This is an essay by Bridie Lonie, on "The Complete Entanglement of Everything" a multifaceted Art exhibition held at Dunedin School of Art, Otago Polytechnic in Dunedin, September 28th - October 2nd, 2020.
This long overdue survey of Liz Coats’s art spans more than thirty years and will reveal a striking consistency of approach. ‘My embrace of organic detail reflects a spirit of inclusiveness in a way that I believe brings an emphatic and humanist quality to the structural formalities of my process,’ she says. From the beginning, her work has explored the materialisation and perception of colour and light and has demonstrated an integrity of purpose and a highly refined, unifying vision. In this, her thoughtful engagement with the canon of abstraction is ever implicit."--Publisher website.
The project began with the proposition that forms altered by impact might offer a new methodology: 'impact art'. So car crashes are seen from the point of view of the car's internal skins, its seat covers and its lungs, the air-bags"--p. [3]
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