Although the problems of writing fantasy and science fiction include all those pertaining to the writing of any kind of fiction, particular problems arise in stories in which unprecedented things can and do happen, as well as stories that often involve unhuman characters of various sorts, and that might require the elaborate design of entire imaginary worlds. This book provides an elementary introduction to problems of those kinds, and the ways in which they modify the general problems of writing fiction. It also suggests strategies that might enable the problems to be handled constructively and productively. The author has published more than seventy novels in the field, more than twenty short story collections, and more than twenty related works of non-fiction; he has, as the saying goes, been there, done that, and chewed his t-shirt in relevant frustration. Robert Reginald says: "An absolutely first-rate guide to writing fantastic literature. Stableford has much to say that potential writers of ALL fiction might find valuable, interesting, and highly illuminating. His reasonable discussion and dissection of the basic issues facing authors of creative fiction--and the solutions to be found to each problem--are dollops of solid gold advice, in this editor's humble opinion. Every would-be author should read this book--and more than once!
Harker Lee is a survivor. His mind withstands the threat of insanity and the pressure of imprisonment. His lifelong struggle to keep mind and body together in the face of the hostile environment of the maximum-security block is a struggle against the society of his fellow men. But that society can still find a need for him; a need for the ability to survive which it is testing to the full. He was taken from his cell once to be used in experiments in reading minds. Now he is brought forth again, to endure the ultimate test: to fly a Titan spaceship through hyperspace to the stars. Starflight destroys the minds of sane men. But Harker Lee is not sane and his mind has strength which sane men lack. In Harker Lee, the man whom society is caging for his crimes, now lies the hope that man might break out of the greatest of all cages: the void of empty darkness which enfolds the Earth. In this chilling, enthralling novel of psychology and science fiction, one final escape must be made, for a man and for mankind.
Long after he was dead, French poet Charles Baudelaire inspired a Decadent Movement in France, which became definitive of fin de siecle sensibility. One of the historical and influential links between Baudelaire and the new Decadents was the Comte de Villiers de l'Isle Adam, who called the first of his own collections of Decadent prose Contes cruels, because they spurned conventional means of attaining literary closure by celebrating 'the irony of fate' -- the capacity that the course of events has for thwarting human ambition in a frankly mocking fashion. "Because it became so firmly linked to the notion of the fin de siecle, the Decadent Movement did not survive the end of the nineteenth century in France and Decadent literature became increasingly unfashionable thereafter -- but it was, by definition, a literary species guaranteed to thrive on its own unfashionability. The stories collected here have been woefully unappreciated, even when they have succeeded in reaching print -- as some have not until now -- but I have never been tempted to abandon the production of such items, and am far fonder of them than I am of many works that proved more economically viable." -- from the author's Introduction. The tales in this collection include: "An Oasis of Horror," "Justice," "The Copper Cauldron," "Nobody Else to Blame," "Heartbeat," "Upon the Gallows-Tree," "The Devil's Men," "The Elixir of Youth," "The Lamia's Soliloquy," "And the Hunter Home from the Hill," "The Riddle of the Sphinx," "My Mother, the Hag," "The Devil's Comedy," and "The Power of Prayer." Never before collected into book form.
Once upon a time all literature was fantasy, set in a mythical past when magic existed, animals talked, and the gods took an active hand in earthly affairs. As the mythical past was displaced in Western estimation by the historical past and novelists became increasingly preoccupied with the present, fantasy was temporarily marginalized until the late 20th century, when it enjoyed a spectacular resurgence in every stratum of the literary marketplace. Stableford provides an invaluable guide to this sequence of events and to the current state of the field. The chronology tracks the evolution of fantasy from the origins of literature to the 21st century. The introduction explains the nature of the impulses creating and shaping fantasy literature, the problems of its definition and the reasons for its changing historical fortunes. The dictionary includes cross-referenced entries on more than 700 authors, ranging across the entire historical spectrum, while more than 200 other entries describe the fantasy subgenres, key images in fantasy literature, technical terms used in fantasy criticism, and the intimately convoluted relationship between literary fantasies, scholarly fantasies, and lifestyle fantasies. The book concludes with an extensive bibliography that ranges from general textbooks and specialized accounts of the history and scholarship of fantasy literature, through bibliographies and accounts of the fantasy literature of different nations, to individual author studies and useful websites.
