William Tyndale (1494 - 1536) is one of the most famous of history's martyrs. Being out of sympathy with the contemporary English church and suspected of heresy, he left England in 1522 and matriculated at Wittenberg two years later. Here he got to know Luther. In 1525 he translated the New Testament and the Pentateuch by 1531. He had reached the book of Jonah when he was burned for heresy near Brussels. Brian Moynahan's brilliantly written account ties no less than Sir Thomas More, newly named patron saint of politicians, to the betrayal and burning of Tyndale. The extraordinary feud between the two men has never been shown in such detail before. The book also included vivid portraits of Henry VIII, Catherine of Aragon, Anne Boleyn and Cardinal Wolsey. Burnings alive, early printing, book smuggling, and the linking of More, 'the man for all seasons' to the betrayal and execution of the most quoted writer in the language (84% of the King James New Testament is word-for-word Tyndale) - these are the backdrop to one of the most astonishing lives in British history.
Making extensive use of contemporary accounts, Moynahan traces Russia's turbulent 20th century, from the last days of tsarist rule to the Bolshevik Revolution, two world wars (and one cold one), and to the overthrow of the Communist regime. Simultaneously a political, social and oral history, this book will quickly become the preeminent short history of Russia's recent past. Photos.
Grigory Efimovich Rasputin came to St. Petersburg from his Siberian cabin in 1903 like a projectile from the medieval past, tattered, black-clad, muttering. By the time he was murdered thirteen years later, the peasant was the "beloved" Friend of Tsar Nicholas and Empress Alexandra and the sponsor of the most powerful officials in Russia. He had become, a society lady wrote, "a dusk enveloping all our world, eclipsing the sun. How could so pitiful a wretch throw so vast a shadow? It was inexplicable, maddening, almost incredible. " Rasputin's name has become synonymous with evil, but his legend has obscured the facts of his life. In this evocative biography, Brian Moynahan presents us with a flesh-and-blood Rasputin, more fascinating than the myth--a man in whom debauchery coexisted beside a real (if erratic) spiritual sense, a man whose coarseness hid a savvy awareness of human psychology. Drawing on confidential police reports, cabinet meeting memos, and other documents, some available only since the fall of the Soviet Union, Moynahan sheds new light on Rasputin's life and disputes some of the widely held details of his death. The young Rasputin was a drinker, thief, and womanizer. He claimed to have religious visions and became a wandering holy man, preaching that exposure to sin could drive out sin. He stormed the fashionable salons of St. Petersburg, and in 1905 he met Nicholas and Alexandra, who, increasingly despised by the sophisticated, found in Rasputin reassurance that the "real Russia, the simple and pious peasantry, loved them. Rasputin's mysterious ability to stop the bleeding attacks of their hemophiliac only son, Alexis, sealed the approval of the domineering Alexandra. With royal patronage, Rasputin became increasingly reckless, partying with prostitutes, peddling influence, plotting the disgrace of those who crossed him. Ever contradictory, he was also a devoted family man, a defender of the poor, and a figure of immense charisma. As Germany battered Russia during World War I, as Nicholas's ineptitude as a leader became ever more rampant and the masses went hungry, Rasputin seemed to monarchists to be the cause, and not just the symptom, of corrupt government. A group of conspirators gathered--among them a grand duke and a scion of the richest family in Russia--and one of the most famous murders in history was planned. Set against the vivid backdrop of prerevolutionary Russia, Rasputin is a portrait of an age as well as of a man. NOTE: This edition does not include photographs.
Moynahan delves into the life of 16th-century scholar William Tyndale, whose attempt to translate the Bible into English incurred the wrath of Sir Thomas More, who proclaimed Tyndale's act heresy, punishable by death. In this lucid biography, Moynahan reveals the English Bible as a labor of love, for which a man in an age more spiritual than our own willingly gave his life.
Beginning with the birth of Jesus and tracing the religion established by his followers up to the present day, The Faith is a comprehensive exploration of the history of Christianity. Judiciously covering all the signal moments without bogging down in minutia, author Brian Moynahan's superbly written and generously illustrated book is of central importance to Christians, historians, and anyone interested in a faith that shaped the modern world. Moynahan's research uses little-known sources to tell a magnificent story encompassing everything from the early tremulous years after Jesus' death to the horrors of persecution by Nero, from the growth of monasteries to the bloody Crusades, from the building of the great cathedrals to the cataclysm of the Reformation and the Catholic Counter-Reformation, from the flight of pilgrims from Europe in pursuit of religious freedom to the Salem Witch Trials, from the advent of a traveling pope to the rise of televangelists. Coming just in time for Jubilee 2000, this ambitious book reveals and commemorates the significance of the Christian faith.
