This is a study of the Revelation of Jesus Christ. It has just enough details within this book to encourage the Bible believing follower of Jesus Christ to get out and share their faith with a lost and dying world. It also has enough information to help a person that has not been born again to get saved before it is too late. This book will give you the jump start that you need to get out there and reach the lost before the Rapture of the Church happens. It will also go into detail exactly what will take place after the Rapture and during the time of the Great Tribulation. Are you ready to have your eyes opened? This easy to read and understand book will take away all your fears about reading the last book of the Bible. In easy to understand words, you will be encouraged and shocked to see what will happen to the saved people and the lost people.
Media competes with public schools in terms of student engagement and time. However, the two needn't be mutually exclusive. The Pedagogy of Pop: Theoretical and Practical Strategies for Success discusses a variety of strategies and approaches for using social and mass media as tools through which teachers might improve schooling. While there is a vast body of literature in this field, editors Edward A. Janak and Denise Blum have created a text which differs in two substantive ways: scope and sequence. In terms of scope, this work is unique in two facets: first, it presents both theory and practice in one volume, bridging the two worlds; and second, it includes lessons from secondary and postsecondary classrooms, allowing teachers on all levels to learn from each other. In terms of sequence, The Pedagogy of Pop draws on lessons from both historical and contemporary practice. The introductory section of Janak and Blum's collection presents a pair of papers that use somewhat different approaches to examine the historical roots of contemporary critique. Part I presents a series of chapters designed to provide guidelines and theories through which educators on all levels can think about their practice, focusing more on the "why" of their approach than the "how." Part II presents a more "hands-on" approach by sharing a variety of specific strategies for incorporating pop culture in all its forms (technology, music, television, video games, etc.) in both secondary and postsecondary classrooms. The conclusion shows the praxis of teaching with popular culture, presenting a counterpoint to current thinking as well as a case study of the best of what can happen when popular culture is applied effectively.
This book will help the reader to discern whether they are in a biblical church or not. The tough decision of whether to stay or leave the church will be made based on God's Word.
This book is filled with humor to lift you up in the Lord. It will help you understand that no matter what problems you are dealing with, you will acknowledge that God is good through it all.
“We are not worth more, they are not worth less.” This is the mantra of S. Brian Willson and the theme that runs throughout his compelling psycho-historical memoir. Willson’s story begins in small-town, rural America, where he grew up as a “Commie-hating, baseball-loving Baptist,” moves through life-changing experiences in Viet Nam, Nicaragua and elsewhere, and culminates with his commitment to a localized, sustainable lifestyle. In telling his story, Willson provides numerous examples of the types of personal, risk-taking, nonviolent actions he and others have taken in attempts to educate and effect political change: tax refusal—which requires simplification of one’s lifestyle; fasting—done publicly in strategic political and/or therapeutic spiritual contexts; and obstruction tactics—strategically placing one’s body in the way of “business as usual.” It was such actions that thrust Brian Willson into the public eye in the mid-’80s, first as a participant in a high-profile, water-only “Veterans Fast for Life” against the Contra war being waged by his government in Nicaragua. Then, on a fateful day in September 1987, the world watched in horror as Willson was run over by a U.S. government munitions train during a nonviolent blocking action in which he expected to be removed from the tracks and arrested. Losing his legs only strengthened Willson’s identity with millions of unnamed victims of U.S. policy around the world. He provides details of his travels to countries in Latin America and the Middle East and bears witness to the harm done to poor people as well as to the environment by the steamroller of U.S. imperialism. These heart-rending accounts are offered side by side with inspirational stories of nonviolent struggle and the survival of resilient communities Willson’s expanding consciousness also uncovers injustices within his own country, including insights gained through his study and service within the U.S. criminal justice system and personal experiences addressing racial injustices. He discusses coming to terms with his identity as a Viet Nam veteran and the subsequent service he provides to others as director of a veterans outreach center in New England. He draws much inspiration from friends he encounters along the way as he finds himself continually drawn to the path leading to a simpler life that seeks to “do no harm.&rdquo Throughout his personal journey Willson struggles with the question, “Why was it so easy for me, a ’good’ man, to follow orders to travel 9,000 miles from home to participate in killing people who clearly were not a threat to me or any of my fellow citizens?” He eventually comes to the realization that the “American Way of Life” is AWOL from humanity, and that the only way to recover our humanity is by changing our consciousness, one individual at a time, while striving for collective cultural changes toward “less and local.” Thus, Willson offers up his personal story as a metaphorical map for anyone who feels the need to be liberated from the American Way of Life—a guidebook for anyone called by conscience to question continued obedience to vertical power structures while longing to reconnect with the human archetypes of cooperation, equity, mutual respect and empathy.
This book is a bringing together of many aspects of the experiences of my Christian journey. As time has unfolded, there have been many occasions where I have felt a subtle yet strong tug on my heart and mind to put down on paper what has been presented to me by the Holy Spirit. All of these one to two page essays have foundations in daily life and through contact with people, places, animals, and things. I hope that through these writings the reader can develop a deeper sense of faith in our Jesus. I also wish for the reader to gain a sense of hope for the future promise of eternal life.
