This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in `1997.
This volume examines and outlines a Systemic Functional Linguistic (SFL) model of discourse analysis and its relationship to New Testament Greek. The book reflects upon how SFL has grown as a field since it was first introduced to New Testament Greek studies by Stanley E. Porter in the 1980s. Porter and Matthew Brook O'Donnell first introduce basic concepts regarding discourse analysis and the major approaches towards it within New Testament studies. They then provide a detailed exploration of discourse analysis in terms of the textual metafunction, beginning with an introduction to the architecture of language within SFL, before exploring several individual elements within it. By focusing upon these individual components – in particular, theme and information structure, markedness and prominence, and coherence and cohesive harmony – Porter and O'Donnell introduce and exemplify the major resources of the textual metafunction.
Takes dead aim at the conservative economic consensus that has dominated U.S. politics . . . Biting and necessary."—The American Prospect In this provocative, witty, and revealing polemic, Daniel Brook's The Trap argues that the exploding income gap—a product of the conservative ascendance—is systematically dismantling the American dream, as debt-laden, well-educated young people are torn between their passions and the pressure to earn six-figure incomes. Rising education, housing, and health-care costs have made it virtually impossible for all but the corporate elite to enjoy what were once considered middle-class comforts. Thousands are afflicted with a wrenching choice: take up residence on America's financial and social margins or sell out. And it's not just impoverished teachers and social workers, struggling to pay their rent, who are hurt. From the activist who works to give others a living wage but isn't paid one himself, to the universal health-care advocate who becomes a management consultant for Big Pharma, Brook presents a damning indictment of the economic and political landscape that traps young Americans. When the best and the brightest cannot afford to serve the public good, Brook asks, what are we selling out: an individual's career, or the very promise of American democracy?
A compelling view of two competing religious visions---one of "creation" and the other of "empire"---that run throughout the Bible. "A remarkable offering for those who care about the interface of power and faith with all the threats and seductions that go with it. . . As I read, I felt overwhelmed, both by the mass of data and by the cunning of interpretation. I could not put it down, and expect to continue to be instructed by it.---Walter Brueggemann "Howard-Brook undertakes what few dare anymore: an introductory primer for the whole Bible...This book invites disciples to `connect the dots', in order to recover our ancient, anti-imperial identity, and to embrace a radical faith and practice that are personal and politica."---Ched Myers "Howard-Brook illuminates how ancient empires exercised control and manipulation of people not simply by political and military means, but also through the religion of empire. Throughout he makes clear that the core message of the God of creation is to call people out of empire, to refuse to cooperate with the forces of destruction and domination today."---Richard Horsley "Will become a classic for communities that seek first to receive the gracious gift of God's alternative future to Empire."---Jarrod McKenna "If we who sojourn in America are to be a community that can both name and resist the lure of Empire, we need a story more powerful than the story called America. Wes Howard-Brook knows than the Bible tells such a story. May its story be ours as we're set free from our imperial imaginations to dream with our Creator of a new world here and now."---Jonathan Wilson-Hartgrove
Unlike the more forthrightly mythic origins of other urban centers—think Rome via Romulus and Remus or Mexico City via the god Huitzilopochtli—Los Angeles emerged from a smoke-and-mirrors process that is simultaneously literal and figurative, real and imagined, material and metaphorical, physical and textual. Through penetrating analysis and personal engagement, Vincent Brook uncovers the many portraits of this ever-enticing, ever-ambivalent, and increasingly multicultural megalopolis. Divided into sections that probe Los Angeles’s checkered history and reflect on Hollywood’s own self-reflections, the book shows how the city, despite considerable remaining challenges, is finally blowing away some of the smoke of its not always proud past and rhetorically adjusting its rear-view mirrors. Part I is a review of the city’s history through the early 1900s, focusing on the seminal 1884 novel Ramona and its immediate effect, but also exploring its ongoing impact through interviews with present-day Tongva Indians, attendance at the 88th annual Ramona pageant, and analysis of its feature film adaptations. Brook deals with Hollywood as geographical site, film production center, and frame of mind in Part II. He charts the events leading up to Hollywood’s emergence as the world’s movie capital and explores subsequent developments of the film industry from its golden age through the so-called New Hollywood, citing such self-reflexive films as Sunset Blvd., Singin’ in the Rain, and The Truman Show. Part III considers LA noir, a subset of film noir that emerged alongside the classical noir cycle in the 1940s and 1950s and continues today. The city’s status as a privileged noir site is analyzed in relation to its history and through discussions of such key LA noir novels and films as Double Indemnity, Chinatown, and Crash. In Part IV, Brook examines multicultural Los Angeles. Using media texts as signposts, he maps the history and contemporary situation of the city’s major ethno-racial and other minority groups, looking at such films as Mi Familia (Latinos), Boyz N the Hood (African Americans), Charlotte Sometimes (Asians), Falling Down (Whites), and The Kids Are All Right (LGBT).
