The book is designed as an introductory text for journalism courses but would also be useful for related classes such as magazine and feature writing, principles of journalism, and news editing."--Jacket.
At his death on the eve of the 20th century, D.L. Moody was widely recognized as one of the most beloved and important of men in 19th-century America. A Chicago shoe salesman with a fourth grade education, Moody rose from obscurity to become God's man for the Gilded Age. He was the Billy Graham of his day--indeed it could be said that Moody invented the system of evangelism that Graham inherited and perfected. Bruce J. Evensen focuses on the pivotal years during which Moody established his reputation on both sides of the Atlantic through a series of highly popular and publicized campaigns. In four short years Moody forged the bond between revivalism and the mass media that persists to this day. Beginning in Britain in 1873 and extending across America's urban landscape, first in Brooklyn and then in Philadelphia, New York, Chicago, and Boston, Moody used the power of prayer and publicity to stage citywide crusades that became civic spectacles. Modern newspapers, in the grip of economic depression, needed a story to stimulate circulation and found it in Moody's momentous mission. The evangelist and the press used one another in creating a sense of civic excitement that manufactured the largest crowds in municipal history. Critics claimed this machinery of revival was man-made. Moody's view was that he'd rather advertise than preach to empty pews. He brought a businessman's common sense to revival work and became, much against his will, a celebrity evangelist. The press in city after city made him the star of the show and helped transform his religious stage into a communal entertainment of unprecedented proportions. In chronicling Moody's use of the press and their use of him, Evensen sheds new light on a crucial chapter in the history of evangelicalism and demonstrates how popular religion helped form our modern media culture.
The book is designed as an introductory text for journalism courses but would also be useful for related classes such as magazine and feature writing, principles of journalism, and news editing."--Jacket.
An anthology of 31 essays by the philosophically gifted selected by the editors as historically significant to the "post" in postmodernism, exhibiting the shift away from documentation and interpretation to an exploration of significance. The collection begins with Francis Bacon and Rene Descartes, traveling into 19th century social theory with Marx and Nietzsche, the challenges to those theories presented by Dewey and Kuhn, and the deconstruction of modernity with Foucault, Derrida, and Cornel West. In the final section, Habermas and Benhabib (among others) respond to postmodernism, taking us into the post postmodern contexts of the future. Lacks an index. Annotation copyright by Book News, Inc., Portland, OR
An anthology of 31 essays by the philosophically gifted selected by the editors as historically significant to the "post" in postmodernism, exhibiting the shift away from documentation and interpretation to an exploration of significance. The collection begins with Francis Bacon and Rene Descartes, traveling into 19th century social theory with Marx and Nietzsche, the challenges to those theories presented by Dewey and Kuhn, and the deconstruction of modernity with Foucault, Derrida, and Cornel West. In the final section, Habermas and Benhabib (among others) respond to postmodernism, taking us into the post postmodern contexts of the future. Lacks an index. Annotation copyright by Book News, Inc., Portland, OR
Journalism and the American Experience offers a comprehensive examination of the critical role journalism has played in the struggle over America’s democratic institutions and culture. Journalism is central to the story of the nation’s founding and has continued to influence and shape debates over public policy, American exceptionalism, and the meaning and significance of the United States in world history. Placed at the intersection of American Studies and Communications scholarship, this book provides an essential introduction to journalism’s curious and conflicted co-existence with the American democratic experiment.
At his death on the eve of the 20th century, D.L. Moody was widely recognized as one of the most beloved and important of men in 19th-century America. A Chicago shoe salesman with a fourth grade education, Moody rose from obscurity to become God's man for the Gilded Age. He was the Billy Graham of his day--indeed it could be said that Moody invented the system of evangelism that Graham inherited and perfected. Bruce J. Evensen focuses on the pivotal years during which Moody established his reputation on both sides of the Atlantic through a series of highly popular and publicized campaigns. In four short years Moody forged the bond between revivalism and the mass media that persists to this day. Beginning in Britain in 1873 and extending across America's urban landscape, first in Brooklyn and then in Philadelphia, New York, Chicago, and Boston, Moody used the power of prayer and publicity to stage citywide crusades that became civic spectacles. Modern newspapers, in the grip of economic depression, needed a story to stimulate circulation and found it in Moody's momentous mission. The evangelist and the press used one another in creating a sense of civic excitement that manufactured the largest crowds in municipal history. Critics claimed this machinery of revival was man-made. Moody's view was that he'd rather advertise than preach to empty pews. He brought a businessman's common sense to revival work and became, much against his will, a celebrity evangelist. The press in city after city made him the star of the show and helped transform his religious stage into a communal entertainment of unprecedented proportions. In chronicling Moody's use of the press and their use of him, Evensen sheds new light on a crucial chapter in the history of evangelicalism and demonstrates how popular religion helped form our modern media culture.
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