In 1991, protesters in Dili, East Timor were massacred by Indonesian troops. This turned out to be a political disaster for the Indonesian government, greatly increasing international support for the East Timorese independence struggle. The massacre backfired on the Indonesian government. The Backfire Manual explains why. Imagine you're planning an action and think you might come under attack. Maybe it's a rally and there's a risk of police brutality. Maybe you're exposing government corruption and there could be reprisals against your group. To be prepared, you need to understand the tactics likely to be used by your opponent, for example covering up the action and trying to discredit you and your group. The Backfire Manual provides guidance for this sort of planning. It outlines the backfire model and gives examples and exercises for using it. This is a practical handbook for being more effective whenever you face a powerful, dangerous opponent.
Dublin, March 1874. Charles Stewart Parnell, only twenty-six years old, speaks in public for the first time as a candidate for Ireland's Home Rule Party. Hesitant and nervous, he stumbles through his speech to the sound of booing and leaves the platform humiliated. He vows that in future he will find his voice – and make it heard. Within three years of this speech, Parnell made the House of Commons unworkable; within six years he had destroyed the landlords in Ireland; and within a decade he controlled the House of Commons and put English Prime Ministers in and out of government at will. Parnell: A Novel charts the life of this most enigmatic and remarkable of men, as seen through the eyes of his loyal secretary James Harrison. From the Houses of Parliament to the blighted villages of the West of Ireland, from the courtrooms of the Royal Courts of Justice to the cells of Kilmainham Gaol, this is the story of how the character of one man could alter the fate of two nations.
In the words of one reader, Brian W. Fairbanks has a real talent for extracting the essence of a given subject and articulating it in a meaningful way. In WRITINGS, the author collects some of his finest essays and criticism spanning the years 1991-2005 and covering four subjects: FILM LITERATURE MUSIC SOCIETY Whether offering an insightful analysis of film noir, examining Benjamin Franklin's impact on American society, taking a clear-eyed, non-partisan look at democrats, republicans, the 2004 presidential campaign, George W. Bush, and the war on terror, or lambasting the corruption of television news, Brian W. Fairbanks is ingenious with a sophisticated yet effortlessly readable style. Also available in two hardcover editions.
A gripping and wholly original account of the epic human tragedy that was the great Klondike Gold Rush of 1897-98. One hundred thousand men and women rushed heedlessly north to make their fortunes; very few did, but many thousands of them died in the attempt. In 1897, the United States was mired in the worst economic depression that the country had yet endured. So when all the newspapers announced gold was to be found in wildly enriching quantities at the Klondike River region of the Yukon, a mob of economically desperate Americans swarmed north. Within weeks tens of thousands of them were embarking from western ports to throw themselves at some of the harshest terrain on the planet--in winter yet--woefully unprepared, with no experience at all in mining or mountaineering. It was a mass delusion that quickly proved deadly: avalanches, shipwrecks, starvation, murder. Upon this stage, author Brian Castner tells a relentlessly driving story of the gold rush through the individual experiences of the iconic characters who endured it. A young Jack London, who would make his fortune but not in gold. Colonel Samuel Steele, who tried to save the stampeders from themselves. The notorious gangster Soapy Smith, goodtime girls and desperate miners, Skookum Jim, and the hotel entrepreneur Belinda Mulrooney. The unvarnished tale of this mass migration is always striking, revealing the amazing truth of what people will do for a chance to be rich.
When viewers think of film noir, they often picture actors like Humphrey Bogart playing characters like Sam Spade in The Maltese Falcon, the film based on the book by Dashiell Hammett. Yet film noir is a genre much richer. The authors first examine the debate surrounding the parameters of the genre and the many different ways it is defined. They discuss the Noir City, its setting and backdrop, and also the cultural (WWII) and institutional (the House UnAmerican Activities Committee, and the Production Code Administration) influences on the subgenres. An analysis of the low budget and series film noirs provides information on those cult classics. With over 200 entries on films, directors, and actors, the Encyclopedia of Film Noir is the most complete resource for film fans, students, and scholars.
