What is social justice? In Theories of Justice Brian Barry provides a systematic and detailed analysis of two kinds of answers. One is that justice arises from a sense of the advantage to everyone of having constraints on the pursuit of self-interest. The other answer connects the idea of justice with that of impartiality. Though the first book of a trilogy, Theories of Justice stands alone and constitutes a major contribution to the debate about social justice that began in 1971 with Rawls's A Theory of Justice. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1989. What is social justice? In Theories of Justice Brian Barry provides a systematic and detailed analysis of two kinds of answers. One is that justice arises from a sense of the advantage to everyone of having constraints on the pursuit of self-intere
All major western countries today contain groups that differ in their religious beliefs, customary practices or ideas about the right way in which to live. How should public policy respond to this diversity? In this important new work, Brian Barry challenges the currently orthodox answer and develops a powerful restatement of an egalitarian liberalism for the twenty-first century. Until recently it was assumed without much question that cultural diversity could best be accommodated by leaving cultural minorities free to associate in pursuit of their distinctive ends within the limits imposed by a common framework of laws. This solution is rejected by an influential school of political theorists, among whom some of the best known are William Galston, Will Kymlicka, Bhikhu Parekh, Charles Taylor and Iris Marion Young. According to them, this 'difference-blind' conception of liberal equality fails to deliver either liberty or equal treatment. In its place, they propose that the state should 'recognize' group identities, by granting groups exemptions from certain laws, publicly 'affirming' their value, and by providing them with special privileges or subsidies. In Culture and Equality, Barry offers an incisive critique of these arguments and suggests that theorists of multiculturism tend to misdiagnose the problems of minority groups. Often, these are not rooted in culture, and multiculturalist policies may actually stand in the way of universalistic measures that would be genuinely beneficial.
What makes someone an evil person? How are evil people different from merely bad people? Do evil people really exist? Can we make sense of evil people if we mythologize them? Do evil people take pleasure in the suffering of others? Can evil people be redeemed? Peter Brian Barry answers these questions by examining a wide range of works from renowned authors, including works of literature by Kazuo Ishiguro, Mark Twain, Edgar Allan Poe, Herman Melville, and Oscar Wilde alongside classic works of philosophy by Nietzsche and Aristotle. By considering great texts from literature and philosophy, Barry examines whether evil is merely a fiction. The Fiction of Evil explores how the study of literature can contribute to the study of metaphysics and ethics and it is essential reading for those studying the concept of evil or philosophy of literature at undergraduate level.
Since its publication in 1965 Political Argument has come to be recognized as occupying a key position in the revival of Anglo-American political philosophy. A number of the ideas introduced by Barry have become part of the standard vocabulary, such as the distinction between ideal-regarding and want-regarding principles and the division of principles into aggregative and distributive. Political Argument provided the first precise analysis, still frequently cited, of the conception that political values have trade-off relations; the analysis of the notion of the public interest has also enjoyed wide influence. For this long-awaited reprint, the author has prepared a substantial, new introductory essay in which he recounts the process of writing the book and sets it in the intellectual milieu of its time. He then offers extensive comments on the subsequent fate of some of the leading ideas and assesses the book in light of criticisms and later developments. Finally, Barry evaluates current approaches to political philosophy as they look today. This new edition of Political Argument will interest political theorists, philosophers, economists, and a range of other scholars. Brilliant and incisive, it will engender discussion and debate from many quarters.
This book examines what makes someone an evil person and how evil people are different from merely bad people. Rather than focusing on the "problem of evil" that occupies philosophers of religion, Barry looks instead to moral psychology-the intersection of ethics and psychology. He provides both a philosophical account of what evil people are like and considers the implications of that account for social, legal, and criminal institutions. He also engages in traditional philosophical reasoning strongly informed by psychological research, especially abnormal and social psychology. In response to the popularity of phrases like "the axis of evil" and the ease with which politicians and others describe their opponents as "evil," Barry sets out to make clear just what it is to be an evil person.
