They say there are no second acts in American lives, and third acts are almost unheard of. That's part of what makes Brian Wilson's story so astonishing. As a cofounding member of the Beach Boys in the 1960s, Wilson created some of the most groundbreaking and timeless popular music ever recorded. With intricate harmonies, symphonic structures, and wide-eyed lyrics that explored life's most transcendent joys and deepest sorrows, songs like "In My Room," "God Only Knows," and "Good Vibrations" forever expanded the possibilities of pop songwriting. Derailed in the 1970s by mental illness, drug use, and the shifting fortunes of the band, Wilson came back again and again over the next few decades, surviving and-finally-thriving. Now, for the first time, he weighs in on the sources of his creative inspiration and on his struggles, the exhilarating highs and the debilitating lows. I Am Brian Wilson reveals as never before the man who fought his way back to stability and creative relevance, who became a mesmerizing live artist, who forced himself to reckon with his own complex legacy, and who finally completed Smile, the legendary unfinished Beach Boys record that had become synonymous with both his genius and its destabilization. Today Brian Wilson is older, calmer, and filled with perspective and forgiveness. Whether he's talking about his childhood, his bandmates, or his own inner demons, Wilson's story, told in his own voice and in his own way, unforgettably illuminates the man behind the music, working through the turbulence and discord to achieve, at last, a new harmony.
Cofundador de los Beach Boys, Wilson compuso buena parte de la atemporal banda sonora del pop más lisérgico –y no solo apto para surferos– de los años sesenta. Con especial cuidado en la armonización de sus canciones y exquisito paladar para la instrumentación, sus letras nos transportan desde su más indolente vitalismo playero y asilvestrado jipismo a las vertiginosas simas por las que se precipitara, en caída libre, este genio torturado. Sus temas, hoy míticos, dan fe del alcance de la revolución que llegaría a la industria discográfica de la mano de este incomprendido talento natural cuya sofisticación llevaría las posibilidades creativas del pop a confines desconocidos hasta entonces. Apartado del mundanal ruido en los setenta por enajenación mental transitoria, se doctoró en automedicación psicotrópica hasta conseguir finalmente dejar atrás tan dolorosos infortunios e instalarse en una confortable prosperidad, aceptándose con sus claroscuros. Con el coraje y la iluminación de quien se sabe preparado para la confesión, y con el ego convenientemente hecho trizas, Wilson nos invita a sumergirnos en el sinuoso vertedero de sus recuerdos. He aquí, pues, por fin, las memorias de uno de los más grandes protagonistas de aquella década prodigiosa en la que parecía que todo iba a cambiar... "Excelente... Yo soy Brian Wilson y tú no es conmovedor y sincero, como pasar tiempo de calidad con un sabio... Wilson es desgarradoramente duro sobre sus crisis mentales y el sufrimiento que le infringió su padre. Una visión única sobre la música." Rolling Stone "Yo soy Brian Wilson y tú no se desliza a través del pasado como un mensaje en una botella... Tiene momentos de testimonio personal que son conmovedores e indelebles." Vanity Fair "Wilson aclara las cosas... Su voz definitivamente llega... Es una visión maravillosa de un genio atribulado." Forbes
Smile has become one of the most unavoidable legends of rock'n'roll folklore, and in this searching examination Domenic Priore presents the true story behind the album's 40-year conception. Work on Smile began hot on the heels of the ground-breaking Pet Sounds, when Brian Wilson collaborated with Van Dyke Parks to create a 'musical story of America'. However, production would famously collapse under a tide of internal fighting, record business chicanery and Brian's own health problems. In this unique account, Domenic Priore interviews all the main players and documents every aspect of the Smile experience, from its troubled inception to Wilson's brave attempt to finish what he started in 2005. The book includes detailed accounts of studio work, the triumphant live shows in Europe and the US, and a host of exclusive photos from photographer Guy Webster.