Attacks can backfire on attackers_sometimes spectacularly. In March 1991, an observer videotaped several Los Angeles police beating Rodney King with their batons. Shown on television, the beating caused enormous damage to the reputation of the police and led to the chief's resignation. This incident and others, such as the 2003 invasion of Iraq and the 1965 surveillance of Ralph Nader, prove that all sorts of attacks can backfire, from torture and massacres to job dismissals and reprisals against whistle-blowers. Through numerous detailed case studies, Justice Ignited presents the first comprehensive treatment of the dynamics of backfire, as it reveals the most promising tactics for causing the backfire of unfair attacks. Understanding backfire_both promoting and inhibiting it_is vitally important for activists and everyone else who wants to be effective in the face of injustice.
Every saturday night in the eighties fans would gather around their television to watch, not Saturday Night Live, but Saturday Night The Main Event. WWE wrestling beat the ratings for the most talked about show on television week after week. Here is that era captured. “Introducing your champion, from Venice Beach, California, at three hundred and three pounds—Hulk Hogan! And his challenger . . .” Hearing those words ring out across the arena meant you were there. It didn't matter if you were there in person, or watching on television or closed circuit. You were in the place where everyone wanted to be. You could feel the crowd; as the tension built, you were swept up and into the action. You knew you were going to witness history. You were experiencing the main event at a live WWE show. It seemed that wrestling had changed overnight, that the men who entered the squared circle were suddenly larger than life. Everyone wanted to see the behemoth Hulk Hogan wrestle. And the men who wrestled with and against him were his equals in creating a match and a character that no one would soon forget: Andre the Giant, "Rowdy" Roddy Piper, Jesse "The Body" Ventura, Jake "the Snake" Roberts, Sgt. Slaughter. They all kept you pinned to your seat as they were pinning their opponents to the mat. You just knew that you were going to see things that no one had ever seen before. The eighties was the era that cemented WWE as the place where the best wrestlers on the planet worked. Main Event -- WWE in the Raging 80s dips into those years and reveals the most celebrated wrestlers and the matches that will be recalled as not just the best of the eighties but the best of the ages.
Within psychology, emotion is often treated as something private and personal. In contrast, this book tries to understand emotion from the 'outside,' by examining the everyday social settings in which it operates. Three levels of social influence are considered in decreasing order of inclusiveness, starting with the surrounding culture and subculture, moving on to the more delimited organization or group, and finally focusing on the interpersonal setting.
The twentieth could easily be Utah’s most interesting, complex century, yet popular ideas of what is history seem mired in the nineteenth. One reason may be the lack of readily available writing on more recent Utah history. This collection of essays shifts historical focus forward to the twentieth, which began and ended with questions of Utah’s fit with the rest of the nation. In between was an extended period of getting acquainted in an uneasy but necessary marriage, which was complicated by the push of economic development and pull of traditional culture, demand for natural resources from a fragile and scenic environment, and questions of who governs and how, who gets a vote, and who controls what is done on and to the contested public lands. Outside trade and a tourist economy increasingly challenged and fed an insular society. Activists left and right declaimed constitutional liberties while Utah’s Native Americans become the last enfranchised in the nation. Proud contributions to national wars contrasted with denial of deep dependence on federal money; the skepticism of provocative writers, with boosters eager for growth; and reflexive patriotism somehow bonded to ingrained distrust of federal government.
This bibliography provides an alphabetical listing of over 1500 articles, books, and dissertations that treat in some way the topic of clitics and related matters, e.g. affixes, words, word order, movement, sandhi, etc. The beginning point for the bibliographic entries is 1892, taking Jacob Wackernagel's classic work as the point of departure, and the entries cover the subsequent 100-year period. Each entury is accompanied by a series of descriptors which give an indication of the content of the item. Nearly one-third of the book is a detailed analytic index, based on the descriptors, which can aid in topical searches for relevant material. Prefatory matter includes an essay “What is a Clitic?” by Arnold M. Zwicky, a brief consideration of Wackernagel's scholarly career by Brian D. Joseph, and information on the format and use of the book itself.
