A captivating memoir from Canada’s foremost hockey historian and a beloved NHL commentator It’s been 85 years since Brian McFarlane first laced a pair of skates and tested the black ice on a tiny pond. And then he discovered the joy of hockey. Ultimately, there would be grade school hockey, high school hockey, junior hockey, college hockey, and, miraculously, two decades with the NHL Oldtimers anchoring his life. He was the rank amateur playing on a line with the Big M and Norm Ullman, facing off against icons like Gordie Howe and Ted Lindsay at Maple Leaf Gardens — even scoring a goal. He suited up at the Montreal Forum, elbow-to-elbow against John Ferguson, before thousands of fans. (There was even a stint with the Flying Fathers who ordained him a “Bishop” after a hat trick.) Off the ice, in 1960, McFarlane was the first Canadian to be a commentator on CBS’s coverage of the NHL. He also survived 25 years of Hockey Night in Canada — despite confrontations with Punch Imlach, Harold Ballard, Bobby Hull, and Eddie Shack. Now, in this revealing autobiography, he remembers it all. For Brian McFarlane, it has been a helluva life in hockey.
Hockey Hall of Famer and bestselling author Brian McFarlane sums up his passion for the game in a book every hockey fan should read. This is the true story of hockey as it has been played and reported for the last 40 years. For the first time, McFarlane shares his own story as a hockey insider. He goes behind the scenes of Hockey Night in Canada, telling us what it was like to work with Dave Hodge, Don Cherry, Dick Irvin, Danny Gallivan, and others. He reveals his many run-ins with the notorious Harold Ballard and recounts interviews with Gordie Howe, Wayne Gretzky, and dozens of other hockey greats (and not so greats). And, for the first time, McFarlane shares his childhood memories, including how his dad wrote the Hardy Boys books just to pay the bills, and how meeting legendary Leaf Syl Apps was the beginning of his own life in hockey.
Synthesizes knowledge about unwanted relationship pursuit and stalking, presenting a consideration of these behaviors. Their inclusive approach includes social, clinical and forensic psychology, psychiatry, counseling, communication, criminal justice, law enforcement, sociology, social work, threat assessment and management, and family studies.
A heartfelt addition to McFarlane's epic canon of hockey writing From its moving introductory homage to the late Jean Bliveau, to its subtle, remarkable considerations of how the sport was shaped by legends like Newsy Lalonde, Gordie Howe, Dick Irvin Sr., Ted Kennedy, and Hobey Baker, to its poignant lament for the untimely death of American hockey hero "Badger" Bob Johnson, Golden Oldies is the product of a lifetime love of hockey and a career in the game that spans six decades. Golden Oldies explores the life of Sprague Cleghorn, a pioneer tough guy who went from the bright lights of Broadway to a boondock in the Ottawa Valley to stardom before and during the first years of the NHL. It follows the trail of Patsy Guzzo and his RCAF mates in 1948, ridiculed at home but rewarded with Olympic gold in Europe. And it chronicles the career-ending injuries to Ace Bailey, the last Leafs NHL scoring leader, the shameful treatment of the Canucks' Mike Robitaille, and the horrific and near fatal injury suffered by Buffalo goalie Clint Malarchuk. The lighter side of the game is also well represented, with laughs aplenty supplied by men like the irrepressible Frank "King" Clancy and the unpredictable Eddie "Clear the Track" Shack.
