It's been our distinct pleasure over the past few years to publish monographs on a select group of young architects and firms whose work represents the best of contemporary design thinking while retaining a distinctive regional sensibility. The Nova-Scotian architect Brian MacKay-Lyons fits neatly into this distinguished list, which includes Marlon Blackwell in the Ozarks, Rick Joy in the Southwest, andMiller/Hull in the Northwest. Those familiar with Nova Scotia understand the austere beauty of this Canadian landscape, with its wide open skies and rugged terrain pushing up against the Atlantic. MacKay-Lyons's work responds to this unique topography and to the vernacular building traditions that define its communities. His houses, commercial buildings, and public projects combine regional forms with local materials, technologies, and building practices to create works that are linked to their environments right down to their DNA.Peaked gables, shed roofs, and sliding doors are inspired by local barn types; corrugated metal cladding comes from the buildings used by the areas fishing industry; structural wooden frames are based on local ship-building traditions. These elements communicate a sense of place that is sophisticated, accessible, and free of sentimentality. Novelist and historian Malcolm Quantrill weaves together an intimate portrait of MacKay-Lyons and his work, elucidating the "peculiar regionality" of his subject's architecture. A New Voices monograph published with The Graham Foundation.
Including an abundance of black and white drawings and photographs, this book looks at the regionalist approach of architect Lyons as exemplified by 16 selected projects from 1986 to 1997. Ranging from rural cottages and homes to urban houses and institutional buildings, each project entry includes
Architecture is a social art. If the practice of architecture is the art of what you can make happen, then I believe that you are only as good as your bullpenthe builders, the engineers, the artisans, the colleagues, the staffwho collaborate with you; those who become possessed by the same urge to build, by the same belief that we are working on something exceptional together." Brian MacKay-Lyons For two weeks each summer, architect Brian MacKay-Lyons uses his family farm on the east coast of Nova Scotia for aspecial event. Among the stone ruins of a village almost four hundred years old, he assembles a community of architects,professors, and students for a design-build internship and educational initiative called Ghost Research Lab. The twoweek projectone week of design and one week of constructionrests on the idea that architecture is not only about building but also about the landscape, its history, and the community. Based on the apprenticeship environment of ancient guilds, where architectural knowledge was transferred through direct experience, Ghost redefines the architectas a builder who cultivates and contributes to the quality of the native landscape. Published to celebrate the event's tenth anniversary, Ghost offers a thorough documentation of the past decade's design-build events including drawings, models, and final photographs of completed structures. Organized chronologically and interwoven with MacKay-Lyons's simple and accessible personal narratives, Ghost also features essays by some of the most eminent figures in architectural criticism, including Christine Macy, Brian Carter, Karl Habermann, Robert Ivy, Kenneth Frampton, Thomas Fisher, Juhani Pallasmaa, Peter Buchanan, and Robert McCarter. In an architectural climatefull of trends and egos, Ghost is the rare manifesto that does not preach but rather inspires quietly with simple ideas that unexpectedly unsettle and arouse.
The British ambassador in Washington during the US Civil War and ambassador in Paris before and after the Franco-Prussian war, Lord Lyons (1817-1887) was one of the most important diplomats of the Victorian period. Although frequently featured in histories of the United States and Europe in the second half of the nineteenth century, and in discussions and analyses of British foreign policy, he has remained an ill-defined figure. In Lord Lyons: A Diplomat in an Age of Nationalism and War, Brian Jenkins explains the man and examines his career. Based on a staggering study of primary sources, he presents a convincing portrait of a subject who rarely revealed himself personally. Though he avoided publicity, Lyons came to be regarded as his nation's premier diplomat as his career took him to the heart of the great international issues and crises of his generation. As minister to the United States he played a vital role in preserving Anglo-American peace and was a powerful voice opposing Anglo-French intervention in the Civil War. While ambassador to the Ottoman Empire, he helped to prevent French control of the Suez Canal then under construction. In France, he maintained an amiable and constructive relationship with a bitter nation struggling to reorganize itself and its constitution after the Franco-Prussian War. For many historians Lord Lyons has been difficult to ignore but hard to admire. In rescuing him as a truly important historical figure, Jenkins details for the first time the personal and public strategies Lyons employed through decades of exemplary diplomatic service on both sides of the Atlantic.
