‘Suburban Space, the Novel and Australian Modernity’ investigates the interaction between suburbs and suburbia in a century-long series of Australian novels. It puts the often trenchantly anti-suburban rhetoric of fiction in dialogue with its evocative and imaginative rendering of suburban place and time. ‘Suburban Space, the Novel and Australian Modernity’ rethinks existing cultural debates about suburbia – in Australia and elsewhere – by putting novelistic representations of ‘suburbs’ (suburban interiors, homes, streets, forms and lives over time) in dialogue with the often negative idea of ‘suburbia’ in fiction as an amnesic and conformist cultural wasteland. ‘Suburban space, the novel and Australian modernity’ shows, in other words, how Australian novels dramatize the collision between the sensory terrain of the remembered suburb and the cultural critique of suburbia. It is through such contradictions that novels create resonant mental maps of place and time. Australian novels are a prism through which suburbs – as sites of everyday colonization, defined by successive waves of urban development – are able to be glimpsed sidelong.
‘A beautifully written, meticulously researched journey through time in Kashmir’ – Basharat Peer The very name Kashmir conjures up magical images, from the real garden paradise of Shalimar to Thomas Moore’s fantastic descriptions in “Lalla Rookh”. Recounting the story of this colourful and fascinating region as it appears in travel writing, literature, and historical works from ancient times to the present day, Travels in Kashmir offers a lively and comprehensive guide to a land little understood in the West. Beginning with an informal history of Kashmir – from the legends of the twelfth-century Kalhana to the accounts of British colonial rulers – the book brings together a wide variety of engaging travellers’ tales, reports, and descriptions that vividly illustrate the changing perceptions of the area – both Indian and European – throughout the years. Of particular interest is a section on the arts, crafts, and craftspeople of Kashmir, which focuses specifically on the shawl-weaving, carpet-making, and papier mâché works that have gained international renown. Throughout, Keenan proves a sharp as well as sympathetic observer with an eye for the amusing and the poignant, and the entertaining way she unfolds the story of Kashmir’s people, places, and crafts makes this a book that will be enjoyed by tourists, readers of travel writing, and anyone interested in one of the most unusual and beautiful places in the world.
When Anna is kissed by a mysterious stranger at a NYE masquerade ball , a dance of seduction begins. 'So original and refreshing.' Hilary Mantel 'Brilliantly seductive ... A witty, sexy, sophisticated treat.' Sarah Waters 'Superb ... Sheer artistic insolence.' Iris Murdoch 'A great novel ... A swirling, sumptuous, sensual feast.' Guardian London, New Year's Eve. Snow falls on a Georgian mansion, vibrating with the festivities of a masquerade ball within. Middle-aged divorcee Anna stands alone - until the clock chimes midnight and a mysterious figure kisses her on the mouth. Thus begins a dance of seduction charged by clandestine romances swirling around them, whipping the ball into an frenzy of operatic proportions - until the night climaxes, revealing unease beneath the glitter ... A scandalous sensation in 1964, Brigid Brophy's The Snow Ball is ripe to seduce a new generation of readers. 'I read it in one sitting ... Wonderful!' Claire-Louise Bennett 'A feminist remodelling of libertine fervour and passion. ' Eley Williams 'One of the wittiest British writers of the past half century ... A comet in her day.' Terry Castle What Readers Are Saying: An ornate masterpiece. Sensual, wicked, clever; its dark heart glittering. So pleasurable and original and weird. Takes the heady, lusty, excitement that comes with new love and mingles it with the exuberance, decadence, and hedonism of NYE ... A short swirling treat. A perfect little masterpiece, an opera in paperback ... I was seduced and I hoped and I flinched and I laughed and I admired. The lovechild of Angela Carter and Virginia Woolf: trippy and fluid, existential and erotic, funny and witty: a hedonistic comedy of manners. I think I love this crazy little book .. Super sexy ... Made me hoot out loud with glee for the language and audacity. Oh man, this was a lot of fun. Such a strong sense of intelligence and wit behind every sentence.
