protestants, including the "Scotch-Irish" in America, were becoming almost uniformly opposed to Irish nationalism. In giving full treatment to his experience in America, this first contemporary biography of Mitchel addresses the basic paradox of his ideology: why an Irish nationalist who called for an end to the British "enslavement" of the Irish enthusiastically supported the slave society of the American South. It thus sheds invaluable light on how Irish nationalism played out on both sides of the Atlantic and on issues of racism and cultural assimilation facing the United States during the mid-nineteenth century. Bryan McGovern is an assistant professor of history at Kennesaw State University. He published an essay on Mitchel in New Hibernia Review.
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