Did Jane Austen see Caro Lapsford in London that summer? Its unlikely, but it pleases me to imagine that they did -- they could have exchanged glances - even a cat can look at a queen. Perhaps, Caro caught a glimpse of Jane as she descended from her carriage, and there was a brief exchange of glances before Jane lowered her eyes under the hood of her bonnet. They were both twenty-one years old in 1797; each bent on their own mission; Jane was trying to sell her first novel, Caro was intent on helping her lover escape. Austens characters are surrounded with faceless servants, and their stories will never be told. But, Caro is no ones servant and when she receives the news that her lover, Kemp Saunders, has been press-ganged into the Navy, she is determined to help him escape. She persuades her father to sail his trawler to London, because she wants to be there when the Channel Fleet returns to port. She finds lodgings in a dockside tavern and earns her living plying a dinghy among the anchored ships, selling fresh produce to the hungry crews -- and waits. Kemp and his two brothers were taken by force when their merchant ship was waylaid on the high seas by a British man-o-war. Among the pressed men is William Benson, an American citizen working his passage back to Boston. Benson and Kemp will become firm friends. Chapter one describes Caro's hopes and fears, as she lays in a hammock onboard the H.M S Dido and waits for Kemp to come off duty. Chapter two is a flashback, chronicling how the Saunders brothers were hijacked. Chapter three recounts Caro's reaction when she first received news of Kemp's impressment. For the next nine chapters the story alternates between Caro's life in England, and the sea adventures of the Saunders brothers. There is much unrest among the crew when the fleet finally returns to port. The men have not been paid for two years; sixty percent are "pressed men", only the officers are allowed ashore during the ship's refit. Fearing a mutiny the Captain of H M S Dido reluctantly allows women to come on board for a visit. Caro plans to dress Kemp as a woman and smuggle him ashore. But, Kemp is caught up in a web of intrigue, when the men of the fleet refuse to obey further orders until they receive their back pay. It is the first labor strike history will record it as The Great Naval Mutiny. Kemp cannot get away, so his brother Robert takes his place and escapes with the help of a young widow, named Lizzie. Caro leaves the pair to set up camp on a deserted island while she returns to the Dido, hoping Kemp will be able to slip over board under cover of darkness and swim to her dinghy, However, it is Will Benson who escapes; bringing a letter from Kemp. The ships are locked down -it is impossible for Kemp to escape. The two couples decide to wait for further development. The mutiny is suppressed, and the men return to duty. Kemp is among the ring leaders who are hung. A heart-broken Caro is determined to recover her lover's body and give him a decent burial before she leaves London. Following this episode the four sail back to Chiswick. On the way home, they encounter a series of adventures, and meet up with a strange sexton, who agrees to marry Caro and Robert. Caro is carrying Kemp's child and she is anxious to give her child the protection of a father's name. When they arrive in Chiswick, Will Benson secures a berth on an American Schooner. Caro soon realizes that Robert is secretly in love with Lizzie, and when the pressgang comes looking for Robert again, he flees with Lizzie. Peace finally come to Europe and Will Benson returns to find Caro. He discovers Caro's marriage to Robert was a hoax, and declares his love for her. Caro finally admits her feelings for Will, and agrees to sail to America with him, and start a new life.
“To call Sue Mengers a ‘character’ is an understatement, unless the word is written in all-caps, followed by an exclamation point and modified by an expletive. And based on Brian Kellow’s assessment in his thoroughly researched Can I Go Now? even that description may be playing down her personality a bit.” —Jen Chaney, The Washington Post • A NY Times Culture Bestseller • An Entertainment Weekly Best Pop Culture Book of 2015 • A Booklist Top Ten Arts Book of 2015 • A lively and colorful biography of Hollywood’s first superagent—one of the most outrageous showbiz characters of the 1960s and 1970s whose clients included Barbra Streisand, Ryan O’Neal, Faye Dunaway, Michael Caine, and Candice Bergen Before Sue Mengers hit the scene in the mid-1960s, talent agents remained quietly in the background. But staying in the background was not possible for Mengers. Irrepressible and loaded with chutzpah, she became a driving force of Creative Management Associates (which later became ICM) handling the era’s preeminent stars. A true original with a gift for making the biggest stars in Hollywood listen to hard truths about their careers and personal lives, Mengers became a force to be reckoned with. Her salesmanship never stopped. In 1979, she was on a plane that was commandeered by a hijacker, who wanted Charlton Heston to deliver a message on television. Mengers was incensed, wondering why the hijacker wanted Heston, when she could get him Barbra Streisand. Acclaimed biographer Brian Kellow spins an irresistible tale, exhaustively researched and filled with anecdotes about and interviews more than two hundred show-business luminaries. A riveting biography of a powerful woman that charts show business as it evolved from New York City in the 1950s through Hollywood in the early 1980s, Can I Go Now? will mesmerize anyone who loves cinema’s most fruitful period.