For the last thirty years, the nation's mental health and social service systems have been under relentless assault, with dramatically rising costs and the fragmentation of service delivery rendering them incapable of ensuring the safety, security, and recovery of their clients. The resulting organizational trauma both mirrors and magnifies the trauma-related problems their clients seek relief from. Just as the lives of people exposed to chronic trauma and abuse become organized around the traumatic experience, so too have our social service systems become organized around the recurrent stress of trying to do more under greater pressure: they become crisis-oriented, authoritarian, disempowered, and demoralized, often living in the present moment, haunted by the past, and unable to plan for the future. Complex interactions among traumatized clients, stressed staff, pressured organizations, and a social and economic climate that is often hostile to recovery efforts recreate the very experiences that have proven so toxic to clients in the first place. Healing is possible for these clients if they enter helping, protective environments, yet toxic stress has destroyed the sanctuary that our systems are designed to provide. This thoughtful, impassioned critique of business as usual begins to outline a vision for transforming our mental health and social service systems. Linking trauma theory to organizational function, Destroying Sanctuary provides a framework for creating truly trauma-informed services. The organizational change method that has become known as the Sanctuary Model lays the groundwork for establishing safe havens for individual and organizational recovery. The goals are practical: improve clinical outcomes, increase staff satisfaction and health, increase leadership competence, and develop a technology for creating and sustaining healthier systems. Only in this way can our mental health and social service systems become empowered to make a more effective contribution to the overall health of the nation. Destroying Sanctuary is a stirring call for reform and recovery, required reading for anyone concerned with removing the formidable barriers to mental health and social services, from clinicians and administrators to consumer advocates.
Compact yet comprehensive, Sloan's revised edition of Borkowski's classic text continues to bring the universally relevant law of succession to life in a style and format perfectly pitched for modern undergraduate students.
Every day, large numbers of altruistic individuals, in the absence of any legal duty, provide substantial and essential services for elderly and disabled people. In doing so, many such informal carers suffer financial and other disadvantages. This book considers the scope for a "private law" approach to rewarding, supporting or compensating carers, an increasingly vital topic in the context of an ageing population and the need for savings in public expenditure. Adopting a comparative approach, the book explores the recognition of the informal carer and his or her relationship with the care recipient within diverse fields of private law, from unjust enrichment to succession. Aspects of the analysis include the importance of a promise of a reward from the care recipient and the appropriate measure of any remedy. In considering the potential for expansion of a "private law" approach for carers, the book addresses the fundamental and controversial question of the price of altruism. Winner of the University of Cambridge's Yorke Prize 2014
The story of a football club born in a poverty-stricken corner of Glasgow—and its powerful rise to champion status and worldwide renown. Celtic is a club like no other. Its story is a unique one, of a football club founded to raise money to help alleviate poverty within the predominantly Irish immigrant community of Glasgow’s East End. Yet, from its inception, Celtic has been a club open to all. From those humble and charitable origins, Celtic have gone on to become one of the most famous names in world football. In 1967, they became the first British club to win the European Cup, while domestically they have won, to date, 47 league titles, 36 Scottish Cups, and 16 League Cups. The story of Celtic continues—a story of success on the field, backed by a strong organization off it, and all underpinned by a commitment to remain true to the charitable roots of the club.
In this province known as "the bread basket of the world," agriculture is the culture which for over a century has provided the context for life in Saskatchewan. In this volume are over 200 biographies of men and women who have made significant contributions to the field of agriculture in Saskatchewan. Farmers and ranchers; researchers, teachers, and inventors; leaders in 4-H and the cooperative movement; home economists and agriculture extension workers; journalists, politicians, and activists--whatever the individual endeavour, all worked with the goal of improving farming, and ultimately, improving the lives of those who farmed. The common denominator here is the concern for the good of the community, whether local, national, or international, a concern that has come to characterize the province itself.
A comprehensive record of British and Irish Football during two World Wars, giving the date and result of every match played in each of the English, Scottish and Irish Leagues. All the county and regional cup competitions are also covered. Friendly matches, which for some clubs were a main part of their fixture list, are also given. The many Representative, international and military fixtures are also listed.
SPAWN AND WITCHBLADE TOGETHER AGAIN FOR THE FIRST TIME IN DECADES! An ancient evil sweeps the world, destroying and corrupting everything in its path. When a knight SPAWNs from out of the shadows to save all, he is touted as their benevolent king of old, miraculously returned. But is he their savior, or their destroyer? With an evil queen, a knight in search of his past, and a young girl with an ancient weapon that could destroy them all, the world is in more danger than ever. NOTE: Augmented reality covers and interiors for both iOS and Android devices. Collects MEDIEVAL SPAWN / WITCHBLADE #1-4
When viewers think of film noir, they often picture actors like Humphrey Bogart playing characters like Sam Spade in The Maltese Falcon, the film based on the book by Dashiell Hammett. Yet film noir is a genre much richer. The authors first examine the debate surrounding the parameters of the genre and the many different ways it is defined. They discuss the Noir City, its setting and backdrop, and also the cultural (WWII) and institutional (the House UnAmerican Activities Committee, and the Production Code Administration) influences on the subgenres. An analysis of the low budget and series film noirs provides information on those cult classics. With over 200 entries on films, directors, and actors, the Encyclopedia of Film Noir is the most complete resource for film fans, students, and scholars.