Although the United States did not enter the First World War until April 1917, Canada enlisted the moment Great Britain engaged in the conflict in August 1914. The Canadian contribution was great, as more than 600,000 men and women served in the war effort—400,000 of them overseas—out of a population of 8 million. More than 150,000 were wounded and nearly 67,000 gave their lives. The war was a pivotal turning point in the history of the modern world, and its mindless slaughter shattered a generation and destroyed seemingly secure values. The literature that the First World War generated, and continues to generate so many years later, is enormous and addresses a multitude of cultural and social matters in the history of Canada and the war itself. Although many scholars have brilliantly analyzed the literature of the war, little has been done to catalog the writings of ordinary participants: men and women who served in the war and wrote about it but are not included among well-known poets, novelists, and memoirists. Indeed, we don’t even know how many titles these people published, nor do we know how many more titles were added later by relatives who considered the recollections or collected letters worthy of publication. Brian Douglas Tennyson’s The Canadian Experience of the Great War: A Guide to Memoirs is the first attempt to identify all of the published accounts of First World War experiences by Canadian veterans.
Brian W. Fairbanks, Entertainment Editor at Paris Woman Journal in Paris, France, "has a talent for extracting the essence of a given subject and articulating it in a meaningful way."In I SAW THAT MOVIE, TOO, he extracts the essence from several hundred films, and articulates some of the most meaningful opinions on the cinema you'll ever read. In the foreword, he also offers a perceptive analysis of the way that movies, more importantly, the way we "see" movies, has changed from the time he was a young movie buff "obsessed by that light in the darkness" to the era of the multiplex and the DVD.As one reader says, he has "a sophisticated yet effortlessly readable style." Smart, insightful, always honest, but never pretentious, Fairbanks is a life-long film buff who backs up his opinions with a knowledge of both the art and artifice of cinema.
WWE Legends gives fans an inside look at more than fifty of the greatest wrestlers ever to slip between the ropes and enter the “squared circle.” They were World Heavyweight Champions: Bob Backlund, Superstar Billy Graham, and Bruno Sammartino. They were fan favorites: “Superfly” Jimmy Snuka, Chief Jay Strongbow, and Andre the Giant. They were the villains everyone loved to hate: Killer Kowalski, Ernie Ladd, and the Fabulous Moolah. They were ethnic heroes, someone just like you that you could cheer for: Ivan Putski, Pedro Morales, Peter Maivia. They were the stars that shined the brightest, and left an indelible mark on the memories of countless fans. In a time when professional wrestling was divided into territories, no place created bigger Superstars than World Wrestling Entertainment. From the company's centerpiece in Madison Square Garden, legends were born. WWE Legends is the every fan's guide to the legends of the ring. They are all in here, from Andre the Giant to George “the Animal” Steele, with quick stats and descriptions of their most famous matches. No true wrestling fan should be without this book.
A Tribe Called Quest • Beastie Boys • De La Soul • Eric B. & Rakim • The Fugees • KRS-One • Pete Rock & CL Smooth • Public Enemy • The Roots • Run-DMC • Wu-Tang Clan • and twenty-five more hip-hop immortals It’s a sad fact: hip-hop album liners have always been reduced to a list of producer and sample credits, a publicity photo or two, and some hastily composed shout-outs. That’s a damn shame, because few outside the game know about the true creative forces behind influential masterpieces like PE’s It Takes a Nation of Millions. . ., De La’s 3 Feet High and Rising, and Wu-Tang’s Enter the Wu-Tang (36 Chambers). A longtime scribe for the hip-hop nation, Brian Coleman fills this void, and delivers a thrilling, knockout oral history of the albums that define this dynamic and iconoclastic art form. The format: One chapter, one artist, one album, blow-by-blow and track-by-track, delivered straight from the original sources. Performers, producers, DJs, and b-boys–including Big Daddy Kane, Muggs and B-Real, Biz Markie, RZA, Ice-T, and Wyclef–step to the mic to talk about the influences, environment, equipment, samples, beats, beefs, and surprises that went into making each classic record. Studio craft and street smarts, sonic inspiration and skate ramps, triumph, tragedy, and take-out food–all played their part in creating these essential albums of the hip-hop canon. Insightful, raucous, and addictive, Check the Technique transports you back to hip-hop’s golden age with the greatest artists of the ’80s and ’90s. This is the book that belongs on the stacks next to your wax. “Brian Coleman’s writing is a lot like the albums he covers: direct, uproarious, and more than six-fifths genius.” –Jeff Chang, author of Can’t Stop Won’t Stop “All producers and hip-hop fans must read this book. It really shows how these albums were made and touches the music fiend in everyone.” –DJ Evil Dee of Black Moon and Da Beatminerz “A rarity in mainstream publishing: a truly essential rap history.” –Ronin Ro, author of Have Gun Will Travel
The reforms of Mikhail Gorbachev have brought tumultuous change to political, social and economic life in the Soviet Union. But how have these changes affected Soviet press and television reporting? Glasnost, Perestroika and the Soviet Media examines the changing role of Soviet journalism from its theoretical origins in the writings of Marx and Lenin to the new freedoms of the Gorbachev era. The book includes detailed analysis of contemporary Soviet media output, as well as interviews with Soviet journalists.