Science fiction is a literary genre based on scientific speculation. Works of science fiction use the ideas and the vocabulary of all sciences to create valid narratives that explore the future effects of science on events and human beings. Science Fact and Science Fiction examines in one volume how science has propelled science-fiction and, to a lesser extent, how science fiction has influenced the sciences. Although coverage will discuss the science behind the fiction from the Classical Age to the present, focus is naturally on the 19th century to the present, when the Industrial Revolution and spectacular progress in science and technology triggered an influx of science-fiction works speculating on the future. As scientific developments alter expectations for the future, the literature absorbs, uses, and adapts such contextual visions. The goal of the Encyclopedia is not to present a catalog of sciences and their application in literary fiction, but rather to study the ongoing flow and counterflow of influences, including how fictional representations of science affect how we view its practice and disciplines. Although the main focus is on literature, other forms of science fiction, including film and video games, are explored and, because science is an international matter, works from non-English speaking countries are discussed as needed.
This new collection of critical essays on science fiction and fantasy literature features the following pieces: "Setting Ideas in Space, Time, and Infinity," "The Necessity of Science Fiction," "The British and American Traditions of Speculative Fiction," "The Biology and Sociology of Alien Worlds," "Cosmic Perspectives in Nineteenth-Century Literature," "An Introduction to Alternate Worlds," "Adolf Hilter: His Part in Our Struggle: (A Brief Economic History of British SF Magazines)," "The Battle of Dorking and Its Aftermath," "The Science in Science Fiction," "The Siren Song of Sexuality: The Mythology of Femmes Fatales," "What We Know About Vampires," "A Brief History of Vampires," and "A Brief History of Werewolves." Brian Stableford is the bestselling writer of 50 books and hundreds of essays, including science fiction, fantasy, literary criticism, and popular nonfiction. He lives and works in Reading, England.
The Third Edition of this landmark best-selling textbook has been thoroughly updated and revised to make it even more essential for course teaching. Retaining the celebrated approach of the previous editions, this new textbook incorporates research from a fuller range of perspectives to provide students with a critical understanding of the full variety of viewpoints. Key features of the third edition: - Extensive pedagogical features, including chapter outlines and summaries of key ideas, and guidelines for further research. Boxed case studies, tables and figures and cutting edge research are integrated throughout to aid students understanding if this fascinating field. - Brand new chapter on Literacy and Communication. - New accompanying companion website with a full suite of lecturer materials and online readings for students.
International cricket is being contaminated by crooked players, ruthless gamblers and bent officials. This staggering catalogue of revelations exposes appalling scandals involving the biggest names in the sport. Often under enormous pressure from gambling gangs who threaten serious physical harm and even abduction if their orders are not carried out, many of them have frequently and deliberately cheated. These riveting revelations will shock and disgust any fan and honest player, from those in school elevens and local clubs, right up to the sportsmen who play at county and international levels. Caught Out shines the light upon the most extraordinary cricketing tales, including the tragic death of Pakistan coach Bob Woolmer, whose body was discovered in his hotel room; the disgraced former South African captain Hansie Cronje, who was killed in a plane crash in 2002; the terrified Pakistan wicket-keeper who was forced to seek asylum in Britain after fleeing angry bookmakers; and how slippery England literally licked the Aussies with Murray Mints to bag the Ashes. Icons are names and shamed in a wealth of disclosures that cover match fixing, spot fixing, cocaine smuggling, death threats, kidnapping, ferocious betting, and even high-class prostitutes, who are paraded as additional rewards for players who cheat at the behest of illegal bookmakers.
A guide to clinical effectiveness and governance, this second edition includes clinical governance issues. It aims to increase awareness of, and skills in, an evidence-based approach to health care, and there is advice on collecting, evaluating, interpreting and applying evidence.
