An enthralling, powerful and incredibly moving novel' Irish Times 'Blood Ties is a compulsive police procedural, but it's so much more than that: thought-provoking, compassionate and beautifully-written. McGilloway is one of the finest crime-writers working today.' Ann Cleeves 'Written in elegantly simple prose... this novel is full of compassion' Literary Review 'Blood Ties is one of those rare gems; a beautifully written crime novel that's also brilliantly paced, skillfully plotted and utterly absorbing.' Jo Spain 'Brian McGilloway's police procedurals are a masterclass in crime fictions' Andrea Carter 'A clever, engaging and beautifully crafted police procedural' Irish Independent 'Some of the very best crime fiction being written today' Lee Child on Bad Blood __________________ How can a dead woman avenge herself on her killer twenty years after her murder? This is the puzzle facing Ben Devlin in his latest case. He is called to the scene of a murder - a man has been stabbed to death in his rented room and when his identity is discovered Devlin feels a ghost walk over his grave as he knows the name Brooklyn Harris well. As a teenager, Harris beat his then-girlfriend Hannah Row to death, and then spent twelve years in prison for the murder. As Devlin investigates the dead man's movements since his release it becomes apparent Harris has been grooming teenage girls online and then arranging to meet them. But his activities have been discovered by others, notably a vigilante, who goes straight to the top of Devlin's list of suspects... until he uncovers that Harris was killed on the anniversary of Hannah's death - just too big a coincidence in Devlin's books. So Hannah's family join the ever-growing list of suspects being interviewed by his team. And then forensics contact Devlin with the astounding news that blood found on Harris's body is a perfect match to that of Hannah Row's. Yet how can this be; the girl was murdered many years ago - and Devlin doesn't believe in ghosts. __________________ Praise for Brian McGilloway 'This dazzling, labyrinthine debut impresses not only for the authentic depiction of a troubled community and the conflicts of a fallible detective, but also for the intense portrait of the borderlands themselves; as beautiful and terrible as the secrets they keep' Guardian 'Poetic, human and gripping... reminded me of Bernard MacLaverty's early work. Yes, it's that good' Ian Rankin 'McGilloway's Borderlands was one of last years most impressive debuts. Does Gallows Lane pass the feared second-novel test? Easily.' The Times 'McGilloway skilfully handles the tangled threads of a conspiracy surrounding an old crime, to make a satisfying mystery with an attractive central character.' Sunday Telegraph 'Well-written, subtly characterised and intriguingly plotted' Morning Star
The snow ceased as the assistant state pathologist arrived, black medical bag in hand. I stood by the river as she worked, and watched the sun exploding low over the horizon. From the New York Times bestselling author of Little Girl Lost comes a new voice in Irish crime fiction. Winter 2002. The corpse of local teenager Angela Cashell is found on the Tyrone-Donegal border, between the North and South of Ireland, in an area known as the Borderlands. Garda Inspector Benedict Devlin heads the investigation. The only clues are a gold ring placed on the girl's finger and an old photograph, left where she died. While Devlin searches for the girl's killer, her father has his own ideas about who is responsible—and his own ideas about how to make them pay. Meanwhile, Devlin becomes reacquainted with an old flame eager to rekindle their affair. Then another teenager is murdered, and Devlin unearths a link between the recent killings and the disappearance of a prostitute twenty-five years earlier—a case in which he fears one of his own colleagues is implicated. As a thickening snow storm blurs the border between North and South, Devlin finds the distinction between right and wrong, vengeance and justice, and even police officer and criminal becoming equally unclear. A dazzling and highly lyrical debut crime novel, Borderlands marks the beginning of a compelling new series featuring Inspector Benedict Devlin.
When Garda Inspector Benedict Devlin is summoned to a burning barn, he finds inside the charred remains of a man who is quickly identified as a local drug dealer, Martin Kielty. It soon becomes clear that Kielty's death was no accident, and suspicion falls on a local vigilante group.