The book describes models of aquatic ecosystems, ranging from lakes to estuaries to the deep ocean. It provides a background in the physical and biological processes, numerical methods and elementary ecosystem models. It describes two of the most widely used hydrodynamic models and presents a number of case studies. The practice of modelling in management is discussed.
A “compelling” study of impact of the Civil War in Appalachia that “adeptly juggles the military, social, and political complexities of this border war” (American Historical Review). During the four years of the Civil War, the border between eastern Kentucky and southwestern Virginia was highly contested territory, alternately occupied by both the Confederacy and the Union. Though sparsely populated, the geography of the region made it a desirable stronghold for future tactical maneuvers. In Contested Borderland , Brian D. McKnight’s unprecedented geographical analysis of military tactics and civilian involvement provides a new and valuable dimension to the story of a region facing the turmoil of war. Winner of the James I. Robertson Literary Prize “A very valuable study.” —Appalachian Journal “Engaging and eminently readable. . . . A compelling account of an isolated world turned upside down by a war fought over issues few of its residents understood or cared much about.” —Civil War Times “A revealing and richly diverse account of the war in this too-neglected pocket of the South.” —Daniel E. Sutherland, editor of Guerrillas, Unionists, and Violence on the Confederate Home Front “Recommend[ed] for all serious Civil War scholars and enthusiasts.” —Journal of American History “McKnight’s work has much to offer in covering the war in the Central Appalachian Divide.” —Journal of East Tennessee History “An enjoyable and informational read.” —Journal of Military History “Essential for all Appalachian regional and Civil War collections.” —Journal of Southern History “The author’s analysis of military tactics, political realities, and genuine hardship, is first rate.” —West Virginia History
What induced the British to adopt foreign coffee-drinking customs in the seventeenth century? Why did an entirely new social institution, the coffeehouse, emerge as the primary place for consumption of this new drink? In this lively book, Brian Cowan locates the answers to these questions in the particularly British combination of curiosity, commerce, and civil society. Cowan provides the definitive account of the origins of coffee drinking and coffeehouse society, and in so doing he reshapes our understanding of the commercial and consumer revolutions in Britain during the long Stuart century. Britain’s virtuosi, gentlemanly patrons of the arts and sciences, were profoundly interested in things strange and exotic. Cowan explores how such virtuosi spurred initial consumer interest in coffee and invented the social template for the first coffeehouses. As the coffeehouse evolved, rising to take a central role in British commercial and civil society, the virtuosi were also transformed by their own invention.
Outstanding analysis of the last decade of American wrestling, following the four major North American promotions through the perspectives of storyline, character and business decisions.
Ever wondered where novelists get the inspiration for their characters? Why the hero or villain of your favourite book seems oddly familiar? Who inspired Mordecai Richler to create Bernard Gursky; Margaret Atwood to create Zenia in The Robber Bride? In which novel does Northrop Frye appear (as a character named Morton Hyland)? The answers can be found in Character Parts, Brian Busby’s irreverent yet authoritative guide to who’s really who in Canadian literature. The most original and entertaining reference book to be published in years, Character Parts is the behind-the-scenes look at CanLit we have all been waiting for. Brian Busby settles the suspicions that arise when a fictional character reminds you of a real-life one, listing the sources for characters from the whole of Canadian literature. His canvas stretches from the settlers who inspired 1852’s Roughing It in the Bush to Glenn Gould’s appearance as Nathaniel Orlando Gow in Tim Wynne-Jones’ The Maestro, and beyond. But Character Parts is also chock-full of fascinating, less famous people who have been immortalized in Canadian books: seductive Alberta politicians, British army generals, anarchists, models, aristocrats -- and, of course, parents, siblings and ex-spouses. Authoritative, but presented with a light touch, Character Parts is as at home in a university library as on a bathroom shelf. It’s that rare find: an exemplary reference book that is also an absolutely entertaining read in its own right.
