A Veritable Medley of Poetic Meanderings by Sereena Nightshade and Brian Guzzi is a distinct three books/ sections within one compilation of primarily poetry covering a number of topics. The first book in this series entitled Filigree of Sweetness features romantic and relationship based materials. There are no shocking revelations within this portion and yet there are many works regarding longing, desires, wishes, whimsies and wistful fugues. Filigree of Sweetness is followed by a drastic change in scenery with books/sections two and three, which are entitled The Years in the Killing Fields and Outside of the Years of Being stalked.” The material in these segments is highly recommended for both victims of abuse as well as their support persons (i.e. family, friends, romantic partners new on the scene or new on the parameter of the inner- nucleus of the events, and others) who want to understand the external and internal workings or cycles in reactions, survival, conduct and experiences, which would otherwise be entirely foreign. Through these varying compilations A Veritable Medley of Poetic Meanders offers a vivid collection of alluring, enlightening, provocative poetry for every variety of adult connoisseurs of prose, versification or composition. A Veritable Medley of Poetic Meanderings includes the best of previously published poetry from the vast collection of books by Sereena Nightshade, including the exclusive coffee table editions, and a significant serving of new material plus the poetry of Brian Guzzi.
Drift is a medley style compilation of poetry, prose, quips and descriptive ditties about various topics, primarily geared towards adult relationships, which have drifted into this book’s authors’ minds over the relevant time frame of this books creation. Readers are advised that some poetry herein is from a long ago time frame. These ancient poems are primarily the remaining stragglers as they are found with the exception of a small number of works that link into other works within this book. As a medley style book of poetry there is no specific categorization of works and works are not presented in any particular or planned order. Many poems within Drift express desires, wishes, disappointments, sorrows as well as specific real-life components in relationships, including common patterns of dysfunctional relationship patterns. In these dysfunctional romantic relationship patterns this writer posits most people have experienced the issues presented in poetry within this book while the majority of people may not have examined, dissected, analyzed and/or named the various components as well as personality types that lead to, accept or become pulled into strive, sometimes despite the intelligence or wisdom of certain individuals impacted by the dysfunction. Limited essay or bullet point material is added to provide readers with greater clarity into the poetry within Drift. This book additionally provides footnotes on some of the poetry to further assist readers unfamiliar with poetry. These footnotes are intended to assist readers in their ultimate understanding of the poems herein. It is noteworthy to add that poetry in Drift utilizes the term “You,” which is not a common form of presentation for this book’s most prolific writer who typically avoids second person reference such as this. The usage of the term “You” is not intended to imply the poetry within this book is directed to any particular reader or readers in general. This writer sincerely hopes readers both enjoy and learn from the poetry in Drift. Readers are invited to look into other books of poetry by the author/authors of Drift, including Drift’s highly organized and thus artistically variant poetic predecessor A Veritable Medley of Poetic Meanderings, through Online book vendors such as Xlibris, Amazon, Barnes and Nobel, etc. The second book in Drift is specifically designed solely for victims of the sophisticated sociopath domestic predator. Photos therein are somewhat akin to the theme by another writer not linked to either Sereena Nightshade or Brian Guzzi of “I wore red lipstick to my mastectomy” as well as for readers’ reprieve from the material presented.
“We are not worth more, they are not worth less.” This is the mantra of S. Brian Willson and the theme that runs throughout his compelling psycho-historical memoir. Willson’s story begins in small-town, rural America, where he grew up as a “Commie-hating, baseball-loving Baptist,” moves through life-changing experiences in Viet Nam, Nicaragua and elsewhere, and culminates with his commitment to a localized, sustainable lifestyle. In telling his story, Willson provides numerous examples of the types of personal, risk-taking, nonviolent actions he and others have taken in attempts to educate and effect political change: tax refusal—which requires simplification of one’s lifestyle; fasting—done publicly in strategic political and/or therapeutic spiritual contexts; and obstruction tactics—strategically placing one’s body in the way of “business as usual.” It was such actions that thrust Brian Willson into the public eye in the mid-’80s, first as a participant in a high-profile, water-only “Veterans Fast for Life” against the Contra war being waged by his government in Nicaragua. Then, on a fateful day in September 1987, the world watched in horror as Willson was run over by a U.S. government munitions train during a nonviolent blocking action in which he expected to be removed from the tracks and arrested. Losing his legs only strengthened Willson’s identity with millions of unnamed victims of U.S. policy around the world. He provides details of his travels to countries in Latin America and the Middle East and bears witness to the harm done to poor people as well as to the environment by the steamroller of U.S. imperialism. These heart-rending accounts are offered side by side with inspirational stories of nonviolent struggle and the survival of resilient communities Willson’s expanding consciousness also uncovers injustices within his own country, including insights gained through his study and service within the U.S. criminal justice system and personal experiences addressing racial injustices. He discusses coming to terms with his identity as a Viet Nam veteran and the subsequent service he provides to others as director of a veterans outreach center in New England. He draws much inspiration from friends he encounters along the way as he finds himself continually drawn to the path leading to a simpler life that seeks to “do no harm.&rdquo Throughout his personal journey Willson struggles with the question, “Why was it so easy for me, a ’good’ man, to follow orders to travel 9,000 miles from home to participate in killing people who clearly were not a threat to me or any of my fellow citizens?” He eventually comes to the realization that the “American Way of Life” is AWOL from humanity, and that the only way to recover our humanity is by changing our consciousness, one individual at a time, while striving for collective cultural changes toward “less and local.” Thus, Willson offers up his personal story as a metaphorical map for anyone who feels the need to be liberated from the American Way of Life—a guidebook for anyone called by conscience to question continued obedience to vertical power structures while longing to reconnect with the human archetypes of cooperation, equity, mutual respect and empathy.
