Databases have revolutionized nearly every aspect of our lives. Information of all sorts is being collected on a massive scale, from Google to Facebook and well beyond. But as the amount of information in databases explodes, we are forced to reassess our ideas about what knowledge is, how it is produced, to whom it belongs, and who can be credited for producing it. Every scientist working today draws on databases to produce scientific knowledge. Databases have become more common than microscopes, voltmeters, and test tubes, and the increasing amount of data has led to major changes in research practices and profound reflections on the proper professional roles of data producers, collectors, curators, and analysts. Collecting Experiments traces the development and use of data collections, especially in the experimental life sciences, from the early twentieth century to the present. It shows that the current revolution is best understood as the coming together of two older ways of knowing—collecting and experimenting, the museum and the laboratory. Ultimately, Bruno J. Strasser argues that by serving as knowledge repositories, as well as indispensable tools for producing new knowledge, these databases function as digital museums for the twenty-first century.
Databases have revolutionized nearly every aspect of our lives. Information of all sorts is being collected on a massive scale, from Google to Facebook and well beyond. But as the amount of information in databases explodes, we are forced to reassess our ideas about what knowledge is, how it is produced, to whom it belongs, and who can be credited for producing it. Every scientist working today draws on databases to produce scientific knowledge. Databases have become more common than microscopes, voltmeters, and test tubes, and the increasing amount of data has led to major changes in research practices and profound reflections on the proper professional roles of data producers, collectors, curators, and analysts. Collecting Experiments traces the development and use of data collections, especially in the experimental life sciences, from the early twentieth century to the present. It shows that the current revolution is best understood as the coming together of two older ways of knowing—collecting and experimenting, the museum and the laboratory. Ultimately, Bruno J. Strasser argues that by serving as knowledge repositories, as well as indispensable tools for producing new knowledge, these databases function as digital museums for the twenty-first century.
The Amoeba's Secret tells the story of Dr Bruno Marchal's quest for understanding some of the deepest aspects of reality, starting from an initial interest in invisible immortal beings as a child, and a realisation that amoeba are both invisible and effectively immortal. This led to questions touching some of the most fundamental theorems of computer science and mathematics, and a surprising reversal in the ontological status of psychology and physics. For this, he was awarded a PhD at the university of Lille, and received the coveted Prix Le Monde de la Recherche Universitaire. This book, Le Secret de l'Amibe, was commissioned by Le Monde for publication by Grasset, and then mysteriously, the prize was withdrawn, and the book never published. Now translated into English for the first time, you can read the incredible journey and ordeals that Dr Marchal faced. Plus, this book remains the most accessible introduction to Dr Marchal's ideas, as he explains what motivated him to formulate and study these questions in this way.
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