Mad to live, mad to talk, mad to be saved... 18-year-old Samantha Brown sits in a hand-me-down car with the keys clutched in her hand. Caught between a yearning for the unknown and feeling bound by expectation, she telescopes back to a time before her world had fallen apart. As she relives her senior year, we meet Sam’s well-intentioned helicopter mother Bev and her high school sweetheart of a boyfriend Adam, but it’s her painfully alive best friend Kelly that haunts her. Kelly was everything Sam is not – impetuous and daring. She pushed Sam to break rules and do the unexpected. When Kelly’s killed in a car wreck, Sam loses not only her best friend but also the part of herself that was learning to be brave. Now, Sam has to make a decision. Will she follow her mother’s dreams for her, or will she summon the courage to drive away from her friends and family into a future she can’t imagine?
Statues of Hank Aaron and Robin Yount, two of Milwaukee's baseball heroes, stand outside the city's palatial new Miller Park. Aaron and Yount represent two generations of major league baseball in Milwaukee, but what about professional baseball in Milwaukee before the arrival of the major league Braves in 1953? Why was it such an important city for minor league baseball? This book traces Milwaukee's baseball history from the game's first appearance in the city in 1859 to the Brewers' last American Association season in 1952. It covers Rufus King, the man responsible for bringing baseball to Milwaukee, and his efforts at getting the game off to a successful start in the city, Milwaukee's status as the largest minor league market in the Northwestern League and Western Association, legendary manager Connie Mack, southpaw Rube Waddell, Hall of Fame player Hugh Duffy, who managed the team to its only Western League pennant in 1903, widowed owner Agnes Malloy Havenor, who chose veteran third baseman Harry Clark to lead the Brewers to their first two AA pennants in 1913 and 1914, colorful owner Otto Borchert, the Brewers' pennant-winning 1936 season under manager Al Sothoron, the "golden era" of minor league baseball in the city, highlighted by owner Bill Veeck's sideshows and colorful managers Casey Stengel, "Jolly Cholly" Grimm, and Nick "Tomato Face" Cullop, and the last years of minor league baseball in 1952 before the arrival of the Braves.
This is the first book-length biography of Hall of Fame catcher Ray Schalk, once described as the yardstick against which all other catchers were measured. For years the top defender at his position, Schalk was also a fiery leader on the field, and he guided two teams to the World Series. (One of those teams, however, was the 1919 Black Sox, whose conspiracy to throw the Series left Schalk with a deep and abiding sense of betrayal.) After he retired as a player, the Illinois native spent decades as a manager or coach on the collegiate, minor league, and major league levels. Schalk entered the National Baseball Hall of Fame in 1955.
Generations of scholars have debated why the Union collapsed and descended into civil war in the spring of 1861. Turning this question on its head, Brian C. Neumann’s Bloody Flag of Anarchy asks how the fragile Union held together for so long. This fascinating study grapples with this dilemma by reexamining the nullification crisis, one of the greatest political debates of the antebellum era, when the country came perilously close to armed conflict in the winter of 1832–33 after South Carolina declared two tariffs null and void. Enraged by rising taxes and the specter of emancipation, 25,000 South Carolinians volunteered to defend the state against the perceived tyranny of the federal government. Although these radical Nullifiers claimed to speak for all Carolinians, the impasse left the Palmetto State bitterly divided. Forty percent of the state’s voters opposed nullification, and roughly 9,000 men volunteered to fight against their fellow South Carolinians to hold the Union together. Bloody Flag of Anarchy examines the hopes, fears, and ideals of these Union men, who viewed the nation as the last hope of liberty in a world dominated by despotism—a bold yet fragile testament to humanity’s capacity for self-government. They believed that the Union should preserve both liberty and slavery, ensuring peace, property, and prosperity for all white men. Nullification, they feared, would provoke social and political chaos, shattering the Union, destroying the social order, and inciting an apocalyptic racial war. By reframing the nullification crisis, Neumann provides fresh insight into the internal divisions within South Carolina, illuminating a facet of the conflict that has long gone underappreciated. He reveals what the Union meant to Americans in the Jacksonian era and explores the ways both factions deployed conceptions of manhood to mobilize supporters. Nullifiers attacked their opponents as timid “submission men” too cowardly to defend their freedom. Many Unionists pushed back by insisting that “true men” respected the law and shielded their families from the horrors of disunion. Viewing the nullification crisis against the backdrop of global events, they feared that America might fail when the world, witnessing turmoil across Europe and the Caribbean, needed its example the most. By closely examining how the nation avoided a ruinous civil war in the early 1830s, Bloody Flag of Anarchy sheds new light on why America failed three decades later to avoid a similar fate.
A Government Out of Sight revises our understanding of the ways in which Americans turned to the national government throughout the nineteenth century.
Each story contains an overview of the baseball figure, including career-ending details, and many entries contain background information describing the historical significance of the individual and his or her place within the baseball community."--BOOK JACKET.