During the nineteenth-century, the writing of history in English-speaking Canada changed from promotional efforts by amateurs to an academically-based discipline. Professor Taylor charts this transition in a comprehensive history. The early historians - the promoters of the title - sought to further their own interests through exxagerated accounts of a particular colony to which they had developed a transient attachment. Eventually this group was replaced by patriots, whose writing was influenced by loyalty to the land of their brith and residence. This second generation of historians attempted both to defend their respective colonies by explaining away past disappointments and to fit events into a predicitve pattern of progress and development. In the process, they established distinctive identities for each of the British North American colonies. Eventually a confrontation occurred between those who saw Canada as a nation and those whose traditions and vistas were provincial in emphasis. Ultimately the former prevailed, only to find the present and future too complex and too ominous to understand. Historians ssubsequently lost their sense of purpose and direction and fell into partisan disagreement or pessimistic nostalgia. This abandonment of their role paved the way for the new, professional breed of historian as the twentieth century opened. In the course of his analysis, Taylor considers a number of key issues about the writing of history: the kind of people who undertake it and their motivation for doing so, the intended and actual effects of their work, its influence on subsequent historical writing, and the development of uniform and accepted standards of professional practice.
This is a masterful survey of Austria's controversial place at the heart of European history. From the Reformation through the Napoleonic and Cold Wars to European Union, a superb history of Austria's central role in uniting Western civilization is covered. 24 pages of photographs and maps are included. "Connoisseurs of Austria and its delightful and infuriating inhabitants will agree that Mr. Brook-Shepherd has got it just about right.'—The Wall Street Journal "Engrossing, elegantly written history.'—Publishers Weekly
Through a study of the early church, this book shows how Christianity in effect opted for the religion of empire, shifting the emphasis of Jesus's prophetic message from transforming the world to the aim of saving one's soul.
Airfix acquired the first plastic injection moulding machine in the U.K. in the mid 1940's and was soon manufacturing vast numbers of plastic toys. By 1981, when Airfix's financial woes led to takeover and the end of all production save for plastic model kits, it had made a wide variety of toys, games, arts, crafts, building sets, racing sets, model trains and even Meccano and Dinky toys. Profusely illustrated with over three hundred photographs, Forty Years of Airfix Toys gives the full history of the Airfix toy range including year-by-year listings of all the toys sold by Airfix; logs and packaging; Airfix's magazines and a full listing of Airfix pattern numbers. It is a comprehensive guide to the history of the toys produced by the iconic brand Airfix.
Becoming Children of God' offers a fresh and original commentary on the Gospel of John as a narrative inviting readers -- both in the evangelist's time and our own -- to a radical commitment to follow Jesus from within a spirit-filled community. This reading is grounded in a "poetics of biblical narrative" that balances attention to historical, ideological, and aesthetic aspects of John's Gospel while highlighting its relevance for today. By committing himself to a close analysis of the text as "symbolic action" Howard-Brook makes it clear how John's Gospel fairly bristles with references to societal conditions that demand a direct response. Throughout the commentary, his close attention to literary structure as well as social background yields new insights into the often-obscure message of the Fourth Gospel.
Brook Thomas explores the new historicism and the challenges posed to it by a postmodern world that questions the very possibility of newness. He considers new historicism's engagement with poststructuralism and locates the former within a tradition of pragmatic historiography in the United States.
The most helpful grief book to read when you're ready to start healing after the loss of a loved one. Discover the transformative power of healing and hope with this top-rated grief book and compassionate guide for those navigating the challenging journey of grief and loss. Written with profound wisdom and heartfelt empathy, I Wasn't Ready to Say Goodbye gently walks readers through the stages of grief, providing practical tools and empowering strategies to cope with the pain and confusion that accompany the loss of a loved one. Whether you've experienced the recent passing of a family member, friend, or even a pet, this book offers solace and guidance to help you navigate your unique grieving process. Features include: Practical Guidance: Learn effective coping strategies and practical tools to navigate the grieving process. Empathy and Understanding: Feel understood and supported through heartfelt anecdotes and relatable experiences. Personal Growth: Find solace and meaning in your grief journey as you embark on a path of healing and personal growth. Comprehensive Resource: Access a comprehensive guide that addresses various aspects of grief, including anticipatory grief, sudden loss, and long-term complicated grief. Hope and Inspiration: Embrace a message of hope and inspiration, knowing that healing is possible even in the face of profound loss. Whether you are at the beginning of your grief journey or further along the path, this book will help you find the strength to heal, honor your loved one's memory, and rediscover joy and purpose in your life. Praise for I Wasn't Ready to Say Goodbye: "I highly recommend this book, not only to the bereaved, but to friends and counselors as well."— Helen Fitzgerald, author of The Grieving Child, The Mourning Handbook, and The Grieving Teen "This book, by women who have done their homework on grief... can hold a hand and comfort a soul through grief's wilderness. Outstanding references of where to see other help."— George C. Kandle, Pastoral Psychologist "Finally, you have found a friend who can not only explain what has just occurred, but can take you by the hand and lead you to a place of healing and personal growth...this guide can help you survive and cope, but even more importantly... heal."— The Rebecca Review "For those dealing with the loss of a loved one, or for those who want to help someone who is, this is a highly recommended read."—Midwest Book Review Named a Best Book on Losing a Parent for 2022 by Choosing Therapy.