Some of the very best crime fiction being written today' Lee Child 'A tense and beautifully-written crime novel that takes the reader into lives that aren't seen often enough' Ann Cleeves _________ A young man is found in a riverside park, his head bashed in with a rock. The only clue to his identity is an admission stamp for the local gay club. DS Lucy Black is called in to investigate. As Lucy delves into the community, tensions begin to rise as the man's death draws the attention of the local gay rights group to a hate-speech Pastor who, days earlier, had advocated the stoning of gay people and who refuses to retract his statement. Things become more complicated with the emergence of a far right group targeting immigrants in a local working-class estate. As their attacks escalate, Lucy and her boss, Tom Fleming, must also deal with the building power struggle between an old paramilitary commander and his deputy that threatens to further enflame an already volatile situation. ____________ Hatred and complicity abound in the days leading up to the Brexit vote in McGilloway's new Lucy Black thriller. Compelling and current, Bad Blood is an expertly crafted and acutely observed page-turner. Praise for Brian McGilloway: 'Dazzling' The Guardian on Borderlands 'A clever web of intrigue that deepens and darkens as it twists' Peter James on Gallows Lane
The third book in the internationally acclaimed Inspector Devlin series When a U. S. diplomat is attacked during the opening of a Donegal gold mine, Inspector Benedict Devlin is disciplined for the lapse in security. The gunman turns out to be an environmentalist who is the brother of an old friend of Devlin's. Then the shooter is found dead near the mine and Devlin begins to suspect that the business is a front for something far more sinister.
*LONGLISTED FOR THE THEAKSTON OLD PECULER CRIME NOVEL OF THE YEAR 2021* 'Poetic, human and gripping... reminded me of Bernard MacLaverty's early work. Yes, it's that good' Ian Rankin 'Moving and powerful, this is an important book, which everyone should read' Ann Cleeves 'The Last Crossing is not only a riveting story about loss and guilt in a fractured society, it is also an important work. Beautifully written and lingers long in the memory' Steve Cavanagh Tony, Hugh and Karen thought they'd seen the last of each other thirty years ago. Half a lifetime has passed and memories have been buried. But when they are asked to reunite - to lay ghosts to rest for the good of the future - they all have their own reasons to agree. As they take the ferry from Northern Ireland to Scotland the past is brought into terrible focus - some things are impossible to leave behind. In The Last Crossing memory is unreliable, truth shifts and slips and the lingering legacy of the Troubles threatens the present once again. Praise for Brian McGilloway: '... McGilloway brings a forensic and compassionate eye to bear on the post-Troubles settlement in this thoughtful, moving, morally complex book' Irish Times 'McGilloway's grasp of characterisation is of the first rank, and more than compensates for the familiarity of the scenario here. The author continues to be one of Ireland's most accomplished crime writers' CrimeTime '[A] superb book... thoughtful and insightful, wrenching and utterly compelling. It says something truly profound and universal about love, loyalty and revenge... If you want to understand Northern Ireland, or any society that has experienced conflict, put it on your list. And the writing is exquisite' Jane Casey 'Unearths individuals truths, unreliable memories and personal mythologies with a complex character-driven story that will leave you breathless until the final page' Gerard Brennan 'As heart-stopping and thrilling as it is exquisitely written and prescient' Claire Allan 'Another extraordinary novel from one of Ireland's crime fiction masters' Adrian McKinty 'A remarkably timely thriller' Irish World
