Recovering from injuries received in the desert, Luftwaffe fighter ace Jochen Murville dreams of playing the piano and living in Sweden with Gerda, the Jewish woman whose escape from Germany he engineered. However, his engagement to Lotte still stands – no matter how much her Nazi beliefs horrify him. Germany is being bombed night and day and Hitler, when Jochen meets him, seems deluded. Where is the country going? With the Russians advancing on Berlin and the end approaching for the Nazi Reich, will Jochen escape the cataclysm? Following on from the events of The Best One There and inspired by the character of Hans-Joachim Marseille, The End of It is a powerful and gripping study of the downfall of the Third Reich and of the fate of a humane man as it collapses.
The German Army of World War II was the first to fully realise the benefits of using airborne troops alongside armoured formations. German Airborne Divisions became an integral part of the blitzkrieg operations that overran much of Western Europe during 1940 and 1941, from the historic raid on the Belgian fortress of Eben-Emael to the pyrrhic victory over British and Commonwealth forces on the island of Crete. This title looks at the creation, evolution, and early operational deployment of the German airborne forces ('Fallschirmtruppe'), through highly detailed orders of battle, TOEs and examinations of crucial aspects such as doctrine, training, command and control, and the concept of vertical envelopment.
This volume provides an abundance of information on the history of capital punishment, and ongoing opposition to it. Author Bruce E.R. Thompson includes narratives on well-known figures on both sides of the issue. Various methods of execution are explained and their use placed in historical context. Legal terminology important to the debate is defined and explained.
Based on previously classified documents and on interviews with former secret police officers and ordinary citizens, The Firm is the first comprehensive history of East Germany's secret police, the Stasi, at the grassroots level. Focusing on Gransee and Perleberg, two East German districts located north of Berlin, Gary Bruce reveals how the Stasi monitored small-town East Germany. He paints an eminently human portrait of those involved with this repressive arm of the government, featuring interviews with former officers that uncover a wide array of personalities, from devoted ideologues to reluctant opportunists, most of whom talked frankly about East Germany's obsession with surveillance. Their paths after the collapse of Communism are gripping stories of resurrection and despair, of renewal and demise, of remorse and continued adherence to the movement. The book also sheds much light on the role of the informant, the Stasi's most important tool in these out-of-the-way areas. Providing on-the-ground empirical evidence of how the Stasi operated on a day-to-day basis with ordinary people, this remarkable volume offers an unparalleled picture of life in a totalitarian state.
In the cold morning of June 6, 1944, thousands of German soldiers are in position from Port en Bessin eastwards past Colleville on the Normandy coast, aware that a massive invasion force is heading straight for them. According to Allied Intelligence, they shouldn't be there. 352 infantry division would ensure the invaders would pay a massive price to take OMAHA beach. There were veterans from the Russian front amongst them and they were well trained and equipped. The presence of 352 Division meant that the number of defenders was literally double the number expected – and on the best fortified of all the invasion beaches. What makes this account of the bloody struggle unique is that it is told from the German standpoint, using firsthand testimony of German combatants. There are not many of them left and these accounts have been painstakingly collected by the authors over many years.
From dark fairy tales to creepy science fiction to a theological mystery set in the Old West, the mind of Bruce Holland Rogers takes you to territories of the bizarre: Wall Street, Suburbia, and Mexico.
A fascinating book that sets Bowlby and Winnicott in context and relation to one another to provide a new perspective on both, as well as providing a welcome testimony to their enduring legacy.
The growing use and appreciation of the Common Lectionary (Revised) has stimulated renewed attention to the Christian calendar in its fullness and an enrichment of liturgical worship. In this volume, Bruce Taylor offers a collection of theologically rich, sacramentally sensitive, and biblically centered sermons for the Sundays and feast days in the first half of Year A of the Lectionary, featuring Gospel readings from Matthew with attention to the accompanying Old Testament and epistolary texts. Included is a sampling of sermons written as engaging stories, and a sermon presented during the Week of Prayer for Christian Unity. Preachers will find here encouragement for their own homiletical observance of the liturgical year and ecumenical celebrations, and the mutual and intimate relationship between Word and Sacrament. All readers will find a thoughtful and stimulating resource for their own life of faith, witness, and devotion.
The first book to examine the connection between gender and memory in Grass's oeuvre, which is especially timely in light of current concerns about male privilege.
