The decadent chic of Bahamian high life collides with bittersweet romance in this poignant and powerful novel that explores the redemptive power of love. Chris Angostura, the scion of a prominent family, frolics away his days and nights drinking and clubhopping in the Bahamas, where sex and drugs are his for the taking. It is not until he meets Robin, a beautiful and exciting artist, that he begins to face his past in order to discover the true beauty behind the seductive façade of paradise.
“Decadence has never seemed so sweet and innocent as it does in Brian Antoni’s lost world of deco and disco in pre-millennial Miami.” —Jay McInerney This second novel by the acclaimed author of Paradise Overdose, is a “candy-colored and warmhearted . . . story of one man’s moral and sexual flowering” (The New York Times Book Review). At the ripe old age of twenty-nine, globe-trotting, trust fund-endowed Gabriel Tucker is horrified to learn that all that’s left of his inheritance is a crumbling Miami Beach apartment building named the Venus De Milo Arms. Alone, penniless, and lacking any sort of useful skills, he heads to Miami to reconstruct his life. His new neighbors are an unlikely mix of tenants: an elderly Holocaust survivor, a lip-synching drag queen, a cynical two-bit gossip columnist, and a rebellious young performance artist who Gabriel starts to fall for. Quickly he is thrust into the outrageous world of South Beach, where temptations abound and quick fortunes, mountains of drugs, nonstop sex, and beautiful women (and men) for sale (or rent) are the order of the day. He becomes a ringside witness to the excesses and intrigues of Italian fashion empires, Cuban refugee supermodels, rapacious German developers, old-fashioned crooked politicians, and a cast of colorful characters that would make Caligula blush. South Beach’s debauched and seductive glow makes for an unlikely place to start over. But it is here, among the faded art deco buildings and eclectic residents, that Gabriel will find a home—and a love—that he never expected. “[Antoni] mischievously and triumphantly combines explicit sexual encounters with keen, hilarious social commentary and genuine compassion to create a love letter to a crazy place and a sweet tale of friendship, succor, and love.” —Booklist
“To call Sue Mengers a ‘character’ is an understatement, unless the word is written in all-caps, followed by an exclamation point and modified by an expletive. And based on Brian Kellow’s assessment in his thoroughly researched Can I Go Now? even that description may be playing down her personality a bit.” —Jen Chaney, The Washington Post • A NY Times Culture Bestseller • An Entertainment Weekly Best Pop Culture Book of 2015 • A Booklist Top Ten Arts Book of 2015 • A lively and colorful biography of Hollywood’s first superagent—one of the most outrageous showbiz characters of the 1960s and 1970s whose clients included Barbra Streisand, Ryan O’Neal, Faye Dunaway, Michael Caine, and Candice Bergen Before Sue Mengers hit the scene in the mid-1960s, talent agents remained quietly in the background. But staying in the background was not possible for Mengers. Irrepressible and loaded with chutzpah, she became a driving force of Creative Management Associates (which later became ICM) handling the era’s preeminent stars. A true original with a gift for making the biggest stars in Hollywood listen to hard truths about their careers and personal lives, Mengers became a force to be reckoned with. Her salesmanship never stopped. In 1979, she was on a plane that was commandeered by a hijacker, who wanted Charlton Heston to deliver a message on television. Mengers was incensed, wondering why the hijacker wanted Heston, when she could get him Barbra Streisand. Acclaimed biographer Brian Kellow spins an irresistible tale, exhaustively researched and filled with anecdotes about and interviews more than two hundred show-business luminaries. A riveting biography of a powerful woman that charts show business as it evolved from New York City in the 1950s through Hollywood in the early 1980s, Can I Go Now? will mesmerize anyone who loves cinema’s most fruitful period.
Basketball gave me a life; Parkinson's taught me how to live it." —Brian Grant After 12 years of playing basketball at the highest professional level, Brian Grant could have been forgiven for thinking that the hardest part of his life was behind him, that he'd be able to kick back and enjoy the fruits of his considerable labors. But soon after?his retirement from the NBA, Grant was diagnosed with Young-Onset Parkinson's disease, ushering in a challenge greater than any he'd faced before, as well as an opportunity to embrace what really matters. With esteemed basketball writer Ric Bucher, Grant shares his story in raw and candid fashion, as he takes readers to Sacramento, Portland, Miami, and beyond; to the airplane 30,000 feet in the air where he first came to understand the source of the tremors in his hand; and to the summit of Mount St. Helens alongside five others with PD, where he once again put himself to the test and defied expectations. In Rebound, Grant shares his remarkable life before, during, and after those NBA years with no shortage of compassion and wit.
The church -- Sin -- Modernity -- The person and society -- Politics -- The nation penitent -- Ecclesia militans -- The Jew -- Polak-Katolik -- Mary, militant and maternal
Basketball’s New Wave gives readers a front-row seat to this transition from one generation to the next, with pages full of information about these players, where they came from, and what makes them stand out.
This primer describes important equations of materials and the scientists who derived them. It provides an excellent introduction to the subject by making the material accessible and enjoyable. The book is dedicated to a number of propositions: 1. The most important equations are often simple and easily explained; 2. The most important equations are often experimental, confirmed time and again; 3. The most important equations have been derived by remarkable scientists who lived interesting lives. Each chapter covers a single equation and materials subject, and is structured in three sections: first, a description of the equation itself; second, a short biography of the scientist after whom it is named; and third, a discussion of some of the ramifications and applications of the equation. The biographical sections intertwine the personal and professional life of the scientist with contemporary political and scientific developments. Topics included are: Bravais lattices and crystals; Bragg's law and diffraction; the Gibbs phase rule and phases; Boltzmann's equation and thermodynamics; the Arrhenius equation and reactions; the Gibbs-Thomson equation and surfaces; Fick's laws and diffusion; the Scheil equation and solidification; the Avrami equation and phase transformations; Hooke's law and elasticity; the Burgers vector and plasticity; Griffith's equation and fracture; and the Fermi level and electrical properties. The book is written for students interested in the manufacture, structure, properties and engineering application of materials such as metals, polymers, ceramics, semiconductors and composites. It requires only a working knowledge of school maths, mainly algebra and simple calculus.