An artistic discussion on the critical potential of African American expressive culture In a major reassessment of African American culture, Phillip Brian Harper intervenes in the ongoing debate about the “proper” depiction of black people. He advocates for African American aesthetic abstractionism—a representational mode whereby an artwork, rather than striving for realist verisimilitude, vigorously asserts its essentially artificial character. Maintaining that realist representation reaffirms the very social facts that it might have been understood to challenge, Harper contends that abstractionism shows up the actual constructedness of those facts, thereby subjecting them to critical scrutiny and making them amenable to transformation. Arguing against the need for “positive” representations, Abstractionist Aesthetics displaces realism as the primary mode of African American representational aesthetics, re-centers literature as a principal site of African American cultural politics, and elevates experimental prose within the domain of African American literature. Drawing on examples across a variety of artistic production, including the visual work of Fred Wilson and Kara Walker, the music of Billie Holiday and Cecil Taylor, and the prose and verse writings of Ntozake Shange, Alice Walker, and John Keene, this book poses urgent questions about how racial blackness is made to assume certain social meanings. In the process, African American aesthetics are upended, rendering abstractionism as the most powerful modality for Black representation.
Anglican eucharistic theology varies between the different philosophical assumptions of realism and nominalism. This book presents case studies from the Reformation to the Nineteenth Century and avoids the hermeneutic idealism of particular church parties by critically examining the Anglican eucharistic tradition.
Though his term in the White House ended nearly a century ago, Woodrow Wilson anticipated the need for new ideas to address the effects of modern economic and social forces on the United States, including increased involvement in international affairs. Democracy and Administration synthesizes the former world leader's thought on government administration, laying out Wilson's concepts of how best to manage government bureaucracies and balance policy leadership with popular rule. Linking the full gamut of Wilson’s ideas and actions covering nearly four decades, Brian J. Cook finds success, folly, and fresh thinking with relevance in the twenty-first century. Building on his interpretive synthesis, Cook links Wilson’s tenets to current efforts to improve public management, showing how some of his most prominent ideas and initiatives presaged major developments in theory and practice. Democracy and Administration calls on scholars and practitioners to take Wilson’s institutional design and regime-level orientation into account as part of the ambitious enterprise to develop a new science of democratic governance.
Who's Who in the Moon is aimed not only at the beginner or near-beginner, but also at the backyard astronomer who is perhaps experienced in other areas of observation but who has decided to spend more time considering the Moon as an alternative target. The book provides a visual introduction to our closest celestial neighbor, opening with an introductory section which details both with the history of lunar mapping and naming of lunar formations as well as providing useful information on observing the lunar surface and what observers can realistically expect to see when they look at the Moon with the naked eye, binoculars or a small/medium telescope. The introductory section is followed by a lengthy series of images, including not only wide field panoramic views, but also a large number of more detailed images showing close-up views of different areas of the Moon and featuring individual craters, mountains, valleys and much more. Many of the individual features shown on these images are identified by name and are accompanied by biographical sketches relating to the men and women after whom they are named. This is a non-technical, up-close-and-personal visual look at the Earths only natural satellite and many of the individual features scattered across its surface. Rather than offering itself as a full and exhaustive guide to the lunar surface, A Guide to the Moon is more of a vade mecum which enables and (hopefully) encourages the reader to become more acquainted with the lunar landscape on a personal level, with a view to learning more about the astronomers and other scientists whose names are immortalised by having lunar features named after them. Who's Who in the Moon was inspired by, and is a tribute to, a Memoir published by the British Astronomical Association (BAA) in 1938 entitled Whos Who in the Moon written by Mary Evershed, the first Director of the BAA Historical Section. The biographical notes in A Guide to the Moon include examples of those penned by Mary Evershed in her original publication.