Drift is a medley style compilation of poetry, prose, quips and descriptive ditties about various topics, primarily geared towards adult relationships, which have drifted into this book’s authors’ minds over the relevant time frame of this books creation. Readers are advised that some poetry herein is from a long ago time frame. These ancient poems are primarily the remaining stragglers as they are found with the exception of a small number of works that link into other works within this book. As a medley style book of poetry there is no specific categorization of works and works are not presented in any particular or planned order. Many poems within Drift express desires, wishes, disappointments, sorrows as well as specific real-life components in relationships, including common patterns of dysfunctional relationship patterns. In these dysfunctional romantic relationship patterns this writer posits most people have experienced the issues presented in poetry within this book while the majority of people may not have examined, dissected, analyzed and/or named the various components as well as personality types that lead to, accept or become pulled into strive, sometimes despite the intelligence or wisdom of certain individuals impacted by the dysfunction. Limited essay or bullet point material is added to provide readers with greater clarity into the poetry within Drift. This book additionally provides footnotes on some of the poetry to further assist readers unfamiliar with poetry. These footnotes are intended to assist readers in their ultimate understanding of the poems herein. It is noteworthy to add that poetry in Drift utilizes the term “You,” which is not a common form of presentation for this book’s most prolific writer who typically avoids second person reference such as this. The usage of the term “You” is not intended to imply the poetry within this book is directed to any particular reader or readers in general. This writer sincerely hopes readers both enjoy and learn from the poetry in Drift. Readers are invited to look into other books of poetry by the author/authors of Drift, including Drift’s highly organized and thus artistically variant poetic predecessor A Veritable Medley of Poetic Meanderings, through Online book vendors such as Xlibris, Amazon, Barnes and Nobel, etc. The second book in Drift is specifically designed solely for victims of the sophisticated sociopath domestic predator. Photos therein are somewhat akin to the theme by another writer not linked to either Sereena Nightshade or Brian Guzzi of “I wore red lipstick to my mastectomy” as well as for readers’ reprieve from the material presented.
A Veritable Medley of Poetic Meanderings by Sereena Nightshade and Brian Guzzi is a distinct three books/ sections within one compilation of primarily poetry covering a number of topics. The first book in this series entitled Filigree of Sweetness features romantic and relationship based materials. There are no shocking revelations within this portion and yet there are many works regarding longing, desires, wishes, whimsies and wistful fugues. Filigree of Sweetness is followed by a drastic change in scenery with books/sections two and three, which are entitled The Years in the Killing Fields and Outside of the Years of Being stalked.” The material in these segments is highly recommended for both victims of abuse as well as their support persons (i.e. family, friends, romantic partners new on the scene or new on the parameter of the inner- nucleus of the events, and others) who want to understand the external and internal workings or cycles in reactions, survival, conduct and experiences, which would otherwise be entirely foreign. Through these varying compilations A Veritable Medley of Poetic Meanders offers a vivid collection of alluring, enlightening, provocative poetry for every variety of adult connoisseurs of prose, versification or composition. A Veritable Medley of Poetic Meanderings includes the best of previously published poetry from the vast collection of books by Sereena Nightshade, including the exclusive coffee table editions, and a significant serving of new material plus the poetry of Brian Guzzi.
After serving in the Vietnam War, S. Brian Willson became a radical, nonviolent peace protester and pacifist, and this memoir details the drastic governmental and social change he has spent his life fighting for. Chronicling his personal struggle with a government he believes to be unjust, Willson sheds light on the various incarnations of his protests of the U.S. government, including the refusal to pay taxes, public fasting, and, most famously, public obstruction. On September 1, 1987, Willson was run over by a U.S. government munitions train during a nonviolent blocking action in which he expected to be removed from the tracks. Providing a full look into the tragic event, Willson, who lost his legs in the incident, discusses how the subsequent publicity propelled his cause toward the national consciousness. Now, 23 years later, Willson tells his story of social injustice, nonviolent struggle, and the so-called American way of life.
I have often thought how wonderful it would have been if any of my grandparents, not to mention my great grandparents, had jotted down some of their thoughts, experiences and accumulated wisdom on paper for me to read, irrespective of how trivial or mind-blowing they may have been. I could have gleamed a glimpse as to who they were and how they thought, even though they died long before I was born in most cases. I really feel the void of not having known them. This book is an attempt to correct that omission and is written for the benefit of my kin still to come.
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