In Powerful Learning, Linda Darling-Hammond and an impressive list of co-authors offer a clear, comprehensive, and engaging exploration of the most effective classroom practices. They review, in practical terms, teaching strategies that generate meaningful K–2 student understanding, and occur both within the classroom walls and beyond. The book includes rich stories, as well as online videos of innovative classrooms and schools, that show how students who are taught well are able to think critically, employ flexible problem-solving, and apply learned skills and knowledge to new situations.
‘Locating Australian Literary Memory’ explores the cultural meanings suffusing local literary commemorations. It is orientated around eleven authors – Adam Lindsay Gordon, Joseph Furphy, Henry Handel Richardson, Henry Lawson, A. B. ‘Banjo’ Paterson, Nan Chauncy, Katharine Susannah Prichard, Eleanor Dark, P. L. Travers, Kylie Tennant and David Unaipon – who have all been celebrated through a range of forms including statues, huts, trees, writers’ houses and assorted objects. Brigid Magner illuminates the social memory residing in these monuments and artefacts, which were largely created as bulwarks against forgetting. Acknowledging the value of literary memorials and the voluntary labour that enables them, she traverses the many contradictions, ironies and eccentricities of authorial commemoration in Australia, arguing for an expanded repertoire of practices to recognise those who have been hitherto excluded.
The German-Jewish émigré composer Stefan Wolpe was a vital figure in the history of modernism, with affiliations ranging from the Bauhaus, Berlin agitprop and the kibbutz movement to bebop, Abstract Expressionism and Black Mountain College. This is the first full-length study of this often overlooked composer, launched from the standpoint of the mass migrations that have defined recent times. Drawing on over 2000 pages of unpublished documents, Cohen explores how avant-garde communities across three continents adapted to situations of extreme cultural and physical dislocation. A conjurer of unexpected cultural connections, Wolpe serves as an entry-point to the utopian art worlds of Weimar-era Germany, pacifist movements in 1930s Palestine and vibrant art and music scenes in early Cold War America. The book takes advantage of Wolpe's role as a mediator, bringing together perspectives from music scholarship, art history, comparative literature, postcolonial studies and recent theories of cosmopolitanism and diaspora.
Although born to a life of privilege and married to the President of the United States, Eleanor Roosevelt was a staunch and lifelong advocate for workers and, for more than twenty-five years, a proud member of the AFL-CIO's Newspaper Guild. She Was One of Us tells for the first time the story of her deep and lasting ties to the American labor movement. Brigid O'Farrell follows Roosevelt—one of the most admired and, in her time, controversial women in the world—from the tenements of New York City to the White House, from local union halls to the convention floor of the AFL-CIO, from coal mines to political rallies to the United Nations. Roosevelt worked with activists around the world to develop a shared vision of labor rights as human rights, which are central to democracy. In her view, everyone had the right to a decent job, fair working conditions, a living wage, and a voice at work. She Was One of Us provides a fresh and compelling account of her activities on behalf of workers, her guiding principles, her circle of friends—including Rose Schneiderman of the Women's Trade Union League and the garment unions and Walter Reuther, "the most dangerous man in Detroit"—and her adversaries, such as the influential journalist Westbrook Pegler, who attacked her as a dilettante and her labor allies as "thugs and extortioners." As O'Farrell makes clear, Roosevelt was not afraid to take on opponents of workers' rights or to criticize labor leaders if they abused their power; she never wavered in her support for the rank and file. Today, union membership has declined to levels not seen since the Great Depression, and the silencing of American workers has contributed to rising inequality. In She Was One of Us, Eleanor Roosevelt's voice can once again be heard by those still working for social justice and human rights.