What do you do when your child disappears? 'A hugely compelling story of loss, grief and vengeance, The Empty Room is probably the best novel yet by one of our finest mystery writers. Unmissable.' John Connolly 'The tension and heartbreak kept me turning the pages' Patricia Gibney 'A searing, thrilling and heartbreaking look at life, loss and revenge, expertly handled by a hugely talented storyteller' Chris Whitaker Pandora - Dora - Condron wakes one morning to discover her 17-year old daughter Ellie, has not come home after a party. The day Ellie disappears, Dora is alone as her husband Eamon has already left for the day in his job as a long-distance lorry driver. So Dora does the usual things: rings around Ellie's friends... but no one knows where she is. Her panic growing, Dora tries the local hospitals and art college where Ellie is a student - but then the police arrive on her doorstep with the news her daughter's handbag has been discovered dumped in a layby. So begins Dora's ordeal of waiting and not knowing what has become of her girl. Eamon's lack of empathy and concern, Dora realises, is indicative of the state of their marriage, and left on her own, Dora begins to reassess everything she thought she knew about her family and her life. Increasingly isolated and disillusioned with the police investigation, Dora feels her grip on reality slipping as she takes it upon herself to find her daughter - even if it means tearing apart everything and everybody she had ever loved, and taking justice into her own hands. Praise for The Empty Room 'Superb' Natasha Cooper, Literary Review 'A finely calibrated account of loss, grief and simmering rage' Irish Times 'A powerful portrayal of one mother's desperate ordeal... perceptive' Sunday Independent 'The Empty Room has all the elements of great drama - murder, revenge, sacrifice - along with complex moral questions that will keep you engaged long after the final thrilling page' Martina Murphy 'A compulsive, addictive, heart rending read, The Empty Room is a tale of grief and loss, and ultimately redemption, that puts Brian McGilloway at the very top of the game. I could not put it down' Sam Blake 'Masterful, humane, compelling, beautifully written, utterly convincing - and without a wasted word' Catherine Kirwan 'The Empty Room is a tense, and at times claustrophic, slow-burner which builds to a devastating conclusion' Claire Allan 'A tense thriller' Irish Daily Mail 'The Empty Room surely secures Brian's place as one of the best writers out there. . . a thoughtful exploration of a mother struggling with a changed world. . . exceptional' Chris MacDonald 'High tension and high emotion make this story a page turner' Roisin Meaney 'An utterly gripping and propulsive read, as one would expect from one of Ireland's finest thriller writers' Irish Independent
This book examines the recent expansion of Ireland's literary tradition to include home-grown crime fiction. It surveys the wave of books that use genre structures to explore specifically Irish issues such as the Troubles and the rise and fall of the Celtic Tiger, as well as Irish experiences of human trafficking, the supernatural, abortion, and civic corruption. These novels are as likely to address the national regulation of sexuality through institutions like the Magdalen Laundries as they are to follow serial killers through the American South or to trace international corporate conspiracies. This study includes chapters on Northern Irish crime fiction, novels set in the Republic, women protagonists, and transnational themes, and discusses Irish authors’ adaptations of a well-loved genre and their effect on assumptions about the nature of Irish literature. It is a book for readers of crime fiction and Irish literature alike, illuminating the fertile intersections of the two.
When Garda Inspector Benedict Devlin is summoned to a burning barn, he finds inside the charred remains of a man who is quickly identified as a local drug dealer, Martin Kielty. It soon becomes clear that Kielty’s death was no accident, and suspicion falls on a local vigilante group. Former paramilitaries, the men call themselves The Rising. Meanwhile, a former colleague’s teenage son has gone missing during a seaside camping trip. Devlin is relieved when the boy’s mother, Caroline Williams, receives a text message from her son’s phone, and so when a body is reported, washed up on a nearby beach, the inspector is baffled. When another drug dealer is killed, Devlin realises that the spate of deaths is more complex than mere vigilantism. But just as it seems he is close to understanding the case, a personal crisis will strike at the heart of Ben’s own family, and he will be forced to confront the compromises his career has forced upon him. With his fourth novel, McGilloway announces himself as one of the most exciting crime novelists around: gripping, heartbreaking and always surprising, The Rising is a tour de force – McGilloway’s most personal novel so far.
