Z is for Zacherley, the legendary horror host of SHOCK THEATER fame, and in THE Z FILES the story of his uncanny career is uniquely told almost entirely via archival material. Feast your eyes, glut your soul on -- VINTAGE NEWSPAPER AND MAGAZINE ARTICLES!
This is the HARDBACK version. WE BOMBED IN NEW LONDON tells the true story of one man's tenacious plight to get his musical mounted. From its romantic inception to its eventual demise and then the score's resurrection in cabarets and recordings, this book takes you on a journey through the ups and downs of the theatrical world with all its excitement, disappointment, laughter and hope. Packed with memorabilia, including rare photos and interviews, this book documents composer/lyricist Brian Gari's minute by minute development of his musical. Fortunately, he saved every scrap of paper, tape and calendar to account accurately for why and when certain steps were taken that eventually led to the sad dissolution of this promising musical. Brian Gari began his songwriting career at age 12 with his first song published at 15 and recorded at 17. He signed with Vanguard Records in 1975 and has recorded eight solo CDs to date. In 1987 his first musical, Late Nite Comic, arrived on Broadway. With over 800 songs to date, he is currently at work on his next musical, which is about his legendary grandfather, Eddie Cantor. This is his first book.
David Ackerman, a young pianist working at a piano bar in New York City, wants nothing more than to stand on a stage and make people laugh. He meets Gabrielle, an attractive and slightly eccentric young woman who yearns to be a professional ballerina. These two hungry dreamers climb the shaky ladder of success from seedy bars to comedy clubs to the stage of the Metropolitan Opera House, their on-again, off-again romance propelling them along in heartfelt pursuit of love, fame and laughter. This engaging musical features a contemporary pop score and great casting flexibility. -- Amazon.com.
WE BOMBED IN NEW LONDON tells the true story of one man's tenacious plight to get his musical mounted. From its romantic inception to its eventual demise and then the score's resurrection in cabarets and recordings, this book takes you on a journey through the ups and downs of the theatrical world with all its excitement, disappointment, laughter and hope. Packed with memorabilia, including rare photos and interviews, this book documents composer/lyricist Brian Gari's minute by minute development of his musical. Fortunately, he saved every scrap of paper, tape and calendar to account accurately for why and when certain steps were taken that eventually led to the sad dissolution of this promising musical. Brian Gari began his songwriting career at age 12 with his first song published at 15 and recorded at 17. He signed with Vanguard Records in 1975 and has recorded eight solo CDs to date. In 1987 his first musical, Late Nite Comic, arrived on Broadway. With over 800 songs to date, he is currently at work on his next musical, which is about his legendary grandfather, Eddie Cantor. This is his first book.
Show business legends... EDDIE CANTOR DANNY THOMAS GEORGIE JESSEL Music legends... JOHN LENNON & THE BEATLES LITTLE RICHARD BRIAN WILSON PHIL SPECTOR NEIL SEDAKA JAN & DEAN CAROLE KING THE CARPENTERS DAVID CASSIDY GLEN CAMPBELL Songwriting legends... STEPHEN SONDHEIM MARVIN HAMLISCH ANTHONY NEWLEY Comedy legends... GEORGE CARLIN CHRIS ROCK ROBIN WILLIAMS RODNEY DANGERFIELD SOUPY SALES JERRY STILLER Acting legends... KATHARINE HEPBURN MIA FARROW Political legends... BOBBY KENNEDY And many more!!! Featuring many previously unpublished photos! BRIAN GARI wrote all the songs for the Broadway musical Late Nite Comic and has recorded 12 albums. He has also produced all the CDs & DVDs on his grandfather, Eddie Cantor. This is his third book.
This is Brian's personal story of the humor and sadness you can expect (and not expect) when undergoing one of the most serious operations one can ever endure and one of life's most challenging moments.
David Ackerman, a young pianist working at a piano bar in New York City, wants nothing more than to stand on a stage and make people laugh. He meets Gabrielle, an attractive and slightly eccentric young woman who yearns to be a professional ballerina. These two hungry dreamers climb the shaky ladder of success from seedy bars to comedy clubs to the stage of the Metropolitan Opera House, their on-again, off-again romance propelling them along in heartfelt pursuit of love, fame and laughter. This engaging musical features a contemporary pop score and great casting flexibility. -- Amazon.com.