Move over, Benedict Arnold . . . Oh to be sure, America's first traitor is one of the 101 bastards you will find in this one-of-a-kind account of bad guys in Washington. But compared to some of the gross misconduct in this frighteningly funny history book, well, let's just say he's in good company. This page-turner of a potboiler reveals all the dirtiest little secrets readers never learned in history class. From illegitimate children (we thought Grover Cleveland was too boring to have sex) and illicit trysts (Warren G. Harding in the White House phone booth with his secretary) to turncoats (make up your own mind about Daniel Ellsberg) and traitors (General Wilkinson, aka a Spanish secret agent), you will discover all the dirt worth dishing since the founding of Jamestown. The Book of Bastards - because what you don't know about the history of our great nation can make you laugh and cry!
This second collection of Brian Friel's work contains: The Freedom of the City (1973) Volunteers (1975) Living Quarters (1977) Aristocrats (1979) (March) Faith Healer (1979) (April) Translations (1980)
The story of Nabokov's life continues with his arrival in the United States in 1940. He found that supporting himself and his family was not easy--until the astonishing success of Lolita catapulted him to world fame and financial security.
This first collection of Brian Friel's dramatic work contains: The Enemy Within (1962) Philadelphia, Here I Come! (1964) The Loves of Cass McGuire (1966) Lovers (Winners and Losers) (1967) Crystal and Fox (1968) The Gentle Island (1971)
A stuffed bear’s heart beats with the rhythm of a dead baby, Reno keeps receding to the east no matter how far you drive, and in a mine on another planet, the dust won’t stop seeping in. In these stories, Evenson unsettles us with the everyday and the extraordinary—the terror of living with the knowledge of all we cannot know. Praise for Brian Evenson: "Brian Evenson is one of the treasures of American story writing, a true successor both to the generation of Coover, Barthelme, Hawkes and Co., but also to Edgar Allan Poe."—Jonathan Lethem "One of the most provocative, inventive, and talented writers we have working today." The Believer "There is not a more intense, prolific, or apocalyptic writer of fiction in America than Brian Evenson." —George Saunders “Brian Evenson is one of the few who will still be read a hundred years from now: either by our grandchildren, or by the machines who have killed our grandchildren.” —Hobart, “An interview with Brian Evenson” "Packed with enough atrocities to give Thomas Harris pause. . . . Not many writers have the imagination or the audacity to transform what looks like salvation into an utterly original outpost of hell." —Bookforum “Evenson’s writing is something to be read in short intervals, like a good tea that you want to savor to the last drop.” —Twin Cities Geek Praised by Peter Straub for going "furthest out on the sheerest, least sheltered narrative precipice" Brian Evenson has been a finalist for the Edgar Award, the Shirley Jackson Award, and is the World Fantasy Award and the winner of the International Horror Guild Award, the American Library Association's award for Best Horror Novel, and one of Time Out New York's top books.
This volume comprises a side-by-side combination of image scans and corresponding transcriptions of a collection of early Fall Creek Township, Madison County, Indiana documents for the years 1830 through 1855 (i.e., January 11, 1830 through February 16, 1855). The documents include various school district free holder returns, children enumerations, election returns, bonds, petitions, and other related subject matter. The transcription-scan combinations presented herein were compiled from electrostatic photocopies personally acquired by the compilers directly from original documents held by Pendleton Public Library, Pendleton, Indiana.
Since the election of President Donald Trump, the Twenty-Fifth Amendment to the Constitution-covering presidential incapacity-has been a frequent topic of public discussion. Meanwhile, Section 4 has become a mainstay in television dramas, which usually represents it inaccurately. The country needs this complicated but essential topic explained. Unable: The Law, Politics, and Limits of Section 4 of the Twenty-Fifth Amendment is designed to educate and inform the public about Section 4 in an evenhanded and accessible way. This book is not about President Trump; it offers no opinions on his fitness for office. By the end of the book, though, it will be clear how Section 4 applies to him, as well as to any other president.
