From reviews of the first edition: "Richly illustrated . . . this handsome volume presents the rugged beauty and rowdy spirit of life on the frontier, as captured by two master painters." —Art Gallery International ". . . large color plates beautifully reproduce dashing, romantic scenes of frontier life created by two of the West's foremost portrayers." —American West "The many devotees of Remington and Russell and of Western art in general will want to add this handsome volume to their collection." —Arizona Highways "... the University of Texas Press, as one would expect, has produced a beautiful book ...." —Montana Since its original publication in 1982, Remington and Russell has become an essential introduction to the work of these artists, and this revision substantially enhances the book's strengths. Every painting in the Sid Richardson Collection has been rephotographed for this edition, including one Russell and five Remington paintings not included previously. Numerous black-and-white illustrations have also been added to give insight into the evolution of the paintings. Brian Dippie has considerably amplified his commentaries on each painting with new information. His revised introduction places Remington and Russell in the historical and cultural contexts of their time and draws intriguing comparisons between the two artists.
During the first generation of black participation in U.S. diplomacy in the late nineteenth and early twentieth centuries, a vibrant community of African American writers and cultural figures worked as U.S. representatives abroad. Through the literary and diplomatic dossiers of figures such as Frederick Douglass, James Weldon Johnson, Archibald and Angelina Grimké, W. E. B. Du Bois, Ida Gibbs Hunt, and Richard Wright, Brian Roberts shows how the intersection of black aesthetic trends and U.S. political culture both Americanized and internationalized the trope of the New Negro. This decades-long relationship began during the days of Reconstruction, and it flourished as U.S. presidents courted and rewarded their black voting constituencies by appointing black men as consuls and ministers to such locales as Liberia, Haiti, Madagascar, and Venezuela. These appointments changed the complexion of U.S. interactions with nations and colonies of color; in turn, state-sponsored black travel gave rise to literary works that imported international representation into New Negro discourse on aesthetics, race, and African American culture. Beyond offering a narrative of the formative dialogue between black transnationalism and U.S. international diplomacy, Artistic Ambassadors also illuminates a broader literary culture that reached both black and white America as well as the black diaspora and the wider world of people of color. In light of the U.S. appointments of its first two black secretaries of state and the election of its first black president, this complex representational legacy has continued relevance to our understanding of current American internationalism.
Dublin, March 1874. Charles Stewart Parnell, only twenty-six years old, speaks in public for the first time as a candidate for Ireland's Home Rule Party. Hesitant and nervous, he stumbles through his speech to the sound of booing and leaves the platform humiliated. He vows that in future he will find his voice – and make it heard. Within three years of this speech, Parnell made the House of Commons unworkable; within six years he had destroyed the landlords in Ireland; and within a decade he controlled the House of Commons and put English Prime Ministers in and out of government at will. Parnell: A Novel charts the life of this most enigmatic and remarkable of men, as seen through the eyes of his loyal secretary James Harrison. From the Houses of Parliament to the blighted villages of the West of Ireland, from the courtrooms of the Royal Courts of Justice to the cells of Kilmainham Gaol, this is the story of how the character of one man could alter the fate of two nations.
The incredible true stories of the first reporters from the battlefield—from Europe’s Napoleonic era to the Boer Wars of South Africa. Over two centuries ago, newspapers first considered sending a reporter overseas to observe, gather information, and write about war. With no experience to draw upon, both newspapers and correspondents gradually worked out a procedure that has evolved into today’s incredibly sophisticated systems of reportage. Here are the gripping accounts of those groundbreaking adventurers who sought out the danger of battle in pursuit of a story. Included within are the exploits of such journalistic luminaries as the first real war correspondent, Henry Crabb Robinson, who was sent by The Times of London to act as their ‘man in Germany’, ostensibly to follow and report the movements of Napoleon’s Grande Armée; William Howard Russell in the Crimean War, whose reports helped change the British government’s treatment of their soldiers; and perhaps the most famous correspondent of all, a young Winston Churchill who reported on conflicts in Cuba, the Indian frontier, Sudan, and the Boer War. For any fan of history, journalism, or true-life adventures, Fighting for the News is all you need to get the full story.
