As seen in thrilling TikTok trailers comes an exciting fantasy league with twenty of the greatest heavyweight boxers in history colliding to see who’s the best ever. Readers are raving about Undisputed! ‘This is the best boxing book I’ve ever read’ ‘I was so immersed in the fights it felt like I was in the ring myself, once I put the book down couldn’t help shadow boxing with my cat…….the cat won’ 'If you like boxing or sport in general do yourself a favour and give this a read ' ……………………………………………………………………………… Ladies and gentlemen, it’s now time for the main event of book publishing. Steeped in history, the blue ribbon division has experienced some of the most awe-inspiring and exciting moments in sports. Today, in these very pages, we’ll pit the twenty greatest heavyweight boxers head-to-head to see who comes out on top. There will be no ducking tonight. Each warrior will fight the other in a fantasy league in some of the most exciting pugilistic combat to ever be written. Be witness to epic, non-stop action with 190 incredible fights, such as Muhammad Ali vs. Mike Tyson, Lennox Lewis vs. Riddick Bowe, George Foreman vs. Sonny Liston and Rocky Mariano vs. Joe Frazier. So let’s lace up those gloves and start the ring walks…
Contains over one thousand alphabetically arranged entries that provide information about the history of the world's navies, covering a period that ranges from the sixteenth through the twentieth century, and discussing major wars, naval battles, ships, warship technology, commanders, tactics, and other topics.
In Baptism: Three Views, editor David F. Wright has provided a forum for thoughtful proponents of three principal evangelical views on baptism to state their case, respond to the others, and then provide a summary response and statement. Sinclair Ferguson sets out the case for infant baptism, Bruce Ware presents the case for believers' baptism, and Anthony Lane argues for a mixed practice.
This is a narrative and interpretive history of a major institution of higher education. In it, the authors want to avoid the pitfalls of too many other "college histories," which are sometimes either painfully detailed encyclopaedic catalogues of "one damn thing after another" or panegyrics praising one damn president or construction project after another. Obviously, they want to tell an interesting story, focusing on the people who inhabited the institution, from powerful presidents like John R. Emens to boisterous students like David Letterman, whose fame as a late-night talk show host makes his name a household word. And they trace the history of the institution and its people from the local business people who pushed to establish higher education in a small Midwestern city in the late-19th century to a 21st-century president who spent most of his life in the South.But this is not simply a series of stories. The authors emphasise two crucial themes that run throughout Ball State's history. First, more than most American colleges and universities, Ball State has had extraordinarily close ties with the community of Muncie, especially its elite. From the fact that it was named after a local industrialist, to vital community participation in its latest fundraising campaign, Ball State and Muncie-East Central Indiana are inextricably linked.Second, in many ways Ball State is a "representative," even paradigmatic American university. Targeting mainly students from its region, Ball State has had virtually open admission standards for most of its history. It has lived what we call the "Jacksonian" vision of access to education. It has also followed a trajectory similar to many other American universities as it moved from normal school to teachers' college to comprehensive university. Indeed, the authors argue, it is the Ball States of America that best define this nation's "genius" in higher education, separating this country's system of higher education from those of other countries. Ball State University, then, is both distinctive and representative - a fascinating case study in educational history.
Very little has yet been written about the cultural or economic contributions of woodcarving to people's livelihoods or the consequences of felling hardwood and softwood trees for the international woodcarving trade. Carving Out a Future is the first examination of this trade and its critical links to rural livelihoods, biodiversity, conservation, forestry and the international trade regime. A range of case studies from Australia, Bali, India,Africa and Mexico provides a lens for examining the critical issues relating to the significant impacts of woodcarving on forests, conservation efforts, the need to promote sustainable rural livelihoods and efforts to promote trade so that skilled artisans in developing countries get a fair economic return. Livelihoods, Carving and Conservation * Global Overview * The Case of Woodcarving in Kenya * Drums and Hornbills * Sculpture and Identity * Carving Wood in Southern Zimbabwe * The Kiaat Woodcrafters of Bushbuckridge, South Africa * Carvers, Conservation and Certification in India * Colour, Sustainability and Market Sense in Bali * Aboriginal Woodcarvers in Australia * BurseraWoodcarving in Oaxaca, Mexico * Linaloe Wood Handicrafts * Learning from a Comparison of Cases * Carving, Sustainability and Scarcity * Certification of Woodcarving * Planning for Woodcarving in the 21st Century *
An indispensable collection that re-examines what it means to belong in the world. "Where are you from?" The word cosmopolitan was first used as a way of evading exactly this question, when Diogenes the Cynic declared himself a “kosmo-polites,” or citizen of the world. Cosmopolitanism displays two impulses—on the one hand, a detachment from one’s place of origin, while on the other, an assertion of membership in some larger, more compelling collective. Cosmopolitanisms works from the premise that there is more than one kind of cosmopolitanism, a plurality that insists cosmopolitanism can no longer stand as a single ideal against which all smaller loyalties and forms of belonging are judged. Rather, cosmopolitanism can be defined as one of many possible modes of life, thought, and sensibility that are produced when commitments and loyalties are multiple and overlapping. Featuring essays by major thinkers, including Homi Bhabha, Jean Bethke Elshtain, Thomas Bender, Leela Gandhi, Ato Quayson, and David Hollinger, among others, this collection asks what these plural cosmopolitanisms have in common, and how the cosmopolitanisms of the underprivileged might serve the ethical values and political causes that matter to their members. In addition to exploring the philosophy of Kant and the space of the city, this volume focuses on global justice, which asks what cosmopolitanism is good for, and on the global south, which has often been assumed to be an object of cosmopolitan scrutiny, not itself a source or origin of cosmopolitanism. This book gives a new meaning to belonging and its ground-breaking arguments call for deep and necessary discussion and discourse.
Despite a shared history and many common present practices, the relationship between theatre and film often remains uncertain. Does a close study of film enrich an understanding of drama on the stage? What ongoing connections do theatre and film maintain, and what elements do they borrow from each other? Does the relative popularity and accessibility of film lead to an increased scholarly defensiveness about qualities exclusive to theatrical performances? Do theatre and film demand two different kinds of attention from spectators, or do audiences tend to experience both in the same ways? The essays in “Theatre Symposium: Volume 19” present this dynamic coexistence of theatre and film, and examine the nature of their mutual influence on each other. Bruce McConachie, in his contribution to the collection, “Theatre and Film in Evolutionary Perspective,” argues that the cognitive functions used to interpret either media arise from the same evolutionary foundation, and that therefore the viewing experiences of theatre and film are closely linked to each other. In “Robert Edmond Jones: Theatre and Motion Pictures, Bridging Reality and Dreams,” Anthony Hostetter and Elisabeth Hostetter consider Jones’ influential vision of a “theater of the future,” in which traditional stage performances incorporate mediated video material into stage productions. Becky Becker’s “Nollywood: Film and Home Video, of the Death of Nigerian Theatre,” by focusing on the current conversation in Nigeria, discusses the anxiety generated by a film and video industry burgeoning into and displacing theatre culture These and the six other essays in “Theatre Symposium: Volume 19” shed light on the current state of affairs—the collaborations and the tensions—between two distinctly individual yet inextricably related artistic media.
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