Throughout the centuries that have passed since humans first ventured into interstellar space, they have been at war with the alien Veich. The human race has, in consequence, been fully militarized, its educational system being a form of military training--which includes, among other disciplines, the elimination of fear from the human psyche. Attitudes to the war have, however, been colored by the gradual discovery of relics revealing that it is echoing an earlier interstellar conflict whose antagonists have completely disappeared, victors and vanquished alike. On a neglected continent of an unimportant world, ex-sergeant Remy and other human and Veich deserters have joined forces to form a mercenary company that places its expert skills at the disposal of the dominant indigenes. This refuge from the greater war is, however, disrupted when archeologists on another world discover evidence that there might be significant relics of the earlier war buried in the inhospitable heart of the continent, where barbarian tribes are currently massing for a religious war. Remy has no alternative but to revert to working for his own race, knowing that whatever he enables them to find, or even if they find nothing at all, his own life will be in grave peril, and that nothing will ever be the same again.... Great military SF! Also published as Optiman.
Decadent literature is intrinsically and proudly a literature of moral challenge; it is sceptical, cynical, and satirical. It recognizes that everyday morality does not work either in practical or in psychological terms, and is therefore a sham, but that ideal morality is -- not necessarily unfortunately -- unattainable. This volume collects the best of Brian Stableford's decadent work, including: "Salome," "O For a Fiery Gloom and Thee," "The Last Worshipper of Proteus," "The Evil That Men Do," "Ebony Eyes," "The Fisherman's Child," "The Storyteller's Tale," "The Unluckiest Thief," "The Flowers in the Forest," "The Mandrake Garden," and "Chanterelle.
Brian Stableford launched an ambitious future history series with Inherit the Earth, to widespread praise. "Stableford has created in this novel a totally believable world, and wrapped it around a series of mysterious events, surprise revelations, double crosses, confused motivations, rumors, lies, plots, and counterplots. . . . Tightly controlled and suspenseful throughout," said Science Fiction Chronicle. Library Journal said, "The ethical questions posed by the prospect of conquering the aging process underscore this fast-paced SF adventure, adding depth to a story that will appeal to fans of high-tech SF and conspiracy theories." This future world is a complex society obsessed with the technology of life extension and on the brink of creating true immortals. Now, in Architects of Emortality, Stableford gives us a story set hundreds of years in the future, filled with people who can hope for 300-year lifespans and a fortunate few whose lives will be in the thousands of years. This society is on the edge of radical change, where people have the time to develop eccentric lifestyles and personal obsessions, a world sometimes reminiscent of the distant future of Michael Moorcock's Dancers at the End of Time series. And there has been a series of murders that threaten the future stability of the world, murders executed by bioengineered flowers. Police officers Watson and Holmes investigate, but the central figure quickly becomes the amateur detective Oscar Wilde, a student of history who has taken on the persona of his namesake. And the question is not so much who the murderer is, but how and why. Filled with memorable characters and powerful and striking images of the richly altered world of the future, Architects of Emortality is a satisfying and complete story that also adds depth and detail to the evolving series. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
THE BIOTECH REVOLUTION! It's the new frontier of scientific development: genetic engineering, the crafting of species, and the self-alteration of man himself. Here are nine stories at the cutting edge of the biotechnology revolution-"The Cure for Love," "Ashes and Tombstones," "Slumming in Voodooland," "The Color of Envy," "The Lady-Killer, as Observed from a Safe Distance," "Busy Dying," "The Man Who Invented Good Taste," "The Road to Hell," and "The Scream"-crafted by a talented writer who's conducted biological research himself. These tales are filled with memorable characters, unforgettable situations, and bold new ideas. Never before collected in book form! BRIAN STABLEFORD has written and edited over fifty volumes of science fiction, horror, fantasy, literary criticism, and reference, among others, many of them being published by the Borgo Press imprint of Wildside Press. He lives and works in Reading, England.
