When Lady in the Dark opened on January 23, 1941, its many firsts immediately distinguished it as a new and unusual work. The curious directive to playwright Moss Hart to complete a play about psychoanalysis came from his own Freudian psychiatrist. For the first time since his brother George's death, Ira Gershwin returned to writing lyrics for the theater. And for émigré composer Kurt Weill, it was a crack at an opulent first-class production. Together Hart, Gershwin, and Weill (with a little help from the psychiatrist) produced one of the most innovative works in Broadway history. With a company of 101 and an astronomical budget, Lady in the Dark launched the career of a young nightclub performer named Danny Kaye and starred Gertrude Lawrence in the greatest triumph of her career. With standees at many performances, Lady in the Dark helped establish the practice of advance ticket sales on the Great White Way, while Paramount Pictures' bid for the film rights broke all records. New York Times drama critic Brooks Atkinson hailed the production as "splendid," anointed Kurt Weill 'the best writer of theatre music in the country,' and worshiped Gertrude Lawrence as "a goddess." Though Lady in the Dark was a smash-hit, it has never enjoyed a Broadway revival, and a certain mystique has grown up around its legendary original production. In this ground-breaking biography, bruce mcclung pieces together the musical's life story from sketches and drafts, production scripts, correspondence, photographs, costume and set designs, and thousands of clippings from the star's personal scrapbooks. He has interviewed eleven members of the original company to provide a one-of-a-kind glimpse into the backstage story. The result is a virtual ticket to opening night, the saga of how this musical play came to be, and the string of events that saved the experimental show at every turn. Although America was turned upside down by Pearl Harbor after the production was on the boards, Lady in the Dark played an important role for the war effort and rang up 777 performances in 12 cities. In what may be the most illuminating study of a single Broadway musical, this biography brings Lady in the Dark back to the spotlight and puts readers in the front row.
Bruce is doing for Cambridge what Colin Dexter did for Oxford with Inspector Morse' Daily Mail Kaye Whiting went to buy a birthday present and didn't come back. She isn't dead, or physically injured. But she is alone and very, very scared. Fifty miles away in Cambridge town centre a deeply disturbed young woman is standing by a payphone. She knows she often feels compelled to do harmful things and is driven by a desire to make a call. DC Gary Goodhew is one of the detectives assigned to find Kaye and when her body is discovered the only clue to the potential murderer is a woman's voice on his answerphone saying, 'Kaye isn't the first and won't be the last...' Praise for Cambridge Blue: 'Menacing and insidious, this is a great novel' R J Ellory 'A fast-paced gritty tale guaranteed to have you hooked from beginning to end' Cambridgeshire Pride 'A gripping tale of murder and mystery' Cambridge Style
Man Bites Murdoch is Bruce Guthrie's explosive account of almost 40 years in the news business, his brutal dismissal from Australia's biggest selling paper, the celebrated court case that exposed the inner workings of the world's biggest media company and the treachery of its most senior executives. Guthrie survived tuberculosis, Melbourne's gritty northern suburbs and a boss who twice tried to sack him in his first six months in newspapers, to become a foreign correspondent and then one of Australia's feistiest and most controversial editors. His CV boasts editorships of The Age, The Sunday Age, Herald Sun, Who Weekly, The Weekend Australian Magazine, even a stint at America's celeb-news bible, People. Then, just as he claimed one of the industry's most glittering prizes, he fell foul of Rupert Murdoch and his henchmen, who promptly dispensed with his services. What would any self-respecting Broadmeadows boy do in such circumstances? Sue them, of course. Man Bites Murdoch exposes the back rooms of Australian business, politics and media and offers a front-row seat at the many seismic events that played out over the last 20 years, including Murdoch's relentless push for growth both here and overseas, young Warwick Fairfax's ill-fated takeover of the family company and the extraordinary impact of the internet.
This volume proposes a unified weight theory that challenges traditionally held beliefs regarding the vowel/consonant dichotomy inherent in moraicity and illuminates many previously intractable issues.
