Anglican eucharistic theology varies between the different philosophical assumptions of realism and nominalism. Whereas realism links the signs of the Eucharist with what they signify in a real way, nominalism sees these signs as reminders only of past and completed transaction. This book begins by discussing the multifomity of the philosophical assumptions underlying Anglican eucharistic theology and goes on to present extensive case study material which exemplify these different assumptions from the Reformation to the Nineteenth century. By examining the multiformity of philosophical assumptions this book avoids the hermeneutic idealism of particular church parties and looks instead at the Anglican eucharistic tradition in a more critical manner.
Fanning the Sacred Flame: Mesoamerican Studies in Honor of H. B. Nicholson contains twenty-two original papers in tribute to H. B. "Nick" Nicholson, a pioneer of Mesoamerican research. His intellectual legacy is recognized by Mesoamerican archaeologists, art historians, ethnohistorians, and ethnographers--students, colleagues, and friends who derived inspiration and encouragement from him throughout their own careers. Each chapter, which presents original research inspired by Nicholson, pays tribute to the teacher, writer, lecturer, friend, and mentor who became a legend within his own lifetime. Covering all of Mesoamerica across all time periods, contributors include Patricia R. Anawalt, Alfredo López Austin, Anthony Aveni, Robert M. Carmack, David C. Grove, Richard D. Hansen, Leonardo López Luján, Kevin Terraciano, and more. Eloise Quiñones Keber provides a thorough biographical sketch, detailing Nicholson's academic and professional journey.
Responding to Men in Crisis is based on new research looking at gendered assumptions about rationality and men's mental health. It looks at postmodern theory in relation to masculinities and madness, and discusses key contemporary debates in political uses of risk, dangerousness and so on. The author relates this to a discussion of current policy and practice responses to men within the mental health system. It offers the reader a theoretical exploration of a topically and politically sensitive issues and is relevant to service user involvement and survivor movements, making it essential reading for academics and students of sociology and allied disciplines.
In this incisive text, Heaphy introduces the work of Giddens, Bauman, Foucault and Baudrillard to show exactly how the arguments of the great contemporary theorists play out against extended examples from real-life.
This volume comprises a side-by-side combination of image scans and corresponding transcriptions of a collection of early Fall Creek Township, Madison County, Indiana documents for the years 1830 through 1855 (i.e., January 11, 1830 through February 16, 1855). The documents include various school district free holder returns, children enumerations, election returns, bonds, petitions, and other related subject matter. The transcription-scan combinations presented herein were compiled from electrostatic photocopies personally acquired by the compilers directly from original documents held by Pendleton Public Library, Pendleton, Indiana.
A fascinating written exploration of the superhero phenomenon, from its beginnings in the depths of Great Depression to the blockbuster movies of today. For over 90 years, superheroes have been interrogated, deconstructed, and reinvented. In this wide-ranging study, Robb looks at the diverse characters, their creators, and the ways in which their creations have been reinvented for successive generations. Inevitably, the focus is on the United States, but the context is international, including an examination of characters developed in India and Japan in reaction to the traditional American hero. Sections examine: the birth of the superhero, including Superman, in 1938; the DC family (Superman, Batman, Wonder Woman and The Justice Society/League of America), from the 1940s to the 1960s; the superheroes enlistment in the war effort in the 1940s and 50s; their neutering by the Comics Code; the challenge to DC from the Marvel family (The Fantastic Four, Spider-Man, and The X-Men), from the 1960s to the 1980s; the superhero as complex anti-hero; superheroes deconstructed in the 1980s (The Watchmen and Frank Miller’s Batman), and their politicization; independent comic book creators and new publishers in the 1980s and 90s; superheroes in retreat, and their rebirth at the movies in blockbusters from Batman to Spider-Man and The Avengers.
Slumach’s Gold chronicles what is possibly Canada’s greatest lost-mine story. It searches out the truth behind a Salish man’s hanging for murder in 1891 and tracks the intriguing legend about him that grew after his death. It was a legend that turned into a drama of international fascination when Slumach—the hanged criminal—was mysteriously linked to gold nuggets “the size of walnuts.” The stories claimed that Slumach had placed a curse on a hidden motherlode to protect it from interlopers and trespassers just before he plunged to his death “at the wrong end of a five-strand rope.” Although many have attempted to find Slumach’s gold over the past 100 years, following tantalizing clues that are part of the legend itself, none have succeeded—or have they? Rick Antonson, Mary Trainer and Brian Antonson have diligently sifted through history and myth, separating fact from fiction, but leaving the legend intact—along with the promise of gold yet to be found by some future gold seeker.