The writer of such influential songs as “Pancho and Lefty,” “To Live’s to Fly,” “If I Needed You,” and “For the Sake of the Song,” Townes Van Zandt exerted an influence on at least two generations of Texas musicians that belies his relatively brief, deeply troubled life. Indeed, Van Zandt has influenced millions worldwide in the years since his death, and his impact is growing rapidly. Respected singer/songwriter John Gorka speaks for many when he says, “‘Pancho and Lefty’ changed—it unchained—my idea of what a song could be.” In this tightly woven, intelligently written book, Brian T. Atkinson interviews both well-known musicians and up-and-coming artists to reveal, in the performers’ own words, how their creative careers have been shaped by the life and work of Townes Van Zandt. Kris Kristofferson, Guy Clark, Billy Joe Shaver, Rodney Crowell, Lucinda Williams, and Lyle Lovett are just a few of the established musicians who share their impressions of the breathtakingly beautiful tunes and lyrics he created, along with their humorous, poignant, painful, and indelible memories of witnessing Van Zandt’s rise and fall. Atkinson balances the reminiscences of seasoned veterans with the observations of relative newcomers to the international music scene, such as Jim James (My Morning Jacket), Josh Ritter, and Scott Avett (the Avett Brothers), presenting a nuanced view of Van Zandt’s singular body of work, his reckless lifestyle, and his long-lasting influence. Forewords by “Cowboy” Jack Clement and longtime Van Zandt manager and friend Harold F. Eggers Jr. open the book, and each chapter begins with an introduction in which Atkinson provides context and background, linking each interviewee to Van Zandt’s legacy. Historians, students, and fans of all music from country and folk to rock and grunge will find new insights and recall familiar pleasures as they read I’ll Be Here in the Morning: The Songwriting Legacy of Townes Van Zandt.
The British ambassador in Washington during the US Civil War and ambassador in Paris before and after the Franco-Prussian war, Lord Lyons (1817-1887) was one of the most important diplomats of the Victorian period. Although frequently featured in histories of the United States and Europe in the second half of the nineteenth century, and in discussions and analyses of British foreign policy, he has remained an ill-defined figure. In Lord Lyons: A Diplomat in an Age of Nationalism and War, Brian Jenkins explains the man and examines his career. Based on a staggering study of primary sources, he presents a convincing portrait of a subject who rarely revealed himself personally. Though he avoided publicity, Lyons came to be regarded as his nation's premier diplomat as his career took him to the heart of the great international issues and crises of his generation. As minister to the United States he played a vital role in preserving Anglo-American peace and was a powerful voice opposing Anglo-French intervention in the Civil War. While ambassador to the Ottoman Empire, he helped to prevent French control of the Suez Canal then under construction. In France, he maintained an amiable and constructive relationship with a bitter nation struggling to reorganize itself and its constitution after the Franco-Prussian War. For many historians Lord Lyons has been difficult to ignore but hard to admire. In rescuing him as a truly important historical figure, Jenkins details for the first time the personal and public strategies Lyons employed through decades of exemplary diplomatic service on both sides of the Atlantic.
Association for Recorded Sound Collections Certificate of Merit for the Best Historical Research in Recorded Roots or World Music, 2019 A&R Pioneers offers the first comprehensive account of the diverse group of men and women who pioneered artists-and-repertoire (A&R) work in the early US recording industry. In the process, they helped create much of what we now think of as American roots music. Resourceful, innovative, and, at times, shockingly unscrupulous, they scouted and signed many of the singers and musicians who came to define American roots music between the two world wars. They also shaped the repertoires and musical styles of their discoveries, supervised recording sessions, and then devised marketing campaigns to sell the resulting records. By World War II, they had helped redefine the canons of American popular music and established the basic structure and practices of the modern recording industry. Moreover, though their musical interests, talents, and sensibilities varied enormously, these A&R pioneers created the template for the job that would subsequently become known as "record producer." Without Ralph Peer, Art Satherley, Frank Walker, Polk C. Brockman, Eli Oberstein, Don Law, Lester Melrose, J. Mayo Williams, John Hammond, Helen Oakley Dance, and a whole army of lesser known but often hugely influential A&R representatives, the music of Bessie Smith and Bob Wills, of the Carter Family and Count Basie, of Robert Johnson and Jimmie Rodgers may never have found its way onto commercial records and into the heart of America's musical heritage. This is their story.
