East Breed’s Pennsylvania, is the sort of blue-collar town that simmers with barely concealed prejudices. One Friday night, in the parking lot of a chain restaurant, a brutal fight breaks out between the privileged boys from St. Brendan's and a group of kids from the local high school. Casey Fielder, the restaurant's manager, watches the melee but does nothing to stop it. When the fight ends, Colin Chase, a handsome, cocky St. Brendan’s student, is severely brain-damaged. Haunting and heartbreaking, Aftermath portrays the lasting effects of that night: Casey loses his job and is determined to discover what led to the fight. Lea, Colin’s mother, hopes to reclaim her remote and defiant son. And both of them are drawn to a girl who seems to have played a larger role in Colin’s life than anyone knew.
Although fiction writers must concern themselves with "big picture" issues such as plot, theme, and character development, much of the day-to-day work of writing involves finding answers to seemingly minor questions: How should I describe the exterior of a house? How can I construct the voice of a historical narrator with authenticity? How should I depict a physically atypical character? Few books on the market address the problems and opportunities present in these and other questions, yet they are the ones that most writers grapple with on a daily basis. Danger on the Page: A Fiction Writer's Guide to Sex, Violence, Dead Narrators, and Other Challenges identifies and explores some of the more common and intractable situational challenges of fiction writing, with chapters grouped into the general subject areas such as scenes, characters, points of view, and settings. Shawver delves into the pitfalls and opportunities of writing about sex, violence, sports, and love; he examines writing from the perspective of a different race, gender, or species; he interrogates conventional beliefs about the use of brand names, the description of architecture, and the portrayal of nature. Throughout, he gives dozens of examples from both literary and commercial fiction so readers can borrow (or reject) other writers' techniques and explore the myriad challenges of fiction writing on their own. A lively and witty approach to a diverse range of specific writing issues, Shawver's book will appeal especially to intermediate-level writers seeking to bring their craft to the next level.
With disarming intensity, humor, and great heart, Brian Shawver tells the story of Dennis Birch, a washed up thirty-four-year-old failed ball player turned minor league scout whose field of dreams has always been baseball. No longer a candidate for baseball greatness himself—if he ever was—Dennis accepts the challenge of smuggling a hot left-handed pitcher out of Cuba in the hope that promoting the greatness of another will somehow confer a small, manageable portion of it on himself. A novel of last-ditch hopes, destiny's curve balls, and quiet redemption, The Cuban Prospectprojects a vision at once humorous, harrowing, and affirming.
After serving in the Vietnam War, S. Brian Willson became a radical, nonviolent peace protester and pacifist, and this memoir details the drastic governmental and social change he has spent his life fighting for. Chronicling his personal struggle with a government he believes to be unjust, Willson sheds light on the various incarnations of his protests of the U.S. government, including the refusal to pay taxes, public fasting, and, most famously, public obstruction. On September 1, 1987, Willson was run over by a U.S. government munitions train during a nonviolent blocking action in which he expected to be removed from the tracks. Providing a full look into the tragic event, Willson, who lost his legs in the incident, discusses how the subsequent publicity propelled his cause toward the national consciousness. Now, 23 years later, Willson tells his story of social injustice, nonviolent struggle, and the so-called American way of life.
“We are not worth more, they are not worth less.” This is the mantra of S. Brian Willson and the theme that runs throughout his compelling psycho-historical memoir. Willson’s story begins in small-town, rural America, where he grew up as a “Commie-hating, baseball-loving Baptist,” moves through life-changing experiences in Viet Nam, Nicaragua and elsewhere, and culminates with his commitment to a localized, sustainable lifestyle. In telling his story, Willson provides numerous examples of the types of personal, risk-taking, nonviolent actions he and others have taken in attempts to educate and effect political change: tax refusal—which requires simplification of one’s lifestyle; fasting—done publicly in strategic political and/or therapeutic spiritual contexts; and obstruction tactics—strategically placing one’s body in the way of “business as usual.” It was such actions that thrust Brian Willson into the public eye in the mid-’80s, first as a participant in a high-profile, water-only “Veterans Fast for Life” against the Contra war being waged by his government in Nicaragua. Then, on a fateful day in September 1987, the world watched in horror as Willson was run over by a U.S. government munitions train during a nonviolent blocking action in which he expected to be removed from the tracks and arrested. Losing his legs only strengthened Willson’s identity with millions of unnamed victims of U.S. policy around the world. He provides details of his travels to countries in Latin America and the Middle East and bears witness to the harm done to poor people as well as to the environment by the steamroller of U.S. imperialism. These heart-rending accounts are offered side by side with inspirational stories of nonviolent struggle and the survival of resilient communities Willson’s expanding consciousness also uncovers injustices within his own country, including insights gained through his study and service within the U.S. criminal justice system and personal experiences addressing racial injustices. He discusses coming to terms with his identity as a Viet Nam veteran and the subsequent service he provides to others as director of a veterans outreach center in New England. He draws much inspiration from friends he encounters along the way as he finds himself continually drawn to the path leading to a simpler life that seeks to “do no harm.&rdquo Throughout his personal journey Willson struggles with the question, “Why was it so easy for me, a ’good’ man, to follow orders to travel 9,000 miles from home to participate in killing people who clearly were not a threat to me or any of my fellow citizens?” He eventually comes to the realization that the “American Way of Life” is AWOL from humanity, and that the only way to recover our humanity is by changing our consciousness, one individual at a time, while striving for collective cultural changes toward “less and local.” Thus, Willson offers up his personal story as a metaphorical map for anyone who feels the need to be liberated from the American Way of Life—a guidebook for anyone called by conscience to question continued obedience to vertical power structures while longing to reconnect with the human archetypes of cooperation, equity, mutual respect and empathy.
This book is a bringing together of many aspects of the experiences of my Christian journey. As time has unfolded, there have been many occasions where I have felt a subtle yet strong tug on my heart and mind to put down on paper what has been presented to me by the Holy Spirit. All of these one to two page essays have foundations in daily life and through contact with people, places, animals, and things. I hope that through these writings the reader can develop a deeper sense of faith in our Jesus. I also wish for the reader to gain a sense of hope for the future promise of eternal life.
An only child living in Aldershot, Brian Stuart has always been in touch with the arts. When his father was called up to the army in 1940 his mother decided to take in boarders who performed weekly in the Hippodrome.
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