Vashon-Maury Island lies between Seattle and Tacoma and is connected to the mainland by the Washington State Ferries. The bridge proposed in the 1950s and 1960s did not materialize, which helped retain the island's isolation and rural lifestyle. Like other Puget Sound islands, its original economy was based on logging, fishing, brick-making, and agriculture, especially its strawberries. Island industries included the largest dry dock on the West Coast, shipbuilding, and ski manufacturing. Distinct from the other islands, Vashon-Maury is the only one whose major town is not on the water. Originally inhabited for thousands of years by the S'Homamish people, the island's first white settler arrived in 1865. Today, 145 years later, the population is more than 11,000.
Reachable only by ferry, Vashon Island is a breathtaking rural retreat from the bustling activity of nearby Seattle and Tacoma. The island's first inhabitants, the sx???bab", took advantage of its evergreen forests and rich marine resources. In 1792, George Vancouver was the first Anglo to discover the island and named it after Captain James Vashon. By the late 1800s, the first white settlers had established farms and greenhouses that supplied nearby cities with berries, tomatoes and cucumbers. Ferries drove development in the later half of the century, introducing new industries and tourism to the area. While both influenced by and isolated from the mainland, the island developed its own unique character treasured by locals. Merging human and natural history, author Bruce Haulman presents the rich heritage of this thriving community.
There are many lessons to be learned from the Vietnam War, foremost among them being that war as an instrument of peace is not viable. Solheim provides a full picture of the war era at home and in Southeast Asia by combining historical narrative with biographical profiles and personal reflections. He allows the story to unfold in multiple layers, as seen through the eyes of those who were involved on all sides of the conflict: the North Vietnamese, the South Vietnamese, the American generals and politicians, and the American war correspondents and antiwar protestors. With this book, Solheim explores, and hopes to answer, vital questions about the American war in Vietnam. What is the meaning and significance of the Vietnam War for Americans today? What lessons have Americans learned from our defeat and how should we apply that knowledge in implementing current foreign policy? Who or what is to be blamed for the loss in Vietnam? How can we heal our nation from the Vietnam War syndrome? How do we fit the Vietnam War era into our greater historical narrative?
In life, Benjamin Franklin sought to manage debt, organize credit, build capital and promote virtue. After death, he continued this work by leaving a codicil to his last will and testament, bequeathing £2,000 to Boston and Philadelphia. This study examines Franklin’s codicil and the financial history of America over the 200 years since his death.
In early 1942, while the American military was still in disarray from the devastating attacks on Pearl Harbor and the Philippines, a single U.S. Army squadron advanced to the far side of the world to face America's new enemy. Based in Australia with inadequate supplies and no ground support, the squadron's pilots and combat crew endured tropical diseases while confronting numerically superior Japanese forces. Yet the outfit, dubbed the Kangaroo Squadron, proved remarkably resilient and successful, conducting long-range bombing raids, carrying out armed reconnaissance missions, and rescuing General MacArthur and his staff from the Philippines. Before now, the story of their courage and determination in the face of overwhelming odds has largely been untold. Using eyewitness accounts from diaries, letters, interviews, and memoirs, as well as Japanese sources, historian Bruce Gamble brings to vivid life this dramatic true account. But the Kangaroo Squadron's story doesn't end in World War II. One of the squadron's B-17 bombers, which crash-landed on its first mission, was recovered from New Guinea after almost seventy years in a jungle swamp. The intertwined stories of the Kangaroo Squadron and the "Swamp Ghost" are filled with thrilling accounts of aerial combat, an epic survival story, and the powerful mystique of an invaluable war relic.
A master storyteller presents a riveting drama of America's first "crime of the century"--from murder investigation to a church sex scandal to celebrity trial--and its aftermath. In December 1832 a farmer found the body of a young, pregnant woman hanging near a haystack outside a New England mill town. When news spread that Methodist preacher Ephraim Avery was accused of murdering Sarah Maria Cornell, a factory worker, the case gave the public everything they found irresistible: sexually charged violence, adultery, the hypocrisy of a church leader, secrecy and mystery, and suspicions of insanity. Murder in a Mill Town tells the story of how a local crime quickly turned into a national scandal that became America's first "trial of the century." After her death--after she became the country's most notorious "factory girl"--Cornell's choices about work, survival, and personal freedom became enmeshed in stories that Americans told themselves about their new world of industry and women's labor and the power of religion in the early republic. Writers penned seduction tales, true-crime narratives, detective stories, political screeds, songs, poems, and melodramatic plays about the lurid scandal. As trial witnesses, ordinary people gave testimony that revealed rapidly changing times. As the controversy of Cornell's murder spread beyond the courtroom, the public eagerly devoured narratives of moral deviance, abortion, suicide, mobs, "fake news," and conspiracy politics. Long after the jury's verdict, the nation refused to let the scandal go. A meticulously reconstructed historical whodunit, Murder in a Mill Town exposes the troublesome workings of criminal justice in the young democracy and the rise of a sensational popular culture.
Reachable only by ferry, Vashon Island is a breathtaking rural retreat from the bustling activity of nearby Seattle and Tacoma. The island s first inhabitants, the sx bab, took advantage of its evergreen forests and rich marine resources. In 1792, George Vancouver was the first Anglo to discover the island and named it after Captain James Vashon. By the late 1800s, the first white settlers had established farms and greenhouses that supplied nearby cities with berries, tomatoes and cucumbers. Ferries drove development in the later half of the century, introducing new industries and tourism to the area. While both influenced by and isolated from the mainland, the island developed its own unique character treasured by locals. Merging human and natural history, author Bruce Haulman presents the rich heritage of this thriving community.
Vashon-Maury Island lies between Seattle and Tacoma and is connected to the mainland by the Washington State Ferries. The bridge proposed in the 1950s and 1960s did not materialize, which helped retain the island's isolation and rural lifestyle. Like other Puget Sound islands, its original economy was based on logging, fishing, brick-making, and agriculture, especially its strawberries. Island industries included the largest dry dock on the West Coast, shipbuilding, and ski manufacturing. Distinct from the other islands, Vashon-Maury is the only one whose major town is not on the water. Originally inhabited for thousands of years by the S'Homamish people, the island's first white settler arrived in 1865. Today, 145 years later, the population is more than 11,000.
Bruce Nauman (1941 -) is arguably the most influential artist at work in the world today. His pioneering explorations of sculpture, performance, film, video, neon and sound art have seen him investigating areas of art practice years before his peers, providing inspiration for innumerable artistic careers. Nauman has always drawn on a wide range sources for his own work, including the philosophy of Wittgenstein, the music and writings of John Cage, Gestalt Therapy, and literary sources including Alain Robbe-Grillet, Elias Cannetti and Samuel Beckett. He has collaborated with a wide range of film-makers, musicians, dancers and artists including Jasper Johns, Richard Serra, Meredith Monk, Terry Allen and Merce Cunningham. In 1989 he married the artist Susan Rothernberg and moved his home and studio to a ranch in New Mexico, where he indulges an increasingly intense interest in training horses. He has exhibited internationally since the mid 1960s.
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