For nearly a century, movies have been made in Montana. The state played itself in Cattle Queen of Montana, Thunderbolt and Lightfoot, Winter in the Blood, and the iconic A River Runs Through It, and it doubled for an Arctic ice pack in Firefox, Nebraska in Nebraska, the authentic Old West in Heaven’s Gate, and even heaven in What Dreams May Come. Montana’s Kootenai River swallowed up Academy Award-winning actress Meryl Streep in The River Wild, a stunt double for Leonardo DiCaprio tumbled down Kootenai Falls in The Revenant, and Forrest Gump ran through Glacier National Park. The city of Butte played itself in Evel Knievel, substituted for San Francisco’s Chinatown in Thousand Pieces of Gold, and hosted a zombie apocalypse in Dead 7. Charles Bronson’s Telefon blew up a school in Great Falls, Jack Nicholson and Marlon Brando battled in the badlands of The Missouri Breaks, and Far and Away’s Oklahoma land rush with Tom Cruise and Nicole Kidman actually thundered across Montana prairie. From megahits with the biggest Hollywood stars to acclaimed independent films and forgettable flops, nearly a hundred movies have been made, in whole or in part, in Montana, and for the first time this treasure trove of filmmaking has been thoroughly researched and documented. Montana author Brian D’Ambrosio (Warrior in the Ring) describes every movie, including the actors, directors, and shooting locations, and reveals fascinating stories and incidents that took place behind the cameras. Featuring 120 photos and interviews with actors and filmmakers, Shot in Montana is a blockbuster adventure through the Treasure State’s cinematic history.
The un-Bond-like British spy is back—from a multimillion-selling author who “hauls you aboard and won’t let you off until the roller coaster stops” (Los Angeles Times). “If Brian Freemantle isn’t the best writer of spy novels around, he’s certainly, along with John le Carré, in the top two.” —The Philadelphia Inquirer In his long-running Charlie Muffin series, Freemantle gives us an atypical British spy. Charlie is neither high cultured nor well mannered. He’s working-class, scruffy, and fond of a drink. But he gets the job done . . . The Run Around: It could be the most sensational defection of all time. The head of the KGB’s cipher section comes with every code, every plot, and every secret. But his most startling disclosure of all is that the Russians are planning a shocking assassination. But the defector doesn’t know who, where, when, or how. All Charlie knows is that he must stop the murder from happening—without being marked for death himself. “Freemantle surpasses his earlier acclaimed thrillers.” —Publishers Weekly Comrade Charlie: Charlie uncovers a last-gasp plot from the collapsing Soviet Union. The signs point to a new Soviet Star Wars system—and to the involvement of a British traitor. But can he trust the intel? Or does the KGB want one more chance to set up their old adversary? His nemesis, Berenkov, sets a nasty trap using Natalia Fedova as bait, and as the Soviet regime crumbles, it could take Charlie down with it . . . “Intricate, funny and highly satisfying.” —Publishers Weekly Charlie’s Apprentice: Following the end of the Cold War, Charlie is tasked with training new recruits. When one of his trainees is arrested within days of arriving in Beijing to extract a blown British agent, Charlie must go to China and get both of them out. Meanwhile, his former lover Natalia Fedova is searching for him—with a daughter she says is his. “Superior work from a master of the form.” —Publishers Weekly Bomb Grade: It has been more than five years since the collapse of the Soviet Union, and Britain’s cagiest spy is beginning to feel obsolete—until he’s assigned to Russia one more time. The British government needs him to go undercover as an arms dealer to retrieve 250 kilograms of uranium stolen from their nuclear silos. To complicate the explosive situation, heading the anti-smuggling unit is none other than his old flame, Natalia Fedova. “Once again, Freemantle confirms his place as one of the masters of the genre. Thumbs-up for his latest—it’s everything an espionage thriller should be.” —Booklist
Reports on some notable archaeological finds of recent years. The author describes how today's archaeologists use science and technology to recapture the past, for instance, by studying ancient diets from bone collagen and reconstructing lost landscapes from fossilized seeds and grains.
