For the last three decades Brian Clough has been the most charismatic manager in football. Funny, outrageous, sentimental, he stands out sharply from the bland men in suits. Though his talent has earned him a fortune, he remains a working-class hero. As a player he was one of the most gifted forwards of his day. He scored 251 goals in 274 League appearances - and would have scored more had a cruel injury not forced him to retire. As a manager his record was full of superlatives. He took both Derby County and then Nottingham Forest out of the doldrums of the Second Division and made them world-beaters. Tactically brilliant, Clough had an unmatched ability to motivate players. He is the best manager England never had. Behind his back, they call him Old Big 'Ead. He has never been far from controversy, and some of his rows, particularly with his long-standing managerial partner Peter Taylor, are the stuff of tabloid legend. Not so long ago he was televised running onto the pitch to wallop some unruly supporters. More recently he has taken legal advice to counter rumours about illegal ticket deals. Dull he isn't. Despite his outgoing nature, Clough has always guarded his privacy. At last he has decided to tell his full story: from terraced council house in Middlesbrough, to luxurious mansion in an exclusive suburb of Derby; from fitter to socialist millionaire. He speaks of the influence of his strong, proud mother, his courtship and marriage to his glamorous wife Barbara, his children, particularly his goal-scoring son Nigel, and his health, which has been the subject of press speculation and concern. This is an extraordinary life, told by an extraordinary man.
Brian Clough, arguably Britain's greatest ever football manager, died in September 2004 at the age of 69. His passing was marked by a minute's silence at both the Derby County and Nottingham Forest grounds and provoked a wave of tributes from across the sporting spectrum. A memorial service due to be held at Derby Cathedral had to be moved to Pride Park to accommodate the fans' demand for tickets. This overwhelming affection and respect was fully deserved for the man who was often described as being controversial, outspoken and opinionated. His achievements in football speak for themselves: he took two lowly Midlands sides to the very top, winning two consecutive European Cups, with unfashionable Nottingham Forest, in a feat that will surely never be matched by a club of similar stature. This special edition contains two new chapters, written shortly before he died, which offer his candid and entertaining views on club directors and chairmen and on Newcastle's treatment of Sir Bobby Robson, as well as his scathing analysis of England's recent performances. Cloughie also talks honestly about his battles with alcohol and the liver transplant that gave him 21 months of health and happiness.
Any debate about who is the greatest British manager of all time must start with Brian Clough, who was able to take two small Midlands clubs, Derby County and Nottingham Forest, to their first-ever championships and then inspire Forest to two successive European Cups. Idiosyncratic and controversial, Clough was the people's choice for the role of England manager, but never got the job. Now in this fascinating account of his life, he reveals how he achieved such remarkable results and gives his outspoken views on the state of the modern game, the current crop of managers and much else besides. Also, for the first time, he talks fully about his battle with alcohol and how he has found a new calm since he retired from management in 1993.
Forthright, searingly honest and brilliant - just like the man himself... In this remarkable new autobiography, Brian Clough talks about his playing career and his managerial achievements, culminating in two consecutive European Cups with unfashionable Nottingham Forest. He talks with characteristic frankness about why he remains the best manager England never had; his notorious period at Leeds; his long-standing partnership with Peter Taylor; and how to blend teams of ageing 'has-beens' and young hopefuls into world beaters. He looks at how the game he loves has changed since the dawning of the Premiership, and explains why he sometimes finds it hard to watch the modern stars in action.
For the last three decades Brian Clough has been the most charismatic manager in football. Funny, outrageous, sentimental, he stands out sharply from the bland men in suits. Though his talent has earned him a fortune, he remains a working-class hero. As a player he was one of the most gifted forwards of his day. He scored 251 goals in 274 League appearances - and would have scored more had a cruel injury not forced him to retire. As a manager his record was full of superlatives. He took both Derby County and then Nottingham Forest out of the doldrums of the Second Division and made them world-beaters. Tactically brilliant, Clough had an unmatched ability to motivate players. He is the best manager England never had. Behind his back, they call him Old Big 'Ead. He has never been far from controversy, and some of his rows, particularly with his long-standing managerial partner Peter Taylor, are the stuff of tabloid legend. Not so long ago he was televised running onto the pitch to wallop some unruly supporters. More recently he has taken legal advice to counter rumours about illegal ticket deals. Dull he isn't. Despite his outgoing nature, Clough has always guarded his privacy. At last he has decided to tell his full story: from terraced council house in Middlesbrough, to luxurious mansion in an exclusive suburb of Derby; from fitter to socialist millionaire. He speaks of the influence of his strong, proud mother, his courtship and marriage to his glamorous wife Barbara, his children, particularly his goal-scoring son Nigel, and his health, which has been the subject of press speculation and concern. This is an extraordinary life, told by an extraordinary man.