We know that eating animals is bad for the planet and bad for our health, and yet we do it anyway. Ask anyone in the plant-based movement and the solution seems obvious: Stop eating meat. But, for many people, that stark solution is neither appealing nor practical. In Meat Me Halfway, author and founder of the reducetarian movement Brian Kateman puts forth a realistic and balanced goal: mindfully reduce your meat consumption. It might seem strange for a leader of the plant-based movement to say, but meat is here to stay. The question is not how to ween society off meat but how to make meat more healthy, more humane, and more sustainable. In this book, Kateman answers the question that has plagued vegans for years: why are we so resistant to changing the way we eat, and what can we do about it? Exploring our historical relationship with meat, from the domestication of animals to the early industrialization of meatpacking, to the advent of the one-stop grocery store, the science of taste, and the laws that impact our access to food, Meat Me Halfway reveals how humans have evolved as meat eaters. Featuring interviews with pioneers in the science of meat alternatives, investigations into new types of farming designed to lessen environmental impact, and innovations in ethical and sustainable agriculture, this down-to-earth book shows that we all can change the way we create and consume food.
Deadly and deep-seated political conspiracies are nothing new to Jack Flynn, the popular lead reporter of the Boston Record. But in Strangled, he finds himself in the middle of a case that everyone thought had closed forty years ago -- the Boston Strangler. From the summer of 1962 to the winter of 1964, eleven women were strangled to death in their homes. The city had been panic-stricken. Dog pounds were cleaned out. Locksmiths worked twenty-hour days. The streets emptied after dark. Single women set up phone trees to check on each other's safety. Then, a year after the eleventh murder, the city breathed a heavy sigh of relief when convicted sex offender Albert DeSalvo confessed to the killings. Eight years later, he was stabbed to death in prison, forever ridding the world of the man who had terrorized a city. Or so everyone thought. Boston, present-day. A series of murders has occurred in which all the victims, all female, have been strangled and left with markers eerily reminiscent of those once left by the "Phantom Fiend" -- garish bows tied around their necks and their bodies ghoulishly positioned to greet investigators as they entered the crime scene. In typical fashion, the police and local politicians have turned on their publicity machine full-throttle in an attempt to cool any rumors about the possible return of the Strangler. Little do they know that Flynn is receiving letters from the killer himself, thrusting the newsman between the threats of a madman and several secretive, uncooperative officials, who are tied to the original case. With the lives of innocent women on the line, he must use his keen journalistic skills to determine whether or not this is a copycat on the loose, or if Albert DeSalvo was, in fact, not quite the fiend everyone so easily believed him to be. Is it possible that the Boston Strangler was never captured and that he's been lurking in the shadows, waiting to kill again? Using fiction to examine the horrifying details of the Boston Strangler case and the possible outcomes of its investigation, McGrory has written an intelligent thriller crackling with newsroom energy and chilling suspense.
The flawed characters of 27 men who were awarded the world’s most prestigious bravery award, some of whom ended up in prison or were shunned by officialdom and a once adoring public.
Eight highly-readable essays on science fiction and fantasy writers, including David Brin, Jonathan Carroll, Samuel R. Delany, Joe Haldeman, Robert Irwin, Graham Joyce, Michael Shea, plus a major piece, "Against the New Gods," on British SF and crime writer Sydney Fowler Wright. Complete with Bibliography and Index.
