What God wants his people to know about the end times. Christians' fixation on the end times is not new. While eschatological speculation has sometimes resulted in distraction or despair, Scripture does speak about the end. So what does God most want us to know and do with prophecy? In After Dispensationalism, Brian P. Irwin and Tim Perry sympathetically yet critically sketch the history, beliefs, and concerns of dispensationalism. Though a minority view in the sweep of church history and tradition, dispensationalism is one of the most influential end-times systems today, and there is much to learn from it. And yet, sometimes it gets sidetracked by overlooking the prophets' main concerns. Irwin and Perry reexamine the key texts and show that Ezekiel, Daniel, and Revelation primarily give a word of hope to God's people.
What God wants his people to know about the end times. Christians' fixation on the end times is not new. While eschatological speculation has sometimes resulted in distraction or despair, Scripture does speak about the end. So what does God most want us to know and do with prophecy? In After Dispensationalism, Brian P. Irwin and Tim Perry sympathetically yet critically sketch the history, beliefs, and concerns of dispensationalism. Though a minority view in the sweep of church history and tradition, dispensationalism is one of the most influential end-times systems today, and there is much to learn from it. And yet, sometimes it gets sidetracked by overlooking the prophets' main concerns. Irwin and Perry reexamine the key texts and show that Ezekiel, Daniel, and Revelation primarily give a word of hope to God's people.
During the second half of the 20th century, landmark works of the horror film genre were as much the product of enterprising regional filmmakers as of the major studios. From backwoods Utah to the Louisiana bayous to the outer boroughs of New York, independent, regional films like Night of the Living Dead, Last House on the Left, I Spit on Your Grave, The Texas Chain Saw Massacre, and The Evil Dead stood at the vanguard of horror cinema. This overview of regionally produced horror and science fiction films includes interviews with 13 directors and producers who operated far from mainstream Hollywood, along with a state-by-state listing of regionally produced genre films made between 1958 and 1990. Highlighting some of the most influential horror films of the past 50 years, this work celebrates not only regional filmmaking, but also a cultural regionalism that is in danger of vanishing.
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