Brian Laws has played in all four professional divisions of English football, including six years under the legendary Brian Clough at Nottingham Forest. Here, Laws recalls his footballing odyssey, taking in stops at Burnley, Huddersfield, Middlesbrough, Nottingham, Grimsby, Scunthorpe, Sheffield and back to Burnley again.
A Game Of Three Halves is the official biography of Kenny Swain. It tells the tale of the man who quit teaching to sign for Chelsea, the glamour club of the 1970s, and then moved on to Aston Villa where - having converted from striker to a full-back role - he played his part in winning the First Division championship and the European Cup. Next, Kenny was signed by Brian Clough at Nottingham Forest, and he now paints an evocative personal picture of the most charismatic and controversial manager in English football history. Portsmouth and Crewe were the last clubs to figure in an illustrious career that saw him play more than 100 games for five different clubs. Today, Kenny works in the England set-up, heading up the FA's talent ID programme, and has helped develop players such as Michael Owen, Joe Cole and Danny Welbeck.
This is the real life story of Brian a retired marine engineer. The book starts with his memories from World War 2 when he lived in Essex during the Battle of Britain and the following years. He tells many humorous stories about his travels abroad as a marine engineer and an insurance engineer. The book covers a period of employment in Libya when Gadaffi nationalized the oil company he was working for. During the final chapters he deals with redundancy and finally retirement. It is a story of an interesting life well spent by someone with a keen sense of humour.
In 1977-78, Brian Viner was a season ticket-holder in the Gwladys Street End at Goodison Park, home to his beloved Everton. In front of him were the stars of the day: striker Bob Latchford, creative midfielder Duncan McKenzie and goalkeeping hero George Wood. There were no airs and graces then: Viner would regularly see Latchford in the local pub, and even once saw Wood mowing the field at his school, so asked him to come and join his classmates for a kickabout, which he did. It would never happen now. But as well as nostalgia for that period, Viner reveals how this was a time when so much was on the cusp of change: in football the first wave of foreign players would arrive the next season, with Ossie Ardiles and Arnold Muhren among them; on Merseyside, the era of punk would soon give way to Thatcherism; and even Viner himself, at 16, was on the verge of adulthood. But little of what happened next could ever have been predicted. Viner's investigation of that year in the 1970s, based on many interviews with the players of the time, not only reveals a vanished era, but also shows how football often fails to look after its own, as the life stories of what happened to the players afterwards shows, but how the spirit of the sport will always shine through.
God has a unique plan and purpose for you to fulfill in the earth. God has designed a birth- ing time, a ‘delivery date’ for your purpose and destiny to be made a reality in the kingdom. Without purpose, people live by default, instead of by design. Don’t take the treasure God placed within you to the grave, stand and fight for it! Your God-given dreams are not reli- gious options, but they are prophetic imperatives. When you unlock your own purpose and destiny, you can change a city, transform a nation, and reach the world.