In 1979, with El Salvador growing ever more unstable and ripe for revolution, the United States undertook a counterinsurgency intervention that over the following decade would become Washington’s largest nation-building effort since Vietnam. In 2003, policymakers looked to this “successful” undertaking as a model for US intervention in Iraq. In fact, Brian D’Haeseleer argues in The Salvadoran Crucible, the US counterinsurgency in El Salvador produced no more than a stalemate, and in the process inflicted tremendous suffering on Salvadorans for a limited amount of foreign policy gains. D’Haeseleer’s book is a deeply informed, dispassionate account of how the Salvadoran venture took shape, what it actually accomplished, and what lessons it holds. A historical analysis of the origins of US counterinsurgency policy provides context for understanding how precedents informed US intervention in El Salvador. What follows is a detailed, in-depth view of how the counterinsurgency unfolded—the nature, logic, and effectiveness of the policies, initiatives, and operations promoted by American strategists. D’Haeseleer’s account disputes the “success” narrative by showing that El Salvador’s achievements, mainly the spread of democracy, occurred as a result not of the American intervention but of the insurgents’ war against the state. Most significantly, The Salvadoran Crucible contends that the reforms enacted during the war failed to address the underlying causes of the conflict, which today continue to reverberate in El Salvador. The book thus suggests a reassessment of the history of American counterinsurgency, and a course-correction for the future.
It is May 1962. The 'phone rings. Brian, 15 year-old grammar-schoolboy and bass player in the Denvers, picks up the receiver. It is Sam Curtis, ex Road Manager of the Shadows, "How would you like to go to France?" Four days later the Denvers leave Stockton for London and France. Roy (16 years old) and Brian have both left school, Roy days before his O-levels! Louis and Johnny, both 21 and painters and decorators, have packed in their jobs. Thus begins a two-year adventure that will take them from the back streets of Stockton to entertain US troops in France and secure a recording contract, against a backdrop of rising tensions between NATO and the Soviet Union, the Cuban missile crisis, the assassination of President John F. Kennedy, and the Algerian crisis in France. This book charts Brian's early life and what it was like to be a young rock- group troubadour as some of the major social, political and cultural events of the early 1960s swirled around him and his band mates.
Everybody has a train story. Whether it comes from a distant relative who worked on the railways or from a family train trip that formed a lasting impression of the Canadian landscape, trains inspire a sense of wonder and nostalgia. They are embedded in the history of Canada as a whole and western Canada in particular, and for generations they were how most people travelled and saw the country. Today, trains get the most attention in the context of tragedy, in the aftermath of rare but catastrophic derailments. However, train stories go beyond these modern-day disaster tales or romantic glimpses into the past. Whistle Posts Westpresents a compelling array of stories that illustrate how and why the railways continue to capture our imaginations. From the heartbreaking to the humorous, from the awe-inspiring to the absurd, this fascinating collection of railway tales from BC, Alberta and Yukon is sure to please.
The Encyclopaedia of Australian Metal presents pictures, biographies and discographical information on more than 2000 metal and heavy rock bands from all parts of Australia - from the early 70s pioneers like AC/DC, Buffalo and Rose Tattoo to the current breed: Psycroptic, Parkway Drive, Ne Obliviscaris and more.
A TWISTY PSYCHOLOGICAL THRILLER FROM BESTSELLING BRIAN FREEMAN 'A great read from a rising star in the crime genre' Crimesquad 'This gripping psychological thriller is a cut above the rest' Candis Magazine It's every parent's worst nightmare. Chris Hawk's daughter has been accused of murder...and she looks guilty as sin. Chris rushes to the small town in Minnesota where his ex-wife and his only child, Olivia, now live, determined to defend his daughter. He discovers two towns at war: Barron, where a chemical works has brought jobs and fortune, and St Croix, Olivia's downriver home, where the same chemical works are believed to have brought death: a cancer cluster with mysterious origins. Olivia is at the centre of this feud. So is the girl she's suspected of killing. If Chris is to find out what really happened, he needs to learn everything about his daughter...but he's beginning to realise he hardly knows her at all. Chris wants to believe Olivia is innocent, but belief is only the first step. Now he has to prove it. And all the while, the Barron boys are waiting, baying for her blood.
