Blending his experiences as a veteran reporter with analysis of the erosion of trust between the press and the government during the past 40 years, in Free the Press, renowned journalist Brian J. Karem gives readers a unique perspective on the challenges facing journalism while asking the question, “How did we get here?” And perhaps more importantly, “How do we fix it?”. Since the Vietnam War, each and every president has overseen the withering of relations between the Executive Branch and the so-called Fourth Estate. Politicians are not solely to blame, however. Corporate media has us following the news of the day for clicks and views rather than pursuing long term stories of impact. Reporters have ceased to frame the narrative and failed to co-opt social media contributions until it was too late. Placed alongside a firsthand view of Karem’s own experience as a reporter and manager in television, print, and the online media industry, where he witnessed buyouts and the end of locally owned and operated newspapers; a behind-the-scenes look at his work as a member of the White House Press Corps; and his advocacy to protect the journalistic pillar of anonymity, readers will come away with a deeper understanding of journalism, and what happened to it, at the national and local level. Karem concludes with a three-step plan to save the free press, as well as a comprehensive method to reporting for reporters to regain level footing and work toward repairing the damage done to one of the most important and sacred institutional relationships of our country.
An investigative reporter goes inside one of the most shocking cases in California history—the brutal murder of a devoted husband by his con artist wife. Larry McNabney seemed to have it all. A horse enthusiast, successful attorney, and pillar of the community, he was loved and admired by everyone he knew—especially his much younger wife, Elisa. For six years of marriage, Larry and Elisa spent their spare time on the country club and horse racing circuit. But then his perfect life went perfectly wrong. On September 10, 2001, Larry attended a horse show . . . and disappeared. Months later, police put out a missing persons report. They soon discovered that Elisa McNabney was not the person she had claimed to be. A fugitive on the run, Elisa was a con woman who had enlisted the help of a girlfriend to slowly poison her loving husband with horse tranquilizers—all in the name of pure greed. Larry was found buried in a vineyard, after Elisa kept his corpse in her deep freezer for months. The only thing more appalling than the horrific murder was the shocking manhunt that followed and the end to this tragic story of deception, murder, and deadly seduction.
In a sensational murder case that stunned the nation, a powerful lawyer and former state prosecutor went on trial for killing his lover after she tried to break off their two-year relationship. This book takes the reader inside the world of a man with an explosive temper and kinky associations. of shocking photos.
After serving in the Vietnam War, S. Brian Willson became a radical, nonviolent peace protester and pacifist, and this memoir details the drastic governmental and social change he has spent his life fighting for. Chronicling his personal struggle with a government he believes to be unjust, Willson sheds light on the various incarnations of his protests of the U.S. government, including the refusal to pay taxes, public fasting, and, most famously, public obstruction. On September 1, 1987, Willson was run over by a U.S. government munitions train during a nonviolent blocking action in which he expected to be removed from the tracks. Providing a full look into the tragic event, Willson, who lost his legs in the incident, discusses how the subsequent publicity propelled his cause toward the national consciousness. Now, 23 years later, Willson tells his story of social injustice, nonviolent struggle, and the so-called American way of life.
An investigative reporter goes inside one of the most shocking cases in California history—the brutal murder of a devoted husband by his con artist wife. Larry McNabney seemed to have it all. A horse enthusiast, successful attorney, and pillar of the community, he was loved and admired by everyone he knew—especially his much younger wife, Elisa. For six years of marriage, Larry and Elisa spent their spare time on the country club and horse racing circuit. But then his perfect life went perfectly wrong. On September 10, 2001, Larry attended a horse show . . . and disappeared. Months later, police put out a missing persons report. They soon discovered that Elisa McNabney was not the person she had claimed to be. A fugitive on the run, Elisa was a con woman who had enlisted the help of a girlfriend to slowly poison her loving husband with horse tranquilizers—all in the name of pure greed. Larry was found buried in a vineyard, after Elisa kept his corpse in her deep freezer for months. The only thing more appalling than the horrific murder was the shocking manhunt that followed and the end to this tragic story of deception, murder, and deadly seduction.
Blending his experiences as a veteran reporter with analysis of the erosion of trust between the press and the government during the past 40 years, in Free the Press, renowned journalist Brian J. Karem gives readers a unique perspective on the challenges facing journalism while asking the question, “How did we get here?” And perhaps more importantly, “How do we fix it?”. Since the Vietnam War, each and every president has overseen the withering of relations between the Executive Branch and the so-called Fourth Estate. Politicians are not solely to blame, however. Corporate media has us following the news of the day for clicks and views rather than pursuing long term stories of impact. Reporters have ceased to frame the narrative and failed to co-opt social media contributions until it was too late. Placed alongside a firsthand view of Karem’s own experience as a reporter and manager in television, print, and the online media industry, where he witnessed buyouts and the end of locally owned and operated newspapers; a behind-the-scenes look at his work as a member of the White House Press Corps; and his advocacy to protect the journalistic pillar of anonymity, readers will come away with a deeper understanding of journalism, and what happened to it, at the national and local level. Karem concludes with a three-step plan to save the free press, as well as a comprehensive method to reporting for reporters to regain level footing and work toward repairing the damage done to one of the most important and sacred institutional relationships of our country.