What do you do when your child disappears? 'A hugely compelling story of loss, grief and vengeance, The Empty Room is probably the best novel yet by one of our finest mystery writers. Unmissable.' John Connolly 'The tension and heartbreak kept me turning the pages' Patricia Gibney 'A searing, thrilling and heartbreaking look at life, loss and revenge, expertly handled by a hugely talented storyteller' Chris Whitaker Pandora - Dora - Condron wakes one morning to discover her 17-year old daughter Ellie, has not come home after a party. The day Ellie disappears, Dora is alone as her husband Eamon has already left for the day in his job as a long-distance lorry driver. So Dora does the usual things: rings around Ellie's friends... but no one knows where she is. Her panic growing, Dora tries the local hospitals and art college where Ellie is a student - but then the police arrive on her doorstep with the news her daughter's handbag has been discovered dumped in a layby. So begins Dora's ordeal of waiting and not knowing what has become of her girl. Eamon's lack of empathy and concern, Dora realises, is indicative of the state of their marriage, and left on her own, Dora begins to reassess everything she thought she knew about her family and her life. Increasingly isolated and disillusioned with the police investigation, Dora feels her grip on reality slipping as she takes it upon herself to find her daughter - even if it means tearing apart everything and everybody she had ever loved, and taking justice into her own hands. Praise for The Empty Room 'Superb' Natasha Cooper, Literary Review 'A finely calibrated account of loss, grief and simmering rage' Irish Times 'A powerful portrayal of one mother's desperate ordeal... perceptive' Sunday Independent 'The Empty Room has all the elements of great drama - murder, revenge, sacrifice - along with complex moral questions that will keep you engaged long after the final thrilling page' Martina Murphy 'A compulsive, addictive, heart rending read, The Empty Room is a tale of grief and loss, and ultimately redemption, that puts Brian McGilloway at the very top of the game. I could not put it down' Sam Blake 'Masterful, humane, compelling, beautifully written, utterly convincing - and without a wasted word' Catherine Kirwan 'The Empty Room is a tense, and at times claustrophic, slow-burner which builds to a devastating conclusion' Claire Allan 'A tense thriller' Irish Daily Mail 'The Empty Room surely secures Brian's place as one of the best writers out there. . . a thoughtful exploration of a mother struggling with a changed world. . . exceptional' Chris MacDonald 'High tension and high emotion make this story a page turner' Roisin Meaney 'An utterly gripping and propulsive read, as one would expect from one of Ireland's finest thriller writers' Irish Independent
How do social work students learn to use research to underpin their practice decisions? How do they learn that research is not an activity unconnected to their professional role and responsibilities, but rather acts as a foundation for their knowledge? By using the examples drawn from evidence-based practice (e.g. what is known to work and what we know about social work processes), the authors deliver a text that will help support students to appraise and then integrate research into both their daily practice decisions and their assignments and assessments. It will do this by defining key concepts like ′knowledge′ and ′evidence′ and then look at how these concepts include component parts - from law and legislation to practice knowledge and reflective and critical practice. Case examples are used to illustrate how a clear understanding of these component parts can build to a substantial evidence base from which to draw upon. Identifying relevant research and appraising its quality are core aspects of the book. Later chapters show students how robust knowledge of evidence-based practice can develop into a clear and confident approach to their workloads and their daily practice dilemmas.
As practising social workers, your students will need to be able to make sound judgments in complex contexts and when they are under pressure. This book covers the essential knowledge they will require to understand and develop skills in relation to professional judgement and decision making processes, including: - the use of assessment tools; - engagement in assessment and decision processes; - the context of risk, complexity and uncertainty in practice; - communication and management of risk within social care processes.