This frontline volume contributes to the social study of education in general and literacy in particular by bringing together in a new way the traditions of language, ethnography, and education. Integrating New Literacy Studies and Bourdieusian sociology with ethnographic approaches to the study of classroom practice, it offers an original and useful reference point for scholars and students of education, language, and literacy wishing to incorporate Bourdieu’s ideas into their work. More than just a set of stand-alone chapters around social perspectives on language interactions in classrooms, this book develops and unfolds dialogically across three sections: Bridging New Literacy Studies and Bourdieu – Principles; Language, Ethnography and Education - Practical Studies; Working at the Intersections – In Theory and Practice. The authors posit ‘Classroom Language Ethnography’ as a genuinely new perspective with rich and developed traditions behind it, but distinct from conventional approaches to literacy and education — an approach that bridges those traditions to yield fresh insights on literacy in all its manifestations, thereby providing a pathway to more robust research on language in education.
For more than two centuries, argues Brian J. Cook in Bureaucracy and Self-Government, two conceptions of public administration have coexisted in American politics: the "instrumental" (bureaucracy's job is to carry out the orders of elected officials) and the "constitutive" (bureaucracy shapes public policy and thus the character of the political community). Through an examination of key conflicts in American political development—from the debates of 1789 through the Jacksonian era controversies and the confrontations of the New Deal—Cook shows how these two views of public administration have been in constant tension, with the instrumental view eventually dominating public discourse.
Annotation A lively and entertaining study of early electrical technology, this book brings to life the technologies and inventors--most notably Benjamin Franklin--who forged the way for our modern electrical world.
A pioneering work in British military history, originally published in 1972, this book is both scholarly and entertaining. Although the book concentrates on a single institution, it illuminates a much wider area of social and intellectual change. For the Army the importance of the change was enormous: in 1854 there was neither a Staff College nor a General Staff, and professional education and training were largely despised by the officers: by 1914 the College could justly be described as ‘a school of thought’ while the officers it had trained were coming to dominate the highest posts in Commands and on the General Staff.
It was not just the searing heat of the day, hot enough to boil an egg on the bonnet of a lorry, or the sand that nestled in every crevice of the body, or the shivering cold of the starlit nights, that the British and Commonwealth troops had to battle in the North African desert it was also the tough and determined Axis forces under their brilliant leader, Erwin Rommel.The actions which resulted in the awarding of twenty-nine VCs in the Desert War included that of stretcher bearer Private Anderson walking alone into the gunfire of the enemy to rescue wounded comrades, not once, but time and time again until he too was shot and killed. Lieutenant George Gunn, who, at Sidi Rezegh, found his troop of the Royal Horse Artillery facing the onslaught of sixty German tanks. One by one the guns were put out of action, the crews killed or wounded. Eventually, only one gun was left, manned by the twenty-nine-year-old lieutenant and his sergeant. Regardless of the odds, Gunn fought on until he too was killed, shot through the head.The fighting in North Africa was not just in the harsh extremes of the rolling desert, but also the barren mountains of Tunisia, and the coastal strips of Libya. In every battle, every maneuver, the terrain was the limiting or enabling feature and it was over that unforgiving ground that twenty-nine men distinguished themselves and were awarded the highest of all gallantry medals, the Victoria Cross.
Behind the White House's impressive facade lies the long history of the men who have lived and governed within it's walls. From births to deaths, weddings to funerals, the White House has seen it all. In Best Little Stories from the White House, author C. Brian Kelly takes us on a tour of the White House's fascinating history, giving us a glimpse of the most memorable presidential moments: Theodore Roosevelt 's children once snuck their pony upstairs in the White House elevator to cheer up their sick brother. Winston Churchill once suffered a minor heart episode while struggling with a stuck window in the White House. John Quincy Adams was known to skinny-dip in the Potomac. Woodrow Wilson liked to chase up and down the White House corridors playing "rooster fighting" with his daughter Nellie.