Finalist for the Pulitzer Prize in History Winner of the Gov. John Andrew Award (Union Club of Boston) An acclaimed, groundbreaking, and “powerful exploration” (Washington Post) of the fate of Union veterans, who won the war but couldn’t bear the peace. For well over a century, traditional Civil War histories have concluded in 1865, with a bitterly won peace and Union soldiers returning triumphantly home. In a landmark work that challenges sterilized portraits accepted for generations, Civil War historian Brian Matthew Jordan creates an entirely new narrative. These veterans— tending rotting wounds, battling alcoholism, campaigning for paltry pensions— tragically realized that they stood as unwelcome reminders to a new America eager to heal, forget, and embrace the freewheeling bounty of the Gilded Age. Mining previously untapped archives, Jordan uncovers anguished letters and diaries, essays by amputees, and gruesome medical reports, all deeply revealing of the American psyche. In the model of twenty-first-century histories like Drew Gilpin Faust’s This Republic of Suffering or Maya Jasanoff ’s Liberty’s Exiles that illuminate the plight of the common man, Marching Home makes almost unbearably personal the rage and regret of Union veterans. Their untold stories are critically relevant today.
McClellan's defeat meant that his dream of bringing the United States together as it was before the outbreak of the war was gone forever, and the country's very nature changed as a result."--BOOK JACKET.
This novel is the engrossing account of three generations of fathers, sons and brothers who can't seem to break through the emotional walls that separate them. Alan Saunders is frustrated by Ray, his aging father, who has retreated from life following the death of his beloved wife, Alice. But when Ray accidentally - and unwittingly - sets fire to his apartment building, he's forced to move in with Alan and his wife Marianne. Suddenly, they're faced with having to adjust - to each other, to unspoken grief, and to the reopening of old wounds. But soon they find themselves swept up in the cataclysmic chain of events that Ray's fire sets in motion: salacious rumors, police investigations, accusations of insurance fraud, and the sudden appearance of a ten-year-old grandson Ray never knew he had. When these events culminate in a frenzied attempt to reunite the boy with his father - Ray's estranged, youngest son Stan - Alan, Marianne and Ray are forced to reexamine their deepest fears and feelings: about Stan, but also about themselves, and what it truly means to be a family.
Mad to live, mad to talk, mad to be saved... 18-year-old Samantha Brown sits in a hand-me-down car with the keys clutched in her hand. Caught between a yearning for the unknown and feeling bound by expectation, she telescopes back to a time before her world had fallen apart. As she relives her senior year, we meet Sam’s well-intentioned helicopter mother Bev and her high school sweetheart of a boyfriend Adam, but it’s her painfully alive best friend Kelly that haunts her. Kelly was everything Sam is not – impetuous and daring. She pushed Sam to break rules and do the unexpected. When Kelly’s killed in a car wreck, Sam loses not only her best friend but also the part of herself that was learning to be brave. Now, Sam has to make a decision. Will she follow her mother’s dreams for her, or will she summon the courage to drive away from her friends and family into a future she can’t imagine?
“We are not worth more, they are not worth less.” This is the mantra of S. Brian Willson and the theme that runs throughout his compelling psycho-historical memoir. Willson’s story begins in small-town, rural America, where he grew up as a “Commie-hating, baseball-loving Baptist,” moves through life-changing experiences in Viet Nam, Nicaragua and elsewhere, and culminates with his commitment to a localized, sustainable lifestyle. In telling his story, Willson provides numerous examples of the types of personal, risk-taking, nonviolent actions he and others have taken in attempts to educate and effect political change: tax refusal—which requires simplification of one’s lifestyle; fasting—done publicly in strategic political and/or therapeutic spiritual contexts; and obstruction tactics—strategically placing one’s body in the way of “business as usual.” It was such actions that thrust Brian Willson into the public eye in the mid-’80s, first as a participant in a high-profile, water-only “Veterans Fast for Life” against the Contra war being waged by his government in Nicaragua. Then, on a fateful day in September 1987, the world watched in horror as Willson was run over by a U.S. government munitions train during a nonviolent blocking action in which he expected to be removed from the tracks and arrested. Losing his legs only strengthened Willson’s identity with millions of unnamed victims of U.S. policy around the world. He provides details of his travels to countries in Latin America and the Middle East and bears witness to the harm done to poor people as well as to the environment by the steamroller of U.S. imperialism. These heart-rending accounts are offered side by side with inspirational stories of nonviolent struggle and the survival of resilient communities Willson’s expanding consciousness also uncovers injustices within his own country, including insights gained through his study and service within the U.S. criminal justice system and personal experiences addressing racial injustices. He discusses coming to terms with his identity as a Viet Nam veteran and the subsequent service he provides to others as director of a veterans outreach center in New England. He draws much inspiration from friends he encounters along the way as he finds himself continually drawn to the path leading to a simpler life that seeks to “do no harm.&rdquo Throughout his personal journey Willson struggles with the question, “Why was it so easy for me, a ’good’ man, to follow orders to travel 9,000 miles from home to participate in killing people who clearly were not a threat to me or any of my fellow citizens?” He eventually comes to the realization that the “American Way of Life” is AWOL from humanity, and that the only way to recover our humanity is by changing our consciousness, one individual at a time, while striving for collective cultural changes toward “less and local.” Thus, Willson offers up his personal story as a metaphorical map for anyone who feels the need to be liberated from the American Way of Life—a guidebook for anyone called by conscience to question continued obedience to vertical power structures while longing to reconnect with the human archetypes of cooperation, equity, mutual respect and empathy.
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