The FitzPatrick Tapes: The sensational story of the man and the bank that brought Ireland low One day in May 2009, Sean FitzPatrick - the disgraced former chief executive and chairman of Anglo Irish Bank - sat down to lunch in a Holiday Inn in Dublin. Across the table sat Tom Lyons, a business reporter with the Sunday Times. Seven months later, the two met for the first of what would be seventeen formal, tape-recorded interviews over the course of 2010: a year when Ireland, its public finances ruined in large part by the cost of covering Anglo's losses, went bust itself. In these interviews, FitzPatrick talked at length and in detail about his banking experiences and philosophy, his colleagues and clients, his investments, his public disgrace, his arrest and his bankruptcy. Lyons and his colleague Brian Carey draw on the FitzPatrick tapes and on their many sources within Anglo, the state and the business community to tell the story of that crisis - and of the man who became the face of it. This is a tale of toothless regulators, hopeless accountants, politicians and civil servants out of their depth, and businessmen in denial about the crash. Above all, though, it is the story of FitzPatrick: the man who built that bank that has been at the centre of Ireland's economic meltdown. 'A sensational document' Eamon Dunphy, Newstalk 'It is a journalistic scoop; the story of a bank that got too big; a snapshot of an economic era; and, already, a piece - or at least a version - of history' Sunday Business Post
In architecture, as in food, local is an idea whose time has come. Of course, the idea of an architecture that responds to site; draws on local building traditions, materials, and crafts; and strives to create a sense of community is not recent. Yet, the way it has evolved in the past few years in the hands of some of the world's most accomplished architects is indeed defining a new movement. From the rammed-earth houses of Rick Joy and Pacific Northwest timber houses of Tom Kundig, to the community-built structures of Rural Studio and Francis Kéré, designers everywhere are championing an architecture that exists from, in, and for a specific place. The stunning projects, presented here in the first book to examine this global shift, were featured at the thirteenth and final Ghost conference held in 2011, organized by Nova Scotia architect, educator, and local practitioner Brian MacKay-Lyons. The result is the most complete collection of contemporary regionalist architecture available, with essays by early proponents of the movement, including Kenneth Frampton, Juhani Pallasmaa, and Pritzker Prize–winning architect Glenn Murcutt.
This text is suitable for college and university-level courses in Introductory Microeconomics. Foundations of Microeconomics and Foundations of Macroeconomics feature a tightly constructed pedagogical approach with a goal to give students an in-depth understanding of economic principles in a way that is clear and concise. These texts are concerned every step of the way with engaging students' interest and understanding. It presents Key Concepts in a more focused and shorter manner, but the concepts are not watered down. The glue that connects the chapters and the entire teaching/learning package is the "Checkpoint" feature. The author's approach is to review new material when it is fresh in students' minds. "Checkpoints" reinforces key points of the chapter by amplifying concepts with a full page of practice problems and solutions that immediately emphasize the learning objectives and strengthen students' understanding of the material. This text provides a serious, yet accessible economics course that is focused on helping students understand the basic principles of economics, connecting these principles to today's economic issues, and developing a lasting interest in economics as a relevant part of their own lives.
“We are not worth more, they are not worth less.” This is the mantra of S. Brian Willson and the theme that runs throughout his compelling psycho-historical memoir. Willson’s story begins in small-town, rural America, where he grew up as a “Commie-hating, baseball-loving Baptist,” moves through life-changing experiences in Viet Nam, Nicaragua and elsewhere, and culminates with his commitment to a localized, sustainable lifestyle. In telling his story, Willson provides numerous examples of the types of personal, risk-taking, nonviolent actions he and others have taken in attempts to educate and effect political change: tax refusal—which requires simplification of one’s lifestyle; fasting—done publicly in strategic political and/or therapeutic spiritual contexts; and obstruction tactics—strategically placing one’s body in the way of “business as usual.” It was such actions that thrust Brian Willson into the public eye in the mid-’80s, first as a participant in a high-profile, water-only “Veterans Fast for Life” against the Contra war being waged by his government in Nicaragua. Then, on a fateful day in September 1987, the world watched in horror as Willson was run over by a U.S. government munitions train during a nonviolent blocking action in which he expected to be removed from the tracks and arrested. Losing his legs only strengthened Willson’s identity with millions of unnamed victims of U.S. policy around the world. He provides details of his travels to countries in Latin America and the Middle East and bears witness to the harm done to poor people as well as to the environment by the steamroller of U.S. imperialism. These heart-rending accounts are offered side by side with inspirational stories of nonviolent struggle and the survival of resilient communities Willson’s expanding consciousness also uncovers injustices within his own country, including insights gained through his study and service within the U.S. criminal justice system and personal experiences addressing racial injustices. He discusses coming to terms with his identity as a Viet Nam veteran and the subsequent service he provides to others as director of a veterans outreach center in New England. He draws much inspiration from friends he encounters along the way as he finds himself continually drawn to the path leading to a simpler life that seeks to “do no harm.&rdquo Throughout his personal journey Willson struggles with the question, “Why was it so easy for me, a ’good’ man, to follow orders to travel 9,000 miles from home to participate in killing people who clearly were not a threat to me or any of my fellow citizens?” He eventually comes to the realization that the “American Way of Life” is AWOL from humanity, and that the only way to recover our humanity is by changing our consciousness, one individual at a time, while striving for collective cultural changes toward “less and local.” Thus, Willson offers up his personal story as a metaphorical map for anyone who feels the need to be liberated from the American Way of Life—a guidebook for anyone called by conscience to question continued obedience to vertical power structures while longing to reconnect with the human archetypes of cooperation, equity, mutual respect and empathy.