Standing against the trend towards relativism in political philosophy, this work offers a contemporary restatement of the Enlightenment idea that certain basic principles can validly claim the allegiance of every reasonable human being
A judge’s role is to make decisions. This book is about how judges undertake this task. It is about forces on the judicial role and their consequences, about empirical research from a variety of academic disciplines that observes and verifies how factors can affect how judges judge. On the one hand, judges decide by interpreting and applying the law, but much more affects judicial decision-making: psychological effects, group dynamics, numerical reasoning, biases, court processes, influences from political and other institutions, and technological advancement. All can have a bearing on judicial outcomes. In How Judges Judge: Empirical Insights into Judicial Decision-Making, Brian M. Barry explores how these factors, beyond the law, affect judges in their role. Case examples, judicial rulings, judges’ own self-reflections on their role and accounts from legal history complement this analysis to contextualise the research, make it more accessible and enrich the reader’s understanding and appreciation of judicial decision-making. Offering research-based insights into how judges make the decisions that can impact daily life and societies around the globe, this book will be of interest to practising and training judges, litigation lawyers and those studying law and related disciplines.
Since its publication in 1965, Brian Barry's seminal work has occupied an important role in the revival of Anglo-American political philosophy. A number of ideas and terms in it have become part of the standard vocabulary, such as the distinction between ""ideal-regarding"" and ""want-regarding"" principles and the division of principles into aggregative and distributive. The book provided the first precise analysis of the concept of political values having trade-off relations and its analysis of the notion of the public interest has also been significant.
Barry Dixon Inspirations takes the reader through eight homes transformed by renowned designer Barry Dixon. From a cottage and a chic chateau to a grand estate home, with a high-rise apartment and a row house in between, we see the broad range of Dixon's decorating style and learn what inspired his colors and materials for each location.Barry Dixon, named the "2010 Master of Design" by Veranda magazine, has worked for such clients as Diane Sawyer and former Senate Majority Leader Bill Frist. He spent his childhood living in places such as India, New Caledonia and South Africa. This early exposure to many cultures and traditions clearly helped him to become a master at blending traditional décor with various colors and textures that are not forgetful about beauty and functionality.In Barry Dixon Inspirations, designers will learn all about what inspired Barry's choices for colors and materials for designs he created for a beach house, a renovated urban loft, and more.Designs include: Montecito California Weekend Living Showhouse Stately Living in Nashville Industrial Redux in Corinth, Mississippi Georgian Tradition on the Banks of the Potomac Sky High Living on Chicago's Michigan Avenue Delaware Shore Beach House
Rationalist theories of political behavior have recently risen in status to that of a new—or, more accurately, rediscovered—paradigm in the systematic study of politics. Brian Barry's short, provocative book played no small part in the debate that precipitated this shift. . . . Without reservation, Barry's treatise is the most lucid and most influential critique of two important, competing perspectives in political analysis: the 'sociological' school of Talcott Parsons, Gabriel Almond, and other so-called functionalists; and the 'economic' school of Anthony Downs and Mancur Olson, among others."—Dennis J. Encarnation, American Journal of Sociology
Preeminent designer Barry Dixon approaches each project with the design philosophy that the greatest quality ahome might possess is that of innate, soulful hospitality. His work features a masterful blend of traditional and contemporary décor that mixes color and texture in astounding ways. Barry Dixon Interiors exemplifies Dixon’s belief that our homes reflect our past, emanate our present and suggest our future.From a Manhattan loft choreographed for entertaining to Arts and Crafts in a woodland glade, to embassy elegance in Washington, D.C., Barry Dixon has seen and designed it all. From a Manhattan loft choreographed for entertaining to Arts and Crafts in a woodland glade, to embassy elegance in Washington, D.C., Barry Dixon has seen and designed it all. As one of America's top up-and-coming designers, Dixon's work is a masterful blend of traditional and contemporary that mixes color and texture in creative ways that have clients across the country clamoring for his designs. Barry Dixon Interiors (subtitle?), written by well-known author Brian Coleman (Scalamandre; Farrow & Ball), with luminous photography by Edward Addeo and a foreword by Sherrie Donghia, is the highly-anticipated first book to highlight Dixon's innovative designs. His work has been featured in scores of publications, including House Beautiful, Better Homes & Gardens, Traditional Home, and more, and Dixon's own furniture and soft furnishings line is carried in showrooms nationally. Brian D. Coleman, MD, divides his time between Seattle and New York. His articles have appeared in magazines ranging from Old House Journal, where he is the West Coast editor, to Period Living in the U.K. Brian is the author of seven books on the decorative arts, including the recent hits Farrow & Ball and Cottages. Edward Addeo is a New York-based photographer whose work has appeared in Vogue, House Beautiful, and the New York Times magazine among other publications. He has also photographed several books, including Cherished Objects and The Art of The Party. He lives with his family in New York. www.barrydixon.com.