The question of how the problems of slow readers can be caught early and remedied has been much in the news lately. In this very practical book for teachers and support teachers, based on extensive work in the classroom, Brigid Smith shows how to exploit the links between writing and reading to give children the all-important experience of literacy. The children with whom she works are encouraged to dictate their own stories to a helper and then to read these back. From their success in this, they are gradually guided towards the skills needed to decode unfamiliar text. At the same time the stories increasingly acquire features characteristic of written rather than oral language and in editing them, the children practice compositional skills which would otherwise be beyond their reach. Brigid Smith explains how teachers can use this approach in their own classrooms with different kinds of texts, with individuals, with groups and with children of all abilities. While her emphasis is on enjoyment and independence for the reader, she also shows how the method she suggests can fulfil the requirements of the National Curriculum and how progress can be monitored for assessment purposes.
This volume explores the translation of literary and humorous style, including comedy, irony, satire, parody and the grotesque, from Italian to English and vice versa. The innovative and interdisciplinary theoretical approach places the focus on creativity and playful rewriting as central to the translation of humour. Analysing translations of works by Rosa Cappiello, Dario Fo, Will Self and Anthony Burgess, the author explores literary translation as a form of exchange between translated and receiving cultures. In a final case study she recounts her own strategies in translating the work of Milena Agus, exploring humour, creation and recreation from the perspective of the translator and demonstrating the benefits of critical engagement with both the theory and the practice of translation. This unique contribution to the study of humour and literary style in translation will be of interest to scholars of translation, humour, comparative literature, and literary and cultural studies.
In this heartfelt work of enlightenment and faith, Brigid Herman attempts to find meaning and value in prayer as a creative process. True prayer, she claims, is "man's loving response to the love of God." And since divine love is the supreme act, then man's only worthy response can be one of unreserved self-giving. Herman's inspired and compassionate views, first published nearly a century ago, make essential reading for anyone embarking on the path to salvation and inner peace.The wife of a Presbyterian minister, writer BRIGID EMILY HERMAN (1876-1923) was born in Prague and eventually settled in London. Known for her works on theology and the devotional life, she also wrote The Meaning and Value of Mysticism, The Secret Garden of the Soul, and The Finding of the Cross.
Horror cinema is a hugely successful, but at the same time culturally illicit genre that spans the history of cinema. It continues to flourish with recent cycles of supernatural horror and torture porn that span the full range of horror styles and aesthetics. It is enjoyed by audiences everywhere, but also seen as a malign influence by others. In this Routledge Film Guidebook, audience researcher and film scholar Brigid Cherry provides a comprehensive overview of the horror film and explores how the genre works. Examining the way horror films create images of gore and the uncanny through film technology and effects, Cherry provides an account of the way cinematic and stylistic devices create responses of terror and disgust in the viewer. Horror examines the way these films construct psychological and cognitive responses and how they speak to audiences on an intimate personal level, addressing their innermost fears and desires. Cherry further explores the role of horror cinema in society and culture, looking at how it represents various identity groups and engages with social anxieties, and examining the way horror sees, and is seen by, society.
One misstep and they lose it all. The four Merrick brothers are different. Way different: each of them can control one of the elements—water, fire, wind, or earth. They’re powerful. Dangerous. Alone—except for each other and a few trusted friends. They’re all trying to fly under the radar. But someone’s watching them; someone who wants them out of the way. Before they know it, their enemies have gathered, and they're armed for war. They're not interested in surrender. But the Merricks aren’t the white flag type anyway. There will be blood on the ground tonight . . . Praise for Brigid Kemmerer and The Elemental Series “Magic, suspense, and enough twists to keep you reading until sunrise.!” —Award winning author Erica O’Rourke “A refreshingly human paranormal romance . . . Read fast and keep that heart rate up.” —Kirkus Reviews on Storm
Through archival work and storytelling, Musical Migration and Imperial New York revises many inherited narratives about experimental music and art in postwar New York. From the urban street level of music clubs and arts institutions to the world-making routes of global migration and exchange, this book redraws the map of experimental art to reveal the imperial dynamics and citizenship struggles that continue to shape music in the United States. Beginning with the material conditions of power that structured the cityscape of New York in the early Cold War years, Brigid Cohen looks at a wide range of artistic practices (concert music, electronic music, jazz, performance art) and actors (Edgard Varèse, Charles Mingus, Yoko Ono, and Fluxus founder George Maciunas) as they experimented with new modes of creativity. Cohen links them with other migrant creators vital to the city’s postwar culture boom, creators whose stories have seldom been told (Halim El-Dabh, Michiko Toyama, Vladimir Ussachevsky). She also gives sustained and serious treatment to the work of Yoko Ono, something long overdue in music scholarship. Musical Migration and Imperial New York is indispensable reading, offering a new understanding of global avant-gardes and American experimental music as well as the contrasting feelings of belonging and exclusion on which they were built.
