From his hardscrabble post-World War II Ontario childhood and coming of age to Mad Men-era New York City and the creative pinnacle of advertising, to the hallowed halls of Saturday Night Live and The New Yorker, Bruce McCall’s personal and creative journey is stunningly honest, bittersweet, and, above all, inspiring. Beloved for his strikingly original and wickedly perceptive New Yorker covers, as well as his many Shouts and Murmurs, Bruce is a rare double threat as an artist and writer. Self-taught in both disciplines, his artistic world has captured the imagination of a loyal fan base that includes no less than David Letterman (whom he coauthored a book with) and other satire aficionados. Pulling no punches, How Did I Get Here? chronicles the evolution of his artistic genius as well as his journey from gifted childhood scribbler to passionate automobile enthusiast, a hobby that took him to the heights of the Detroit and Manhattan advertising worlds. His long-held passion for drawing and writing, which mostly lay dormant during his Mad Men days, reemerged later in life as he left the realm of advertising for the world of arts and letters, most notably at the National Lampoon, as a writer for Saturday Night Live in its first incarnation, and then of course at The New Yorker, as well as other Conde Nast magazines, such as Vanity Fair. His is an unorthodox life and career path, traversing through worlds that have now become iconic, giving us rich first-hand insight into Bruce's unique creative development and process, and providing a rare window into both the highs and the lows that define an artist's career and life. With wit, candor, and cover illustrations showcasing Bruce's storied career, Bruce McCall’s memoir will charm his many fans and anyone who knows and loves the places and eras he describes so well.
The billionaire Russian “oiligarch” whose replica of Czar Alexander II’s yacht plies a vast man-made Crimean lake, brimming not with water but billions of gallons of petroleum from his own pipeline… The packaged-suttee mogul Sir Sith Ram Pramba, who sliced the top off Mount Everest and installed it on his terrace atop a Park Avenue apartment building… The heir to a California railroad spike fortune who uses a private cross-country tunnel, assembled from giant redwoods laid end to end, for 120-mph runs in cars from his exotic équipe between San Francisco and New York… The vast Montana lodge where Gulfstreams land in the living room and an ex-CIA drone ferries fresh casks of Côtes du Rhône along the three-mile route between the wine cellar and the dining hall… The unsinkable forty-room polystyrene iceberg cum floating vacation retreat where Claude Ste. Nervous, the Quebec Styrofoam king, cruises the Arctic Ocean in high summer and, riding on his tamed polar bear, hunts for baby seals… These and dozens more of that new breed of swashbuckling post-millennial Midases dedicated to self-indulgent fun—whatever the cost in money, ecological mayhem, environmental devastation, and other such nuisances—are celebrated in This Land Was Made for You and Me (but Mostly Me), this lavishly illustrated chronicle that nobody expected or even wanted, but that Bruce McCall and David Letterman went ahead and created anyway.
In a world where reading is reportedly dead, renowned humorist, illustrator, and New Yorker contributor Bruce McCall offers 50 inventive, outlandish, and wickedly entertaining things to do with all those excess books in 50 Things to Do with a Book. From starting a band, building a stairway to paradise, and saving your town from a flood to improving your marriage, entertaining guests, or killing a mockingbird, the options presented in 50 Things to Do with a Book are brilliant, visionary, ironic, and absurd.
Attention all Viagrans, friends of Viagrans, and Viagrans to-be... With this book, Bruce McCall and Lee Eisenberg plant the flag on a brave new land called Viagra Nation, the blissful and outrageous state of mind where everybody is beautiful, where old-age dysfunction is a thing of the past, and where sexual fears, worries, and anxieties are declared null and void. Using drawings, diagrams, charts, graphs, postcards, stamps and just about anything else they can get their hands on, McCall and Eisenberg bring to life an earthly paradise made possible by the most phenomenal, notorious, and talked-about tablet since Moses. Viagra Nation is the uproarious and definitive guidebook to this glorious utopia, where men and woman are suddenly able to enjoy active, athletic sex lives long after they've lost day-to-day bladder control. So whether your already an upstanding citizen of Viagra Nation, or just thinking about the day you'll set sail, you're bound to get a rise out of this book. But in the unlikely event you don't, see your doctor. Includes: special Viagra aptitude test a Kama Sutra for Seniors sneak preview of Viagra fashions your own Sexual Security card exclusive Viagra Horoscope the Viagra Model Bedroom of Tomorrow plus commemorative stamps, postcards, charts, graphs, sexual aids, anatomical diagrams, and more!
Thierry Poncelet, a Belgian orginal whose surprising portraits express something new and quite whimsical about people, dogs, and the kinship between them.
Bruce By: Bruce Williams Bruce is a lesson to let people know you can change in your life. You don’t have to settle. You can choose life and choose GOD.
Who would strap a bomb to his chest, walk into a crowded subway station and blow himself up? Only by examining how a terrorist understands his own identity and actions can this question be answered. The authors of The Terrorist Identity explore how the notion of self-concept combined with membership in terrorist and extremist groups, can shape and sustain the identity of a terrorist as well as their subsequent justification for violence and the legitimacy of their actions. The book provides an understanding of identity that draws on concepts from psychology, criminology, and sociology. Notably, the book examines several case studies of various terrorist groups, including: the Provisional Irish Republican Army, Hamas, the Shining Path, the Liberation Tigers of Tamil Eelam, and racist Skinheads. By making the construct of identity central to this analysis The Terrorist Identity explains how violent and extremist collective behavior emerges culturally, how it informs the identity of group members socially, and how participants assume their place in these groups completely even at the expense of life-threatening harm to others or to themselves.
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