This book offers guidance and practice development strategies for social workers on the causes of, and effective responses to, the many different types of conflicts that they may experience from the classroom to the workplace. In addition, the text sets out the complex, multi¬-layered and sometimes conflicting roles within social work settings, with the balancing of care and control functions, and safeguarding and empowering approaches. Based on evidence of the range, extent and effects of behaviour, the book offers advice on how you can best recognize and work with issues that can cause conflict. These include: •Reluctant service user engagement, resistance, and oppositional behaviours. •Aggression, threats, abuse, and physical violence. •Safeguarding responsibilities for vulnerable people, including in domestic violence and vulnerable adults and children work. •Sexist, disablist, and racist behaviours, or where someone is being negatively targeted, bullied or harassed because of LGBTQ+ status. •Situations where there is potential conflict between students, colleagues, managers, or other professionals (e.g. whistleblowing). This book forms part of the Social Work Skills in Practice series and is essential reading for social work students and practitioners. Brian Littlechild is a Professor of Social Work at the University of Hertfordshire, UK, with a practice and management background in mental health, looked-after children, child safeguarding and working with young people who have offended. He has researched, published, worked, and trained in this area for over 35 years. Karen Mills is Programme Lead for the MSc Social Work and Step up to Social Work Programmes at the University of Hertfordshire, UK. Rose Parkes is Deputy Head of Higher Education at University College Jersey, UK, and leads the BA Social Work course.
Inspector Benedict Devlin investigates a series of murders in the Irish borderlands as the carnage begins to jeopardize those he cares about most. A mystery set in modern day Ireland.
Dazzling' The Guardian on Borderlands 'A clever web of intrigue that deepens and darkens as it twists' Peter James on Gallows Lane 'Some of the very best crime fiction being written today' Lee Child on Bad Blood ____________ When Garda Inspector Benedict Devlin is summoned to a burning barn, he finds inside the charred remains of a man who is quickly identified as a local drug dealer, Martin Kielty. It soon becomes clear that Kielty's death was no accident, and suspicion falls on a local vigilante group. Former paramilitaries, the men call themselves The Rising. Meanwhile, a former colleague's teenage son has gone missing during a seaside camping trip. Devlin is relieved when the boy's mother, Caroline Williams, receives a text message from her son's phone, and so when a body is reported, washed up on a nearby beach, the inspector is baffled. When another drug dealer is killed, Devlin realises that the spate of deaths is more complex than mere vigilantism. But just as it seems he is close to understanding the case, a personal crisis will strike at the heart of Ben's own family, and he will be forced to confront the compromises his career has forced upon him. ______________ With his fourth novel, McGilloway announces himself as one of the most exciting crime novelists around: gripping, heartbreaking and always surprising, The Rising is a tour de force - McGilloway's most personal novel so far. Praise for The Rising: 'This book should carry a health warning for insomniacs - once taken up it is impossible to put down.' Irish Independent
Taking its title from the name of the road down which condemned Donegal criminals were once led, Gallows Lane follows Inspector Benedict Devlin as he investigates a series of gruesome murders in and around the Irish borderlands. When a young woman is found beaten to death on a building site, in what appears to be a sexually-motivated killing, Devlin’s enquiries soon point to a local body-builder and steroid addict. But days later, born-again ex-con James Kerr is found nailed to a tree – crucified – having been released from prison and returned to his hometown to spread the word of God. Increasingly torn between his young family and his job, Devlin is determined to apprehend those responsible for the murders be-fore they strike again, even as the carnage begins to jeopardise those he cares about most. Gallows Lane is the heart-stopping follow-up to Brian McGilloway's acclaimed debut Borderlands. 'Brian McGilloway joins the roll-call of excellence in Irish crime fiction' Marcel Berlins, The Times 'A satisfying mystery with an attractive central character' Sunday Telegraph 'Another masterly thriller' Irish News