In this collection of essays, Coman ranges over a vast tapestry of experiences from ferreting rabbits, to the pleasures of reading the Odyssey and listening to church bells. Religion, philosophy, modern music, Freddie Ayer's 'amorous dalliances' and Chinese ghost stories - it's all here in this eclectic compilation. The essays will delight both the serious and the casual reader.
First published in 1980, this reissue is a study of the sociology of language, which aims to bridge the gap between textbook and monograph by alternating chapters of explication and analysis. A chapter outlining a particular theory and suggesting general criticisms is followed by a chapter offering an original application of that theory. The aim of the authors is to treat text and talk as the site of specific practices which sustain or subvert particular relations between appearance and reality.
This volume comprises a side-by-side combination of image scans and corresponding transcriptions of a collection of early Fall Creek Township, Madison County, Indiana documents for the years 1830 through 1855 (i.e., January 11, 1830 through February 16, 1855). The documents include various school district free holder returns, children enumerations, election returns, bonds, petitions, and other related subject matter. The transcription-scan combinations presented herein were compiled from electrostatic photocopies personally acquired by the compilers directly from original documents held by Pendleton Public Library, Pendleton, Indiana.
Brian Skyrms presents a set of influential essays which deploy formal methods to address epistemological and metaphysical questions. The first part of the book focuses on quantity; the second on degrees of belief, belief revision, and coherence; the third on aspects of inductive reasoning.
RUNAWAY is a fascinating account of the life and music of 60s rock star Del Shannon. From humble beginnings in the rural Midwest, this bar band guitarist rocketed to overnight superstar status when his first big hit clinched the #1 spot on the American Billboard charts, resulting in an international hit in over 20 other countries during the year 1961. Del Shannon soon followed up “Runaway” with more hits, including “Hats Off To Larry,” “So Long Baby,” “Hey! Little Girl,” “The Swiss Maid,” “Little Town Flirt,” “Two Kinds of Teardrops,” “Handy Man,” “Do You Wanna Dance,” “Keep Searchin’,” and “Stranger In Town.” Shannon was the first American artist to cover a Beatles song in “From Me To You.” In the late 60s and early 70s, he shifted his focus into production, launching the career of country artist Johnny Carver, discovering a group called Smith that saw a #3 hit with a Shannon-Smith arrangement of “Baby It’s You,” and produced fellow contemporary Brian Hyland’s Top 5 hit “Gypsy Woman.” Del worked with Jeff Lynne and Dave Edmunds in the 70s, with Tom Petty seeking him out to produce Shannon’s comeback album in 1981, resulting in a #33 hit “Sea of Love” in America.
I believe you will enjoy this book because the author shows a realistic look into the lives of people who are successful and some with shady pasts. The characters rage from successful businessmen, strong businesswomen, and the rich to hustlers from the streets. They are likeable, complex, and funny, yet they are dangerous people who seem to be a magnet to money and power. The author has been writing for five years, and this is his more powerful book of the two. In his younger, lawless days, he had been a hustler and came into contact with people from all walks of life. He studied and watched these different people and their personalities. But as he grew rich with power and money, he became disenchanted with people trying to use him. He gave up his successful street hustle and began what he called a civilian life and began working at a hospital. While working, there he ran into a guy who works in the film industry. He had known of his past and found the stories and accounts interesting. He suggested to him that he should consider writing about some of his exploits and that he should take some writing classes. When he first begun the classes, he didnt understand the focus needed to express his emotions and ideas. His writing style was, at best, raw and a little hard-core for Hollywood standards. But the longer he stayed with it, the more he became in tune with the tone of his writing. After a year of writing classes and workshops, he began writing his first script about his life growing up as a basketball star who gave it up for the fast money of the streets. He also wrote of his college life and his encounter with his roommate, who would go on to be one of the bass players with one of the greatest bands ever known in the world. As he grew older, he became a film junky, watching and studying every film released. In society, the bad guy is always thought of as big, mean, tough, and ruthless. In this book, the author paints the star character as someone who is a reformed bad guy who has morals, is funny, is a female magnet but still trying to find himself when it comes to women, and being successful legally. You will quickly be able to relate to the author because he doesnt fit the profile of the TV bad guys or gangsters. He is a regular person like yourself with real-life experiences and had a shady yet entertaining past. Thank you, and enjoy the book.