After serving in the Vietnam War, S. Brian Willson became a radical, nonviolent peace protester and pacifist, and this memoir details the drastic governmental and social change he has spent his life fighting for. Chronicling his personal struggle with a government he believes to be unjust, Willson sheds light on the various incarnations of his protests of the U.S. government, including the refusal to pay taxes, public fasting, and, most famously, public obstruction. On September 1, 1987, Willson was run over by a U.S. government munitions train during a nonviolent blocking action in which he expected to be removed from the tracks. Providing a full look into the tragic event, Willson, who lost his legs in the incident, discusses how the subsequent publicity propelled his cause toward the national consciousness. Now, 23 years later, Willson tells his story of social injustice, nonviolent struggle, and the so-called American way of life.
Purchase includes free access to book updates online and a free trial membership in the publisher's book club where you can select from more than a million books without charge. Chapters: Iran-iraq War, Military-Industrial Complex, Arms Industry, Rakon, Us/saudi Awacs Sale, National Defense Industrial Association, Training Within Industry, Action Target, United States Foreign Military Financing, Dsei, United States Security Assistance Organizations, Canadian Arms Trade, Khyber Pass Copy, Military-Industrial Commission of Russia, Arab Organization for Industrialization, Defense Industry of Russia, Ministry of Defence Industry of Azerbaijan, United States Military Aid, Hybricon Corporation, International Defence Exhibition, Military-Industrial-Media Complex, Meteor Zavod, Foreign Military Sales, Paradigm Technologies, Milipol, Association for Enterprise Information, Eurosatory, Low Rate Initial Production. Excerpt: In 1990} Photo Galleries ... More: http://booksllc.net/?id=14889
This book does not offer any miracles, although it does offer a better opportunity for someone to get results, for one who is prepared to get out of the victim role and take a positive step into seeing what they can do for themselves. By reading this book, you will realise the significance of continuous learning. And that’s how philosophy tries to discover the nature of truth and knowledge, to find what is of basic value and importance in life. This is about the relationships between humanity and nature and between the individual and the society.
Exploitation filmmakers played a significant role in revolutionizing American cinema during the 1960s and early 1970s, churning out a string of independent Westerns, biker films, nudie-cuties and horror flicks in record times and often on shoestring budgets. With titles like Horror of the Blood Monsters, Cycle Savages and The Incredible 2-Headed Transplant, these films pushed the boundaries of acceptable on-screen violence and nudity and kept the American theater industry afloat as several major studios teetered on the brink of financial collapse. This work tells the story of that "other" Hollywood through interviews with 16 directors, performers, screenwriters, and stuntmen who helped bring these zero-budget films to the screen against incredible odds. The interviews give insights into exploitation filmmaking from the perspectives of pioneering directors Al Adamson and Jack Hill, actors Jenifer Bishop and Robert Dix, and stuntmen Gary Kent and Gary Littlejohn, and others. The work includes more than 50 photographs, including many rare behind-the-scenes images of the filmmakers on set.
During and after World War II, aircraft designers were faced with the problem of increasing the range of strategic bombers. Dr. Richard Vogt, a German immigrant to the United States, proposed that floating wing panels carrying fuel tanks could be attached to the wing tips of an airplane with hinges to extend its range. The floating wing panels would support their own weight, without increasing the load on the airplane's wings. The Air Force initiated a project to simulate floating wing panels with a piloted light plane that coupled to a larger airplane in flight. Soon the scope of the project expanded to explore the possibility of towing fighters coupled to the wing tips of bombers.
A 150-year history of the planning, construction, and development of all forms of mass transportation in Brooklyn, New York. How We Got to Coney Island is the definitive history of mass transportation in Brooklyn. Covering 150 years of extraordinary growth, Cudahy tells the complete story of the trolleys, street cars, steamboats, and railways that helped create New York’s largest borough—and the remarkable system that grew to connect the world’s most famous seaside resort with Brooklyn, New York City across the river, and, ultimately, the rest of the world. Includes tables, charts, photographs, and maps. Praise for How We Got to Coney Island “This is an example of a familiar and decidedly old-fashioned genre of transport history. It is primarily an examination of the business politics of railway development and amalgamation in Brooklyn and adjoining districts since the mid-nineteenth century.” —The Journal of Transport History
This is the first book to provide a thorough examination of the British 'B' movie, from the war years to the 1960s. The authors draw on archival research, contemporary trade papers and interviews with key 'B' filmmakers to map the 'B' movie phenomenon both as artefact and as industry product, and as a reflection on their times.
This practical, comprehensive, and engaging introduction to the American judicial system is designed primarily for undergraduate students in criminal justice, liberal arts, political science, and beginning law. It differs from other texts not only by delivering an insider’s view of the courts, but also by demonstrating how the judicial process operates at the intersection of law and politics. Unlike the many dull and inaccessible texts in this field, May It Please The Court conveys the human drama of civil and criminal litigation. With an updated epilogue, case studies, and discussion questions, this third edition is a robust resource for criminal justice students.
Thomas H. Ince (1880--1924) turned movie-making into a business enterprise. Progressing from actor to director and screenwriter, he revolutionized the motion picture industry through developing the role of the producer. In addition to building the first major Hollywood studio facility, dubbed "Inceville," he was responsible for more than 800 films. Thomas Ince: Hollywood's Independent Pioneer chronicles Ince's life from the stage to his sudden death as he was about to join forces with media tycoon William Randolph Hearst. Author Brian Taves explores Ince's impact on Hollywood's production system, the Western, his creation of the first American movies starring Asian performers, and his cinematic exploration of the status of women in society. Until now, Thomas Ince has not been the subject of a biography. This book offers insight into the world of silent cinema through the story of one of its earliest and most influential moguls.
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