You are making history today," the University of Virginia Extension Division agent Samuel Crockett observed to a gathering of students and faculty on September 15, 1954, in Wise, Virginia. The occasion was the opening convocation of what would become Clinch Valley College of the University of Virginia, and the 109 students assembled, many of whom were Korean War veterans or women, were indeed part of something quite special. People in Southwest Virginia and friends in Charlottesville--not the least being University of Virginia President Colgate W. Darden Jr.--had worked tirelessly to make this day possible. A snowbound discussion at the Colonial Inn in Wise had resulted in the conversion of the local County Poor Farm into the only branch of the University of Virginia. Since those humble beginnings, the College at Wise has flourished, growing from a two-year certificate-granting institution into a four-year baccalaureate-degree-granting college in the late 1960s. In 1999 the college completed a transition from Clinch Valley College to the University of Virginia's College at Wise. Having journeyed over uncertain ground with respect to its student population and its relationship with the University of Virginia, the College at Wise has in recent years boasted its highest historical student enrollments, garnered a national reputation as a public liberal arts college, and still operates as the university's only branch. Published for Wise's fiftieth anniversary in September 2004, Brian Steel Wills's history is essential reading for the college's alumni, faculty and administrators, and for anyone interested in a heroic chapter in the history of public higher education in Virginia.
Wilks provides a historical background, list of publications, and description of activities for most of the major science initiatives undertaken at the federal level. He surveys a wide range of government documents and monographic and serial science collections used by both faculty and students.
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Frank and entertaining account of the University of Manchester's struggle to meet the Government’s demands for the rapid expansion of higher education in the 1950s and the 1960s. Looks at the University's ambitious building program: the controversial attempts to reform its constitution and improve its communications amid demands for greater democracy in the workplace, the struggle to retain its old pre-eminence in a competitive world where new ‘green field’ universities were rivalling older civic institutions. Tells the story, not just from the point of view of administrators and academics, but also from those of students and support staff (such as secretaries, technicians and engineers). Uses, not only official records, but also student newspapers, political pamphlets, and reminisences collected through interviews conducted by an experienced oral historian. The only book on the University of Manchester as a whole.
To the Third Empire was first published in 1980. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. Critical acclaim greeted Brian Johnston's 1975 book on Ibsen's final phase, The Ibsen Cycle. Choice called it "the single most provocative and critically exciting books of Ibsen criticism in decades." Johnston now turns his attention to the early works, using the same thematic premise - that the plays follow a clear progression, influenced by the Hegalian aesthetic that pervaded Europe in the mid-nineteenth century. The result is an explanation of the early career that demonstrates both its unity and its essential relation to the realistic cycle that followed. In advancing his argument Johnston provides close readings of ten plays, ranging from Cataline to Emperor and Galilean and including Brand and Peer Gynt. Scholars and students of drama, comparative literature, and Ibsen studies will find To the Third Empire an essential work.
The Search for a Common Identity' explores the process by which Scottish Baptists came to recognize the need for a union of Baptist churches in Scotland prior to 1869. This book identifies the major leaders in each of the three main Baptist streams in the early nineteenth century and shows how they came to the conviction that it was important for them to establish a common identity. At the heart of their unity was an enthusiasm for evangelism. The Baptist Home Missionary Society was formed in 1827. Its early successes demonstrated the wisdom of cooperation between the different Baptist agencies in Scotland. There had been three attempts to form a union of churches that failed because differences of perspective could not be reconciled. The principal achievement of the 1869 Baptist Union was in enabling Baptists with different theological opinions to come together to promote common practical objectives. In short, a shared sense of purpose led to the growth and establishment of the Baptist Union of Scotland.