In the first English-language history of the Berlin zoo, Gary Bruce traces the fascinating story of one of Germany's most popular cultural institutions, from its 19th century displays of "exotic" peoples to Nazi attempts to breed back long-extinct European cattle. As an institution with broad public reach, the zoo for more than 150 years shaped German views not only of the animal world, but of the human world far beyond Germany's borders.
The Weimar Republic of Germany, covering the post-World War I period of civil and governmental strife, witnessed a great struggle among a variety of ideologies, a struggle for which the arts provided one important arena. Leftist individuals and organizations critiqued mainstream art production and attempted to counter what they perceived as its conservative-to-reactionary influence on public opinion. In this groundbreaking study, Bruce Murray focuses on the leftist counter-current in Weimar cinema, offering an alternative critical approach to the traditional one of close readings of the classical films. Beginning with a brief review of pre-Weimar cinema (1896-1918), he analyzes the film activity of the Social Democratic Party, the German Communists, and independent leftists in the Weimar era. Leftist filmmakers, journalists, and commentators, who in many cases contributed significantly to marginal leftist as well as mainstream cinema, have, until now, received little scholarly attention. Drawing on exhaustive archival research and personal interviews, Murray shows how the plurality of aesthetic models represented in the work of individuals who participated in leftist experiments with cinema in the 1920S collapsed as Germany underwent the transition from parliamentary democracy to fascist dictatorship. He suggests that leftists shared responsibility for that collapse and asserts the value of such insights for those who contemplate alternatives to institutional forms of cinematic discourse today.
Few of the combatants of World War II have captured the imagination as compulsively as the Fallschirmjäger. Boldness and courage were vital characteristics in the rigorous selection process, and their training was highly demanding. Hitler's airborne troops were involved in some of the most daring actions of the whole war; from the 1940 assault on Eben Emael and the invasion of Crete in 1941, to the rescue of Mussolini and the attempt on Tito's life. In addition, they saw service as elite line infantry in the key theatres of North West Europe, North Africa and the Eastern Front. This title looks at the life and experiences of the average Fallschirmjäger, and includes first-hand accounts from different theatres and periods of the war.
This is the story of Allied fighter pilots and the part they played in all the principal operational theatres of World War II. It also tells of life on the wartime airfield and how ground crew kept the aircraft ready for action either in the bitter cold of a Scottish winter or the sweltering heat of the North African desert. The book brings home the nervous strain caused by the constant readiness demanded by all those involved with fighter squadron combat and the intense comradeship created in each fighting unit.
According to Simon Wiesenthal, nearly half of the crimes associated with the Holocaust were committed by Austrians, who comprised just 8.5 percent of the population of Hitler's Greater German Reich. Bruce Pauley's book explains this phenomenon by providing a history of Austrian anti-Semitism and Jewish responses to it from the Middle Ages to the present, with a particular focus on the period from 1914 to 1938. In contrast to works that view anti-Semitism as an inherent national characteristic, his account identifies many sources and varieties of the anti-Semitic sentiment that pervaded Austrian society on the eve of the Holocaust.
Charles Demuth is widely recognized as one of the most significant American modernists. His precisionist cityscapes, exquisite flowers, and free-wheeling watercolors of vaudeville performers, homosexual bathhouses, and cabaret scenes hang in many of the country's most prestigious collections, including the Metropolitan Museum of Art, the Philadelphia Museum of Art, the Columbus Museum of Art, the Amon Carter Museum in Fort Worth, the Art Institute of Chicago, and in Demuth's Lancaster, Pennsylvania, family residence, now home of the Demuth Foundation. At a time when many American artists remained tied to Europe, Demuth "Americanized" European modernism. This collection of 155 of his letters offers valuable views of the arts and letters colonies in Provincetown, New York, and Paris. Besides offering information on Demuth's own works, the letters also shed light on the output of his contemporaries, as well as references to their trips, liaisons, and idiosyncrasies. Demuth numbered among his correspondents some of the most famous artists and writers of his time, inluding Georgia O'Keeffe, Eugene O'Neill, John Reed, Gertrude Stein, Alfred Stieglitz, Carl Van Vechten, and William Carlos Williams. In his travels in the United States and abroad, he encountered many other talented contemporaries: Peggy Bacon, Muriel Draper, Marcel Duchamp, the Stettheimer sisters, artists and writers, patrons, and gallery owners. Whether he is offering to pick up a copy of Joyce'sUlyssesfor Eugene O'Neill or trying to convince Georgia O'Keeffe to decorate his music room ("just allow that red and yellow 'canna' one to spread until it fills the room"), Demuth is always in the thick of art and literary life. Flamboyant in attire but descreet in his homosexuality, Demuth also reveals in his letters the life of a talented homosexual in the teens and twenties. With his best friends Robert Locher and Marsden Hartley, he circulated through the art colonies of Greenwich Village, Provincetown, and Paris, meeting everyone. The book also contains reprints of some short appraisals of Demuth and his work that were published during his lifetime, long out of print, including pieces by A. E. Gallatin, Angela E. Hagen, Marsden Hartley, Helen Henderson, Henry McBride, Carl Van Vechten, Rita Wells, and Willard Huntington Wright. Author note:Bruce Kellneris Emeritus Professor of English, Millersville University, and a member of the Demuth Foundation Board of Directors. He is the author or editor of 10 other books.