Most books about film production assume that you have an idea and a script to shoot. Most screenwriting books are geared to how to write a script that you can sell to Hollywood (as though the authors of these books had the slightest clue) and do not take into consideration that you might be shooting the script yourself, possibly with your own money. This book is about how to write a script properly that you can rationally shoot, how to shoot it, how to finish it, how to sell it, and also how to get it shown.
Recounting the more than century-long stage and screen history of J.M. Barrie's play Peter Pan, Bruce K. Hanson updates and expands his 1993 volume on "The Boy Who Wouldn't Grow Up." Hanson traces the origin of Barrie's tale through the first London production in 1904, to various British and American theatrical and film productions up to and including the stage versions of 2010. Included are excerpts of interviews with actresses Dinah Sheridan, Mary Martin and Sandy Duncan, all of whom portrayed Peter Pan on stage, and Betty Comden and Adolph Green, lyricists for the 1954 Broadway musical. The book features a wealth of rare photos, posters, programs and costume designs. An appendix lists virtually every actor who has performed a featured role in a London, Broadway or Hollywood production of Peter Pan from 1904 to the present.
This study explores the parallel histories of the Mayo Clinic, the care of patients with heart disease, and specialization in cardiology during the twentieth century. Chapters are devoted to such technologies as open-heart surgery, coronary angiography, and echocardiography, and to the key individuals, instituions, and innovations that played vital roles in the technologies that transformed heart care.--From publisher description.
Just as Frank Sinatra had an additional and invaluable career as the great preservationist and evangelist of the American popular song (with particular focus on the Lost and Found), so author-actor-singer-director Bruce Kimmel has additionally served the cause of Broadway and Hollywood beyond measure, producing some of the most memorable vocalists of our time in recordings that give new life to music that might otherwise be forgotten, while renewing and revitalizing the theatrical canon with his impeccable taste and unerring musicality. In his usual engaging and endearing style, he at last gives us a first-hand view of his process. For this terrific chronicle, and for his immeasurable contribution to musical theatre, we can only give our most inadequate thanks. Rupert Holmes, Tony and Edgar award-winning playwright and novelist Bruce Kimmel's rollicking memoir, Theres Mel, Theres Woody, and Theres You, left his fans begging for more. Thankfully, the theatre gods are kind and answered our prayers. Actor, director, composer, playwright, novelist, film-maker...and good at all of them, Kimmel has reinvented himself more times than Madonna and had more lives than a cat. In Album Produced by, he now shape-shifts into what may be his greatest theatrical incarnationas the foremost album producer of theatre music in the last twenty-five years. Through time and labels, his amazing career fluctuates with more highs and lows than the sliding dials on a soundboard and is sweetened with the usual Kimmel witlaced raconteurism.Whether working with the greats (Carol Channing, Lauren Bacall, Dorothy Louden, Ann-Margret, to name a few) or promoting and often discovering the next big musical stars of Broadway, our intrepid hero battles lessthan- visionary bosses, broken promises, harried orchestrators, enraged engineers, the occasional disgruntled diva, and the mysterious crooner, Guy Haines. But he manages to defeat all obstacles and egos in his way, emerging triumphant to dance in divine syncopation with the glorious music he creates. To know the stories behind all those wonderful albums is to listen to them with fresh ears and a new appreciation of the talent, tears, and genius that went into them. Charles Edward Pogue, screenwriter of Dragonheart, DOA, & The Fly
Located where the Pequonnock River empties into the Long Island Sound, Bridgeport became an important coastal city before land transportation was significant. It developed a thriving sea-based trade and industry, and with its proximity to New York City, invited visitors who were looking for excitement and people who were searching for a place to settle. Bridgeport on the Sound portrays Bridgeport as not only an interesting and beautiful coastal city but also a historically significant one. By showing how the early inhabitants lived, worked, and played, it offers insight into how the past affects those connected with the city today. While coastal trade was booming, Bridgeport played an important role in the manufacture of wartime equipment during World Wars I and II. However, Bridgeport may be best known as the chosen hometown of America's greatest showman, P.T. Barnum, and as the site of a grand oceanfront park designed by landscape architect Frederick Law Olmsted.