In this book, Brian Boyd surveys Vladimir Nabokov's life, career, and legacy; his art, science, and thought; his subtle humor and puzzle-like storytelling; his complex psychological portraits; and his inheritance from, reworking of, and affinities with Shakespeare, Pushkin, Tolstoy, and Machado de Assis. Boyd also offers new ways of reading Lolita, Pale Fire, Ada or Ardor, and the unparalleled autobiography, Speak, Memory, disclosing otherwise unknown information about the author's world. Sharing his personal reflections as he recounts the adventures, hardships, and revelations of researching Nabokov's life? oeuvre?, he cautions against using Nabokov's metaphysics as the key to unlocking all of the enigmatic author's secrets. Assessing and appreciating Nabokov as novelist, memoirist, poet, translator, scientist, and individual, Boyd helps us understand more than ever Nabokov's multifaceted genius.
Irish revolutionary nationalism, initially dedicated to insurgency, quickly descended into less conventional violence. How successive British governments responded to this challenge and the extent of their respect for essential freedoms are the subject of The Fenian Problem. Dramatic and tragic rescues of arrested Fenian leaders, the formation of a Fenian squad to assassinate suspected informers and policemen, the bombing of a London prison, public executions of Fenians, the quality of British justice, and the struggle to develop counter-terrorism policies and an effective system of intelligence form the core of The Fenian Problem. Brian Jenkins adds new information to the established narrative of the movement, arguing that it resorted to terrorism in its pursuit of Irish independence. Jenkins discusses the parallels between the government's treatment of Fenian prisoners in the 1860s and their handling of the IRA in the 1970s as well as the similarities between the challenges posed by Fenians and those presented by Islamic insurgents, showing that nineteenth-century British and Irish history illuminate contemporary discussions of state security and liberal government responses to terrorism. Book jacket.
A close study of the relationship between text and film versions of Great Expectations. Literature and film studies students will find plenty of material to support their courses and essay writing on how the film versions provide different readings of the original text. Focussing on David Lean's film of Great Expectations, the book discusses: the literary text in its historical context, key themes and dominant readings of the text, how the text is adapted for screen and how adaptations have changed our reading of the original text. There are numerous excerpts from the literary text, screenplays and shooting scripts, with suggestions for comparison. The book also features quotations from authors, screenwriters, directors, critics and others linked with the chosen film and text.
This book examines the grass-roots relationship between the Irish Republican Army (IRA) and the civilian population during the Irish Revolution. It is primarily concerned with the attempts of the militant revolutionaries to discourage, stifle, and punish dissent among the local populations in which they operated, and the actions or inactions by which dissent was expressed or implied. Focusing on the period of guerilla war against British rule from c. 1917 to 1922, it uncovers the acts of 'everyday' violence, threat, and harm that characterized much of the revolutionary activity of this period. Moving away from the ambushes and assassinations that have dominated much of the discourse on the revolution, the book explores low-level violent and non-violent agitation in the Irish town or parish. The opening chapter treats the IRA's challenge to the British state through the campaign against servants of the Crown - policemen, magistrates, civil servants, and others - and IRA participation in local government and the republican counter-state. The book then explores the nature of civilian defiance and IRA punishment in communities across the island before turning its attention specifically to the year that followed the 'Truce' of July 1921. This study argues that civilians rarely operated at either extreme of a spectrum of support but, rather, in a large and fluid middle ground. Behaviour was rooted in local circumstances, and influenced by local fears, suspicions, and rivalries. IRA punishment was similarly dictated by community conditions and usually suited to the nature of the perceived defiance. Overall, violence and intimidation in Ireland was persistent, but, by some contemporary standards, relatively restrained.