The Black Presidential Nightmare is the only book that discusses the major events and social and political forces impacting each American president from the perspective of African American interests. Biographies of all the American presidents are presented within the context of the history that shaped their actions. The Black Presidential Nightmare answers many long-standing questions of black history, including the following: What president has done the most to advance the rights and interest of black people? Which presidents had the most liberal racial attitudes toward African Americans? When and under what circumstances did blacks switch allegiance from the Republican Party of Lincoln to the Democratic Party? Which antebellum presidents were slave owners, and how did they square that with their other views on human rights and justice? Long-standing controversies among historianssuch as Abraham Lincolns views on slavery, race, and civil rights, and Theodore Roosevelts role in the Brownsville Affairare illuminated.
What does Paul mean by "the flesh"? There is a great deal of confusion among laymen and disagreement among scholars on this issue. Christians know that we are supposed to "walk by the Spirit" so that they will not gratify the desires of the flesh, but it is not entirely clear what these expressions mean. Furthermore, Paul can also be confusing when he addresses the Christian's relationship to the flesh--are we in the flesh or not? This book clarifies these issues for us by exploring the different meanings of "flesh" throughout the Bible, and analyzing the influence both of Old Testament conceptions of "flesh" as well as new salvation-historical realities on Paul's thinking, especially in the context of the controversy over circumcision in Galatians. By carefully following Paul's thought, we will also gain greater insight into other Pauline themes that intersect with his theology of the flesh: new creation and his view of this age and the one to come. Most importantly, we will discover Paul's own program for our spiritual transformation so that we may live a life of Christlike love and service despite the moral weakness of our flesh.
Burning Down the House presents a riveting analysis of one of the most nationally prominent and bitterly contested policy battles in the history of American higher education: the struggle to eliminate affirmative action at the University of California. A timely and essential addition to the literature on affirmative action, it examines the political, economic, legal, and organizational factors that shaped the debate in California and offers unique insight into the contemporary politics of admissions policy, university governance, and the role of higher education in broader state and national political contests to come.
This collection originated in the centenary celebration of the School of Philosophy at The Catholic University of America. Written by acknowledged experts in their fields, the essays provide a unique overview of philosophical developments in the twentieth century. The broad range of topics considered makes the book an invaluable reference work.
Many technologies begin life as someone's vision of an ambitious, perhaps audacious, technology that is expected to have a revolutionary impact on consumers-whether families, companies, or societies. However, if this highly touted technology fails "prematurely" at some point in its life history, it becomes a spectacular flop. Employing a behavioral perspective, this book presents a sample of twelve spectacular flops encompassing the past three centuries-ranging from the world's first automobile to the nuclear-powered bomber. Because technologies may fail from many different causes, spectacular flops pose a special challenge to the author's long-term project of furnishing generalizations about technological change. Instead of constructing generalizations that apply to all spectacular flops, this book provides limited generalizations that pertain to particular groups of technologies bounded by parameters such as "long-term development projects" and "one-off projects." The reader need have no prior familiarity with the technologies because basic principles are introduced as needed.
Brian Billick, Super Bowl-winning coach and current analyst for the NFL network, takes on the 2018 draft class of quarterbacks and follows them for two years, identifying the tangibles and intangibles of success, in search of the key to better predicting who will make it as a top-ranked NFL franchise QB. There are elite athletes in every sport -- people who possess tangible and intangible qualities that allow them to overcome daunting odds, spot opportunity in the midst of adversity, and turn defeat into victory. No position embodies this dynamic more than football quarterbacks, and nothing is a greater test of performance than the NFL. The tangibles -- metrics, stats, ratings, bowl games, championships -- are critical to evaluation. But they're not enough. Every year, highly rated college quarterbacks are analyzed, critiqued, hyped up and/or doubted, and those who manage to survive the scrutiny are drafted early. Some of those early picks make it to the top, some end up journeymen, and some just wash out. Why? What separates the elites from the pack? In THE Q FACTOR, former NFL coach Brian Billick takes the highly promising 2018 NFL quarterback Draft class -- the most touted class since 2004 (Manning, Roethlisberger, Rivers) and 1983 (Elway, Kelly, Marino) -- and measures the top five quarterback picks to gauge how, why, and if they succeed. They are all first rounders, all with sterling college credentials, all talented athletes, all taken by teams betting their futures. One or maybe two could go on to greatness. But which ones, and why? Could the prediction process be better? Are the "experts" looking at the wrong factors? How do we find the best of the best? That's what THE Q FACTOR explores...and finally explains.