The complete rankings of our best -- and worst -- presidents, based on C-SPAN's much-cited Historians Surveys of Presidential Leadership. Over a period of decades, C-SPAN has surveyed leading historians on the best and worst of America's presidents across a variety of categories -- their ability to persuade the public, their leadership skills, their moral authority, and more. The crucible of the presidency has forged some of the very best and very worst leaders in our national history, along with everyone in between. Based on interviews conducted over the years with a variety of presidential biographers, this book provides not just a complete ranking of our presidents, but stories and analyses that capture the character of the men who held the office. From Abraham Lincoln's political savvy and rhetorical gifts to James Buchanan's indecisiveness, this book teaches much about what makes a great leader -- and what does not. As America looks ahead to our next election, this book offers perspective and criteria to help us choose our next leader wisely.
Buy a new version of this textbook and receive access to the Connected eBook with Study Center on CasebookConnect, including: lifetime access to the online ebook with highlight, annotation, and search capabilities; practice questions from your favorite study aids; an outline tool and other helpful resources. Connected eBooks provide what you need most to be successful in your law school classes. Learn more about Connected eBooks The combined efforts of the impressive authorship team of Professor Laurie L. Levenson and Justice Brian M. Hoffstadt have produced a casebook that is everything an evidence professor, and the professor's students, would want in a book - clarity in explaining the rules of evidence, examples to test and reinforce their understanding of the rules, carefully edited cases demonstrating the application of the rules, and discussion of complications in application of the rules. Evidence Law: Policy, Practice, and Problems is a straightforward and accessible casebook that is consistent and clear in how it teaches evidence. This book provides a suitable foundation for most students to learn and apply, both in litigation and transactional practices, federal and state evidence laws. This is a masterful, comprehensive, and stimulating teaching tool, with its unique approach of (1) providing the rule; (2) explaining the basis for the rule; (3) demonstrating how it is to be applied; (4) discussing any complications in its application; and (5) providing short, where appropriate, carefully edited cases, regarding the rule. Cases in the book serve to affirm the rule, not provide subtle or exceptional applications of it. Highlights of the First Edition: Sets forth the evidence rules, the rationale for them, examples of their applications, cases demonstrating their use in civil and criminal litigation, and plenty of problems for classroom discussion and review Each chapter contains summary charts and diagrams to help students follow the requirements and apply the rules Carefully edited cases to ensure clarity in the application of the rules is provided without overwhelming the reader Summary chapter where students can see the rules applied to a sample trial Professors and students will benefit from: An assortment of review questions that professors and students can use to reinforce the students' understanding of the evidence rules Short readings regarding cutting-edge areas of evidence law Examples of contemporary challenges in applying the evidence rules Step-by-step approach for dealing with evidence issues Thorough and clear presentation of hearsay, its exceptions, and its interaction with the right of confrontation Comparisons with the rules for major state jurisdictions
The German philosopher Immanuel Kant famously defined anthropology as the study of what it means to be a human being. Following in his footsteps "Anthropology and the Human Subject" provides a critical, comprehensive and wide-ranging investigation of conceptions of the human subject within the Western intellectual tradition, focusing specifically on the secular trends of the twentieth century. Encyclopaedic in scope, lucidly and engagingly written, the book covers the man and varied currents of thought within this tradition. Each chapter deals with a specific intellectual paradigm, ranging from Marx's historical materialism and Darwin's evolutionary naturalism, and their various off shoots, through to those currents of though that were prominent in the late twentieth century, such as, for example, existentialism, hermeneutics, phenomenology and poststructuralism. With respect to each current of thought a focus is placed on their main exemplars, outlining their biographical context, their mode of social analysis, and the "ontology of the subject" that emerges from their key texts. The book will appeal not only to anthropologists but to students and scholars within the human sciences and philosophy, as well as to any person interested in the question: What does it mean to be human? "Ambitions in scope and encyclopaedic in execution...his style is always lucid. He makes difficult work accessible. His prose conveys the unmistakable impression of a superb and meticulous lecturer at work." Anthony P Cohen Journal Royal Anthropological Institute "There is a very little I can add to the outstanding criticism Brian Morris levels at deep ecology...Insightful as well as incisive...I have found his writings an educational experience." Murray Bookchin Institute of Social Ecology