For the first time, Vault offers a guide focused entirely on major law firms with large offices in Southern California. Covering more than 55 firms in the major legal markets of Los Angeles, San Diego and Orange County, this Vault Guide is the only insider's guide to law firms in sunny Southern California. Based on interviews and surveys of attorneys at each firm, it provides in-depth coverage of prestige, compensation, perks, corporate culture, and other legal lifestyle issues.
Fascinating and often bizarre true stories behind more than 130 urban legends about comic book culture. Was Superman a Spy? demystifies all of the interesting stories, unbelievable anecdotes, wacky rumors, and persistent myths that have piled up like priceless back issues in the seventy-plus years of the comic book industry, including: • Elvis Presley's trademark hairstyle was based on a comic book character (True) • Stan Lee featured a gay character in one of Marvel's 1960s war comics (False) • Wolverine of the X-Men was originally meant to be an actual wolverine! (True) • What would have been DC's first black superhero was changed at the last moment to a white hero (True) • A Dutch inventor was blocked from getting a patent on a process because it had been used previously in a Donald Duck comic book (True) With many more legends resolved, Was Superman a Spy? is a must-have for the legions of comic book fans and all seekers of “truth, justice, and the American way.”
In the summer and autumn of 2006 I read several interviews with Brian May in which he mentioned his desire to complete the PhD that he had abandoned in 1974. I looked up the papers he had published while a PhD student, which were on spectroscopic studies of the motion of the dust responsible for the zodiacal light, and felt that there was a basis for a thesis. Since he had been a student at Imperial, I knew, as Head of the Astrophysics Group at Imperial, that it would be good for the Group if he came and worked with us. I got in touch with him by email and suggested he come and talk about it. He replied enthusiastically and said that he was working on typing up what he had completed by 1974. I gradually realized that I was the only staff member at Imperial who had previously worked on zodiacal dust, so that I would have to act as his supervisor. Eventually we met and I tried to assess whether he would be able to find time for the huge amount of work that finishing off a thesis involves, particularly if it has not been touched for over 30 years. Since some of Brian’s emails were coming from the recording studio I knew there was strong competition for his time.
The English Bible--the most familiar book in our language--is the product of a man who was exiled, vilified, betrayed, then strangled, then burnt. William Tyndale left England in 1524 to translate the word of God into English. This was heresy, punishable by death. Sir Thomas More, hailed as a saint and a man for all seasons, considered it his divine duty to pursue Tyndale. He did so with an obsessive ferocity that, in all probability, led to Tyndale's capture and death. The words that Tyndale wrote during his desperate exile have a beauty and familiarity that still resonate across the English-speaking world: "Death, where is thy sting?...eat, drink, and be merry...our Father which art in heaven." His New Testament, which he translated, edited, financed, printed, and smuggled into England in 1526, passed with few changes into subsequent versions of the Bible. So did those books of the Old Testament that he lived to finish. Brian Moynahan's lucid and meticulously researched biography illuminates Tyndale's life, from his childhood in England, to his death outside Brussels. It chronicles the birth pangs of the Reformation, the wrath of Henry VIII, the sympathy of Anne Boleyn, and the consuming malice of Thomas More. Above all, it reveals the English Bible as a labor of love, for which a man in an age more spiritual than our own willingly gave his life.
This detailed biography brings to life one of the greatest military heroes of WWII—and demonstrates why his contributions were crucial to Allied victory. At the outbreak of the Second World War, Admiral Sir Bertram Ramsay masterminded the evacuation of some 330,000 members of the British Expeditionary Force from Dunkirk. He went on to play a crucial role in the invasion of Sicily and the planning and execution of the D-Day invasion, where he commanded the 7,000 ships that delivered Allied forces to the beaches of Normandy. All this from a man who had retired in 1938—only to be persuaded back to the service by Winston Churchill himself. In 1944, Ramsay was promoted to Admiral and appointed Naval Commander-in-Chief for the D-Day naval expeditionary force. A year later, he died in a mysterious air crash. Though Ramsay’s legacy has been remembered by the Royal Navy, his key role in the Allied victory has been widely forgotten. Now biographer Brian Izzard corrects this oversight, arguing that without Ramsay the outcome of both Dunkirk and D-Day—and perhaps the entire war—could have been very different.