I have often thought how wonderful it would have been if any of my grandparents, not to mention my great grandparents, had jotted down some of their thoughts, experiences and accumulated wisdom on paper for me to read, irrespective of how trivial or mind-blowing they may have been. I could have gleamed a glimpse as to who they were and how they thought, even though they died long before I was born in most cases. I really feel the void of not having known them. This book is an attempt to correct that omission and is written for the benefit of my kin still to come.
“We are not worth more, they are not worth less.” This is the mantra of S. Brian Willson and the theme that runs throughout his compelling psycho-historical memoir. Willson’s story begins in small-town, rural America, where he grew up as a “Commie-hating, baseball-loving Baptist,” moves through life-changing experiences in Viet Nam, Nicaragua and elsewhere, and culminates with his commitment to a localized, sustainable lifestyle. In telling his story, Willson provides numerous examples of the types of personal, risk-taking, nonviolent actions he and others have taken in attempts to educate and effect political change: tax refusal—which requires simplification of one’s lifestyle; fasting—done publicly in strategic political and/or therapeutic spiritual contexts; and obstruction tactics—strategically placing one’s body in the way of “business as usual.” It was such actions that thrust Brian Willson into the public eye in the mid-’80s, first as a participant in a high-profile, water-only “Veterans Fast for Life” against the Contra war being waged by his government in Nicaragua. Then, on a fateful day in September 1987, the world watched in horror as Willson was run over by a U.S. government munitions train during a nonviolent blocking action in which he expected to be removed from the tracks and arrested. Losing his legs only strengthened Willson’s identity with millions of unnamed victims of U.S. policy around the world. He provides details of his travels to countries in Latin America and the Middle East and bears witness to the harm done to poor people as well as to the environment by the steamroller of U.S. imperialism. These heart-rending accounts are offered side by side with inspirational stories of nonviolent struggle and the survival of resilient communities Willson’s expanding consciousness also uncovers injustices within his own country, including insights gained through his study and service within the U.S. criminal justice system and personal experiences addressing racial injustices. He discusses coming to terms with his identity as a Viet Nam veteran and the subsequent service he provides to others as director of a veterans outreach center in New England. He draws much inspiration from friends he encounters along the way as he finds himself continually drawn to the path leading to a simpler life that seeks to “do no harm.&rdquo Throughout his personal journey Willson struggles with the question, “Why was it so easy for me, a ’good’ man, to follow orders to travel 9,000 miles from home to participate in killing people who clearly were not a threat to me or any of my fellow citizens?” He eventually comes to the realization that the “American Way of Life” is AWOL from humanity, and that the only way to recover our humanity is by changing our consciousness, one individual at a time, while striving for collective cultural changes toward “less and local.” Thus, Willson offers up his personal story as a metaphorical map for anyone who feels the need to be liberated from the American Way of Life—a guidebook for anyone called by conscience to question continued obedience to vertical power structures while longing to reconnect with the human archetypes of cooperation, equity, mutual respect and empathy.
Mainstream media and film theory are based on the ways that media technologies operate in Europe and the United States. In this groundbreaking work, Brian Larkin provides a history and ethnography of media in Nigeria, asking what media theory looks like when Nigeria rather than a European nation or the United States is taken as the starting point. Concentrating on the Muslim city of Kano in the north of Nigeria, Larkin charts how the material qualities of technologies and the cultural ambitions they represent feed into the everyday experiences of urban Nigeria. Media technologies were introduced to Nigeria by colonial regimes as part of an attempt to shape political subjects and create modern, urban Africans. Larkin considers the introduction of media along with electric plants and railroads as part of the wider infrastructural project of colonial and postcolonial urbanism. Focusing on radio networks, mobile cinema units, and the building of cinema theaters, he argues that what media come to be in Kano is the outcome of technology’s encounter with the social formations of northern Nigeria and with norms shaped by colonialism, postcolonial nationalism, and Islam. Larkin examines how media technologies produce the modes of leisure and cultural forms of urban Africa by analyzing the circulation of Hindi films to Muslim Nigeria, the leisure practices of Hausa cinemagoers in Kano, and the dynamic emergence of Nigerian video films. His analysis highlights the diverse, unexpected media forms and practices that thrive in urban Africa. Signal and Noise brings anthropology and media together in an original analysis of media’s place in urban life.