An enthralling, powerful and incredibly moving novel' Irish Times 'Blood Ties is a compulsive police procedural, but it's so much more than that: thought-provoking, compassionate and beautifully-written. McGilloway is one of the finest crime-writers working today.' Ann Cleeves 'Written in elegantly simple prose... this novel is full of compassion' Literary Review 'Blood Ties is one of those rare gems; a beautifully written crime novel that's also brilliantly paced, skillfully plotted and utterly absorbing.' Jo Spain 'Brian McGilloway's police procedurals are a masterclass in crime fictions' Andrea Carter 'A clever, engaging and beautifully crafted police procedural' Irish Independent 'Some of the very best crime fiction being written today' Lee Child on Bad Blood __________________ How can a dead woman avenge herself on her killer twenty years after her murder? This is the puzzle facing Ben Devlin in his latest case. He is called to the scene of a murder - a man has been stabbed to death in his rented room and when his identity is discovered Devlin feels a ghost walk over his grave as he knows the name Brooklyn Harris well. As a teenager, Harris beat his then-girlfriend Hannah Row to death, and then spent twelve years in prison for the murder. As Devlin investigates the dead man's movements since his release it becomes apparent Harris has been grooming teenage girls online and then arranging to meet them. But his activities have been discovered by others, notably a vigilante, who goes straight to the top of Devlin's list of suspects... until he uncovers that Harris was killed on the anniversary of Hannah's death - just too big a coincidence in Devlin's books. So Hannah's family join the ever-growing list of suspects being interviewed by his team. And then forensics contact Devlin with the astounding news that blood found on Harris's body is a perfect match to that of Hannah Row's. Yet how can this be; the girl was murdered many years ago - and Devlin doesn't believe in ghosts. __________________ Praise for Brian McGilloway 'This dazzling, labyrinthine debut impresses not only for the authentic depiction of a troubled community and the conflicts of a fallible detective, but also for the intense portrait of the borderlands themselves; as beautiful and terrible as the secrets they keep' Guardian 'Poetic, human and gripping... reminded me of Bernard MacLaverty's early work. Yes, it's that good' Ian Rankin 'McGilloway's Borderlands was one of last years most impressive debuts. Does Gallows Lane pass the feared second-novel test? Easily.' The Times 'McGilloway skilfully handles the tangled threads of a conspiracy surrounding an old crime, to make a satisfying mystery with an attractive central character.' Sunday Telegraph 'Well-written, subtly characterised and intriguingly plotted' Morning Star
‘You can’t investigate the baby, Inspector. It’s the law.’ Declan Cleary’s body has never been found, but everyone believes he was killed for informing on a friend over thirty years ago. Now the Commission for Location of Victims’ Remains is following a tip-off that he was buried on the small isle of Islandmore, in the middle of the River Foyle. Instead, the dig uncovers a baby’s skeleton, and it doesn’t look like death by natural causes. But evidence revealed by the Commission’s activities cannot lead to prosecution. Inspector Devlin is torn. He has no desire to resurrect the violent divisions of the recent past. Neither can he let a suspected murderer go unpunished. Now the secret is out, more deaths follow. Devlin must follow his conscience – even when that puts those closest to him at terrible risk . . .
Lucy Black must protect the young and vulnerable . . . but can she protect herself? Late December. A sixteen-year-old girl is found dead on a train line. Detective Sergeant Lucy Black is called to identify the body. The only clues to the dead teenager's last movements are stored in her mobile phone and on social media - and it soon becomes clear that her 'friends' were not as trustworthy as she thought. Lucy is no stranger to death: she is still haunted by the memory of the child she failed to save, and the killer she failed to put behind bars. And with a new boss scrutinizing her every move, she is determined that - this time - she will leave no margin for error. Hurt is a tense crime thriller about how, in the hands of a predator, trust can turn into terror. Praise for Little Girl Lost: 'Effortlessly blending Black's personal woes into her professional life, McGilloway weaves a taut police procedural in an unadorned style that belies the stories complexity.' Irish Times. 'Cleverly constructed, packed with vibrant and believable characters . . . It confirms him as one of the most original voices in the notably expanding field of Irish crime fiction .' Irish Independent. 'Assured and grittily realistic tale from an author who is being compared to James Lee Burke and Ian Rankin.' Sunday Business Post.