Kit is a twenty-five-year-old Yorkshire bus driver who isn't quite like the rest of us, as the old story goes. One day she hears a passenger playing a song-the Electric Hellfire Club's "Kiss the Goat"-a song she never knew existed outside the ghostly manifestations that have been haunting her lonely nights, complete with sounds, smell and sight. Enter, then, the ghost of Rose Selavy . . . a devil-worshipping prostitute with more on her mind than just bodily possession . . . A romp through satanic disco music, ethereal auto-erotica and apparitions with agendas, this modern ghost story is Brain Stableford at his quirky and subversive best.
This new collection of critical essays on science fiction and fantasy literature and media features the following pieces: "The Last Chocolate Bar and the Majesty of Truth: Reflections on the Concept of 'Hardness' in Science Fiction," "How Should a Science Fiction Story End?," "The Third Generation of Genre Science Fiction," "Deus ex Machina; or, How to Achieve a Perfect Science-Fictional Climax," "Biotechnology and Utopia," "Far Futures," "How Should a Science Fiction Story Begin?," and "The Discovery of Secondary Worlds: Notes on the Aesthetics and Methodology of Heterocosmic Creativity." Brian Stableford is the bestselling writer of 50 books and hundreds of essays, including science fiction, fantasy, literary criticism, and popular nonfiction. He lives and works in Reading, England. I. O. Evans Studies In the Philosophy and Criticism of Literature No. 39.
The gods of Asgard are in deep trouble. If they can’t defeat their internal enemies, the starlet in the macroworld’s core will blow up, killing trillions humanoids in its various layers. Only one man can save this articifial planet, and he can only do that by duplicating himself. Unfortunately, the software version of himself that's trying to operate within Asgard’s virtual space is fighting on the adversary’s home ground, and seems to have even less chance of success than the flesh-and-blood version. Even if they both get through, and contrive somehow to save the macroworld from destruction, how can they ever get together again to become a whole man--and at what cost? The thrilling conclusion to a magnificent sci-fi saga!
Brian Stableford's essays cover Edmond Hamilton, Leigh Brackett, Kurt Vonnegut, Barry Malzberg, Robert Silveberg, Mack Reynolds, Clark Ashton Smith, Philip K. Dick, David H. Keller, Theodore Sturgeon, and Stanley G. Weinbaum.
The stories in this collection deal with apparitions of various sorts, five featuring ghosts produced by the troubled consciences of their protagonists, and three imagining harassments of a more tangible -- and hence more brutal -- stripe. One or two of the characters obtain some benefit from the apparitions they experience, reflecting the supposition that it is sometimes good for us to feel guilt, shame, and remorse. Included are: "Seer," "O Goat-Foot God of Arcady!," "Chacun sa goule," "The Haunted Bookshop," "Beyond Bliss," "All You Inherit," "The Will," "Danny's Inferno," "Can't Live Without You," "Community Service," and "Denial." These horror and fantasy tales have never before been collected into book form.
First published in 1976, "The Mind-Riders" features a remarkable anticipation of virtual reality gaming, in which the revised sport of boxing pits physically identical virtual fighters against one another, operated by electronically-connected "handlers" -- with viewers receiving transmissions of the combatants' emotions as their simulations slug it out. Ryan Hart, banished from the sport in its early days because of his lack of marketable emotion, is brought back by an obsessed media executive who wants to see the reigning champion beaten at any cost. Hart is not certain that he can win, after such a lapse of time, nor is he certain he can resist pressure to give the vast virtual crowds the dose of sadistic exultation they crave. But that doesn't stop him from heading into the virtual "ring" and fighting the bout of his life! Rousing science fiction adventure by a master of the genre.
This collection brings together the ten earliest stories in Brian Stableford’s series of "Tales of the Biotech Revolution," all written in the 1980s, except for one anomalous example from the 1960s. The dates in some of the stories, located a comfortable distance in the future when the stories were written, have now long past, revealing certain anomalies of early expectation; but they have been left unaltered, as nostalgic samples of yesterday’s long-dead and perhaps much-lamented tomorrows. The collection begins and ends, as is surely only appropriate, with flamboyant utopian fantasies boldly asserting the perfectibility of humankind and the world of which the species has custody. Great science-fiction reading by a master of the form!