Conventional wisdom suggests that markets are efficient, random walks and that stock prices rise and fall with the fundamentals of the company. How then have black-box traders prospered and how do they exploit market inefficiencies? Are their strategies on their last legs or will they adapt to the new landscape amidst the global financial crisis? Chasing the Same Signals is a unique chronicle of the black-box industry's rise to prominence and their influence on the market place. This is not a story about what signals they chase, but rather a story on how they chase and compete for the same signals
Bringing together for the first time many of the finest published and unpublished papers by Ludwig Wittgenstein, this text illuminates his philosophy by placing it in its biographical, cultural and historical context.
During World War II some 120,000 Japanese Americans were forcibly removed from their homes and detained in concentration camps in several states. These Japanese Americans lost millions of dollars in property and were forced to live in so-called "assembly centers" surrounded by barbed wire fences and armed sentries. In this insightful and groundbreaking work, Brian Hayashi reevaluates the three-year ordeal of interred Japanese Americans. Using previously undiscovered documents, he examines the forces behind the U.S. government's decision to establish internment camps. His conclusion: the motives of government officials and top military brass likely transcended the standard explanations of racism, wartime hysteria, and leadership failure. Among the other surprising factors that played into the decision, Hayashi writes, were land development in the American West and plans for the American occupation of Japan. What was the long-term impact of America's actions? While many historians have explored that question, Hayashi takes a fresh look at how U.S. concentration camps affected not only their victims and American civil liberties, but also people living in locations as diverse as American Indian reservations and northeast Thailand.
The Thousand-Mile War, a powerful story of the battles of the United States and Japan on the bitter rim of the North Pacific, has been acclaimed as one of the great accounts of World War II. Brian Garfield, a novelist and screenwriter whose works have sold some 20 million copies, was searching for a new subject when he came upon the story of this "forgotten war" in Alaska. He found the history of the brave men who had served in the Aleutians so compelling and so little known that he wrote the first full-length history of the Aleutian campaign, and the book remains a favorite among Alaskans. The war in the Aleutians was fought in some of the worst climatic conditions on earth for men, ships, and airplanes. The sea was rough, the islands craggy and unwelcoming, and enemy number one was always the weather--the savage wind, fog, and rain of the Aleutian chain. The fog seemed to reach even into the minds of the military commanders on both sides, as they directed men into situations that so often had tragic results. Frustrating, befuddling, and still the subject of debate, the Aleutian campaign nevertheless marked an important turn of the war in favor of the United States. Now, half a century after the war ended, more of the fog has been lifted. In the updated University of Alaska Press edition, Garfield supplements his original account, which was drawn from statistics, personal interviews, letters, and diaries, with more recently declassified photographs and many more illustrations.
Brian D'Ambrosio interviews hockey's toughest, who discuss their opinions of the role and purpose of fighting in the modern NHL. "Warriors on the Ice" includes interviews with Tim Hunter, Reed Low and Reid Simpson. Profiles include Jim Agnew; Paul Baxter; Ken Belanger;Riley Cote; Craig Coxe; Gordie Dwyer; Mike Hartman; Tim Hunter; Jamie Huscroft; Kevin Kaminski; Ed Kastelic; Darin Kimble; Paul Kruse; Reed Low; Kevin McClelland; Jeff Odgers; Jim Peplinski; Cam Russell; Reid Simpson; Daryl Stanley; Jason Strudwick; Chris Tamer; Rocky Thompson; Ryan VandenBussche; Jay Wells; Brendan Witt; Richard Zemlak; and Doug Zmolek.
