The cup was presented to the Wagga Wagga CA on the October 20, 1925, by Mr. Thomas Joseph “Tom” O’Farrell, who was a tailor with a business in Wagga Wagga. Its purpose was to raise the standard of country cricket and help arouse the interest and enthusiasm of both players and public in the game. By the original rules, which were drawn up by Mr. O’Farrell, Mr. M. Cusick, and Mr. G. Pinkstone, the cup was won outright by Wagga, who wisely redonated it, and it was put into play in the 1930–31 season as a perpetual challenge trophy for teams within one hundred miles radius of Wagga Wagga. O’Farrell was a frequent spectator at games and often handed over the cup to the winning captain. He was later to say, “I am particularly glad that the competition is doing so much to let the residents of surrounding towns learn more of each other in so friendly a way.”
The story about baseball's being invented in Cooperstown, New York, in 1839 by Abner Doubleday served to prove that the U.S. national pastime was an American game, not derived from the English children's game of rounders as had been believed. The tale, embraced by Americans, has long been proven false but to this day, Cooperstown is celebrated as the birthplace of baseball. The story has captured the hearts of millions. But who spun that tale and why? This book provides a surprising answer about the origins of America's most durable myth. It seems that Abner Graves, who espoused Cooperstown as the birthplace of the game, likely was inspired by another story about an early game of baseball. The stories were remarkably similar, as were the men who told them. For the first time, this book links the stories and lives of Graves, a mining engineer, and Adam Ford, a medical doctor, both residents of Denver, Colorado. While the actual origins of the game of baseball remain subject to debate and study, new light is shed on the source of baseball's durable creation myth.
During the second half of the 20th century, landmark works of the horror film genre were as much the product of enterprising regional filmmakers as of the major studios. From backwoods Utah to the Louisiana bayous to the outer boroughs of New York, independent, regional films like Night of the Living Dead, Last House on the Left, I Spit on Your Grave, The Texas Chain Saw Massacre, and The Evil Dead stood at the vanguard of horror cinema. This overview of regionally produced horror and science fiction films includes interviews with 13 directors and producers who operated far from mainstream Hollywood, along with a state-by-state listing of regionally produced genre films made between 1958 and 1990. Highlighting some of the most influential horror films of the past 50 years, this work celebrates not only regional filmmaking, but also a cultural regionalism that is in danger of vanishing.
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