The Hermetica are a body of theological-philosophical texts written in late antiquity, but long believed to be much older. Their supposed author, Hermes Trismegistus, was thought to be a contemporary of Moses, and the Hermetic philosophy was regarded as an ancient theology, parallel to the received wisdom of the Bible. This first English translation based on reliable texts, together with Brian P. Copenhaver's comprehensive introduction, provide an indispensable resource to scholars in ancient philosophy and religion, early Christianity, Renaissance literature, and history, the history of science, and the occultist tradition in which the Hermetica have become canonical texts.
Pico della Mirandola, one of the most remarkable thinkers of the Renaissance, has become known as a founder of humanism and a supporter of secular rationality. Brian Copenhaver upends this understanding of Pico, unearthing the magic and mysticism in the most famous work attributed to him, The Oration on the Dignity of Man.
The story of the beliefs and practices called 'magic' starts in ancient Iran, Greece, and Rome, before entering its crucial Christian phase in the Middle Ages. Centering on the Renaissance and Marsilio Ficino - whose work on magic was the most influential account written in premodern times - this groundbreaking book treats magic as a classical tradition with foundations that were distinctly philosophical. Besides Ficino, the premodern story of magic also features Plotinus, Iamblichus, Proclus, Aquinas, Agrippa, Pomponazzi, Porta, Bruno, Campanella, Descartes, Boyle, Leibniz, and Newton, to name only a few of the prominent thinkers discussed in this book. Because pictures play a key role in the story of magic, this book is richly illustrated.
Giovanni Pico della Mirandola has been a beacon of progress in modern times, and the Oration on the Dignity of Man has been the engine of his fame. But he never wrote a speech about the dignity of man. The prince's speech announced quite different projects: persuading Christians to become Kabbalists in order to annihilate themselves in God; and convincing philosophers that their path to saving wisdom was concord rather than disputation. Pico della Mirandola On Trial: Heresy, Freedom, and Philosophy shows that Pico's work was in no way progressive - or 'humanist' - and that his main authorities were medieval clerics and theologians, not secular Renaissance intellectuals. The evidence is Pico's Apology, his self-defence against heresy charges: this public polemic reveals more about him than the famous speech that he never gave and that deliberately kept its message secret. The orator's method in the Oration was esoteric, but the defendant in the Apology made his case openly in a voice that was academic and belligerent, not prophetic or poetic. Since the middle of the last century, textbooks written for college students have promoted only one Pico, a hero of progressive humanism. But his Conclusions and Apology, products of late medieval culture, were in no way progressive. The grim scene of the Apology, his report on a battle for life and honor, was the proximate medieval past where human history was despised as the annals of sin. To understand Pico's universe of dismal expectations, our best guide is his Apology, based on lessons learned from medieval teachers.
The story of the beliefs and practices called 'magic' starts in ancient Iran, Greece, and Rome, before entering its crucial Christian phase in the Middle Ages. Centering on the Renaissance and Marsilio Ficino, this richly illustrated and groundbreaking book treats magic as a classical tradition with foundations that were distinctly philosophical.
Pico della Mirandola, one of the most remarkable thinkers of the Renaissance, has become known as a founder of humanism and a supporter of secular rationality. Brian Copenhaver upends this understanding of Pico, unearthing the magic and mysticism in the most famous work attributed to him, The Oration on the Dignity of Man.
The Hermetica are a body of theological-philosophical texts written in late antiquity, but long believed to be much older. Their supposed author, Hermes Trismegistus, was thought to be a contemporary of Moses, and the Hermetic philosophy was regarded as an ancient theology, parallel to the received wisdom of the Bible. This first English translation based on reliable texts, together with Brian P. Copenhaver's comprehensive introduction, provide an indispensable resource to scholars in ancient philosophy and religion, early Christianity, Renaissance literature, and history, the history of science, and the occultist tradition in which the Hermetica have become canonical texts.
Spirituality and the Occult argues against the widely held view that occult spiritualities are marginal to Western culture. Showing that the esoteric tradition is unfairly neglected in Western culture and that much of what we take to be 'modern' derives at least in part from this tradition, it casts a fresh, intriguing and persuasive perspective on intellectual and cultural history in the West. Brian Gibbons identifies the influence and continued presence of esoteric mystical movements in disciplines such as: * medicine * science * philosophy * Freudian and Jungian psychology * radical political movements * imaginative literature.
Giovanni Pico della Mirandola has been a beacon of progress in modern times, and the Oration on the Dignity of Man has been the engine of his fame. But he never wrote a speech about the dignity of man. The prince's speech announced quite different projects: persuading Christians to become Kabbalists in order to annihilate themselves in God; and convincing philosophers that their path to saving wisdom was concord rather than disputation. Pico della Mirandola On Trial: Heresy, Freedom, and Philosophy shows that Pico's work was in no way progressive - or 'humanist' - and that his main authorities were medieval clerics and theologians, not secular Renaissance intellectuals. The evidence is Pico's Apology, his self-defence against heresy charges: this public polemic reveals more about him than the famous speech that he never gave and that deliberately kept its message secret. The orator's method in the Oration was esoteric, but the defendant in the Apology made his case openly in a voice that was academic and belligerent, not prophetic or poetic. Since the middle of the last century, textbooks written for college students have promoted only one Pico, a hero of progressive humanism. But his Conclusions and Apology, products of late medieval culture, were in no way progressive. The grim scene of the Apology, his report on a battle for life and honor, was the proximate medieval past where human history was despised as the annals of sin. To understand Pico's universe of dismal expectations, our best guide is his Apology, based on lessons learned from medieval teachers.
I have often thought how wonderful it would have been if any of my grandparents, not to mention my great grandparents, had jotted down some of their thoughts, experiences and accumulated wisdom on paper for me to read, irrespective of how trivial or mind-blowing they may have been. I could have gleamed a glimpse as to who they were and how they thought, even though they died long before I was born in most cases. I really feel the void of not having known them. This book is an attempt to correct that omission and is written for the benefit of my kin still to come.
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