I can't breathe ... a haunting phrase moaned at the intersection of past and present, serving as an audible supplement to the visual evidence to yet another collision of race and policing. This phrase reflects the current state of police-community relations in the United States. But, what lies on the other side of now? This Element examines this salient question in the context of excessive use of force and through the lenses of race, policing and public governance. We draw upon extant research and scholarship on representative bureaucracy, public engagement in the co-creation of public polices and the co-production of public services, and the emerging findings from studies in network science, coupled with insights from elite interviews, to offer implications for future research, the profession of policing, the public policymaking process, public management, and post-secondary institutions.
The end of the Cold War could put British spy Charlie Muffin out of work. “Secrets hide within secrets . . . Superior work from a master of the form” (Publishers Weekly). Charlie Muffin shouldn’t be condemned for mourning the end of the Cold War. For decades the KGB provided him with endless professional success and now that it’s gone, Charlie is nearly out of a job. Removed from active duty, he is now training new recruits on operations in a post-Soviet era. It’s dull work that leaves Charlie yearning for the adventures of old and this time, he’ll get more than he bargained for. One of Charlie’s first pupils is arrested within days of arriving in Beijing to extract a blown British agent. Now Charlie must go to China and get both of them out. Meanwhile, someone is searching for Charlie—Natalia Fedova, a former lover, who surfaces with a new job high up in Russian intelligence and a daughter she says is his. This ebook features an illustrated biography of Brian Freemantle including rare photos from the author’s personal collection.
Waiting on the Spirit of Promise is a study of the life and ministry of Abraham Cheare (1626-1668), containing selections from Cheare's works, and rescuing an important seventeenth-century Baptist from obscurity. Cheare has been overshadowed by other more celebrated Baptist contemporaries, but as the pastor of the Particular Baptist work in Plymouth, Devon, Cheare played a key role in the advance of the Baptist cause in the West Country in the 1650s. His Sighs for Sion is an excellent illustration of early Baptist piety. With the Restoration of the monarchy in 1660, Cheare, like many other Dissenters, suffered arrest for his refusal to give up preaching. Cheare's prison writings reveal both a sturdy faith in God and a deep-seated piety. Despite the fact that he was incarcerated in a series of "nasty prisons," Cheare used this time of suffering to deepen his walk with God and so provide a model for his congregation of Christian integrity and joy in the midst of trial. To the very end of his life, Cheare eagerly awaited further outpourings of the Spirit of Promise upon the Church and looked forward to that day when his Lord Jesus would make all things right.
Every preacher, teacher, or writer knows the value of a good illustration in helping connect the truth of the passage with the congregation or class—and how hard it is to come up with good illustrations week after week. This book contains the cream of the crop: 1001 illustrations carefully selected from among thousands on Christianity Today International’s popular website PreachingToday.com. These illustrations are proven, memorable, and illuminating. As the saying goes, they will preach! And they’re fresh, all written within the past seven years. Of course the best illustrations are no good if you can’t find the right one. These illustrations have been arranged according to twelve master topics, each divided into several subtopics. Further, they’ve been indexed according both to Bible references and to 500 keywords. A searchable CD-ROM is included, allowing you to get the illustration into your lesson or sermon with ease.
This accessible and original text combines a systematic examination of the theories of welfare with an historical account of the evolution of the welfare state and its impact in promoting social justice. It identifies the principles governing social distribution and examines the rationales for these different distributive principles. This book also links the theories of distribution to the actual development of social policy and considers their outcomes. State Welfare will be essential reading for students of social policy. It provides a clear understanding of both theories of welfare and the history of the development of the British welfare state.
When Brian Johnston was a schoolboy, his reports were full of phrases such as 'talks too much in school' and 'apt to be a buffoon'. Later millions of radio listeners would be delighted to discover that some things never changed! Johnners brought his unique wit and personal charm to an enormous range of BBC radio and television programmes for nearly 50 years, from In Town Tonight and Down Your Way to Test Match Special. After Brian died in 1994, Christopher Martin-Jenkins wrote: 'It is hard to believe that anyone in the history of broadcasting has induced such widespread affection'. A Further Slice of Johnners covers Brian's early days, from his childhood in Hertfordshire and his schooldays at Eton and Oxford to his job in the family coffee business in the City and his service with the Grenadier Guards during the Second World War. There is also a selection of the most memorable characters and locations from his fifteen years on the Radio Four programme Down Your Way. Finally there is a collection of Brian's popular 'View From the Boundary' interviews on Test Match Special, including fascinating conversations with Eric Idle, John Major and Peter O'Toole.