This book began in an argument between friends surprised to find themselves on opposite sides of the debate about whether the United States and the United Kingdom should invade Iraq in 2003. Situated on opposite sides of the Atlantic, in different churches, and on different sides of the just war/pacifist fence, we exchanged long emails that rehearsed on a small scale the great national and international debates that were taking place around us. We discovered the common ground we shared, as well as some predictable and some surprising points of difference....When the initial hostilities ended, our conversation continued, and we felt the urgency of contributing to a wider Christian debate about whether and when war could be justified."—From the Preface So began a dynamic collaboration that developed into a civil but provocative debate over matters of war and peace that is Faith and Force. From the ancient battles between Greek city-states to the Crusades to the World Wars of the twentieth-century to the present-day wars in Afghanistan and Iraq and the Middle East, aggressors and defenders alike have claimed the mantle of righteousness and termed their actions just. But can the carnage of war ever be morally grounded? And if so, how? These are the questions that David L. Clough, a Methodist proponent of pacifism, and Brian Stiltner, a Catholic theologian and just war adherent, have vowed to answer—together. With one voice, Clough and Stiltner outline and clarify issues of humanitarian intervention, weapons proliferation, and preventative war against rogue states. Their writing is grounded in Christian tradition and provides a fresh and illuminating account of the complexities and nuances of the pacifist and just war positions. In each chapter Clough and Stiltner engage in debate on the issues, demonstrating a respectful exchange of ideas absent in much contemporary political discourse—whether on television or in the classroom. The result is a well-reasoned, challenging repartee that searches for common ground within the Christian tradition and on behalf of the faithful promotion of justice—yet one that also recognizes genuine differences that cannot be bridged easily. Intended for a broad audience, Faith and Force is the perfect foil to the shrill screeching that surrounds partisan perspectives on military power and its use. To help with using the book in a classroom context, the authors have provided Questions for Reflection and Discussion for each chapter. You can download these questions in PDF format at press.georgetown.edu.
While masculinity has been an increasingly visible field of study within several disciplines (sociology, literary studies, cultural studies, film and tv) over the last two decades, it is surprising that analysis of contemporary representations of the first part of the century has yet to emerge. Professor Brian Baker, evolving from his previous work Masculinities in Fiction and Film: Representing Men in Popular Genres 1945-2000, intervenes to rectify the scholarship in the field to produce a wide-ranging, readable text that deals with films and other texts produced since the year 2000. Focusing on representations of masculinity in cinema, popular fiction and television from the period 2000-2010, he argues that dominant forms of masculinity in Britain and the United States have become increasingly informed by anxiety, trauma and loss, and this has resulted in both narratives that reflect that trauma and others which attempt to return to a more complete and heroic form of masculinity. While focusing on a range of popular genres, such as Bond films, war movies, science fiction and the Gothic, the work places close analyses of individual films and texts in their cultural and historical contexts, arguing for the importance of these popular fictions in diagnosing how contemporary Britain and the United States understand themselves and their changing role in the world through the representation of men, fully recognising the issues of race/ethnicity, class, sexuality, and age. Baker draws upon current work in mobility studies and in the study of masculinities to produce the first book-length comparative study of masculinity in popular culture of the first decade of the twenty-first century.
For oenophiles and anyone interested in ways climate change is affecting what’s on the table, this is a must-read." Publishers Weekly Take a tour of wine and spirit production around the world and how climate change is affecting it at every stage – from cultivation to consumption. Climate change is altering the very nature of wine and spirit production around the world. From the unimaginably destructive fires that rip through California’s wine country with terrifying frequency to the floods and hail storms that threaten grape and grain harvests from Bordeaux to Kentucky and beyond, no one involved in the world of beverage production is immune. Thankfully, it’s not all doom and gloom: The rising temperatures brought on by climate change have allowed southern English wine producers to gain a foothold in the world of sparkling wine: Their best bubblies are finally gaining the kind of respect that producers have dreamed about for decades. CRUSHED takes readers on a tour of the world of wines and spirits, and tells the stories of the visionary growers and producers in eight key regions that are being affected by a climate whose shifts have been far more sudden and dramatic than they ever could have predicted. CRUSHED is written for everyone who enjoys a nice glass of wine or a great dram of whiskey, and who has ever wondered how it got from its literal roots to the glass they’re holding in their hand. It’s for anyone who is interested in the ways in which our dramatically shifting natural environment is affecting the beverages we’ve all taken for granted. Over the course of eight gripping chapters, each one focusing on a different part of the wine and spirits world, readers are taken into the lives of the people responsible for some of the most delicious drinks in the world in fascinating, revealing, and riveting ways. Plenty of books have been written about the effects of climate change on our food system, yet none has so vividly given readers the opportunity to understand how their beloved wines and spirits are being affected. Until now.
