An Investigation into the Artistic Afterlife of the Five Narratives Peculiar to the Fourth Gospel and an Assessment of Their Contribution to the Hermeneutics of that Gospel
An Investigation into the Artistic Afterlife of the Five Narratives Peculiar to the Fourth Gospel and an Assessment of Their Contribution to the Hermeneutics of that Gospel
The I AM statements exclusive to the Fourth Gospel are seen as the attempt of the author(s) of that Gospel to present the nature and purpose of the earthly life of Jesus by engaging the imaginative faculty of the reader. Succeeding generations of artists are considered as undertaking a similar task by engaging in an imaginative dialogue with the text. There are five narratives that are peculiar to the Fourth Gospel: The Wedding at Cana, the Woman of Samaria, the Woman Taken in Adultery, the Raising of Lazarus, and the Washing of Feet. Five paintings based upon each narrative are considered in context. These are taken from the early fourteenth century (Duccio and Giotto) to the twentieth and twenty-first centuries (Max Beckmann and the contemporary Icon writer, Constantina Wood). A sense of the loss experienced by the western church under the sanctions of the Protestant Reformation against visual imagery is conveyed. This leads to a suggestion that a reassertion of the role of the aesthetics of Christian worship might be a unifying factor for a generation jaded by the pedantry that divides the Christian Church.
In this book, Brian Bishop simply pauses to look at fifty-seven beautiful images that feature the life and death of Jesus and the supper at which he appeared three days after his burial to two broken-hearted disciples. He finds the visual approach to the gospel stories rewarding and attempts to place the paintings in some historical context as an aid to understanding, but, essentially offers pauses for thought and reflection upon world-changing events. The book may be dipped into as time and interest allows. The beautifully produced color images of wonderful works of art provide constant companionship.
I love Venice. Therefore, I love Tintoretto. Therefore, I love the Scuola Grande di San Rocco. I have been visiting all three for many years and was planning to do so again this year, 2020. However, those plans did not work out this year. So I thought that I would do a virtual tour of the Scuola to which Tintoretto dedicated a lifetime's work. The purpose was to record my personal responses to the paintings and to organize these responses into some sort of coherent order. The result printed in this booklet is offered as one person's informal guide to encourage readers to visit this amazing collection of a lifetime's work in one accessible location: the work of one of the world's greatest artists in one of the world's most beautiful and amazing cities, Venice. As a further incentive, the collection culminates in what many regard as the world's greatest-ever work of art: Tintoretto's Crucifixion. The book's glory is the beautiful high resolution color images donated by the Scuola Grande di San Rocco, Venice.
I love Venice. Therefore, I love Tintoretto. Therefore, I love the Scuola Grande di San Rocco. I have been visiting all three for many years and was planning to do so again this year, 2020. However, those plans did not work out this year. So I thought that I would do a virtual tour of the Scuola to which Tintoretto dedicated a lifetime's work. The purpose was to record my personal responses to the paintings and to organize these responses into some sort of coherent order. The result printed in this booklet is offered as one person's informal guide to encourage readers to visit this amazing collection of a lifetime's work in one accessible location: the work of one of the world's greatest artists in one of the world's most beautiful and amazing cities, Venice. As a further incentive, the collection culminates in what many regard as the world's greatest-ever work of art: Tintoretto's Crucifixion. The book's glory is the beautiful high resolution color images donated by the Scuola Grande di San Rocco, Venice.
In this book, Brian Bishop simply pauses to look at fifty-seven beautiful images that feature the life and death of Jesus and the supper at which he appeared three days after his burial to two broken-hearted disciples. He finds the visual approach to the gospel stories rewarding and attempts to place the paintings in some historical context as an aid to understanding, but, essentially offers pauses for thought and reflection upon world-changing events. The book may be dipped into as time and interest allows. The beautifully produced color images of wonderful works of art provide constant companionship.
An Investigation into the Artistic Afterlife of the Five Narratives Peculiar to the Fourth Gospel and an Assessment of Their Contribution to the Hermeneutics of that Gospel
An Investigation into the Artistic Afterlife of the Five Narratives Peculiar to the Fourth Gospel and an Assessment of Their Contribution to the Hermeneutics of that Gospel
The I AM statements exclusive to the Fourth Gospel are seen as the attempt of the author(s) of that Gospel to present the nature and purpose of the earthly life of Jesus by engaging the imaginative faculty of the reader. Succeeding generations of artists are considered as undertaking a similar task by engaging in an imaginative dialogue with the text. There are five narratives that are peculiar to the Fourth Gospel: The Wedding at Cana, the Woman of Samaria, the Woman Taken in Adultery, the Raising of Lazarus, and the Washing of Feet. Five paintings based upon each narrative are considered in context. These are taken from the early fourteenth century (Duccio and Giotto) to the twentieth and twenty-first centuries (Max Beckmann and the contemporary Icon writer, Constantina Wood). A sense of the loss experienced by the western church under the sanctions of the Protestant Reformation against visual imagery is conveyed. This leads to a suggestion that a reassertion of the role of the aesthetics of Christian worship might be a unifying factor for a generation jaded by the pedantry that divides the Christian Church.
A historical novel and prequel to "Wide Ears and Short Tongues are Best", the continuing story of the Cunninghame family of Coylton, Ayrshire and Corstorphine ( Edinburgh). With factual history of the turbulent times of the Reformation, and the Stuart Kings. Events of the 15th, 16th and early 17th century are used by way of illustrating the life and times of the people.
Pour en savoir plus sur la série culte des années 90, pour avoir accès à des informations confidentielles diffusées nulle part ailleurs, plongez-vous dans le seul guide officiel de la série. Vous y découvrirez : - le résumé complet des enquêtes de Fox Mulder et Dana Scully, agents du FBI en charge des affaires non classées; - des photos inédites; - de précieux renseignements sur les conditions de tournage et la réalisation des effets spéciaux; - des interviews exclusives du créateur de la série, Chris Carter, des deux héros, Gillian Anderson et David Duchovny; - une étude approfondie des personnages de Mulder et Scully, etc. Phénomènes paranormaux, ovnis, vampires réincarnés, petits hommes verts, manipulations génétiques, laissez-vous séduire par ces enquêtes au savoir-faire subtil, où le vraisemblable n'est jamais sûr et l'invraisemblable une évidence ...
A review of the Fastii Ecclesiae Scoticanae, the succession of ministers of the Church of Scotland, and the contribution they and their children made to Scotland, Britain and the British Empire 1560 - 1929.The outcome is a big `what if` they had not been around to pull the chestnuts out of the fire.
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