Who's Who in the Moon is aimed not only at the beginner or near-beginner, but also at the backyard astronomer who is perhaps experienced in other areas of observation but who has decided to spend more time considering the Moon as an alternative target. The book provides a visual introduction to our closest celestial neighbor, opening with an introductory section which details both with the history of lunar mapping and naming of lunar formations as well as providing useful information on observing the lunar surface and what observers can realistically expect to see when they look at the Moon with the naked eye, binoculars or a small/medium telescope. The introductory section is followed by a lengthy series of images, including not only wide field panoramic views, but also a large number of more detailed images showing close-up views of different areas of the Moon and featuring individual craters, mountains, valleys and much more. Many of the individual features shown on these images are identified by name and are accompanied by biographical sketches relating to the men and women after whom they are named. This is a non-technical, up-close-and-personal visual look at the Earths only natural satellite and many of the individual features scattered across its surface. Rather than offering itself as a full and exhaustive guide to the lunar surface, A Guide to the Moon is more of a vade mecum which enables and (hopefully) encourages the reader to become more acquainted with the lunar landscape on a personal level, with a view to learning more about the astronomers and other scientists whose names are immortalised by having lunar features named after them. Who's Who in the Moon was inspired by, and is a tribute to, a Memoir published by the British Astronomical Association (BAA) in 1938 entitled Whos Who in the Moon written by Mary Evershed, the first Director of the BAA Historical Section. The biographical notes in A Guide to the Moon include examples of those penned by Mary Evershed in her original publication.
[Wren's] work is fresh, daring, and suggestive, and at the same time informed, critical, and disciplined. . . . Wren has combined an exceedingly thoughtful theoretical presentation of the linguistic problem and a step-by-step practical walk-through of the issues. . . . It takes a poet, not a clerk, to voice what has been disclosed by God. Wren is such a poet; he invites us to fresh evangelical cadences that will themselves liberate." Theology Today "[Wren] makes an inventive effort to help cure the disease that is devastating the worship scene. He himself writes extraordinary hymn texts that are 'beyond patriarchy,' and he hangs them in 'galleries' in his book. . . . He gives us a readable, convincing book centered on the language question but profoundly theological in its implications." National Catholic Reporter "A book of tremendous value to liturgists, theologians, members of the newly forming men's liberation movement, clergy and policymakers, and anyone interested in the issue of inclusive God-language, including those who are curious about why it matters in the first place. . . . Part of the value of What Language Shall I Borrow? is Wren's graceful, imaginative presentation of his facts. Although there is ample cognitive input, it is interspersed with moving hymn texts, practical workshop ideas and fascinating narratives." The Presbyterian Outlook
The Indian Mutiny struck at the very heart of the British Empire. If India was lost the whole edifice of British domination across its colonies was in jeopardy. Everything was at stake, Britains leading role in the word, its international commerce and the reputation of its armed forces. Across the globe Britain ruled only through the compliance of the subordinate nations but if India could throw off the imperialist yolk others might also rebel. The very fate of the Empire hung in the balance.The situation was considered to be so serious that the British authorities extended the warrant of the newly-created Victoria Cross to include anyone, even civil servants, who performed prodigious acts of valour to save India, and save the Empire.A total 182 VCs were awarded during the Mutiny, the same number as in the whole of the Second World War, climaxing in one day at Lucknow when twenty-four men displayed extraordinary valour to raise the siege the most VCs ever won in a single day.This is the story of those few months between May 1857 and June 1858 when the world turned its gaze upon the jewel in Victorias crown and 182 men soldier, sailor and civilian wrote their names into the history books.
