The Man in the Seventh Row tells the deeply affecting story of Roy Batty, a film fan who loves the cinema just a little too much. No matter the movie - The Graduate, Brief Encounter, The Magnificent Seven - Roy finds himself sucked from his seventh-row seat into the heart of the action on the big screen. His life has spiralled into The Purple Rose of Cairo in reverse. A fantasy come true -- or a living nightmare? "A strange and beguiling novel about films and those who love and live them" - Ian Rankin What they're saying... "A most unusual novel, proving emphatically that life is possible both inside and outside the cinema! It's a very nice lend of the real, the fictional and the dream world and I really don't think I've read anything quite like it before." - Barry Norman "...hugely enjoyable. Pacy, sharp and witty - in the proper sense - it is a novel that baby boomers and film buffs will strongly relate to, and all enthusiasts of unusual - of original - fiction will take great pleasure in." - Andrew Marr "Pendreigh's infectious love of cinema and brilliant wordcraft combine to make for a singularly enthralling tale of one man's journey through the hardships of life." - Literally Jen "... a wholly likeable read ... Pendreigh's novel is a pleasing dissection of man's all-too-modern need for escape in darkened auditoriums that posits him somewhere between David Thomson's Suspects and Guy Bellamy's The Secret Lemonade Drinker." - Paul Dale, The List "I loved it... a terrific read, definitely one for fans of film." - Janice Forsyth, Movie Cafe, Radio Scotland From the author... "The book is sub-titled The Movie Lover's Novel with good reason, as it certainly celebrates a love of the movies. You'll doubtless be familiar with many of the classic movies featured but it might also introduce you to one or two less familiar films. "Ultimately, The Man in the Seventh Row it is about childhood and adulthood, about obsession and love, and about loss and the possibility of redemption. "Set in Scotland and California, the book addresses questions we all have: where did we come from, where are we going, how long do we have?
From a veteran culture writer and modern movie expert, a celebration and analysis of the movies of 1999—“a terrifically fun snapshot of American film culture on the brink of the Millennium….An absolute must for any movie-lover or pop-culture nut” (Gillian Flynn). In 1999, Hollywood as we know it exploded: Fight Club. The Matrix. Office Space. Election. The Blair Witch Project. The Sixth Sense. Being John Malkovich. Star Wars: The Phantom Menace. American Beauty. The Virgin Suicides. Boys Don’t Cry. The Best Man. Three Kings. Magnolia. Those are just some of the landmark titles released in a dizzying movie year, one in which a group of daring filmmakers and performers pushed cinema to new limits—and took audiences along for the ride. Freed from the restraints of budget, technology, or even taste, they produced a slew of classics that took on every topic imaginable, from sex to violence to the end of the world. The result was a highly unruly, deeply influential set of films that would not only change filmmaking, but also give us our first glimpse of the coming twenty-first century. It was a watershed moment that also produced The Sopranos; Apple’s AirPort; Wi-Fi; and Netflix’s unlimited DVD rentals. “A spirited celebration of the year’s movies” (Kirkus Reviews), Best. Movie. Year. Ever. is the story of not just how these movies were made, but how they re-made our own vision of the world. It features more than 130 new and exclusive interviews with such directors and actors as Reese Witherspoon, Edward Norton, Steven Soderbergh, Sofia Coppola, David Fincher, Nia Long, Matthew Broderick, Taye Diggs, M. Night Shyamalan, David O. Russell, James Van Der Beek, Kirsten Dunst, the Blair Witch kids, the Office Space dudes, the guy who played Jar-Jar Binks, and dozens more. It’s “the complete portrait of what it was like to spend a year inside a movie theater at the best possible moment in time” (Chuck Klosterman).
The story behind The Magnificent Seven could have been a movie in itself. It had everything--actors' strike, writers' strike, Mexican government interference and a row between the screenwriters that left one removing his name from the credits, all under the lingering gloom of post-McCarthy era Hollywood. A flop on release, it later became a box office hit. This book tells the behind-the-scenes story: how Yul Brynner became the biggest independent producer in Hollywood; why John Sturges was not the first choice after Brynner surrendered the director's chair; why Sturges quit; the truth about the Mirisch Company (producers); the details of the film's botched release and unlikely redemption; the creation of Elmer Bernstein's classic score; and how internecine fighting prevented the making of the television series in 1963. Myths about Steve McQueen, his feud with Brynner and the scene-stealing antics of the cast are debunked. A close examination of the various screenplay drafts and the writers' source material--Akira Kurosawa's Seven Samurai--shows who wrote what. Extensive analysis of Sturges' directorial work is provided.
A biography of Scottish-born actor Ewan McGregor, whos films include his breakthrough movie role in "Trainspotting," and as the young Obi-Wan Kenobi in "Star Wars: Episode 1
Planet of the Apes was a film success when it was first released in 1967, and it has since received cult status with videos and original merchandise changing hands at ridiculous prices. The film spawned four sequels, two television series and a remake is set to hit the cinema screen in the summer of 2001. This book covers the entire Planet of the Apes phenomenon, from Boulle's novel through to the remake, though the focus is on the original movie. One chapter will preview the Tim Burton remake while another contains an interview with Charlton Heston, star of the original film.
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