The Witch-Hunt in Early Modern Europe, now in its fourth edition, is the perfect resource for both students and scholars of the witch-hunts written by one of the leading names in the field. For those starting out in their studies of witch-beliefs and witchcraft trials, Brian Levack provides a concise survey of this complex and fascinating topic, while for more seasoned scholars the scholarship is brought right up to date. This new edition includes the most recent research on children, gender, male witches and demonic possession as well as broadening the exploration of the geographical distribution of witch prosecutions to include recent work on regions, cities and kingdoms enabling students to identify comparisons between countries. Now fully integrated with Brian Levack’s The Witchcraft Sourcebook, there are links to the sourcebook throughout the text, pointing students towards key primary sources to aid them in their studies. The two books are drawn together on a new companion website with supplementary materials for those wishing to advance their studies, including an extensive guide to further reading, a chronology of the history of witchcraft and an interactive map to show the geographical spread of witch-hunts and witch trials across Europe and North America. A long-standing favourite with students and lecturers alike, this new edition of The Witch-Hunt in Early Modern Europe will be essential reading for those embarking on or looking to advance their studies of the history of witchcraft
This lively text offers a brief, readable description of our common Western heritage after Europe expanded into the rest of the world during the Renaissance, then through revolutions that have created today’s technological global society. Providing a tightly focused narrative and interpretive structure, Brian A. Pavlac covers the basic historical information that all educated adults should know. His joined terms “supremacies and diversities” develop major themes of conflict and creativity throughout history. “Supremacies” centers on the use of power to dominate societies, ranging from warfare to ideologies. Supremacy seeks stability, order, and incorporation. “Diversities” encompasses the creative impulse that produces new ideas, as well as the efforts of groups of people to define themselves as “different.” Diversity creates change, opportunity, and individuality. These themes of historical tension and change—whether applied to political, economic, technological, social, or cultural trends—offer a bridging explanatory organization. The text is also informed by five topical themes: technological innovation, migration and conquest, political and economic decision making, church and state, and disputes about the meaning of life. Throughout, judicious “basic principles” present summaries of historical realities and primary source projects offer students the chance to evaluate differing points of view about the past. Written with flair, this easily accessible yet deeply knowledgeable text provides all the essentials for courses on Western Civilization.
The air battle for Yugoslavia, Greece and Crete began in June 1940 with the Italian declaration of war. In the past, there has been much controversy amongst air historians on many of the details of the operations. It was here, for example, that "Pat" Pattie believed by many to be the Royal Air Force's "unknown" top-scoring fighter pilot of the whole war, saw most of his action. Just how many kills did he achieve and how? Taken from extensive research into available British, Italian and German records, and interviews and correspondence with survivors or relatives of those present, this book seeks to provide an accurate portrait of the air war for Yugoslavia, Greece and Crete from 1940-41.
The three body-mind relationship goals that Jigoro Kano advised his judo students to aspire to; namely, to perfect themselves physically, intellectually and morally are all aimed at the same objective - self-improvement. The first goal is perhaps the easiest and the one that many judokas achieve by gaining a dan grade, after a few years’ training, and perhaps by winning a few medals along the way. The next two goals are psychological in nature and usually take longer to attain. The intellectual goal is focused on educating oneself for what one wishes to become in life, whether it be an engineer, a teacher, an accountant or whatever one’s desire. These goals, however, often require much book learning. Because ‘time and tide wait for no man’ one must read, read and read some more in order to expand one’s vocabulary and acquire the necessary knowledge. The third goal is mainly focused on the moral lessons that one should have learnt after completion of the previous two. These teachings should prove useful in helping one to succeed in one’s endeavors and enable one to impart proper moral guidance to others, especially the young when teaching judo.
Field Marshal Viscount Montgomery of Alamein has attracted the attention of countless historians over the last 70 years but, despite this coverage, views of his character remain controversial and contradictory. His younger brother Brian, himself a successful soldier, enters the fray with this charming and revealing book examining the background of this legendary military commander. He provides a fascinating account of the influences of Montys family genes together with a wealth of unknown details about his career. His grandfather, Sir Robert Montgomery, played a key role in crushing the Indian Mutiny and his adventures have intriguing parallels with those of Montys two generations later. Dean Farrar, his maternal grandfather, was a powerful Victorian educational and religious figure (Headmaster of Marlborough College and Dean of Canterbury) and author of the iconic Eric, or Little by Little. The author examines in the most entertaining and frank manner Montys idiosyncratic character traits; his opposition to tradition, his Nelsonian approach to rules and regulations, his ruthlessness and determination and his unfashionable views on the absolute necessity for self publicity and the most intensive training to get the maximum from his subordinates, down to the most junior levels.