In the second half of the nineteenth century Scottish Baptists like other Evangelical Protestant denominations were focusing more on things they had in common, such as a commitment to home evangelization and church-planting; providing a common fund to assist small and struggling congregations; the provision of theological education for the training of prospective pastors, together with the need to disseminate information between the churches concerning their progress in the work of the gospel. From the start of this Baptist Union in 1869 the numbers of churches and members grew steadily until 1935. It was a remarkable story of dedicated Christian service. Scottish Baptists came through two world wars, the social revolution of the 1960s, and the materialistic emphases of the 1980s with a significant degree of success in adapting their evangelistic activities to relate to their social context. There is little doubt that from the late 1980s the growing secularization in this country ensured that mission strategies adopted by these Scottish Christians were less successful than in previous decades. However, a revitalization of its work in the early years of the twenty-first century has given renewed grounds for hope for its work and witness in the coming years.
“A crucial text” – Rev Bill Shaw, CEO of 174 Trust, Belfast “Touching … thoughtful collection … of rich testimonies” – Prof Maggie Scull, Syracuse University, London The working-class community of Ardoyne has been described as a Catholic and Nationalist island within the Protestant Unionist sea of North Belfast. No other community suffered as much during the Troubles as Ardoyne. During the three-day period of 14–16 August 1969, stoked by the Battle of the Bogside in Derry, long-lived tensions in the area boiled over into riots. Streets became battlefields, houses went up in fire, and the first of many lives were lost. Ardoyne ’69: Stories of Struggle and Hope explores the stories of 14 people who share one experience in common – the violence of 14, 15 and 16 August 1969. The book highlights their memories, but also asks how they interpreted the violent events they witnessed, and what impact these events had upon their subsequent lives. It illustrates how people from the one community who experienced a common event have different memories, interpretations and reactions to what they saw. Stories come from people as varied as IRA prisoners and a local teacher to an RUC officer, an Irish Times journalist, a former Director General of RTE and a former President of Ireland. Illustrated by contemporary photographs, Ardoyne ’69: Stories of Struggle and Hope is essential reading for anyone who wants to understand how seismic events can shape our lives in radically different ways. Brian McKee is an Ardoyne man to the core. He has almost 40 years’ experience of teaching, retreat work and youth ministry. The majority of his work is in the field of peace and reconciliation in the parish of Holy Cross, Ardoyne, with the Passionist Peace Office. He is also manager of the nearby Passionist Retreat and Conference Centre at Tobar Mhuire, Crossgar.
Fascinating and often bizarre true stories behind more than 130 urban legends about comic book culture. Was Superman a Spy? demystifies all of the interesting stories, unbelievable anecdotes, wacky rumors, and persistent myths that have piled up like priceless back issues in the seventy-plus years of the comic book industry, including: • Elvis Presley's trademark hairstyle was based on a comic book character (True) • Stan Lee featured a gay character in one of Marvel's 1960s war comics (False) • Wolverine of the X-Men was originally meant to be an actual wolverine! (True) • What would have been DC's first black superhero was changed at the last moment to a white hero (True) • A Dutch inventor was blocked from getting a patent on a process because it had been used previously in a Donald Duck comic book (True) With many more legends resolved, Was Superman a Spy? is a must-have for the legions of comic book fans and all seekers of “truth, justice, and the American way.”