During the first generation of black participation in U.S. diplomacy in the late nineteenth and early twentieth centuries, a vibrant community of African American writers and cultural figures worked as U.S. representatives abroad. Through the literary and diplomatic dossiers of figures such as Frederick Douglass, James Weldon Johnson, Archibald and Angelina Grimké, W. E. B. Du Bois, Ida Gibbs Hunt, and Richard Wright, Brian Roberts shows how the intersection of black aesthetic trends and U.S. political culture both Americanized and internationalized the trope of the New Negro. This decades-long relationship began during the days of Reconstruction, and it flourished as U.S. presidents courted and rewarded their black voting constituencies by appointing black men as consuls and ministers to such locales as Liberia, Haiti, Madagascar, and Venezuela. These appointments changed the complexion of U.S. interactions with nations and colonies of color; in turn, state-sponsored black travel gave rise to literary works that imported international representation into New Negro discourse on aesthetics, race, and African American culture. Beyond offering a narrative of the formative dialogue between black transnationalism and U.S. international diplomacy, Artistic Ambassadors also illuminates a broader literary culture that reached both black and white America as well as the black diaspora and the wider world of people of color. In light of the U.S. appointments of its first two black secretaries of state and the election of its first black president, this complex representational legacy has continued relevance to our understanding of current American internationalism.
Conventional narratives describe the United States as a continental country bordered by Canada and Mexico. Yet, since the late twentieth century the United States has claimed more water space than land space, and more water space than perhaps any other country in the world. This watery version of the United States borders some twenty-one countries, particularly in the archipelagoes of the Pacific and the Caribbean. In Borderwaters Brian Russell Roberts dispels continental national mythologies to advance an alternative image of the United States as an archipelagic nation. Drawing on literature, visual art, and other expressive forms that range from novels by Mark Twain and Zora Neale Hurston to Indigenous testimonies against nuclear testing and Miguel Covarrubias's visual representations of Indonesia and the Caribbean, Roberts remaps both the fundamentals of US geography and the foundations of how we discuss US culture.
Predators is a riveting introduction to the murky world of Predator and Reaper drones, the CIA's and U.S. military's most effective and controversial killing tools. Brian Glyn Williams combines policy analysis with the human drama of the spies, terrorists, insurgents, and innocent tribal peoples who have been killed in the covert operation-the CIA's largest assassination campaign since the Vietnam War era-being waged in Pakistan's tribal regions via remote control aircraft known as drones, or unmanned aerial vehicles. Having traveled extensively in the Pashtun tribal areas while working for the U.S. military and the CIA, Williams explores in detail of the new technology of airborne assassinations. From miniature Scorpion missiles designed to kill terrorists while avoiding civilian "collateral damage" to prathrais, the cigarette lighter-size homing beacons spies plant on their unsuspecting targets to direct drone missiles to them, the author describes the drone arsenal in full. Evaluating the ethics of targeted killings and drone technology, Williams covers more than a hundred drone strikes, analyzing the number of slain civilians versus the number of terrorists killed to address the claims of antidrone activists. In examining the future of drone warfare, he reveals that the U.S. military is already building more unmanned than manned aerial vehicles. Predators helps us weigh the pros and cons of the drone program so that we can decide whether it is a vital strategic asset, a "frenemy," or a little of both.
The stories of Thomas the Tank Engine and his friends have delighted generations of children and adults, but what do we know of the man who created them? A devoted pastor and family man, the Reverend W Awdry first started telling the stories in order to amuse his own children, with no idea that the characters would lead to a global phenomenon that now, seventy years after their first appearance, shows no signs of waning. In this fascinating and warm biography, prolific author Brian Sibley brings to life one of the most eminent children's writers of the twentieth century, tracing his story from his Edwardian childhood through his time at University and into World War 2. A convinced pacifist, Awdry was thrown out of one curacy and denied another, because of his beliefs. Never afraid to fight for what he thought was right, he argued with his publishers and his illustrators, demanding the best for his favourite creations - the trains and their friends.
In a sensational murder case that stunned the nation, a powerful lawyer and former state prosecutor went on trial for killing his lover after she tried to break off their two-year relationship. This book takes the reader inside the world of a man with an explosive temper and kinky associations. of shocking photos.
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