This essential companion for all cricket lovers documents the illustrious history of the gentleman’s game. It is crammed full of fascinating feats, sticky wickets and intriguing trivia, so even if you don’t like cricket, you’ll love this. From the worst batsman in the world to the record innings that almost wasn’t, this compelling collection of balls, bails, bats and blockholes is guaranteed to enthral. The amazing and extraordinary facts series presents interesting, surprising and little-known facts and stories about a wide range of topics which are guaranteed to inform, absorb and entertain in equal measure.
Criminal Law' is written with the needs of the student foremost in mind to provide, more than ever, as modern and as comprehensive an exposition of the criminal law as he or she could possibly require.
When Brian Dowling and Arthur Gourounlian announced they were expecting their first child, with Brian's sister Aoife acting as their surrogate, it felt like their family dream was finally coming true. Their daughter, Blake, was born in September 2022, but their happily-ever-after has not been without its troubles. Now Brian and Arthur detail their crazy journeys and the sliding-doors moments that brought them together to create a family of their own. Following Arthur's journey to escape war-torn Armenia and Brian's path to self-acceptance after being catapulted into the spotlight as a young gay man in the early noughties, and the sudden death of his mother, this is a story of the pain that life can sometimes bring, but ultimately it is a story about love in all its many magical forms. From births to marriages to deaths, and everything in between, this heartfelt memoir brings Arthur and Brian's positive and inspiring attitude to the page.
Did Jane Austen see Caro Lapsford in London that summer? Its unlikely, but it pleases me to imagine that they did -- they could have exchanged glances - even a cat can look at a queen. Perhaps, Caro caught a glimpse of Jane as she descended from her carriage, and there was a brief exchange of glances before Jane lowered her eyes under the hood of her bonnet. They were both twenty-one years old in 1797; each bent on their own mission; Jane was trying to sell her first novel, Caro was intent on helping her lover escape. Austens characters are surrounded with faceless servants, and their stories will never be told. But, Caro is no ones servant and when she receives the news that her lover, Kemp Saunders, has been press-ganged into the Navy, she is determined to help him escape. She persuades her father to sail his trawler to London, because she wants to be there when the Channel Fleet returns to port. She finds lodgings in a dockside tavern and earns her living plying a dinghy among the anchored ships, selling fresh produce to the hungry crews -- and waits. Kemp and his two brothers were taken by force when their merchant ship was waylaid on the high seas by a British man-o-war. Among the pressed men is William Benson, an American citizen working his passage back to Boston. Benson and Kemp will become firm friends. Chapter one describes Caro's hopes and fears, as she lays in a hammock onboard the H.M S Dido and waits for Kemp to come off duty. Chapter two is a flashback, chronicling how the Saunders brothers were hijacked. Chapter three recounts Caro's reaction when she first received news of Kemp's impressment. For the next nine chapters the story alternates between Caro's life in England, and the sea adventures of the Saunders brothers. There is much unrest among the crew when the fleet finally returns to port. The men have not been paid for two years; sixty percent are "pressed men", only the officers are allowed ashore during the ship's refit. Fearing a mutiny the Captain of H M S Dido reluctantly allows women to come on board for a visit. Caro plans to dress Kemp as a woman and smuggle him ashore. But, Kemp is caught up in a web of intrigue, when the men of the fleet refuse to obey further orders until they receive their back pay. It is the first labor strike history will record it as The Great Naval Mutiny. Kemp cannot get away, so his brother Robert takes his place and escapes with the help of a young widow, named Lizzie. Caro leaves the pair to set up camp on a deserted island while she returns to the Dido, hoping Kemp will be able to slip over board under cover of darkness and swim to her dinghy, However, it is Will Benson who escapes; bringing a letter from Kemp. The ships are locked down -it is impossible for Kemp to escape. The two couples decide to wait for further development. The mutiny is suppressed, and the men return to duty. Kemp is among the ring leaders who are hung. A heart-broken Caro is determined to recover her lover's body and give him a decent burial before she leaves London. Following this episode the four sail back to Chiswick. On the way home, they encounter a series of adventures, and meet up with a strange sexton, who agrees to marry Caro and Robert. Caro is carrying Kemp's child and she is anxious to give her child the protection of a father's name. When they arrive in Chiswick, Will Benson secures a berth on an American Schooner. Caro soon realizes that Robert is secretly in love with Lizzie, and when the pressgang comes looking for Robert again, he flees with Lizzie. Peace finally come to Europe and Will Benson returns to find Caro. He discovers Caro's marriage to Robert was a hoax, and declares his love for her. Caro finally admits her feelings for Will, and agrees to sail to America with him, and start a new life.