A gripping and wholly original account of the epic human tragedy that was the great Klondike Gold Rush of 1897-98. One hundred thousand men and women rushed heedlessly north to make their fortunes; very few did, but many thousands of them died in the attempt. In 1897, the United States was mired in the worst economic depression that the country had yet endured. So when all the newspapers announced gold was to be found in wildly enriching quantities at the Klondike River region of the Yukon, a mob of economically desperate Americans swarmed north. Within weeks tens of thousands of them were embarking from western ports to throw themselves at some of the harshest terrain on the planet--in winter yet--woefully unprepared, with no experience at all in mining or mountaineering. It was a mass delusion that quickly proved deadly: avalanches, shipwrecks, starvation, murder. Upon this stage, author Brian Castner tells a relentlessly driving story of the gold rush through the individual experiences of the iconic characters who endured it. A young Jack London, who would make his fortune but not in gold. Colonel Samuel Steele, who tried to save the stampeders from themselves. The notorious gangster Soapy Smith, goodtime girls and desperate miners, Skookum Jim, and the hotel entrepreneur Belinda Mulrooney. The unvarnished tale of this mass migration is always striking, revealing the amazing truth of what people will do for a chance to be rich.
The horror genre is continually being reinvented as societal fears evolve. As technology has developed and become ubiquitous in modern life, horror films have effectively played upon our increasing reliance on technology as a source of anxiety. Focusing on advancements from the advent of electricity to the Internet, this book explores how technology--ostensibly humanity's means of conquering fear and the unknown--has become a compelling and abundant source of dread in horror films.
Drawing on an immense body of literature and research, Brian Jenkins analyses the forces that shaped mid-nineteenth century Irish nationalism in Ireland and North America as well as the role of the Roman Catholic Church. He outlines the relationship between newly arrived Irish Catholic immigrants and their hosts and the pivotal role of the church in maintaining a sense of exile, particularly among those who had fled the famine. Jenkins also explores the essential "Irishness" of the revolutionary movement and the reasons why it did not emerge in the two other "nations" of the United Kingdom, Scotland and Wales.
The story of Nabokov's life continues with his arrival in the United States in 1940. He found that supporting himself and his family was not easy--until the astonishing success of Lolita catapulted him to world fame and financial security.
The Detroit Tigers were founding members of the American League and have been the Motor City's team for more than a century. But the Wolverines were the city's first major league club, playing in the National League beginning in 1881 and capturing the pennant in 1887. Playing in what was then one of the best ballparks in America, during an era when Detroit was known as the "Paris of the West," the team battled hostile National League owners and struggled with a fickle fan base to become world champions, before financial woes led to their being disbanded in 1888. This first-ever history of the Wolverines covers the team's rise and abrupt fall and the powerful men behind it.
In this comprehensive study of Thomas Kinsella's poetry, Brian John explores the poet's development within both the Irish and the English contexts and defines the nature of his poetic achievement. He also offers a new reading of Kinsella's evolving relationship to one of his major literary forebears, W. B. Yeats. What becomes clear is the formidable accomplishment of a poet, now writing at the height of his powers, whose substantial body of work warrants comparison with the grand masters of twentieth-century literature in English - with Yeats, Joyce, and Beckett.
Designed specifically for the Core Exam, Vascular and Interventional Radiology : A Core Review covers all key aspects of the field, mimicking the image-rich, multiple-choice format of the actual test. Ideal for residents preparing for the Core Examination, as well as practitioners taking recertification exams, this unique review follows the structure and content of what you’ll encounter on the test, effectively preparing you for Core Exam success!
Through their extensive experience conducting professional development sessions with educators nationally and internationally, the authors have acquired a vast compendium of effective presentation and facilitation strategies. Now, in their companion to From Staff Room to Classroom, they present 144 strategies for leading staff development workshops, professional learning communities, and staff meetings. These proven, easy-to-use activities are organized into four "morphological grids", with columns corresponding to the three principles for successful presentations: Openers, capture the audience's attention; Meat of the Matter, captivate with the information; Closers, close with keepers. Using different strategies from each column of a morphological grid, presenters can create a different presentation format every time. Ideas can be arranaged or rearranged according to personal preference, group needs, or as a random creative act. Designed for staff developers, school leaders, and professional learning community facilitators, From Staff Room to Classroom II makes planning creative and winning presentations effortless.
Now in its revised, updated Fifth Edition, The Cleveland Clinic Intensive Review of Internal Medicine offers thorough preparation for board certification and recertification exams in internal medicine. It is written by distinguished Cleveland Clinic faculty and serves as the syllabus for the Cleveland Clinic's esteemed internal medicine board review course. Clinical vignettes and bulleted lists throughout the book highlight key clinical points. This edition also includes boxed "Points to Remember". Board simulations appear at the end of each section. An updated mock board exam containing over 200 multiple-choice questions appears at the end of the book. A companion Website will offer an interactive question bank with 200 additional questions.