Asgard's not an easy world to get away from. Mike Rousseau only wants to take a vacation in his home system, but he's back before he has time to draw breath, and he's been drafted into the Space Force once again. His new mission is even more dangerous than the last one, the number of his enemies has increased vastly, and his friends haven't improved at all. By way of compensation, he has another chance to get closer to the mystery at Asgard's heart--but the inhabitants of the megaplanet's core are no longer content to sit quietly and wait to be found. They've discovered the outside universe, and are trying to decide what to do about it--but they have problems of their own. Only Rousseau can cross the boundaries between species, and offer each of the races a possible solution. Another great entry into an exciting SF series!
They call them the "rat-catchers." They're the crew of the spaceship Daedalus, which an economically destitute Earth has dispatched on a mission to re-establish contact with its far-flung, long-lost space colonies. Alex Alexander, ship's biologist, must help solve the mysteries of human and alien ecosystems that he encounters light-years from home. The planet Floria initially appears to be one of the few Earth colonies that's actually prospered since its initial settlement. But underneath the surface of the society, the "Planners" keep a strict, repressive rule over the Florians, while the police are apparently attempting to assert their own authority. But is either group actually what they seem? Daedalus Mission, Book One.
The stories contained herein deal, directly or indirectly, with manifest delusions. By representing the delusions they feature as delusions, they promote the delusion that delusion can eventually be undermined by the strong-minded, who will thus be enabled to avoid the "bad faith" of which some existentialist philosophers seem to have lived in mortal terror. Included are historical mysteries, fantasies, and science fiction. The tales in this collection include: "The Gardens of Tantalus," "The Lost Romance," "Lucifer's Comet," "The Miracle of Zunderburg," "The Cult of Selene," "Ice and Fire," "Self-Sacrifice," "To the Bad," "Riding the Tiger," "Curiouser and Curiouser: A Kitchen Sink Drama, by Carol Lewis," "Quality Control," and "Worse Than the Disease." Never before collected into book form.
God is dead, and seven remaining fallen angels carry on their eternal battle through human agents. Now, while the Great War rages in Europe, David Lydyard embarks on his final supernatural quest. With a French soldier miraculously rescued from death for an ally against his old enemies, Lynyard penetrates the nature of angels and their interference in human affairs.
An illustrated survey of the actual science behind recent science fiction investigates the frontiers of contemporary scientific knowledge and the possibility, and probability, of starships, cyborgs, time travel, and other "science-fiction" phenomena
This is a science fiction novel of enormous scope and ambition, filled with wonders that expands Brian Stableford's on-going future history series. Hundreds of years in the future, further ahead than the settings of Inherit the Earth and Architects of Emortality, Mortimer Gray is born into a world where he can potentially live forever. But after a traumatic natural disaster that kills millions, Gray devotes the next five hundred years of his life to the study of death and its effects on human civilization, viewed from a post-death perspective. Through it all we see the broad, large-scale accumulation of change and the growth of humanity on Earth and out to the stars as Gray experiences his boundless lifetime. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
In the far future Earth is dying. Society has reverted to a more primitive life, much like the Middle Ages. Two men, Matthew and his brother John, who calls himself "Firefly," set out to find the time traveller, the one person who can give purpose to their existence, the one individual who can still access past technology. The Firefly, he who lights his own way, seeks the age of Man's greatness, the time when the human race once owned the stars, when great cities stood in places that have now become rust-bowls.
This is the second story of suspense in the author's trilogy, which began with The Werewolves of London and concludes with The Carnival of Destruction.
Terrific vampire fiction." THE KIRKUS REVIEWS Since the sixteentj century, England has been a land ruled by the Undead. Vampires rule with terror and the darkly-seductive promise of life eternal for the lucky few. Edmund Cordery, member of the cabal pledged to penetrate the mysteries of the vampires and destroy them, strike the first blow. But it will fall to his son. Noell, to carry on the crusade of human against inhuman. And it will fall to those who come after Noell to keep the struggle alive for over three centuries--from England to Malta to modern-day America, where destiny will decide finally whether the forces of horror or humanity will hold sway over all....
Billions of years in the future, a diviner named Giriaizal becomes a young king's wise adviser, but the king has already been entranced by the sinister coral from which he forges an artificial bride after his human bride-to-be is slain by magic.
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