“We are not worth more, they are not worth less.” This is the mantra of S. Brian Willson and the theme that runs throughout his compelling psycho-historical memoir. Willson’s story begins in small-town, rural America, where he grew up as a “Commie-hating, baseball-loving Baptist,” moves through life-changing experiences in Viet Nam, Nicaragua and elsewhere, and culminates with his commitment to a localized, sustainable lifestyle. In telling his story, Willson provides numerous examples of the types of personal, risk-taking, nonviolent actions he and others have taken in attempts to educate and effect political change: tax refusal—which requires simplification of one’s lifestyle; fasting—done publicly in strategic political and/or therapeutic spiritual contexts; and obstruction tactics—strategically placing one’s body in the way of “business as usual.” It was such actions that thrust Brian Willson into the public eye in the mid-’80s, first as a participant in a high-profile, water-only “Veterans Fast for Life” against the Contra war being waged by his government in Nicaragua. Then, on a fateful day in September 1987, the world watched in horror as Willson was run over by a U.S. government munitions train during a nonviolent blocking action in which he expected to be removed from the tracks and arrested. Losing his legs only strengthened Willson’s identity with millions of unnamed victims of U.S. policy around the world. He provides details of his travels to countries in Latin America and the Middle East and bears witness to the harm done to poor people as well as to the environment by the steamroller of U.S. imperialism. These heart-rending accounts are offered side by side with inspirational stories of nonviolent struggle and the survival of resilient communities Willson’s expanding consciousness also uncovers injustices within his own country, including insights gained through his study and service within the U.S. criminal justice system and personal experiences addressing racial injustices. He discusses coming to terms with his identity as a Viet Nam veteran and the subsequent service he provides to others as director of a veterans outreach center in New England. He draws much inspiration from friends he encounters along the way as he finds himself continually drawn to the path leading to a simpler life that seeks to “do no harm.&rdquo Throughout his personal journey Willson struggles with the question, “Why was it so easy for me, a ’good’ man, to follow orders to travel 9,000 miles from home to participate in killing people who clearly were not a threat to me or any of my fellow citizens?” He eventually comes to the realization that the “American Way of Life” is AWOL from humanity, and that the only way to recover our humanity is by changing our consciousness, one individual at a time, while striving for collective cultural changes toward “less and local.” Thus, Willson offers up his personal story as a metaphorical map for anyone who feels the need to be liberated from the American Way of Life—a guidebook for anyone called by conscience to question continued obedience to vertical power structures while longing to reconnect with the human archetypes of cooperation, equity, mutual respect and empathy.
This book does not offer any miracles, although it does offer a better opportunity for someone to get results, for one who is prepared to get out of the victim role and take a positive step into seeing what they can do for themselves. By reading this book, you will realise the significance of continuous learning. And that’s how philosophy tries to discover the nature of truth and knowledge, to find what is of basic value and importance in life. This is about the relationships between humanity and nature and between the individual and the society.
An only child living in Aldershot, Brian Stuart has always been in touch with the arts. When his father was called up to the army in 1940 his mother decided to take in boarders who performed weekly in the Hippodrome.
I was recently in a brainstorming session with market research and R&D managers at a Fortune 50 client. The marketing manager turns to the R&D technical lead and asks, “can you give me a list of all possible technologies out there?” She was speaking the language of high level summary of the universe of possibilities. The technical lead, on the other hand, translated it as “give me information on the technologies we are capable of delivering in the near future.” Simple miscommunication? Little business impact? Not if you’re trying to stretch the innovation possibilities and the R&D lead disqualifi es longer term technologies because they’re not ready now. That’s one reason why innovation at some companies looks like the same old stuff re-packaged.
After serving in the Vietnam War, S. Brian Willson became a radical, nonviolent peace protester and pacifist, and this memoir details the drastic governmental and social change he has spent his life fighting for. Chronicling his personal struggle with a government he believes to be unjust, Willson sheds light on the various incarnations of his protests of the U.S. government, including the refusal to pay taxes, public fasting, and, most famously, public obstruction. On September 1, 1987, Willson was run over by a U.S. government munitions train during a nonviolent blocking action in which he expected to be removed from the tracks. Providing a full look into the tragic event, Willson, who lost his legs in the incident, discusses how the subsequent publicity propelled his cause toward the national consciousness. Now, 23 years later, Willson tells his story of social injustice, nonviolent struggle, and the so-called American way of life.
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