Elizabeth Harrower: Critical Essays is the first sustained study of this acclaimed Australian author. It brings together two celebrated novelists and ten noted critics of Australian literature to consider the legacy and continuing importance of this major literary figure. The essays examine all of Harrower’s published fiction, from her first short story to the long-delayed publication of In Certain Circles in 2014. Together they provide an wide ranging introduction to the extraordinary imaginative and intellectual project of her work. They explore her engagement with twentieth-century history and post-war society, with modernism and modernity, and with the personal impacts of mass media, technology and industry. They demonstrate her grasp of the ethical and philosophical challenges confronting her readers and characters in late modernity as seen from a number of distinctive vantage points including the harbourside mansions and commercial centres of post-war Sydney, the suburbs of industrial Newcastle, and the bed-sitters of expatriate London in the 1960s. Together they offer new insights into an Australian writer at the crossroads of modernism and postmodernism, inviting readers to read and re-engage with Harrower’s work in a new light.
This book addresses the key themes in child neglect, draws on current research and practice knowledge and sets out the implications for practice. With a joint health and social work focus, this interdisciplinary book is an essential resource for all professionals working towards integrated and collaborative childcare services.
Four royals. Two thrones. One deadly curse. In the heart of Emberfall, Prince Rhen is trapped by a curse, haunted by the beast inside, while beyond the palace walls, his kingdom falls to ruin. Far away, in modern day Washington DC, Harper plays lookout for her brother. When she sees a woman in danger, she rushes to help - only to be sucked into Rhen's cursed world. What begins as a fairy tale twist unfurls into an epic tale of magic, danger, love and betrayal in Brigid Kemmerer's New York Times bestselling Cursebreaker series, as brother fights brother to claim the throne of Emberfall and save the kingdom once and for all. Now, for the first time, explore Emberfall and fall in love with Harper, Rhen, Grey and Lia Mara in one convenient eBook collection. This collection contains: A Curse So Dark and Lonely A Heart So Fierce and Broken A Vow So Bold and Deadly If you're hungry for more Brigid Kemmerer, don't miss her next blockbuster fantasy series, Defy the Night, coming this autumn.
Hoping to unite all of humankind and revolutionize the world, Ludwik Zamenhof launched a new international language called Esperanto from late imperial Russia in 1887. Ordinary men and women in Russia and all over the world soon transformed Esperanto into a global movement. Esperanto and Languages of Internationalism in Revolutionary Russia traces the history and legacy of this effort: from Esperanto's roots in the social turmoil of the pre-revolutionary Pale of Settlement; to its links to socialist internationalism and Comintern bids for world revolution; and, finally, to the demise of the Soviet Esperanto movement in the increasingly xenophobic Stalinist 1930s. In doing so, this book reveals how Esperanto – and global language politics more broadly – shaped revolutionary and early Soviet Russia. Based on extensive archival materials, Brigid O'Keeffe's book provides the first in-depth exploration of Esperanto at grassroots level and sheds new light on a hitherto overlooked area of Russian history. As such, Esperanto and Languages of Internationalism in Revolutionary Russia will be of immense value to both historians of modern Russia and scholars of internationalism, transnational networks, and sociolinguistics.
