I Believe It Is Time To Settle Your Mind On The Only Role You Have In This World: A Pretty And Quiet Wife And A Devoted Mother. Remember That, And You Will Always Be Happy. Tanaya Shah Longs For The Wonderful World Of Paris, The World That She Fell In Love With While Watching Audrey Hepburn In Sabrina So When A Proposal Comes Along For An Arranged Marriage With A Man Who Is Living In Paris, Tanaya Seizes The Chance. But Once She Lands In The City, She Shuns The Match. A Stroke Of Luck Turns Tanaya Into A Supermodel, And Soon The Traditional Girl Is Cavorting With Rock Stars And Is Disowned By Her Family. In Her New Whirlwind Life, She Is Reintroduced To The Man She Was Supposed To Marry, The Man She Now Realizes She Should Have Never Walked Away From, The Man Who Is Her Only Connection To The Family She Longs To Reconcile With, If Only It S Not Too Late.
The Arden Guide to Renaissance Drama is a single critical and contextual resource for students embarking on an in-depth exploration of early modern drama, providing both critical insight and accessible contextual information. This companion equips students with the information needed to situate the plays in their socio-political, intellectual and literary contexts. Divided into two parts, it introduces students to the major authors and significant dramatic texts of the period and emphasises the importance of both a historicist and close-reading approach to better engage with these works. The Guide offers: · primary texts from key early modern scholars such as Machiavelli, Heywood and Sidney · contextual information vital to a full understanding of the drama of the period · close readings of 14 of the most widely studied play texts by Shakespeare and his contemporaries · a single resource to accompany any study of early modern drama This is an ideal companion for students of Renaissance drama, offering students and teachers a range of primary contextual sources to illuminate their understanding alongside close critical readings of the major plays of the period.
Arden Student Guides: Language and Writing offer a new type of study aid which combines lively critical insight with practical guidance on the critical writing skills you need to develop in order to engage fully with Shakespeare's texts. The books' core focus is on language: both understanding and enjoying Shakespeare's complex dramatic language, and expanding your own critical vocabulary, as you respond to his plays. Key features include: • an introduction considering when and how the play was written, addressing the language with which Shakespeare created his work, as well as the generic, literary and theatrical conventions at his disposal • detailed examination and analysis of the individual text, focusing on its literary, technical and historical intricacies • discussion of performance history and the critical reception of the work • a 'Writing matters' section in every chapter, clearly linking the analysis of Shakespeare's language to your own writing strategies in coursework and examinations Written by world-class academics with both scholarly insight and outstanding teaching skills, each guide will empower you to read and write about Shakespeare with increased confidence and enthusiasm. Shakespeare's The Tempest is among the most widely-admired works of literature. More than any other Shakespeare play, it has lent itself to rewriting and is among the most 'metadramatic' of Shakespeare's works, pondering the value of creating worlds with words.
An exhilarating debut novel about the first native of the Indian subcontinent to arrive in Colonial America, inspired by a historical figure—“marvelous…readers of Esi Edugyan and Yaa Gyasi will be enthralled” (Publishers Weekly, starred review). Meet Tony: insatiably curious, deeply compassionate, with a unique perspective on every scene he encounters. Kidnapped and transported to the New World after traveling from the British East India Company’s outpost on the Coromandel Coast to the teeming streets of London, young Tony finds himself in Jamestown, Virginia, where he and his fellow indentured servants—boys like himself, men from Africa, a mad woman from London—must work the tobacco plantations. Orphaned and afraid, Tony initially longs for home. But as he adjusts to his new environment, finding companionship and even love, he can envision a life for himself after servitude. His dream: to become a medicine man, or a physician’s assistant, an expert on roots and herbs, a dispenser of healing compounds. Like the play that captivates him—Shakespeare’s A Midsummer Night’s Dream—Tony’s life is rich with oddities and hijinks, humor and tragedy. Set during the early days of English colonization in Jamestown, before servitude calcified into racialized slavery, The East Indian gives authentic voice to an otherwise unknown historic figure and brings the world he would have encountered to vivid life. In this coming-of-age tale, narrated by a most memorable literary rascal, Charry conjures a young character sure to be beloved by readers for years to come.
Arden Student Guides: Language and Writing offer a new type of study aid which combines lively critical insight with practical guidance on the critical writing skills you need to develop in order to engage fully with Shakespeare's texts. The books' core focus is on language: both understanding and enjoying Shakespeare's complex dramatic language, and expanding your own critical vocabulary, as you respond to his plays. Key features include: • an introduction considering when and how the play was written, addressing the language with which Shakespeare created his work, as well as the generic, literary and theatrical conventions at his disposal • detailed examination and analysis of the individual text, focusing on its literary, technical and historical intricacies • discussion of performance history and the critical reception of the work • a 'Writing matters' section in every chapter, clearly linking the analysis of Shakespeare's language to your own writing strategies in coursework and examinations Written by world-class academics with both scholarly insight and outstanding teaching skills, each guide will empower you to read and write about Shakespeare with increased confidence and enthusiasm. Shakespeare's The Tempest is among the most widely-admired works of literature. More than any other Shakespeare play, it has lent itself to rewriting and is among the most 'metadramatic' of Shakespeare's works, pondering the value of creating worlds with words.
The Arden Guide to Renaissance Drama is a single critical and contextual resource for students embarking on an in-depth exploration of early modern drama, providing both critical insight and accessible contextual information. This companion equips students with the information needed to situate the plays in their socio-political, intellectual and literary contexts. Divided into two parts, it introduces students to the major authors and significant dramatic texts of the period and emphasises the importance of both a historicist and close-reading approach to better engage with these works. The Guide offers: · primary texts from key early modern scholars such as Machiavelli, Heywood and Sidney · contextual information vital to a full understanding of the drama of the period · close readings of 14 of the most widely studied play texts by Shakespeare and his contemporaries · a single resource to accompany any study of early modern drama This is an ideal companion for students of Renaissance drama, offering students and teachers a range of primary contextual sources to illuminate their understanding alongside close critical readings of the major plays of the period.
With its emphasis on early modern emissaries and their role in England's expansionary ventures and cross-cultural encounters across the globe, this collection of essays takes the messenger figure as a focal point for the discussion of transnational exchange and intercourse in the sixteenth and seventeenth centuries. It sees the emissary as embodying the processes of representation and communication within the world of the text, itself an 'emissary' that strives to communicate and re-present certain perceptions of the 'real.' Drawing attention to the limits and licenses of communication, the emissary is a reminder of the alien quality of foreign language and the symbolic power of performative gestures and rituals. Contributions to this collection examine different kinds of cross-cultural activities (e.g. diplomacy, trade, translation, espionage, missionary endeavors) in different world areas (e.g. Asia, the Mediterranean, the Levant, the New World) via different critical methods and approaches. They take up the literary and cultural productions and representations of ambassadors, factors, traders, translators, spies, middlemen, merchants, missionaries, and other agents, who served as complex conduits for the global transport of goods, religious ideologies, and socio-cultural practices throughout the early modern period. Authors in the collection investigate the multiple ways in which the emissary became enmeshed in emerging discourses of racial, religious, gender, and class differences. They consider how the emissary's role might have contributed to an idealized progressive vision of a borderless world or, conversely, permeated and dissolved borders and boundaries between peoples only to further specific group interests.
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