The British ambassador in Washington during the US Civil War and ambassador in Paris before and after the Franco-Prussian war, Lord Lyons (1817-1887) was one of the most important diplomats of the Victorian period. Although frequently featured in histories of the United States and Europe in the second half of the nineteenth century, and in discussions and analyses of British foreign policy, he has remained an ill-defined figure. In Lord Lyons: A Diplomat in an Age of Nationalism and War, Brian Jenkins explains the man and examines his career. Based on a staggering study of primary sources, he presents a convincing portrait of a subject who rarely revealed himself personally. Though he avoided publicity, Lyons came to be regarded as his nation's premier diplomat as his career took him to the heart of the great international issues and crises of his generation. As minister to the United States he played a vital role in preserving Anglo-American peace and was a powerful voice opposing Anglo-French intervention in the Civil War. While ambassador to the Ottoman Empire, he helped to prevent French control of the Suez Canal then under construction. In France, he maintained an amiable and constructive relationship with a bitter nation struggling to reorganize itself and its constitution after the Franco-Prussian War. For many historians Lord Lyons has been difficult to ignore but hard to admire. In rescuing him as a truly important historical figure, Jenkins details for the first time the personal and public strategies Lyons employed through decades of exemplary diplomatic service on both sides of the Atlantic.
Gain the skills to effectively plan software applications and systems using the latest version of UML UML 2 represents a significant update to the UML specification, from providing more robust mechanisms for modeling workflow and actions to making the modeling language more executable. Now in its second edition, this bestselling book provides you with all the tools you'll need for effective modeling with UML 2. The authors get you up to speed by presenting an overview of UML and its main features. You'll then learn how to apply UML to produce effective diagrams as you progress through more advanced topics such as use-case diagrams, classes and their relationships, dynamic diagrams, system architecture, and extending UML. The authors take you through the process of modeling with UML so that you can successfully deliver a software product or information management system. With the help of numerous examples and an extensive case study, this book teaches you how to: * Organize, describe, assess, test, and realize use cases * Gain substantial information about a system by using classes * Utilize activity diagrams, state machines, and interaction diagrams to handle common issues * Extend UML features for specific environment or domains * Use UML as part of a Model Driven Architecture initiative * Apply an effective process for using UML The CD-ROM contains all of the UML models and Java?TM code for a complete application, Java?TM 2 Platform, Standard Edition, Version 1.4.1, and links to the Web sites for vendors of UML 2 tools.
This interdisciplinary volume explores and engages the key thinkers and ideas of the Austrian School of political economy to better understand aspects of the market process and its implications for everything from disaster recovery and political development to morality and monetary policy.
The undead return with more strange, terrifying, and bizarre tales of the unlife beyond life. Zombies, ghouls, vampires, and other things that should not be shamble through the pages of this anthology. Among the tales told: An old gunslinger and a horse thief hunt down a rather peculiar prize that does more than haunt them in Bring Me The Head Of Pepe Cortez! The competition at the Annual Southeastern Necromancer's Invitational proves to be a real killer in Deadest in Show. How much of a body can you replace and life still be life? A man desperate to save his wife confronts this question in Fixing Nancy.
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