How do actors fuse thought, emotion and action within their creative process? Essential Acting is an inspired and reliable toolbox for actors and teachers in the classroom, the rehearsal room and the workshop. RADA's Brigid Panet has distilled nearly 60 years of acting, directing and actor training into a unique recipe which brilliantly combines the teachings of Stanislavsky and Laban into an invaluable practical resource. These exercises are built around the need for simple, achievable techniques that can be applied by actors, teachers and directors to answer the myriad requirements of actor training. The goal is to produce a continuous level of achievement, addressing: How to rehearse How to work with a text How to audition for drama school How to access the truth of feelings and actions. Essential Acting will be a must-have purchase for anyone looking for a comprehensive study guide to the necessary work of the actor.
The process of negotiation, standing as it does between war and peace in many parts of the globe, has never been a more vital process to understand than in today's rapidly changing international system. Students of negotiation must first understand key IR concepts as they try to incorporate the dynamics of the many anomalous actors that regularly interact with conventional state agents in the diplomatic arena. This hands-on text provides an essential introduction to this high-stakes realm, exploring the impact of complex multilateralism on traditional negotiation concepts such as bargaining, issue salience, and strategic choice. Using an easy-to-understand board game analogy as a framework for studying negotiation episodes, the authors include a rich array of real-world cases and examples—now updated with the results of the Paris climate change agreement—to illustrate key themes, including the intensity of crisis situations for negotiators, the role of culture in communication, and the impact of domestic-level politics on international negotiations. Providing tools for analyzing why negotiations succeed or fail, this innovative text also presents effective exercises and learning approaches that enable students to understand the complexities of negotiation by engaging in the diplomatic process themselves.
The beloved Sunday Times bestseller - a touching, hilarious, often outrageous memoir of home-making and family adventures in the world's furthest outposts 'Hilarious, and utterly beguiling - it's a complete treat to be in Keenan's witty and open-hearted company' Esther Freud 'Deliciously effervescent' Sunday Times 'Brigid writes like a dream ... fabulous' Joanna Lumley 'Irresistible' Mail on Sunday When Sunday Times fashion journalist Brigid Keenan married the love of her life in the late Sixties, she had little idea of the rollercoaster journey they would make around the world together. For he was a diplomat - and Brigid found herself the smiling face of the European Union in locales ranging from Kazakhstan to Trinidad, and asking herself questions she never thought she'd have to ask. How do you throw a buffet dinner during a public mourning period in Syria? Where do you track down dog fat in Almaty? And how do you entertain guests in a Nepalese chicken shed? Negotiating diplomatic protocol, difficult teenagers, homesickness, frustrated career aspirations, witch doctors, and giant jumping spiders, Brigid muddles determinedly through - with no shortage of mishaps on the way. 'There are not many books that have actually made me cry from laughing, but this is one of them' Sunday Times
A New York Times bestseller! "Has everything you'd want in a retelling of a classic fairy tale." - Jodi Picoult In a lush, contemporary fantasy retelling of Beauty and the Beast, Brigid Kemmerer gives readers another compulsively readable romance perfect for fans of Marissa Meyer. Fall in love, break the curse. It once seemed so easy to Prince Rhen, the heir to Emberfall. Cursed by a powerful enchantress to repeat the autumn of his eighteenth year over and over, he knew he could be saved if a girl fell for him. But that was before he learned that at the end of each autumn, he would turn into a vicious beast hell-bent on destruction. That was before he destroyed his castle, his family, and every last shred of hope. Nothing has ever been easy for Harper. With her father long gone, her mother dying, and her brother barely holding their family together while constantly underestimating her because of her cerebral palsy, she learned to be tough enough to survive. But when she tries to save someone else on the streets of Washington, DC, she's instead somehow sucked into Rhen's cursed world. Break the curse, save the kingdom. A prince? A monster? A curse? Harper doesn't know where she is or what to believe. But as she spends time with Rhen in this enchanted land, she begins to understand what's at stake. And as Rhen realizes Harper is not just another girl to charm, his hope comes flooding back. But powerful forces are standing against Emberfall . . . and it will take more than a broken curse to save Harper, Rhen, and his people from utter ruin.