Brian McGilloway's command of plot and assurance of language make it difficult to believe that Borderlands is his debut' The Times 'A mystery of labyrinthine complexity'Sunday Telegraph 'Dazzling'The Guardian“/I>/font> _______________ The corpse of local teenager Angela Cashell is found on the Tyrone- Donegal border, between the North and South of Ireland, in an area known as the borderlands. Garda Inspector Benedict Devlin heads the investigation: the only clues are a gold ring placed on the girl's finger and an old photograph, left where she died. Then another teenager is murdered, and things become further complicated when Devlin unearths a link between the recent killings and the disappearance of a prostitute twenty-five years earlier - a case in which he believes one of his own colleagues is implicated. As a thickening snow storm blurs the border between North and South, Devlin finds the distinction between right and wrong, vengeance and justice, and even police-officer and criminal becoming equally unclear. ________________ A dazzling and lyrical debut crime novel, Borderlands marks the beginning of a compelling new series featuring Inspector Benedict Devlin. Praise for Brian McGilloway: 'A clever web of intrigue that deepens and darkens as it twists' Peter James on Gallows Lane 'Some of the very best crime fiction being written today' Lee Child on Bad Blood
Brian McGilloway's command of plot and assurance of language make it difficult to believe that Borderlands is his debut' The Times 'A mystery of labyrinthine complexity'Sunday Telegraph 'Dazzling'The Guardian“/I>/font> _______________ The corpse of local teenager Angela Cashell is found on the Tyrone- Donegal border, between the North and South of Ireland, in an area known as the borderlands. Garda Inspector Benedict Devlin heads the investigation: the only clues are a gold ring placed on the girl's finger and an old photograph, left where she died. Then another teenager is murdered, and things become further complicated when Devlin unearths a link between the recent killings and the disappearance of a prostitute twenty-five years earlier - a case in which he believes one of his own colleagues is implicated. As a thickening snow storm blurs the border between North and South, Devlin finds the distinction between right and wrong, vengeance and justice, and even police-officer and criminal becoming equally unclear. ________________ A dazzling and lyrical debut crime novel, Borderlands marks the beginning of a compelling new series featuring Inspector Benedict Devlin. Praise for Brian McGilloway: 'A clever web of intrigue that deepens and darkens as it twists' Peter James on Gallows Lane 'Some of the very best crime fiction being written today' Lee Child on Bad Blood
Dazzling' The Guardian on Borderlands 'A clever web of intrigue that deepens and darkens as it twists' Peter James on Gallows Lane 'Some of the very best crime fiction being written today' Lee Child on Bad Blood _______________ A newly-opened goldmine unearths a buried secret... When a controversial US diplomat is attacked during the opening of a Donegal gold mine, Garda Inspector Benedict Devlin is disciplined for the lapse in security. The gunman turns out to be a young environmentalist - related to an old friend of Devlin's. Within days, the killing of an illegal immigrant near the Irish border leads Devlin to a vicious people-smuggling ring. Then Bradley himself is found dead near the mine and Devlin begins to suspect that the business is a front for something far more sinister than mere mining. Bleed a River Deep is the new novel from one of the most acclaimed young crime-writers around, a labyrinthine tale of big business, the new Europe, and the dispossessed. _______________ World politics, industry and organised crime collide in McGilloway's most accomplished, most gripping, and most powerful novel yet. Praise for Bleed a River Deep: 'Set to become one of the great series in modern crime fiction' John Connolly
Some of the very best crime fiction being written today' Lee Child 'A tense and beautifully-written crime novel that takes the reader into lives that aren't seen often enough' Ann Cleeves _________ A young man is found in a riverside park, his head bashed in with a rock. The only clue to his identity is an admission stamp for the local gay club. DS Lucy Black is called in to investigate. As Lucy delves into the community, tensions begin to rise as the man's death draws the attention of the local gay rights group to a hate-speech Pastor who, days earlier, had advocated the stoning of gay people and who refuses to retract his statement. Things become more complicated with the emergence of a far right group targeting immigrants in a local working-class estate. As their attacks escalate, Lucy and her boss, Tom Fleming, must also deal with the building power struggle between an old paramilitary commander and his deputy that threatens to further enflame an already volatile situation. ____________ Hatred and complicity abound in the days leading up to the Brexit vote in McGilloway's new Lucy Black thriller. Compelling and current, Bad Blood is an expertly crafted and acutely observed page-turner. Praise for Brian McGilloway: 'Dazzling' The Guardian on Borderlands 'A clever web of intrigue that deepens and darkens as it twists' Peter James on Gallows Lane
Social work research often focuses on qualitative designs and many students believe that the quantitative research pathway is either too complicated or is beyond their grasp. This book outlines how social work students can undertake a research project from either a qualitative, quantitative or mixed methodological approach. The authors introduce key concepts in an accessible and structured manner and go on to demonstrate each of the approaches from inception of research idea, to realisation of methodological approach, to research process, to data analysis and conclusion. More than just another research text, this book remains grounded in social work practice and has clear links to the Professional Capabilities Framework for Social Work.