Why is there something rather than nothing? Does God exist? Who am I? Metaphysics is concerned with ourselves and reality, and the most fundamental questions regarding existence. This clear and accessible introduction covers the central topics in Metaphysics in a concise but comprehensive way. Brian Garrett discusses the crucial concepts in a highly readable manner, easing the reader in with a look at some important philosophical problems. He addresses key areas of metaphysics: existence causation God time universals personal identity truth What is this thing called Metaphysics? contains many helpful student-friendly features. Each chapter concludes with a useful summary of the main ideas discussed, a glossary of important terms, study questions, annotated further reading, and a guide to web resources. Text-boxes provide bite-sized summaries of key concepts and major philosophers, and clear and interesting examples are used throughout.
Brian Herne's White Hunters: The Golden Age of African Safaris is the story of seventy years of African adventure, danger, and romance. East Africa affects our imagination like few other places: the sight of a charging rhino goes directly to the heart; the limitless landscape of bony highlands, desert, and mountain is, as Isak Dinesen wrote, of "unequalled nobility." White Hunters re-creates the legendary big-game safaris led by Selous and Bell and the daring ventures of early hunters into unexplored territories, and brings to life such romantic figures as Cape-to-Cairo Grogan, who walked 4,000 miles for the love of a woman, and Dinesen's dashing lover, Denys Finch. Witnesses to the richest wildlife spectacle on the earth, these hunters were the first conservationists. Hard-drinking, infatuated with risk, and careless in love, they inspired Hemingway's stories and movies with Clark Gable and Gregory Peck.
From a veteran culture writer and modern movie expert, a celebration and analysis of the movies of 1999—“a terrifically fun snapshot of American film culture on the brink of the Millennium….An absolute must for any movie-lover or pop-culture nut” (Gillian Flynn). In 1999, Hollywood as we know it exploded: Fight Club. The Matrix. Office Space. Election. The Blair Witch Project. The Sixth Sense. Being John Malkovich. Star Wars: The Phantom Menace. American Beauty. The Virgin Suicides. Boys Don’t Cry. The Best Man. Three Kings. Magnolia. Those are just some of the landmark titles released in a dizzying movie year, one in which a group of daring filmmakers and performers pushed cinema to new limits—and took audiences along for the ride. Freed from the restraints of budget, technology, or even taste, they produced a slew of classics that took on every topic imaginable, from sex to violence to the end of the world. The result was a highly unruly, deeply influential set of films that would not only change filmmaking, but also give us our first glimpse of the coming twenty-first century. It was a watershed moment that also produced The Sopranos; Apple’s AirPort; Wi-Fi; and Netflix’s unlimited DVD rentals. “A spirited celebration of the year’s movies” (Kirkus Reviews), Best. Movie. Year. Ever. is the story of not just how these movies were made, but how they re-made our own vision of the world. It features more than 130 new and exclusive interviews with such directors and actors as Reese Witherspoon, Edward Norton, Steven Soderbergh, Sofia Coppola, David Fincher, Nia Long, Matthew Broderick, Taye Diggs, M. Night Shyamalan, David O. Russell, James Van Der Beek, Kirsten Dunst, the Blair Witch kids, the Office Space dudes, the guy who played Jar-Jar Binks, and dozens more. It’s “the complete portrait of what it was like to spend a year inside a movie theater at the best possible moment in time” (Chuck Klosterman).
Defeat and death at the Little Bighorn gave General George Custer and his Seventh Cavalry a kind of immortality. In Custer's Last Stand, Brian W. Dippie investigates the body of legend surrounding that battle on a bloody Sunday in 1876. His survey of the event in poems, novels, paintings, movies, jokes, and other ephemera amounts to a unique reflection on the national character.
This reference tracks the development of speculative fiction influenced by the advancement of science and the idea of progress from the eighteenth century to the present day. The major authors and publications of the genre and significant subgenres are covered. Additionally there are entries on fields of science and technology which have been particularly prolific in provoking such speculation. The list of acronyms and abbreviations, the chronology covering the literature from the 1700s through the present, the introductory essay, and the dictionary entries provide science fiction novices and enthusiasts as well as serious writers and critics with a wonderful foundation for understanding the realm of science fiction literature. The extensive bibliography that includes books, journals, fanzines, and websites demonstrates that science fiction literature commands a massive following.
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