This book will take your breath away." --Kim Harrington, author of Clarity and Perception Becca Chandler is suddenly getting all the guys--all the ones she doesn't want. Ever since her ex-boyfriend spread those lies about her. Then she saves Chris Merrick from a beating in the school parking lot. Chris is different. Way different: he can control water--just like his brothers can control fire, wind, and earth. They're powerful. Dangerous. Marked for death. And now that she knows the truth, so is Becca. Secrets are hard to keep when your life's at stake. When Hunter, the mysterious new kid around school, turns up with a talent for being in the wrong place at the right time, Becca thinks she can trust him. But then Hunter goes head-to-head with Chris, and Becca wonders who's hiding the most dangerous truth of all. The storm is coming. . . "Five hot guys, one tough heroine, plenty of romance and non-stop action. . ..Elemental is the new series to watch." --Inara Scott, author of The Marked "Magic, suspense, and enough twists to keep you reading until sunrise." --Award-winning author Erica O'Rourke
Can working parents in America—or anywhere—ever find true leisure time? According to the Leisure Studies Department at the University of Iowa, true leisure is "that place in which we realize our humanity." If that's true, argues Brigid Schulte, then we're doing dangerously little realizing of our humanity. In Overwhelmed, Schulte, a staff writer for The Washington Post, asks: Are our brains, our partners, our culture, and our bosses making it impossible for us to experience anything but "contaminated time." Schulte first asked this question in a 2010 feature for The Washington Post Magazine: "How did researchers compile this statistic that said we were rolling in leisure—over four hours a day? Did any of us feel that we actually had downtime? Was there anything useful in their research—anything we could do?" A New York Times bestseller, Overwhelmed is a map of the stresses that have ripped our leisure to shreds, and a look at how to put the pieces back together. Schulte speaks to neuroscientists, sociologists, and hundreds of working parents to tease out the factors contributing to our collective sense of being overwhelmed, seeking insights, answers, and inspiration. She investigates progressive offices trying to invent a new kind of workplace; she travels across Europe to get a sense of how other countries accommodate working parents; she finds younger couples who claim to have figured out an ideal division of chores, childcare, and meaningful paid work. Overwhelmed is the story of what she found out.
This book is the first to explore handicrafting practiced by media fans, their online fan communities and the multiple meanings they create. Based on in-depth ethnographic research into fans on the online social network for knitters, crocheters and crafters, Ravelry, Brigid Cherry explores textile craft by fans as both an artistic practice and transformative fan work. Including case studies of projects inspired by Doctor Who, True Blood, Firefly, Harry Potter, Sherlock and steampunk, the book engages with many forms of fan production, including fan art, fan fiction and cosplay. Fans of popular films and TV shows are increasingly engaging with textile crafts as a way of reworking, reimagining and engaging with cult media texts. Proving a global phenomenon amongst fan cultures in the digital media sphere, traditional film and TV audiences are forging their fan identities and participating in wider fan communities in innovative ways through online craft forums and blogs that showcase their knitting, crochet, spinning and dyeing projects. Exploring key debates from textile and media theory, surrounding gender, domesticity, the culture industries, audiences and fan culture, this book is essential reading for students of textiles, media studies, fashion, cultural and gender studies.
8 Challenges and Opportunities of Developing Digital Media Citizens -- III Looking Ahead: Implications for Design and Research -- 9 Creative Learning Ecologies by Design: Insights from the Digital Youth Network -- 10 Advancing Research on the Dynamics of Interest-Driven Learning -- 11 Scaling Up -- Notes -- References -- Index
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