All three parts in one volume! From the author of New York Times bestseller Little Girl Lost, this unforgettable and moving thriller is perfect for fans of Tana French and Dennis Lehane. (Released in the UK as Hurt.) Just before Christmas, the body of a sixteen-year-old girl is found along the train tracks on the outskirts of a small town. As Detective Lucy Black investigates the teenager's tragic last hours in search of clues to her death, she realizes that some of the victim's friends may have been her most dangerous enemies—and that whoever killed her is ready to kill again. Haunted by the memory of a case gone wrong, and taunted by a killer on the loose, Lucy finds herself pitted against a lethal opponent hiding in plain sight. From an author described by John Connolly as "a major force" in suspense literature, Someone You Know is one of the most atmospheric, powerful thrillers you'll read all year.
From the New York Times bestselling author of Little Girl Lost comes a brand-new thriller featuring Lucy Black—a twisting, gripping story of secrets and lies, perfect for fans of Louise Penny and Tana French. The body of an elderly man is hauled out of the rushing water of the River Foyle, cold dead. Detective Lucy Black is called in to investigate when it becomes evident that this was not a suicide: the man's body was embalmed before it ever entered the water. Confounded and exhausted, Lucy heads home to review the case in quiet; but there will be no rest for her tonight. She's barely in the front door when a neighbor knocks because his wife's sister has been attacked and they need her help. As a string of strange crimes is unspooled throughout the city, Lucy is pulled in countless different directions… until she realizes there may be something dark and dangerous connecting everything. Soulful and suspenseful, featuring one of the most appealing characters in suspense fiction, The Forgotten Ones is a novel to take your breath away.
The first and second installments in Brian McGilloway's stunning three-part sequel to Little Girl Lost! Someone You Know by Brian McGilloway can be read either in three parts or as a full-length book (available May 20, 2014). Can't wait that long? Start reading Parts One & Two of Three now (chapters 1 – 49). It is not the whole book. Love what you've read? To get the entire story, you can buy Part Three (chapters 50 – 64) or the full-length book on May 20, 2014. An unforgettable and moving thriller for fans of Tana French and Elizabeth George, from the author of the New York Times bestseller Little Girl Lost. Just before Christmas, the body of a sixteen-year-old girl is found along the train tracks on the outskirts of a small town. As Detective Lucy Black investigates the teenager's tragic last hours in search of clues to her death, she realizes that some of the victim's friends may have been her most dangerous enemies—and that whoever killed her is ready to kill again. Haunted by the memory of a case gone wrong, and taunted by a killer on the loose, Lucy finds herself pitted against a lethal opponent hiding in plain sight. From an author described by John Connolly as "a major force" in suspense literature, Someone You Know is one of the most atmospheric, powerful thrillers you'll read all year.
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