In the wake of highly publicized corporate shake-ups, internal investigations have gained national prominence and established themselves as an important tool of management. This newly updated and expanded resource guides you through the intricate steps of conducting an effective and efficient internal investigation. Each chapter covers one aspect of conducting an investigation, clearly describing and advising you on the methods and skills involved, while providing you with practical tips on anticipating, recognizing, and avoiding the traps you are certain to encounter.
In the deserts outside Las Vegas, Bloodshot has banded together with Project Rising Spirit?s most dangerous escapees. But when the Harbinger Wars erupt all around them, can he shape these super-powered children into a force for good ? or are they too far gone? He?ll have to find out the hard way as the opposing forces of PRS and the Harbinger Foundation descend on all sides, bringing about a crucible the likes of which the Valiant Universe has never seen? Collecting BLOODSHOT #10-13 by acclaimed writer Duane Swierczysnki (Birds of Prey) and legendary artist Barry Kitson (Amazing Spider-Man), jump headlong into the uncompromising action of Valiant?s first crossover event right here with an all-new standalone story arc that will redefine the weapon ? no, the soldier ? no, the hero known only as Bloodshot. ?The best big action book on the shelves?? ? Comic Book Resources ?Month after month, Bloodshot continues to be the most brutal superhero book on the stands.? ? IGN
The first collection of critical writing on the work of experimental filmmaker Hollis Frampton. Hollis Frampton (1936–1984) was one of the most important experimental filmmakers and theorists of his time, and in his navigation of artistic media and discourses, he anticipated the multimedia boundary blurring of today’s visual culture. Indeed, his photography continues to be exhibited, and a digital edition of his films was issued by the Criterion Collection. This book offers the first collection of critical writings on Frampton’s work. It complements On the Camera Arts and Consecutive Matter, published in the MIT Press’s Writing Art series, which collected Frampton’s own writings. October was as central to Frampton as he was to it. He was both a frequent contributor—appearing in the first issue in 1976—and a frequent subject of contributions by others. Some of these important and incisive writings on Frampton’s work are reprinted here. The essays collected in this volume consider Frampton’s photographic practice, which continued even after he turned to film; survey his film work from the 1960s to the late 1970s; and explore Frampton’s grounding in poetics and language. Two essays by the late Annette Michelson, one of the twentieth century’s most influential writers on experimental film, place Frampton in relation to film and art history. Contributors George Derk, Ken Eisenstein, Hollis Frampton, Peter Gidal, Barry Goldensohn, Brian Henderson, Bruce Jenkins, Annette Michelson, Christopher Phillips, Melissa Ragona, Allen S. Weiss, Federico Windhausen, Lisa Zaher, Michael Zryd
Across the Afrotropical and Malagasy regions, ants are one of the most conspicuous and ecologically dominant animal groups. From driver ants to weaver ants, there are over 2,000 species in Africa alone and over 600 in Madagascar. Ants of Africa and Madagascar introduces readers to the fascinating and diverse ant fauna of the Afrotropical and Malagasy regions. Featuring illustrated keys to subfamilies, separate keys to Afrotropical and Malagasy ant genera, and distribution maps, it also describes diagnostic characters, explores ant ecology and natural history, and includes a list of all currently recognized ant species in the regions. This detailed guide is an essential tool for entomologists and myrmecologists working with and learning about this diverse population of Formicidae.
TIPS, TIPS TO HELP YOU BECOME A MUSIC STAR! This is a story of Bob Wills and his Last Tour in 1964 and what it is like to continue working after the employer and Idol are no longer able to work. This Story is about Bob Wills Last Tour in 1964 and a survivor who caught Wills as he had a stroke and fell outside the dance hall on a music break. Barry Doss was that Survivor and he tells the readers what happened. The reader will be intrigued.
More and more people would like to migrate, but find that every state places barriers in their way. At the same time, most governments not only permit but court foreign investment. Can this difference between the treatment of people and the treatment of money be justified? This book asks this question from the point of view of five different ethical perspectives: liberal egalitarianism, libertarianism, Marxism, natural law and political realism. -- FROM BOOK JACKET.
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