An illustrated memoir by renowned New Yorker cartoonist Bruce Eric Kaplan. “If The Little Prince had crash-landed, instead of in the Sahara, into a middle-class Jewish home in Maplewood, N.J. in the late 1960s, it might feel something like I Was a Child.”—The Hollywood Reporter Bruce Eric Kaplan, also known as BEK, is one of the most celebrated and admired cartoonists in America. I Was a Child is the story of his childhood in suburban New Jersey, detailing the small moments we all experience: going to school, playing with friends, family dinners, watching TV on a hot summer night, and so on. It would seem like a conventional childhood, although Kaplan's anecdotes are accompanied by his signature drawings of family outings and life at home-road trips, milk crates, hamsters, ashtrays, a toupee, a platypus, and much more. Kaplan's cartoons, although simple, are never straightforward; they encompass an easy irony and dark humor that often cuts straight to the truth of experience. Brilliantly relatable and genuinely moving, I Was a Child is about our attempts to understand the mysteries that are our parents, our families, and ourselves.
A darkly comic memoir about being a working creative person in a world that is growing ever more dysfunctional, by acclaimed New Yorker cartoonist and television writer Bruce Eric Kaplan. In January 2022, Bruce Eric Kaplan found himself confused and upset by the state of the world and the state of his life as a television writer in Los Angeles. He started a journal to keep from going mad, which eventually became They Went Another Way. The book’s through line traces his attempt to get a television project set up in the increasingly Byzantine world of Hollywood. But as he details the project’s ups and downs, Kaplan finds himself ruminating not only on show business but also on today’s political and social issues, on old movies and TV shows and music, on his family, on his friends, on his past, on his failing heating system, and on all the dead birds that keep showing up in his backyard. This hilarious and surprisingly moving book is about life—about art, about love, about alienation, about connection, about ugliness and beauty, about disappointment, wonder, and hope. In short, it is about everything.
From the author/illustrator of Monsters Eat Whiny Children comes a humorous tale about learning to accept your family—even if one of them is an alien. Teddy isn’t excited about Cousin Irv’s visit. Cousin Irv is too weird. He steals Teddy’s pillow, eats Teddy’s food, and even plays with Teddy’s action figures. Not to mention that Cousin Irv is from MARS. What will Teddy’s friends say? But it turns out that everyone at school loves Cousin Irv. Not only is he from a different planet, he can vaporize things! Maybe cousins from Mars aren’t so bad after all... Illustrated with clever simplicity in New Yorker cartoonist Bruce Kaplan’s trademark style and filled with out-of-this-world whimsy, Cousin Irv from Mars is an interplanetary treat that begs to be shared.
Famed "New Yorker" cartoonist and bestselling author Kaplan depicts the catastrophic and humorous consequences of sibling rivalry in this companion to his "Monsters Eat Whiny Children." Full color.
Dad has warned Henry and Eve: If you whine too much, monsters will eat you. Henry and Eve don’t listen, of course. The only problem is, when the monster comes, he can’t find the right recipe for whiny children—and neither can his monster friends! A whiny child salad doesn’t work because there’s paprika in the dressing. A whiny child cake won’t do because the flour spills all over the floor. And whiny child burgers are out of the question because the grill is too hard to light up. Arguments and hilarity ensue. And just when our persnickety monsters decide on the perfect dish…the worst thing of all happens….
In this brilliant new cartoon collection, Bruce Eric Kaplan examines the lives and loves of anxious housewives, mournful insects, crabby senior citizens, self-righteous toddlers, bitter sheep, and befuddled businessmen, among others. If you are one of the above, or know anyone who is, or ever hope to be one yourself, this book is for you.
An illustrated memoir by renowned New Yorker cartoonist Bruce Eric Kaplan. “If The Little Prince had crash-landed, instead of in the Sahara, into a middle-class Jewish home in Maplewood, N.J. in the late 1960s, it might feel something like I Was a Child.”—The Hollywood Reporter Bruce Eric Kaplan, also known as BEK, is one of the most celebrated and admired cartoonists in America. I Was a Child is the story of his childhood in suburban New Jersey, detailing the small moments we all experience: going to school, playing with friends, family dinners, watching TV on a hot summer night, and so on. It would seem like a conventional childhood, although Kaplan's anecdotes are accompanied by his signature drawings of family outings and life at home-road trips, milk crates, hamsters, ashtrays, a toupee, a platypus, and much more. Kaplan's cartoons, although simple, are never straightforward; they encompass an easy irony and dark humor that often cuts straight to the truth of experience. Brilliantly relatable and genuinely moving, I Was a Child is about our attempts to understand the mysteries that are our parents, our families, and ourselves.
A darkly comic memoir about being a working creative person in a world that is growing ever more dysfunctional, by acclaimed New Yorker cartoonist and television writer Bruce Eric Kaplan. In January 2022, Bruce Eric Kaplan found himself confused and upset by the state of the world and the state of his life as a television writer in Los Angeles. He started a journal to keep from going mad, which eventually became They Went Another Way. The book’s through line traces his attempt to get a television project set up in the increasingly Byzantine world of Hollywood. But as he details the project’s ups and downs, Kaplan finds himself ruminating not only on show business but also on today’s political and social issues, on old movies and TV shows and music, on his family, on his friends, on his past, on his failing heating system, and on all the dead birds that keep showing up in his backyard. This hilarious and surprisingly moving book is about life—about art, about love, about alienation, about connection, about ugliness and beauty, about disappointment, wonder, and hope. In short, it is about everything.