Too Big? identifies accountability standards. It examines five high-profile historical and current cases where accountability was/is flawed or missing: Robert Clive of the British East India Company, John D. Rockefeller of Standard Oil, Ralph Cordiner of General Electric, J. Edgar Hoover of the FBI, Mark Zuckerberg of Facebook/Meta. It shows how such people are not subjected to effective accountability. And it suggests remedies to improve accountability of those at the top of business, governmental and other organizations.
This volume offers critical assessments of Life of Jesus research in the last generation, with special emphasis on work that is quite recent. It will introduce graduate students to the field and will provide the veteran scholar with current bibliography and discussion of the issues. Topics treated include Jesus and Palestinian politics, Jesus tradition in Paul, Jesus in extracanonical Gospels, and Jesus' parables, miracles, death, and resurrection. The contributors are among the most widely recognized and respected Life of Jesus scholars. They include Marcus J. Borg, James H. Charlesworth, James D.G. Dunn, Sean Freyne, Richard Horsley, and Helmut Koester.
Nadel examines Joyce's identification with the dislocated Jew after his exodus from Ireland and analyzes the influence which Rabbinical hermeneutics and Judaic textuality had on his language. Biographical and historical information is used as well as Joyce's texts and critical theory.
A unique comparison between the two most numerous British and German tank types from 1941 to 1943. Although much has been written about the Panzer III, little attention has been given to the equally prominent Valentine tank. This work compares the respective strengths and weaknesses of these iconic tanks, which frequently went head-to-head in brutal battles across Europe, Libya, Egypt, and Tunisia. It documents the upgrades made to each AFV type over three years, as up-gunned and up-armoured variants – ever more lethal, ever more survivable – arrived in North Africa. Dr Bruce Newsome explores the two tanks' encounters, from the first Valentine vs Panzer III clashes in 1941, to the Axis drive into Egypt, and on to the Tunisian fighting of 1942–1943. Colour artworks include profile, weaponry and gunsight, and battlescene views of both tanks, while maps chart the campaigns in which they met. Each AVF's performance is also covered, along with their technical details, design evolution, and crew histories.
A well-crafted tale about trauma and miracles." -Kirkus Reviews Nicky Covo is a Holocaust survivor. In 1990, Nicky - a Brooklyn psychiatrist - receives a letter from Abbess Fevronia, the head of a women's monastery in Greece. Although Nicky believes the rest of his family died at Auschwitz, he learns that Theodora, a mysteriously silent nun who's lived at the monastery since 1944, may be his baby sister, Kal. With his old friend and new love, Helen, Nicky returns to Greece - to harrowing memories of his fighting with the partisans and to a reunion with his beloved sister. The Flight of the Veil explores the intersections of guilt and memory, faith and tragedy, fate and miracle.
Chronicles the Revolutionary War, describing the making of the army, the search for allies overseas, and the roles of the military and civilians in the fight against the British.
The giant conflagration of the First World War created the world we live in today, and its history is replete with stirring battles, mind-boggling strategies, and geopolitical manoeuvring. However, the real story was lived in the trenches of Europe and the lonely households of those left behind. The stories of this period are full of tragedy, anger, and loss but also inspirational courage. This special five-book bundle presents some of these stories, from brave Canadian contributions to the battlefields at Ypres and Amiens, to the specific untold story of Canada’s unheralded 58th Division, to an analysis of the myth and legend of air ace Billy Bishop, to the voice of one single soldier, Deward Barnes, told through his diary. These books provide new and enlightening perspectives on the war. Amiens Hell in Flanders Fields It Made you Think of Home The Making of Billy Bishop Second to None
A new, comprehensive review of the radiographic examination of the post-operative GI tract. Organized on an organ-by-organ basis, emphasis is placed on conventional studies, supplemented by cross-sectional imaging. Operative techniques and normal post-operative anatomy are depicted with many schematic line drawings. Normal changes, as well as early and late complications are discussed and abundantly illustrated. A must-have reference for general radiologists, specialists in gastrointestinal surgery and radiology medical libraries.