In the words of one reader, Brian W. Fairbanks has a real talent for extracting the essence of a given subject and articulating it in a meaningful way. In WRITINGS, the author collects some of his finest essays and criticism spanning the years 1991-2005 and covering four subjects: FILM LITERATURE MUSIC SOCIETY Whether offering an insightful analysis of film noir, examining Benjamin Franklin's impact on American society, taking a clear-eyed, non-partisan look at democrats, republicans, the 2004 presidential campaign, George W. Bush, and the war on terror, or lambasting the corruption of television news, Brian W. Fairbanks is ingenious with a sophisticated yet effortlessly readable style. Also available in two hardcover editions.
Brian W. Fairbanks, Entertainment Editor at Paris Woman Journal in Paris, France, "has a talent for extracting the essence of a given subject and articulating it in a meaningful way."In I SAW THAT MOVIE, TOO, he extracts the essence from several hundred films, and articulates some of the most meaningful opinions on the cinema you'll ever read. In the foreword, he also offers a perceptive analysis of the way that movies, more importantly, the way we "see" movies, has changed from the time he was a young movie buff "obsessed by that light in the darkness" to the era of the multiplex and the DVD.As one reader says, he has "a sophisticated yet effortlessly readable style." Smart, insightful, always honest, but never pretentious, Fairbanks is a life-long film buff who backs up his opinions with a knowledge of both the art and artifice of cinema.
In November of 1964, as Lyndon Johnson celebrated his landslide victory over Barry Goldwater, the government of South Vietnam lay in a shambles. Ambassador Maxwell Taylor described it as a country beset by "chronic factionalism, civilian-military suspicion and distrust, absence of national spirit and motivation, lack of cohesion in the social structure, lack of experience in the conduct of government." Virtually no one in the Johnson Administration believed that Saigon could defeat the communist insurgency--and yet by July of 1965, a mere nine months later, they would lock the United States on a path toward massive military intervention which would ultimately destroy Johnson's presidency and polarize the American people. Into the Quagmire presents a closely rendered, almost day-by-day account of America's deepening involvement in Vietnam during those crucial nine months. Mining a wealth of recently opened material at the Lyndon Baines Johnson Library and elsewhere, Brian VanDeMark vividly depicts the painful unfolding of a national tragedy. We meet an LBJ forever fearful of a conservative backlash, which he felt would doom his Great Society, an unsure and troubled leader grappling with the unwanted burden of Vietnam; George Ball, a maverick on Vietnam, whose carefully reasoned (and, in retrospect, strikingly prescient) stand against escalation was discounted by Rusk, McNamara, and Bundy; and Clark Clifford, whose last-minute effort at a pivotal meeting at Camp David failed to dissuade Johnson from doubling the number of ground troops in Vietnam. What comes across strongly throughout the book is the deep pessimism of all the major participants as things grew worse--neither LBJ, nor Bundy, nor McNamara, nor Rusk felt confident that things would improve in South Vietnam, that there was any reasonable chance for victory, or that the South had the will or the ability to prevail against the North. And yet deeper into the quagmire they went. Whether describing a tense confrontation between George Ball and Dean Acheson ("You goddamned old bastards," Ball said to Acheson, "you remind me of nothing so much as a bunch of buzzards sitting on a fence and letting the young men die") or corrupt politicians in Saigon, VanDeMark provides readers with the full flavor of national policy in the making. More important, he sheds greater light on why America became entangled in the morass of Vietnam.
Brady: Life Lessons From a Legend features success strategies from the greatest quarterback of all time “If you don’t play to win, don’t play at all.” From an underrated recruit, to a second-string player with the chance of a lifetime, to the best quarterback in history, Tom Brady is a success story for the ages. His unshakable belief in himself and his relentless dedication to improving his game brought him more than two decades of record-breaking career highs. No other NFL player has as many Super Bowl wins, game wins, touchdown passes, passing yards, or completed passes as TB12. Brady: Life Lessons from a Legend is a front-row seat to the struggles and triumphs of Brady’s incredible career as an unstoppable athlete and a savvy businessman. His unique journey from the University of Michigan to the Patriots to the Buccaneers is a master class in chasing excellence, even when others doubt your potential. Anyone with a lofty dream will benefit from the insights and wisdom that helped Brady become the G.O.A.T. - Inspiring quotes from Brady himself - A biographical look at Brady’s early years, his rise to fame, and his most spectacular achievements - Original full-color art that captures the spirit of a champion - Guiding truths and hard-earned lessons to help you crush your own goals
Far more than an anthology, FOR KING AND COUNTRY is Brian MacArthur's attempt to write a history of the First World War by drawing on the writings of those who were present at the events they describe. Those writings will be drawn from a broad range of sources: from, most obviously, the officers and men who served on the western front at the Somme and elsewhere, accounts of fear and tedium, horror and occasional joy; also from those were left behind on the home front to wait for news of their loved ones. As well as letters, diary entries and memoir extracts, the book will also include the songs sung in the trenches by the men at the front; there are poems too, the less well known alongside the familiar. The material reproduced will be linked by Brian MacArthur's commentary and notes to create a seamless and movingly immediate narrative of the First World War.