Attempting no less a task than to demonstrate that Ibsen planned his last twelve plays, beginning with Pillars of Society, as a cycle paralleling exactly Hegel's account of the evolution of the human consciousness, The Phenomenology of Mind, Johnston offers a fresh look at the Norwegian master. Although there is little specific biographical data in support of the author's thesis, he argues compellingly for it in his analysis of the texts themselves. After discussing Hegel's dramatic method of exposition and Ibsen's philosophy, Johnston examines each of the twelve plays in considerable detail. Provocative and sophisticated in its approach, this volume should be widely available to scholars and advanced students of modern drama. ---Library Journal
Superheroes! is the ultimate reference book about the men and women in tights who fight for what’s right and the comic book phenomenon that conquered the world. From their origins in stories created by barely grown men during an era of global war and printed on cheap paper for consumption by children, superheroes have grown into a popular culture whirlwind that has attracted millions of fans and crossed over into every form of media. Encompassing early coming books, indie outliers, and the mammoth fictional universes managed by DC and Marvel, Superheroes! chronicles the rise of a distinctly American invention, the modern-day evolution of the myths and legends of old. Superman, Batman, Spider-Man, Iron Man, Wonder Woman, the Flash, Captain America, X-Men, the Justice League and the Avengers—they all represent our greatest hopes, and sometimes our darkest fantasies. Pop culture expert Brian Solomon tells a story that goes from the Golden, Silver and Bronze Ages of comic book history right up to the Modern Age of multimillion-dollar Hollywood movies, and beyond. Perhaps no fictional genre has endured and blossomed over the past eighty years the way superheroes have. Learn all about the creators who have brought them to life: artists like Jack Kirby and Jim Lee, writers like Stan Lee and Alan Moore, actors like Christopher Reeve and Robert Downey Jr., and directors like Tim Burton and Joss Whedon. They’re all here, in all their high-flying, eye-zapping, goon-punching glory. Up, up and away!
A devout young boy in rural Ohio, Andrew Evans had his life mapped for him: baptism, mission, Brigham Young University, temple marriage, and children of his own. But as an awkward gay kid, bullied and bored, he escaped into the glossy pages of National Geographic and the wide promise of the world atlas. The Black Penguin is Evans's memoir, travel tale, and love story of his eventual journey to the farthest reaches of the map, a wild yet touching adventure across some of the most astonishing landscapes on Earth. Ejected from church and shunned by his family as a young man, Evans embarks on an ambitious overland journey halfway across the world. Riding public transportation, he crosses swamps, deserts, mountains, and jungles, slowly approaching his lifelong dream and ultimate goal: Antarctica. With each new mile comes laughter, pain, unexpected friendship, true weirdness, unsettling realities, and some hair-raising moments that eventually lead to a singular discovery on a remote beach at the bottom of the world. Evans's 12,000-mile voyage becomes a soulful quest to balance faith, family, and self, reminding us that, in the end, our lives are defined by the roads we take, the places we touch, and those we hold nearest.
In Canada, Latin America, and the New Internationalism Brian Stevenson argues that Canada's foreign policy toward Latin America has been profoundly affected by these three factors and has evolved in response to both changing domestic demands and shifting international circumstances. By analysing a pivotal period in Canada-Latin American relations, he shows us how successive Canadian governments made important initiatives toward closer relationships with Latin America and were also pressured by non-governmental organizations to play a bigger role in the region. Canada's increased role can be seen in official foreign policy commitments, such as the decision to join the Organization of American States, and in policy decisions on political refugees. He explains that while the United States has played a key role in sometimes constraining Canadian foreign policy in the region, it is important to realize that Canadian foreign policy has been steadied by a long-standing tradition of internationalism. Canada, Latin America, and the New Internationalism demonstrates that the tradition of internationalism in Canadian foreign policy as viewed from the perspective of foreign policy analysis provides the framework within which to understand and accommodate changes in its policy toward Latin America. The period which the book explores is critical in order to understand the contemporary nature and future direction of Canada-Latin America relations.
Best-selling Marvel Comics writer Brian Michael Bendis reveals the comic book writing secrets behind his work on The Avengers, Ultimate Spider-Man, All-New X-Men, and more. Arguably the most popular writer in modern comics, Brian Michael Bendis shares the tools and techniques he uses to create some of the most popular comic book and graphic novel stories of all time. Words for Pictures provides a fantastic opportunity for readers to learn from a creator at the very top of his field. Bendis's step-by-step lessons teach comics writing hopefuls everything they'll need to take their ideas from script to dynamic sequential art. The book's complete coverage exposes the most effective methods for crafting comic scripts, showcases insights from Bendis's fellow creators, reveals business secrets all would-be comics writers must know, and challenges readers with exercises to jumpstart their own graphic novel writing success.