This book develops the Sustainable Governance Approach and the principles of Community-Based Natural Resource Management (CBNRM). It provides practical examples of successes and failures in implementation, and lessons about the economics and governance of wild resources with global application. CBNRM emerged in the 1980s, encouraging greater local participation to conserve and manage natural and wild resources in the face of increasing encroachment by agricultural and other forms of land use development. This book describes the institutional history of wildlife and the empirical transformation of the wildlife sector on private and communal land, particularly in southern Africa, to develop an alternative paradigm for governing wild resources. With the twin goals of addressing poverty and resource degradation in the world’s extensive agriculturally marginal areas, the author conceptualises this paradigm as the Sustainable Governance Approach, which integrates theories of proprietorship and rights, prices and economics, governance and scale, and adaptive learning. The author then discusses and defines CBNRM, a major subset of this approach. Interweaving theory and practice, he shows that the primary challenges facing CBNRM are the devolution of rights from the centre to marginal communities and the governance of these rights by communities, a challenge which is seldom recognised or addressed. He focuses on this shortcoming, extending and operationalising institutional theory, including Ostrom’s principles of collective action, within the context of cross-scale governance. Based on the author’s extensive experience this book will be key reading for students of natural resource management, sustainable land use, community forestry, conservation, and development. Providing practical but theoretically robust tools for implementing CBNRM it will also appeal to professionals and practitioners working in communities and in conservation and development.
This book offers a close analysis of the Old French fabliaux, that medieval corpus of short comic tales in narrative verse celebrated (sometimes notorious) for their irreverence and sexual content. It picks out certain key images - such as gambling, illness, and damnation - which develop into themes and motifs running through all the texts, and which add layers of ironic patterning to the essential subject-matter and narrative of each fabliau. These elements, in many respects the 'small print' of the joke, furnish the comic text with many rhythms and echoes, all contributing to the ludic, adversarial nature of the text. They are extremely flexible, serving as a rhetoric of depiction that extends from broad comic motif to the lightest triggering of a mocking smile. This volume will be of interest to all students of medieval culture, Old French literature, and the development of the short or comic narrative.
Based on a series of interviews that Jigoro Kano gave in his sixties, the book relates his creation and development of Kodokan judo during the period 1882 to 1928.
Health of the Human Spirit, Second Edition: Spiritual Dimensions for Personal Health is a thoughtful examination of the ageless topic of human spirituality. It addresses the need to acknowledge spiritual wellness as a vital dimension of the general health and well-being of the individual and examines the dynamic balance between mind-body-spirit health and the roadblocks and distractions on the spiritual path. Dr. Seaward includes many behavioral suggestions to enhance the health of the human spirit. He presents the material in an approachable, user-friendly manner by engaging the reader and carefully distinguishing the differences between spirituality and religion.
Finalist for the Pulitzer Prize in History Winner of the Gov. John Andrew Award (Union Club of Boston) An acclaimed, groundbreaking, and “powerful exploration” (Washington Post) of the fate of Union veterans, who won the war but couldn’t bear the peace. For well over a century, traditional Civil War histories have concluded in 1865, with a bitterly won peace and Union soldiers returning triumphantly home. In a landmark work that challenges sterilized portraits accepted for generations, Civil War historian Brian Matthew Jordan creates an entirely new narrative. These veterans— tending rotting wounds, battling alcoholism, campaigning for paltry pensions— tragically realized that they stood as unwelcome reminders to a new America eager to heal, forget, and embrace the freewheeling bounty of the Gilded Age. Mining previously untapped archives, Jordan uncovers anguished letters and diaries, essays by amputees, and gruesome medical reports, all deeply revealing of the American psyche. In the model of twenty-first-century histories like Drew Gilpin Faust’s This Republic of Suffering or Maya Jasanoff ’s Liberty’s Exiles that illuminate the plight of the common man, Marching Home makes almost unbearably personal the rage and regret of Union veterans. Their untold stories are critically relevant today.
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