This popular anthology provides a collection of the most significant Victoran verse xxx; including some minor figures notably John Clare, Emily Bronte and James Thomson. Fully annotated, this collection contains introductions to individual poets, headnotes to the poems and full and informative footnotes. It represents Victorian poetic taste at its best and is the ideal companion for everyone interested in poetry of the period.
This book addresses how the Hopi became icons of the followers of alternative spiritualities and reveals one of the major pathways for the explosive appropriation of Indigenous identities in the 1960s. It reveals a largely unknown network of Native, non-Indian, and neo-Indian actors who spread misrepresentations of the Hopi that they created through interactions with the Hopi Traditionalist faction of the 1940s through 1980s. Significantly, many non-Hopis involved adopted Indian identities during this time, becoming “neo-Indians.” Exploring the new social field that developed to spread these ideas, Hopis and the Counterculture meticulously traces the trajectories of figures such as Ammon Hennacy, Craig Carpenter, Frank Waters, and the Firesign Theatre, among others. Drawing on insights into the interplay between primitivism, radicalism, stereotyping, and identity, Haley expands on concepts from scholars such as Roy Harvey Pearce’s notion of “isolated radicals” and Jonathan Friedman’s observations regarding the ascendancy of primitivism amid global crises. Haley scrutinizes the roles played by non-Hopi actors and the timing behind the widespread popularization of Hopi religious practices.
In 1977-78, Brian Viner was a season ticket-holder in the Gwladys Street End at Goodison Park, home to his beloved Everton. In front of him were the stars of the day: striker Bob Latchford, creative midfielder Duncan McKenzie and goalkeeping hero George Wood. There were no airs and graces then: Viner would regularly see Latchford in the local pub, and even once saw Wood mowing the field at his school, so asked him to come and join his classmates for a kickabout, which he did. It would never happen now. But as well as nostalgia for that period, Viner reveals how this was a time when so much was on the cusp of change: in football the first wave of foreign players would arrive the next season, with Ossie Ardiles and Arnold Muhren among them; on Merseyside, the era of punk would soon give way to Thatcherism; and even Viner himself, at 16, was on the verge of adulthood. But little of what happened next could ever have been predicted. Viner's investigation of that year in the 1970s, based on many interviews with the players of the time, not only reveals a vanished era, but also shows how football often fails to look after its own, as the life stories of what happened to the players afterwards shows, but how the spirit of the sport will always shine through.
Brian Horton is one of the most respected managers in English football. As a player, manager and assistant, he took part in over 2,000 games - in Britain only Sir Alex Ferguson can claim more. Horton's career started in the World Cup summer of 1966 and ended over half a century later. His playing career began unceremoniously when Port Vale bought him from non-league Hednesford for the price of a pint of shandy. But later, as Brighton captain, he became a club legend, skippering the Seagulls from the Third to the First Division. He continued this success at Luton and Hull, before managing the Yorkshire side. Horton further distinguished himself as boss at Oxford and then Manchester City, keeping the Citizens in the Premier League for two thrilling seasons. Spells at Huddersfield, Brighton, Port Vale and Macclesfield followed before Brian was catapulted back to the Premier League at Hull City as assistant manager to Phil Brown. He continued to work with Brown at Preston, Southend and Swindon until his retirement in 2018.
A Game Of Three Halves is the official biography of Kenny Swain. It tells the tale of the man who quit teaching to sign for Chelsea, the glamour club of the 1970s, and then moved on to Aston Villa where - having converted from striker to a full-back role - he played his part in winning the First Division championship and the European Cup. Next, Kenny was signed by Brian Clough at Nottingham Forest, and he now paints an evocative personal picture of the most charismatic and controversial manager in English football history. Portsmouth and Crewe were the last clubs to figure in an illustrious career that saw him play more than 100 games for five different clubs. Today, Kenny works in the England set-up, heading up the FA's talent ID programme, and has helped develop players such as Michael Owen, Joe Cole and Danny Welbeck.