From the author/illustrator of Monsters Eat Whiny Children comes a humorous tale about learning to accept your family—even if one of them is an alien. Teddy isn’t excited about Cousin Irv’s visit. Cousin Irv is too weird. He steals Teddy’s pillow, eats Teddy’s food, and even plays with Teddy’s action figures. Not to mention that Cousin Irv is from MARS. What will Teddy’s friends say? But it turns out that everyone at school loves Cousin Irv. Not only is he from a different planet, he can vaporize things! Maybe cousins from Mars aren’t so bad after all... Illustrated with clever simplicity in New Yorker cartoonist Bruce Kaplan’s trademark style and filled with out-of-this-world whimsy, Cousin Irv from Mars is an interplanetary treat that begs to be shared.
In this brilliant new cartoon collection, Bruce Eric Kaplan examines the lives and loves of anxious housewives, mournful insects, crabby senior citizens, self-righteous toddlers, bitter sheep, and befuddled businessmen, among others. If you are one of the above, or know anyone who is, or ever hope to be one yourself, this book is for you.
From Bruce Eric Kaplan, the author of Monsters Eat Whiny Children, comes a sidesplitting story about a dad’s determination to share a favorite book with his son, who would prefer to do anything else—perfect for fans of books by Jimmy Fallon and Jimmy Kimmel. Morris is excited to share his favorite childhood book with his son, Benny. The problem? Benny isn’t interested. Not even if it’s the last book in the pile. Not even if it’s the last book in the house. Not even if it’s the only book Morris brings on their desert vacation, and their plane has just left, and their train has just departed, and the camel they rode in on is far, far, away. And they are stranded. Not even then. Unless...?
Caustic, witty commentary is offered on the evils of our time by Bruce Eric Kaplan, the noted "New Yorker" cartoonist. 200 cartoon drawings throughout.
Famed "New Yorker" cartoonist and bestselling author Kaplan depicts the catastrophic and humorous consequences of sibling rivalry in this companion to his "Monsters Eat Whiny Children." Full color.
• Distinctive humor from a well-known artist: Bruce Eric Kaplan is one of the most popular cartoonists at The New Yorker . Known for his observational sense of humor and distinctive design, Kaplan’s work plays on modern foibles, juxtaposing droll, slice-of-life dialogue with slightly surreal situations. . • Just in time for Valentine’s Day: This latest collection from Kaplan employs his trademark incisive wit on the volatile passions and comic banalities that plague relationships of all kinds. As Kaplan notes in the Introduction, “everything we do, we do for one of three reasons: because we love someone, because we hate someone, or because we’re hungry.” No one can argue with that, or anything else in this wickedly funny new collection..
One Sunday afternoon, an ordinary couple named Edmund and Rosemary decide to go for a walk in their Brooklyn neighborhood. Within moments, they are plunged into a wonderful, nerve-racking, hilarious, unique adventure that begins with a cell phone and ends in a jungle halfway around the world. In Edmund and Rosemary Go to Hell, famed New Yorker cartoonist Bruce Eric Kaplan uses his trademark incisive wit to explore what it is that prevents us from seeing all that we have. By turns wickedly funny and oddly touching, this provocative and ultimately hopeful picture book for adults will appeal to anyone who has ever been stuck in traffic or, more to the point, stuck inside themselves.
Two words throw a family’s car trip into utter (and smelly) chaos in this hilarious story of denial from Bruce Eric Kaplan. The Krupkes are having a nice, peaceful Saturday morning drive to the grocery store when: it happens. Someone. Farts. The car is thrown into chaos. Sister turns against brother. Mom almost faints. Dad almost gets into an accident. The smell is so bad it’s criminal—so criminal they all end up in jail! And still no one will take responsibility for the odious odor. Will the Krupkes make it through this ordeal in one piece, or will they fracture from the unending accusations of “whoever smelt it dealt it?”
Dad has warned Henry and Eve: If you whine too much, monsters will eat you. Henry and Eve don’t listen, of course. The only problem is, when the monster comes, he can’t find the right recipe for whiny children—and neither can his monster friends! A whiny child salad doesn’t work because there’s paprika in the dressing. A whiny child cake won’t do because the flour spills all over the floor. And whiny child burgers are out of the question because the grill is too hard to light up. Arguments and hilarity ensue. And just when our persnickety monsters decide on the perfect dish…the worst thing of all happens….
The ubiquity of computer-generated imagery around us, in movies, advertising or on the Internet is already being taken for granted and what impresses most people is the photorealistic quality of the images. Pictures, as we have often been told, are worth a thousand words and the information transported by an image can take many different forms. Many computer graphics researchers are exploring non-photorealistic rendering techniques as an alternative to realistic rendering. Defined by what it is not, non-photorealistic rendering brings art and science together, concentrating less on the process and more on the communication content of an image. Techniques that have long been used by artists can be applied to computer graphics to emphasize subtle attributes and to omit extraneous information. This book provides an overview of the published research on non-photorealistic rendering in order to categorize and distill the current research into a body of usable techniques. A summary of some of the algorithms as well as pseudo-code for producing some of the images is included.
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