Treating groups that are disadvantaged or disempowered whether by circumstance of gender, race, or sexual orientation, the American writers from the '30s to the '50s profiled here occupy the cusp between the modern and the postmodern; between the recognizably modernist aesthetic of alienation and the fragmented, disordered sensibility of post modernism.
Offering a different approach to other textbooks in the area, this book is a comprehensive introduction to the subject divided in three broad parts. The first part deals with building physical models, the second part with developing empirical models and the final part discusses developing process control solutions. Theory is discussed where needed to ensure students have a full understanding of key techniques that are used to solve a modeling problem. Hallmark Features: Includes worked out examples of processes where the theory learned early on in the text can be applied. Uses MATLAB simulation examples of all processes and modeling techniques- further information on MATLAB can be obtained from www.mathworks.com Includes supplementary website to include further references, worked examples and figures from the book This book is structured and aimed at upper level undergraduate students within chemical engineering and other engineering disciplines looking for a comprehensive introduction to the subject. It is also of use to practitioners of process control where the integrated approach of physical and empirical modeling is particularly valuable.
In addition to being an internationally recognised pioneer of sports history, Brian Stoddart has also been a leading thinker and influence in the field. That influence has crossed several areas of history, sociology, business, politics and media aspects of sports studies, and has drawn deeply upon his own training in Asian studies. His work has been characterised by cross-disciplinary work from the outset, and has encompassed some very different geographical areas as well as crossing from academic outlets to media commentary. As a result, his influential work has appeared in many different locations, and it has been difficult for a wide variety of readers to access it fully and easily. This volume draws together, in the one place for the first time, some of his most important academic and journalistic work. Importantly, the pieces are drawn together by an intellectual/autobiographical commentary that locates each piece in a wider social and cultural framework. This book was previously published as a special issue of Sport in Society
Challenges the assumption of the rationality of foreign policy makers in international relations, showing how leaders systematically vary in the rationality of their thinking.
The modern-day suburb began, and began booming, in 19th-century Britain. As suburbia spread, the New Woman arose and fin-de-siecle concerns grew, suburban men felt more besieged. Anxieties about hygiene, pollution, purity, the home, class, gender roles, patrilineal power and the state of the Empire rippled through British fiction. The new man of the house was trying, often desperately, to hold onto the old order, changing even more rapidly as the 20th century and modernist fiction arrived. This study traces suburban masculinities in popular genres--speculative fiction, comic fiction and detective fiction--and in literary works from the late-Victorian era to the start of the First World War.
Brian Johnston's approach to Ibsen, now well known, is unlike any other. Johnston sees Ibsen's twelve realist plays as a single cyclical work, the "realist" method of which hides a much larger poetic intention than has previously been suspected. He believes that the cycle constitutes one of the major works of the European imagination, comparable in scale to Goethe or Dante. And he has shown Ibsen to be the heir to Romantic and Hegelian art and thought, adapting this heritage to the circumstances of his own day. This work demonstrates how the language and scene, characters and "props," of the Ibsen dramas establish a bold and far-reaching theatrical goal: nothing less than an account of our biological and cultural identity in its multilayered totality. Johnston argues that Ibsen's realist text, while stimulating the appearance of nineteenth-century life, also objectively and precisely builds up an alternative image in which archetypal figures and situations from our cultural past repossess the realist stage. Thus he sees the Ibsen "strategy" in his realist plays as twofold: (1) the dialectical subversion of the nineteenth-century reality presented in the plays, and (2) the forced recovery of the archetypal from the past, in a procedure similar to James Joyce's in Ulysses. By "supertext" Johnston means a reservoir of cultural reference upon which Ibsen continuously drew in his realist work just as in is earlier poetic and historical dramas. Brian Johnston is Chief Editor of Theater Three. He is the author of The Ibsen Cycle and To the Third Empire, and is Visiting Professor, Department of Drama, Carnegie Mellon University.
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