How does religion stimulate and feed imperial ambitions and violence? Recently this question has acquired new urgency, and in Religion, Empire, and Torture, Bruce Lincoln approaches the problem via a classic but little-studied case: Achaemenian Persia. Lincoln identifies three core components of an imperial theology that have transhistorical and contemporary relevance: dualistic ethics, a theory of divine election, and a sense of salvific mission. Beyond this, he asks, how did the Achaemenians understand their place in the cosmos and their moral status in relation to others? Why did they feel called to intervene in the struggle between good and evil? What was their sense of historic purpose, especially their desire to restore paradise lost? And how did this lead them to deal with enemies and critics as imperial power ran its course? Lincoln shows how these religious ideas shaped Achaemenian practice and brought the Persians unprecedented wealth, power, and territory, but also produced unmanageable contradictions, as in a gruesome case of torture discussed in the book’s final chapter. Close study of that episode leads Lincoln back to the present with a postscript that provides a searing and utterly novel perspective on the photographs from Abu Ghraib.
An intimate history of the Holocaust, drawn from the final days of a Jewish family in Munich Postcards to Hitler tells the story of a Jewish family in Munich living as close neighbors to the demagogue who becomes the Nazi Führer—Adolf Hitler. In a story passionately told by one of their descendants, the narrative begins as Benno Neuburger, a modest German land investor from Munich, and Anna Einstein, daughter of a cattle dealer, meet at a seder in Laupheim and soon marry. The year is 1907, a relatively prosperous, optimistic time for German Jews, and there is little hint that this good fortune might soon unravel. Of all the Jews in Europe, Germans like the Neuburgers feel most secure. When, on a warm July day in 1914, an assassination strikes an “obscure” Balkan corner of the continent, the news passes through Munich’s beer-gardens like a cold wind. Far from a fleeting chill, what follows is the time of prolonged bloodshed known as World War I, followed by a period of German humiliation, resurgent revolution, and a brief left-led democratic interlude in Munich. What might have been a site of socialist experimentation instead becomes the epicenter of German fascism, and as Benno and Anna and their extended families cling with vain hope to a peaceful resolution, their beloved haven degenerates into a state of racialized madness. A bloody pogrom is chased by a second world war, followed by evictions, “resettlements” and far worse, sounding an inescapable knell despite desperate and defiant acts of resistance. Postcards to Hitler is a deeply researched history drawn from personal interviews and archival documents including Benno’s and Anna’s final letters—written amid a slow-moving parade of horror until the frail boundaries between themselves and the Holocaust ultimately vanish.
No part of the Nazi movement contributed more to Hitler's success than the Sturmabteilung (SA)—the notorious Brown Shirts. Bruce Campbell offers the first in-depth study in English of the men who held the three highest ranks in the SA. Organized on military lines and fired by radical nationalism, the Brown Shirts saw themselves as Germany's paramilitary saviors. Campbell reveals that the homogeneity of the SA leadership was based not on class or status, but on common experiences and training. Unlike other investigations of the Nazi party, The SA Generals and the Rise of Nazism focuses on the military and political activities of the Brown Shirts to show how they developed into SA Leaders. By tracing the activities, both individual and collective, of these men's adult lives through 1945, Campbell shows where members acquired the experience necessary to build, lead, and administer the SA. These men were instrumental in creating the Nazi concept of "political soldiering," combining military organization with political activism. Campbell's enlightening portrait of the SA, its history, and its relationship to the overall Nazi movement reveals how the organization's leaders reshaped the SA over time to adapt to Germany's changing political concerns.
Progressive New York provides a firsthand portrait of one of the most exciting times in New York's and the nation's history: the progressive era, 1900–1920. This was a time of vast uncertainty and change—with major social and economic developments, including large-scale immigration, industrialization, and urbanization—roiling the nation. New Yorkers were among the first to confront and develop policies to deal with these issues. Political reformers made government more accountable; workers achieved shorter hours and better working conditions; social workers fought poverty and urban overcrowding; women achieved the right to vote; Black citizens advanced the cause of opportunity and equality; and, millions of immigrants enriched New York's culture. Drawing on accounts from contemporary newspapers, periodicals, books, and other sources, this collection introduces readers to the foundational ideas of the modern era. Among the authors are such influential figures as Emma Goldman, Alain Locke, Jacob Riis, Mary Beard, Abraham Cahan, W.E.B. Du Bois, and many others.