Grigory Efimovich Rasputin came to St. Petersburg from his Siberian cabin in 1903 like a projectile from the medieval past, tattered, black-clad, muttering. By the time he was murdered thirteen years later, the peasant was the "beloved" Friend of Tsar Nicholas and Empress Alexandra and the sponsor of the most powerful officials in Russia. He had become, a society lady wrote, "a dusk enveloping all our world, eclipsing the sun. How could so pitiful a wretch throw so vast a shadow? It was inexplicable, maddening, almost incredible. " Rasputin's name has become synonymous with evil, but his legend has obscured the facts of his life. In this evocative biography, Brian Moynahan presents us with a flesh-and-blood Rasputin, more fascinating than the myth--a man in whom debauchery coexisted beside a real (if erratic) spiritual sense, a man whose coarseness hid a savvy awareness of human psychology. Drawing on confidential police reports, cabinet meeting memos, and other documents, some available only since the fall of the Soviet Union, Moynahan sheds new light on Rasputin's life and disputes some of the widely held details of his death. The young Rasputin was a drinker, thief, and womanizer. He claimed to have religious visions and became a wandering holy man, preaching that exposure to sin could drive out sin. He stormed the fashionable salons of St. Petersburg, and in 1905 he met Nicholas and Alexandra, who, increasingly despised by the sophisticated, found in Rasputin reassurance that the "real Russia, the simple and pious peasantry, loved them. Rasputin's mysterious ability to stop the bleeding attacks of their hemophiliac only son, Alexis, sealed the approval of the domineering Alexandra. With royal patronage, Rasputin became increasingly reckless, partying with prostitutes, peddling influence, plotting the disgrace of those who crossed him. Ever contradictory, he was also a devoted family man, a defender of the poor, and a figure of immense charisma. As Germany battered Russia during World War I, as Nicholas's ineptitude as a leader became ever more rampant and the masses went hungry, Rasputin seemed to monarchists to be the cause, and not just the symptom, of corrupt government. A group of conspirators gathered--among them a grand duke and a scion of the richest family in Russia--and one of the most famous murders in history was planned. Set against the vivid backdrop of prerevolutionary Russia, Rasputin is a portrait of an age as well as of a man. NOTE: This edition does not include photographs.
The “gripping story” of a Nazi blockade, a Russian composer, and a ragtag band of musicians who fought to keep up a besieged city’s morale (The New York Times Book Review). For 872 days during World War II, the German Army encircled the city of Leningrad—modern-day St. Petersburg—in a military operation that would cripple the former capital and major Soviet industrial center. Palaces were looted and destroyed. Schools and hospitals were bombarded. Famine raged and millions died, soldiers and innocent civilians alike. Against the backdrop of this catastrophe, historian Brian Moynahan tells the story of Dmitri Shostakovich, whose Seventh Symphony was first performed during the siege and became a symbol of defiance in the face of fascist brutality. Titled “Leningrad” in honor of the city and its people, the work premiered on August 9, 1942—with musicians scrounged from frontline units and military bands, because only twenty of the orchestra’s hundred members had survived. With this compelling human story of art and culture surviving amid chaos and violence, Leningrad: Siege and Symphony “brings new depth and drama to a key historical moment” (Booklist, starred review), in “a narrative that is by turns painful, poignant and inspiring” (Minneapolis Star-Tribune). “He reaches into the guts of the city to extract some humanity from the blood and darkness, and at its best Leningrad captures the heartbreak, agony and small salvations in both death and survival . . . Moynahan’s descriptions of the battlefield, which also draw from the diaries of the cold, lice-ridden, hungry combatants, are haunting.” —The Washington Post
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