You might never have seen a hurling game in your life, but within ten minutes of seeing Brian Corcoran play, you'd know and say, "That man with that helmet is special." He just has an authority, a grace, a presence that elevates him from everything else which surrounds him' - Ger Loughnane The year 2006 was about more than an historic three-in-a-row bid for the Cork hurlers; it marked the last year in the inter-county career of probably the county's finest and most revered hurler of the past 20 years. In Every Single Ball, Brian Corcoran gives us a riveting insight into the workings of the most professional team the GAA has ever known as they sought hurling immortality. He also takes us through, in his refreshingly candid and sincere way, one of the most varied and lengthy careers of modern times and the personalities, highs, trials and tribulations he encountered along the way. He brings us into the training grounds and dressing-rooms of Billy Morgan, Larry Tompkins, Canon O'Brien and Jimmy Barry-Murphy, recalls the torment and frustration that caused him to walk away from hurling at only 28 and reveals how, just like his hero, Michael Jordan, he came back and fell in love again with his sport and with winning. Quite simply, Every Single Ball is the story of one of Ireland's greatest sporting comebacks, sportsmen and sports teams.
The terrifyingly surreal universe of horror master H. P. Lovecraft bleeds into the logical world of Sherlock Holmes, Sir Arthur Conan Doyle’s champion of rational deduction, in these stories by twenty top horror, mystery, fantasy, and science fiction writers. Arthur Conan Doyle’s Sherlock Holmes is among the most famous literary figures of all time. For more than a hundred years, his adventures have stood as imperishable monuments to the ability of human reason to penetrate every mystery, solve every puzzle, and punish every crime. For nearly as long, the macabre tales of H. P. Lovecraft have haunted readers with their nightmarish glimpses into realms of cosmic chaos and undying evil. But what would happen if Conan Doyle’s peerless detective and his allies were to find themselves faced with mysteries whose solutions lay not only beyond the grasp of logic, but of sanity itself? In this collection of all-new, all-original tales, twenty of today’s most cutting-edge writers provide their answers to that burning question. “A Study in Emerald” by Neil Gaiman: A gruesome murder exposes a plot against the Crown, a seditious conspiracy so cunningly wrought that only one man in all London could have planned it—and only one man can hope to stop it. “A Case of Royal Blood” by Steven-Elliot Altman: Sherlock Holmes and H. G. Wells join forces to protect a princess stalked by a ghost—or perhaps something far worse than a ghost. “Art in the Blood” by Brian Stableford: One man’s horrific affliction leads Sherlock Holmes to an ancient curse that threatens to awaken the crawling chaos slumbering in the blood of all humankind. “The Curious Case of Miss Violet Stone” by Poppy Z. Brite and David Ferguson: A girl who has not eaten in more than three years teaches Holmes and Watson that sometimes the impossible cannot be eliminated. “The Horror of the Many Faces” by Tim Lebbon: Dr. Watson witnesses a maniacal murder in London—and recognizes the villain as none other than his friend, Mr. Sherlock Holmes. With thirteen other dark tales of madness, horror, and deduction, a new and terrible game is afoot: “Tiger! Tiger!” by Elizabeth Bear “The Case of the Wavy Black Dagger” by Steve Perry “The Weeping Masks” by James Lowder “The Adventure of the Antiquarian’s Niece” by Barbara Hambly “The Mystery of the Worm” by John Pelan “The Mystery of the Hanged Man’s Puzzle” by Paul Finch “The Adventure of the Arab’s Manuscript” by Michael Reaves “The Drowned Geologist” by Caitlín R. Kiernan “A Case of Insomnia” by John P. Vourlis “The Adventure of the Voorish Sign” by Richard A. Lupoff “The Adventure of Exham Priory” by F. Gwynplaine MacIntyre “Death Did Not Become Him” by David Niall Wilson and Patricia Lee Macomber “Nightmare in Wax” by Simon Clark
The Encyclopaedia of Australian Metal presents pictures, biographies and discographical information on more than 2000 metal and heavy rock bands from all parts of Australia - from the early 70s pioneers like AC/DC, Buffalo and Rose Tattoo to the current breed: Psycroptic, Parkway Drive, Ne Obliviscaris and more.
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