Research shows that between birth and early adulthood the brain requires sensory stimulation to develop physically. The nature of the stimulation shapes the connections among neurons that create the neuronal networks necessary for thought and behavior. By changing the cultural environment, each generation shapes the brains of the next. By early adulthood, the neuroplasticity of the brain is greatly reduced, and this leads to a fundamental shift in the relationship between the individual and the environment: during the first part of life, the brain and mind shape themselves to the major recurring features of their environment; by early adulthood, the individual attempts to make the environment conform to the established internal structures of the brain and mind. In Brain and Culture, Bruce Wexler explores the social implications of the close and changing neurobiological relationship between the individual and the environment, with particular attention to the difficulties individuals face in adulthood when the environment changes beyond their ability to maintain the fit between existing internal structure and external reality. These difficulties are evident in bereavement, the meeting of different cultures, the experience of immigrants (in which children of immigrant families are more successful than their parents at the necessary internal transformations), and the phenomenon of interethnic violence. Integrating recent neurobiological research with major experimental findings in cognitive and developmental psychology—with illuminating references to psychoanalysis, literature, anthropology, history, and politics—Wexler presents a wealth of detail to support his arguments. The groundbreaking connections he makes allow for reconceptualization of the effect of cultural change on the brain and provide a new biological base from which to consider such social issues as "culture wars" and ethnic violence.
Thanks for the memories—well, maybe not. It has been hard work getting over the break up of the fifteen-hundred-year Anglican marriage of church and state—the so-called English Christendom. It is still a work in progress because the marriage left behind so many unconscious assumptions about power, institutions, and community relations. The first group of essays in this book challenges some of the frozen elements in church institutions, in particular habits of orthodoxy, catholicity, and canonical Scripture. They are framed in the context of the struggles of the Anglican Communion. The second set of essays refer to the Anglican Church of Australia and some attempts at de-frosting its institutions. These are lectures and papers given across Australia mostly during the author’s time as General Secretary of the Anglican Church of Australia. The last essay is an account of a current struggle over the blessing of a same-sex couple legally married under recently changed civil law. It illustrates the role of the constitution of the church in this dispute. The loose federation of dioceses in the constitution has generally enabled dioceses to live separately. The danger in this has been the specter of a church made up of diocesan silos rather than of engaged fellowship. However, the federal structure does not need to work that way. Indeed, in the present conflict situation this very looseness could be used to provide space for more respectful engagement. How this crisis is handled will be an early clue as to whether the church is up to it.
Anglicans around the world have responded to the gospel in many different cultural contexts. This has produced different customs and different ways of thinking about church issues. In the process of enculturation Anglicans have found themselves encountering social and political realities as malign forces against which they have had to struggle. As a consequence, the personal and local dynamic in Anglicanism has created not just diversity of custom and mental habits, but it has done so at pointsthat have been vital to the way Anglicans have been committed to the gospel. Conflict and the Practice of Christian Faith looks at the process by which local traditions developed in Christianity and how these traditions have related to other sub-traditions of the universal church. It assesses some specifics of the Anglican experience and argues for a significant re-casting of some prominent elements of that tradition, at the same time clarifying some of the distinctive elements in the Anglican tradition. This leads to a more nuanced appreciation of the force of the social and political framework within which Anglicans have had to work out their salvation and of the different forms of secular society and different understandings of plurality and diversity. It also entails showing how the imperial route to catholicity took no firm root in Anglicanism. Going global has been a significant experiment in Anglican ecclesiology that is by no means over yet. The terms of that experiment lie atthe heart of the current Anglican debates. The book will be of interest to Christians generally who belong to faith traditions spread across different cultures. It is also a case study of the issues of global reach and local tradition.
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