The first systematic survey of Healthcare Infrastructure, this book describes the inevitable future of health systems. It gives a concrete plan for improved quality at diminished cost, via merger of personal medicine and public health. It discusses general aspects of infrastructure engineering and specific aspects of healthcare systems. It discusses current and future technologies for health measurement and management. This book outlines how the health of populations will be measured at the level of individuals, combining engineering and medicine to support viable health systems for the first time. This book is unique, in combining a systematic survey of health determinants with a research monograph on health technologies. Readers will gain a broad context and a deep knowledge of future information technology applied to health systems.
This thoroughly revised and updated third edition of the innovative and widely acclaimed Theatre Histories: An Introduction offers a critical overview of global theatre and drama, spanning a broad wealth of world cultures and periods. Bringing together a group of scholars from a diverse range of backgrounds to add fresh perspectives on the history of global theatre, the book illustrates historiographical theories with case studies demonstrating various methods and interpretive approaches. Subtly restructured sections place the chapters within new thematic contexts to offer a clear overview of each period, while a revised chapter structure offers accessibility for students and instructors. Further new features and key updates to this third edition include: A dedicated chapter on historiography New, up to date, case studies Enhanced and reworked historical, cultural and political timelines, helping students to place each chapter within the historical context of the section Pronunciation guidance, both in the text and as an online audio guide, to aid the reader in accessing and internalizing unfamiliar terminology A new and updated companion website with further insights, activities and resources to enable students to further their knowledge and understanding of the theatre.
A magnificent book. . . . Bruce Lancaster's text is terse, rapid, lucid, and dramatic . . . filled with the color and excitement of a grim and bloody war." – The New York Times The American Heritage History of the American Revolution is the complete chronicle of the Revolutionary War told in full detail. Lancaster starts his story with an examination of colonial society and the origins of the quarrel with England. He details the ensuing battles and military campaigns from Lexington and Concord to the surrender of Lord Cornwallis at Yorktown, as well as the tense political and social situation of the new nation. The American Heritage History of the American Revolution details the birth of America with insight and depth.
From the "angry young man" who wrote Who's Afraid of Virginia Woolf in 1962, determined to expose the emptiness of American experience to Tiny Alice which reveals his indebtedness to Samuel Beckett and Eugene Ionesco's Theatre of the Absurd, Edward Albee's varied work makes it difficult to label him precisely. Bruce Mann and his contributors approach Albee as an innovator in theatrical form, filling a critical gap in theatrical scholarship.
When Lady in the Dark opened on January 23, 1941, its many firsts immediately distinguished it as a new and unusual work. The curious directive to playwright Moss Hart to complete a play about psychoanalysis came from his own Freudian psychiatrist. For the first time since his brother George's death, Ira Gershwin returned to writing lyrics for the theater. And for émigré composer Kurt Weill, it was a crack at an opulent first-class production. Together Hart, Gershwin, and Weill (with a little help from the psychiatrist) produced one of the most innovative works in Broadway history. With a company of 101 and an astronomical budget, Lady in the Dark launched the career of a young nightclub performer named Danny Kaye and starred Gertrude Lawrence in the greatest triumph of her career. With standees at many performances, Lady in the Dark helped establish the practice of advance ticket sales on the Great White Way, while Paramount Pictures' bid for the film rights broke all records. New York Times drama critic Brooks Atkinson hailed the production as "splendid," anointed Kurt Weill 'the best writer of theatre music in the country,' and worshiped Gertrude Lawrence as "a goddess." Though Lady in the Dark was a smash-hit, it has never enjoyed a Broadway revival, and a certain mystique has grown up around its legendary original production. In this ground-breaking biography, bruce mcclung pieces together the musical's life story from sketches and drafts, production scripts, correspondence, photographs, costume and set designs, and thousands of clippings from the star's personal scrapbooks. He has interviewed eleven members of the original company to provide a one-of-a-kind glimpse into the backstage story. The result is a virtual ticket to opening night, the saga of how this musical play came to be, and the string of events that saved the experimental show at every turn. Although America was turned upside down by Pearl Harbor after the production was on the boards, Lady in the Dark played an important role for the war effort and rang up 777 performances in 12 cities. In what may be the most illuminating study of a single Broadway musical, this biography brings Lady in the Dark back to the spotlight and puts readers in the front row.
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