This book compares selected Romans of the late Republic with American Founders in the style of Plutarch, encouraging readers to rethink how we view heroes and villains and their conceptions of republicanism. Through entertaining yet informative short comparisons, this volume demonstrates the humanity of heroes and villains from different times and places through their often idiosyncratic similarities and differences. Readers gain not only a fuller understanding of the late Roman and early American Republics and their leaders but also an appreciation for comparative biography in its ability to make connections across the human experience. The book provides a way to connect two different areas of study, focusing on how republicanism shaped both Romans and American Founders and providing a previously unexplored contribution to a growing trend of broadening historical exposure. In doing so, Baughman and Poston demonstrate the continued need for connecting different fields of history while also helping students understand their connection to the ancient past. This book is suitable for students and scholars interested in the late Roman and the early American Republics and also appeals to readers of varied interests across historical times and places, particularly those studying the connections between the classical past and modern world.
As questions of citizenship generate new debates for this generation of Americans, Brook Thomas argues for revitalizing the role of literature in civic education. Thomas defines civic myths as compelling stories about national origin, membership, and values that are generated by conflicts within the concept of citizenship itself. Selected works of literature, he claims, work on these myths by challenging their terms at the same time that they work with them by relying on the power of narrative to produce compelling new stories. Civic Myths consists of four case studies: Nathaniel Hawthorne's The Scarlet Letter and "the good citizen"; Edward Everett Hale's "The Man without a Country" and "the patriotic citizen"; Mark Twain's Adventures of Huckleberry Finn and "the independent citizen"; and Maxine Hong Kingston's China Men and "the immigrant citizen." Thomas also provides analysis of the civic mythology surrounding Abraham Lincoln and the case of Ex parte Milligan. Engaging current debates about civil society, civil liberties, civil rights, and immigration, Thomas draws on the complexities of law and literature to probe the complexities of U.S. citizenship.
A powerful case for democracy and how it can adapt and survive—if we want it to Is democracy in trouble, perhaps even dying? Pundits say so, and polls show that most Americans believe that their country’s system of governance is being “tested” or is “under attack.” But is the future of democracy necessarily so dire? In The Civic Bargain, Brook Manville and Josiah Ober push back against the prevailing pessimism about the fate of democracy around the world. Instead of an epitaph for democracy, they offer a guide for democratic renewal, calling on citizens to recommit to a “civic bargain” with one another to guarantee civic rights of freedom, equality, and dignity. That bargain also requires them to fulfill the duties of democratic citizenship: governing themselves with no “boss” except one another, embracing compromise, treating each other as civic friends, and investing in civic education for each rising generation. Manville and Ober trace the long progression toward self-government through four key moments in democracy’s history: Classical Athens, Republican Rome, Great Britain’s constitutional monarchy, and America’s founding. Comparing what worked and what failed in each case, they draw out lessons for how modern democracies can survive and thrive. Manville and Ober show that democracy isn’t about getting everything we want; it’s about agreeing on a shared framework for pursuing our often conflicting aims. Crucially, citizens need to be able to compromise, and must not treat one another as political enemies. And we must accept imperfection; democracy is never finished but evolves and renews itself continually. As long as the civic bargain is maintained—through deliberation, bargaining, and compromise—democracy will live.
From its earliest days, the American film industry has attracted European artists. With the rise of Hitler, filmmakers of conscience in Germany and other countries, particularly those of Jewish origin, found it difficult to survive and fledùfor their work and their livesùto the United States. Some had trouble adapting to Hollywood, but many were celebrated for their cinematic contributions, especially to the dark shadows of film noir. Driven to Darkness explores the influence of Jewish TmigrT directors and the development of this genre. While filmmakers such as Fritz Lang, Billy Wilder, Otto Preminger, and Edward G. Ulmer have been acknowledged as crucial to the noir canon, the impact of their Jewishness on their work has remained largely unexamined until now. Through lively and original analyses of key films, Vincent Brook penetrates the darkness, shedding new light on this popular film form and the artists who helped create it.
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