Brian W. Fairbanks, Entertainment Editor at Paris Woman Journal in Paris, France, "has a talent for extracting the essence of a given subject and articulating it in a meaningful way."In I SAW THAT MOVIE, TOO, he extracts the essence from several hundred films, and articulates some of the most meaningful opinions on the cinema you'll ever read. In the foreword, he also offers a perceptive analysis of the way that movies, more importantly, the way we "see" movies, has changed from the time he was a young movie buff "obsessed by that light in the darkness" to the era of the multiplex and the DVD.As one reader says, he has "a sophisticated yet effortlessly readable style." Smart, insightful, always honest, but never pretentious, Fairbanks is a life-long film buff who backs up his opinions with a knowledge of both the art and artifice of cinema.
The Man in the Seventh Row tells the deeply affecting story of Roy Batty, a film fan who loves the cinema just a little too much. No matter the movie - The Graduate, Brief Encounter, The Magnificent Seven - Roy finds himself sucked from his seventh-row seat into the heart of the action on the big screen. His life has spiralled into The Purple Rose of Cairo in reverse. A fantasy come true -- or a living nightmare? "A strange and beguiling novel about films and those who love and live them" - Ian Rankin What they're saying... "A most unusual novel, proving emphatically that life is possible both inside and outside the cinema! It's a very nice lend of the real, the fictional and the dream world and I really don't think I've read anything quite like it before." - Barry Norman "...hugely enjoyable. Pacy, sharp and witty - in the proper sense - it is a novel that baby boomers and film buffs will strongly relate to, and all enthusiasts of unusual - of original - fiction will take great pleasure in." - Andrew Marr "Pendreigh's infectious love of cinema and brilliant wordcraft combine to make for a singularly enthralling tale of one man's journey through the hardships of life." - Literally Jen "... a wholly likeable read ... Pendreigh's novel is a pleasing dissection of man's all-too-modern need for escape in darkened auditoriums that posits him somewhere between David Thomson's Suspects and Guy Bellamy's The Secret Lemonade Drinker." - Paul Dale, The List "I loved it... a terrific read, definitely one for fans of film." - Janice Forsyth, Movie Cafe, Radio Scotland From the author... "The book is sub-titled The Movie Lover's Novel with good reason, as it certainly celebrates a love of the movies. You'll doubtless be familiar with many of the classic movies featured but it might also introduce you to one or two less familiar films. "Ultimately, The Man in the Seventh Row it is about childhood and adulthood, about obsession and love, and about loss and the possibility of redemption. "Set in Scotland and California, the book addresses questions we all have: where did we come from, where are we going, how long do we have?
“A smart and eminently readable examination of the life and career of one of the twentieth century’s most influential movie critics.”—Los Angeles Times “Engrossing and thoroughly researched.”—Entertainment Weekly • A New York Times Book Review Notable Book of 2011 • The first major biography of the most influential, powerful, and controversial film critic of the twentieth century Pauline Kael was, in the words of Entertainment Weekly's movie reviewer Owen Gleiberman, "the Elvis or Beatles of film criticism." During her tenure at The New Yorker from 1968 to 1991, she was the most widely read and, often enough, the most provocative critic in America. In this first full-length biography of the legend who changed the face of film criticism, acclaimed author Brian Kellow (author of Can I Go Now?: The Life of Sue Mengers, Hollywood's First Superagent) gives readers a richly detailed view of Kael's remarkable life—from her youth in rural California to her early struggles to establish her writing career to her peak years at The New Yorker.
This series for less able readers covers key modern history topics in an exciting, approachable way. Each title covers a major war or conflict from the 20th Century and looks at the causes, major incidents and results from the point of view of the people who lived through it. Featuring primary and secondary sources, plus exciting real-life stories, each book describes the sequence of events clearly and holds the reader's attention.
In the words of one reader, Brian W. Fairbanks has a real talent for extracting the essence of a given subject and articulating it in a meaningful way. In WRITINGS, the author collects some of his finest essays and criticism spanning the years 1991-2005 and covering four subjects: FILM LITERATURE MUSIC SOCIETY Whether offering an insightful analysis of film noir, examining Benjamin Franklin's impact on American society, taking a clear-eyed, non-partisan look at democrats, republicans, the 2004 presidential campaign, George W. Bush, and the war on terror, or lambasting the corruption of television news, Brian W. Fairbanks is ingenious with a sophisticated yet effortlessly readable style. Also available in two hardcover editions.
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