William Tecumseh Sherman, a West Point graduate and veteran of the Seminole War, became one of the best-known generals in the Civil War. His March to the Sea, which resulted in a devastated swath of the South from Atlanta to Savannah, cemented his place in history as the pioneer of total war. In The Scourge of War, preeminent military historian Brian Holden Reid offers a deeply researched life and times account of Sherman. By examining his childhood and education, his business ventures in California, his antebellum leadership of a military college in Louisiana, and numerous career false starts, Holden Reid shows how unlikely his exceptional Civil War career would seem. He also demonstrates how crucial his family was to his professional path, particularly his wife's intervention during the war. He analyzes Sherman's development as a battlefield commander and especially his crucial friendships with Henry W. Halleck and Ulysses S. Grant. In doing so, he details how Sherman overcame both his weaknesses as a leader and severe depression to mature as a military strategist. Central chapters narrate closely Sherman's battlefield career and the gradual lifting of his pessimism that the Union would be defeated. After the war, Sherman became a popular figure in the North and the founder of the school for officers at Fort Leavenworth, Kansas, known as the "intellectual center of the army." Holden Reid argues that Sherman was not hostile to the South throughout his life and only in later years gained a reputation as a villain who practiced barbaric destruction, particularly as the neo-Confederate Lost Cause grew and he published one of the first personal accounts of the war. A definitive biography of a preeminent military figure by a renowned military historian, The Scourge of War is a masterful account of Sherman' life that fully recognizes his intellect, strategy, and actions during the Civil War.
The Great Depression transformed Delaware more than any other event in the modern history of the state. Through vintage photographs, this volume records both the gentle philanthropy of the people and the crushing poverty experienced by 11,000 citizens left chronically unemployed for more than a decade. It portrays the balance between agriculture and industry that defines Delaware as a state. These images show a generation that was born during the 1918 flu epidemic, lived through the worst economic slump of the 20th century, and fought and won war against German fascism and Japanese imperialism. Images of America: Delaware in the Great Depression records the story of the extraordinary people who fundamentally changed the way politics, industry, conservation, and agriculture combine to build a society and how the technological revolutions in this small state helped lay the foundation for the modern world.
Thirty-four review essays of science fiction, fantasy, and horror authors and musical groups, including works by the following: Poul Anderson, Kim Antieau, Jackie Askew, Ataraxia, Stephen Baxter, Gregory Benford, David Britton, Philip George Chadwick, Hal Clement, Kathryn Cramer, Avram Davidson, Grania Davis, Stephen Dedman, Marcus Donnelly, Greg Egan, Michael Flynn, Forkbeard Fantasy, Neil Gaiman, Glenn Grant, Charles L. Harness, David G. Hartwell, Alexander Jablokov, John Kessel, Sophia Kingshill, Nancy Kress, Manuela Dunn Mascetti, Paul McAuley, Tim Powers, Albert Robida, Mary Doria Russell, William Moy Russell, Sharon Shinn, Sopor Aeternus and the Ensemble of Shadows, Emile Souvestre, Michel de Spiegeleire, Allen Steele, Michael Swanwick, Judith Tarr, Thee Vampire Guild, Jeff VanderMeer, Freda Warrington, John D. Wilson, Terri Windling, and Ronald Wright.
George Catlin's paintings and the vision behind them have become part of our understanding of a lost America. We see the Indian past through Catlin's eyes, imagine a younger, fresher land in his bright hues. But he spent only a few years in what he considered Indian country. The rest of his long life?more than thirty years?wasødevoted largely to promoting, repainting, and selling his collection?in short, to seeking patronage. Catlin and His Contemporaries examines how the preeminent painter of western Indians before the Civil War went about the business of making a living from his work. Catlin shared with such artists as Seth Eastman and John Mix Stanley a desire to preserve a visual record of a race seen as doomed and competed with them for federal assistance. In a young republic with little institutional and governmental support available, painters, writers, and scholars became rivals and sometimes bitter adversaries. Brian W. Dippie untangles the complex web of interrelationships between artists, government officials, members of Congress, businessmen, antiquarians and literati, kings and queens, and the Indians themselves. In this history of the politics of patronage during the nineteenth century, luminaries like Henry Rowe Schoolcraft, Henry H. Sibley, John James Audubon, Alfred Jacob Miller, and Karl Bodmer are linked with Catlin in a contest for the support of the arts, setting a precedent for later generations. That the contenders "produced so much of enduring importance under such trying circumstances," Dippie observes,"was the sought-for miracle that had seemed to elude them in their lives.
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