This book seeks to enrich our understanding of middle-class life in England during the Industrial Revolution. For many years, questions about how the middle classes earned (and failed to earn) money, conducted their public and private lives, carried out what they took to be their civic and religious duties, and viewed themselves in relation to the rest of society have been largely neglected questions. These topics have been marginalized by the rise of social history, with its predominant focus on the political formation of the working classes, and by continuing interest in government and high politics, with its focus on the upper classes and landed aristocracy. This book forms part of the recent attempt, influenced by contemporary ideas of political culture, to reassess the role, composition, and outlook of the middle classes. It compares and contrasts three Lancashire milltowns and surrounding parishes in the early phase of textile industrialization—when the urbanizing process was at its most rapid and dysfunctional, and class relations were most fraught. The book’s range extends from the French Revolution to 1851, the year of the Great Exhibition, which symbolized mid-century stability and prosperity. The author argues that members of the middle class were pivotal in the creation of this stability. He shows them creating themselves as a class while being created as a class, putting themselves in order while being ordered from above. The book shifts attention from the search for a single elusive “class consciousness” to demonstrate instead how the ideological leaders of the three milltowns negotiated their power within the powerful forces of capitalism and state-building. It argues that, at a time of intense labor-capital conflict, it was precisely because of their diversity, and their efforts to build bridges to the lower orders and upper class, that the stability of the liberal-capitalist system was maintained.
This book looks at the struggle between the processes of globalization and geopolitical forces over the last 150 years. The twentieth century witnessed a struggle between geopolitical states who wanted to close off and control earth space, resources and population and globalizing ones who wished to open up the world to the free flow of ideas, goods and services. Brian W. Blouet analyzes the tug-of-war between these tendencies, the playing out of which determined the shape and behavior of today's world. Beginning his survey in the late nineteenth century, Blouet shows how the Second World War served to focus international awareness on the ramifications of global controls, and how we may be facing the end of geopolitics today.
This volume uses essential and illuminating primary documents as a portal for understanding the evolution and present parameters of presidential power, the relationship between America's three branches of government, and why wartime often leads presidents to claim expansive powers and authority. Presidential Power: Documents Decoded provides a thorough examination of the historical and political context of key, critical moments in constitutional history and presidential power that makes possible opportunities for students to explore American politics in an interesting, memorable, and dynamic way. Each of the case studies reveals important dimensions of the constitutional order in the United States—and enables readers to better grasp how executive power has shifted and expanded. The book takes specific events, people, institutions, or ideas and places them in a broader context so that readers can observe patterns and make connections among seemingly disparate happenings and concepts relating to executive power. Accompanied by explanatory sidebars, the included primary sources let students examine actual documentary evidence of key elements of executive power—for example, the presidential memorandum, the National Security cable, and the prisoner's petition—and reach their own judgment of the implications of that document for the American political system.
Science fiction is a literary genre based on scientific speculation. Works of science fiction use the ideas and the vocabulary of all sciences to create valid narratives that explore the future effects of science on events and human beings. Science Fact and Science Fiction examines in one volume how science has propelled science-fiction and, to a lesser extent, how science fiction has influenced the sciences. Although coverage will discuss the science behind the fiction from the Classical Age to the present, focus is naturally on the 19th century to the present, when the Industrial Revolution and spectacular progress in science and technology triggered an influx of science-fiction works speculating on the future. As scientific developments alter expectations for the future, the literature absorbs, uses, and adapts such contextual visions. The goal of the Encyclopedia is not to present a catalog of sciences and their application in literary fiction, but rather to study the ongoing flow and counterflow of influences, including how fictional representations of science affect how we view its practice and disciplines. Although the main focus is on literature, other forms of science fiction, including film and video games, are explored and, because science is an international matter, works from non-English speaking countries are discussed as needed.
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