Home brewing has become increasingly popular, as a way to both make your own unique beer and develop a valuable skill to be proud of. Home Brew – A Guide to Brewing Beer offers a complete overview, from the basics of kit brewing, through to a full-scale mash brew, covering various types of beer, such as ale, bitter, stout, lager, porters, wheat beers and IPA . Combining eighty years of collective knowledge in the brewing industry, this valuable resource describes each stage of production, explaining basic concepts and exploring the key ingredients – malt, hops and yeast. The importance of hygiene is detailed with simple guidelines to ensure that your brew has long-lasting quality. Featuring a wide list of recipes to follow, with suggestions to vary ingredients and processing techniques, Home Brew will inspire and equip readers to create beers of their own imagination, providing an up-to-date view of contemporary brewing technology and ideas for the future.
Home brewing has become increasingly popular, as a way to both make your own unique beer and develop a valuable skill to be proud of. Home Brew – A Guide to Brewing Beer offers a complete overview, from the basics of kit brewing, through to a full-scale mash brew, covering various types of beer, such as ale, bitter, stout, lager, porters, wheat beers and IPA . Combining eighty years of collective knowledge in the brewing industry, this valuable resource describes each stage of production, explaining basic concepts and exploring the key ingredients – malt, hops and yeast. The importance of hygiene is detailed with simple guidelines to ensure that your brew has long-lasting quality. Featuring a wide list of recipes to follow, with suggestions to vary ingredients and processing techniques, Home Brew will inspire and equip readers to create beers of their own imagination, providing an up-to-date view of contemporary brewing technology and ideas for the future.
This historiography demonstrates how theorists have rationalized killing the innocent in war. It shows how moral arguments about killing the innocent respond to material conditions, and it explains how we have arrived at the post-World War II convention.
Nestled in the picturesque Hudson Valley town of Rhinebeck, the Beekman Arms began humbly as a stagecoach and mail stop on the Old Albany Post Road at the end of the eighteenth century. Of more than forty stage stops that operated along that path, it is the only one still in existence. Through the tenure of many landlords and several notable renovations, it has evolved into the stately inn it is today. Proclaimed the "oldest hotel in America" since the early 1900s, it stands proudly as a symbol of the area's Dutch and English heritage and a reminder of the history that made this area famous. Join authors Matthew and Brian Plumb to explore the storied past of this historic Rhinebeck institution.
Following on from War Hammers: The Story of West Ham United During the First World War, War Hammers II looks at the achievements and developments of the Upton Park heroes throughout the Second World War. West Ham United was forced to adapt in the dark days of the 1940s, building the outlook and approach that would eventually give rise to the club’s most successful period, and establishing a culture of style and support that is still present today.Exploring the power, politics and intrigue of wartime football, a detailed account is given of the Irons’ 1940 War Cup victory and of those who played for the club between 1939 and 1945.Author Brian Belton includes huge global events and many local incidents within the context of the club’s history, to create a book that is sure to fascinate and entertain football fans and historians alike.
During the first generation of black participation in U.S. diplomacy in the late nineteenth and early twentieth centuries, a vibrant community of African American writers and cultural figures worked as U.S. representatives abroad. Through the literary and diplomatic dossiers of figures such as Frederick Douglass, James Weldon Johnson, Archibald and Angelina Grimké, W. E. B. Du Bois, Ida Gibbs Hunt, and Richard Wright, Brian Roberts shows how the intersection of black aesthetic trends and U.S. political culture both Americanized and internationalized the trope of the New Negro. This decades-long relationship began during the days of Reconstruction, and it flourished as U.S. presidents courted and rewarded their black voting constituencies by appointing black men as consuls and ministers to such locales as Liberia, Haiti, Madagascar, and Venezuela. These appointments changed the complexion of U.S. interactions with nations and colonies of color; in turn, state-sponsored black travel gave rise to literary works that imported international representation into New Negro discourse on aesthetics, race, and African American culture. Beyond offering a narrative of the formative dialogue between black transnationalism and U.S. international diplomacy, Artistic Ambassadors also illuminates a broader literary culture that reached both black and white America as well as the black diaspora and the wider world of people of color. In light of the U.S. appointments of its first two black secretaries of state and the election of its first black president, this complex representational legacy has continued relevance to our understanding of current American internationalism.
A surprising work of narrative history and detection that illuminates one of the most daring—and long-forgotten—heroes of the Civil War. Independence Day, 1861. The schooner S. J. Waring sets sail from New York on a routine voyage to South America. Seventeen days later, it limps back into New York’s frenzied harbor with the ship's black steward, William Tillman, at the helm. While the story of that ill-fated voyage is one of the most harrowing tales of captivity and survival on the high seas, it has, almost unbelievably, been lost to history. Now reclaiming Tillman as the real American hero he was, historian Brian McGinty dramatically returns readers to that riotous, explosive summer of 1861, when the country was tearing apart at the seams and the Union army was in near shambles following a humiliating defeat at the First Battle of Bull Run. Desperate for good news, the North was soon riveted by reports of an incident that occurred a few hundred miles off the coast of New York, where the Waring had been overtaken by a marauding crew of Confederate privateers. While the white sailors became chummy with their Southern captors, free black man William Tillman was perfectly aware of the fate that awaited him in the ruthless, slave-filled ports south of the Mason-Dixon Line. Stealthily biding his time until a moonlit night nine days after the capture, Tillman single-handedly killed three officers of the privateer crew, then took the wheel and pointed it home. Yet, with no experience as a navigator, only one other helper, and a war-torn Atlantic seaboard to contend with, his struggle had just begun. It took five perilous days at sea—all thrillingly recounted here—before the Waring returned to New York Harbor, where the story of Tillman's shipboard courage became such a tabloid sensation that he was not only put on the bill of Barnum’s American Museum but also proclaimed to be the "first hero" of the Civil War. As McGinty evocatively shows, however, in the horrors of the war then engulfing the nation, memories of his heroism—even of his identity—were all but lost to history. As such, The Rest I Will Kill becomes a thrilling and historically significant work, as well as an extraordinary journey that recounts how a free black man was able to defy efforts to make him a slave and become an unlikely glimmer of hope for a disheartened Union army in the war-battered North.
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