One of the best novelists since Jane Austen."—Philadelphia Inquirer This novel is a powerful successor to Testimonies, Patrick O'Brian's first novel written for adults. It is set in that corner of France that became O'Brian's adopted home, where the long, dark wall of the Pyrenees runs headlong to meet the Mediterranean. Alain Roig returns to Saint-Féliu after years in the East and finds his family in crisis. His dour, middle-aged cousin Xavier, the mayor and most powerful citizen of the town, has fallen in love and plans to marry Madeleine, the young daughter of the local grocer. The Roig family property is threatened by this union, and Madeleine's relatives object on different grounds. Xavier is a tragic figure, damned by what he perceives as a lack of feeling; Madeleine is to be his salvation. Unfortunately she does not return his affection, and, as the feasts and harvest festivals of Saint-Féliu are played out, she finds herself falling in love with Alain.
Art on the brain? Plan your visits to the world's great cities with ART SHOP EAT. The best museum and gallery districts mapped out for the busy traveler--with tips on the hottest dining and most fashionable shopping for the perfect day in town. In a handy format with full color maps, these are terrific guides for discovering the finest that each of these cities has to offer. Stroll through the Picasso Museum shop at the exquisite Model Flamenca Flora Albaicin seafood at Passadis d'en Pep
How an Underground Network of Nerds, Feminists, Misfits, Geniuses, Bikers, Potheads, Printers, Intellectuals, and Art School Rebels Revolutionized Art and Invented Comix
How an Underground Network of Nerds, Feminists, Misfits, Geniuses, Bikers, Potheads, Printers, Intellectuals, and Art School Rebels Revolutionized Art and Invented Comix
A complete narrative history of the weird and wonderful world of Underground Comix! In the 1950s, comics meant POW! BAM! superheroes, family-friendly gags, and Sunday funnies, but in the 1960s, inspired by these strips and the satire of MAD magazine, a new generation of creators set out to subvert the medium, and with it, American culture. Their “comix,” spelled that way to distinguish the work from their dime-store contemporaries, presented tales of taboo sex, casual drug use, and a transgressive view of society. Embraced by hippies and legions of future creatives, this subgenre of comic books and strips often ran afoul of the law, but that would not stop them from casting cultural ripples for decades to come, eventually moving the entire comics form beyond the gutter and into fine-art galleries. Author Brian Doherty weaves together the stories of R. Crumb, Art Spiegelman, Trina Robbins, Spain Rodriguez, Harvey Pekar, and Howard Cruse, among many others, detailing the complete narrative history of this movement. Through dozens of new interviews and archival research, Doherty chronicles the scenes that sprang up around the country in the 1960s and ’70s, beginning with the artists’ origin stories and following them through success and strife, and concluding with an examination of these creators’ legacies, Dirty Pictures is the essential exploration of a truly American art form that recontextualized the way people thought about war, race, sex, gender, and expression.
Dermatopathology is a specialized branch of pathology in which there has been great progress as new techniques have become available to evaluate the pathology of the skin. Many of the advances in our knowledge and understanding of the skin and the diseases that affect it have been made by people with experience of both diagnostic pathology and clinical dermatology. With significant numbers of large textbooks available, there is a need to provide practical clinical information and concise criteria for pathologic diagnosis for pathologists and dermatologists looking for up-to-date diagnostic and management options.
The best biography of Picasso."—Kenneth Clark Patrick O'Brian's outstanding biography of Picasso is here available in paperback for the first time. It is the most comprehensive yet written, and the only biography fully to appreciate the distinctly Mediterranean origins of Picasso's character and art. Everything about Picasso, except his physical stature, was on an enormous scale. No painter of the first rank has been so awe-inspiringly productive. No painter of any rank has made so much money. A few painters have rivaled his life span of ninety years, but none has attracted so avid, so insatiable, a public interest. Patrick O'Brian knew Picasso sufficiently well to have a strong sense of his personality. The man that emerges from this scholarly, passionate, and brilliantly written biography is one of many contradictions: hard and tender, mean and generous, affectionate and cold, private despite the relish of his fame. In his later years he professed communism, yet in O'Brian's view retained to the end of his life a residual Catholic outlook. Not that such matters were allowed to interfere with his vigorous sensuality. Sex and money, eating and drinking, friends and quarrels, comedies and tragedies, suicides and wars tumble one another in the vast chaos of his experience. he was "a man almost as lonely as the sun, but one who glowed with much the same fierce, burning life." It is with that impression of its subject that this book leaves its readers.
Covering the dynamics of reactive systems and of explosions, the 15 papers discuss the treatment of turbulent mixing in reactive systems, acoustic interactions with combustion fields, liquid atomization, soot formation, practical applications of combustion in waste incineration and pulse jet ignition in internal combustion engines, detonations phenomena, and mixing effects in explosions. Includes six color plates. No index. Annotation copyrighted by Book News, Inc., Portland, OR
“Decadence has never seemed so sweet and innocent as it does in Brian Antoni’s lost world of deco and disco in pre-millennial Miami.” —Jay McInerney This second novel by the acclaimed author of Paradise Overdose, is a “candy-colored and warmhearted . . . story of one man’s moral and sexual flowering” (The New York Times Book Review). At the ripe old age of twenty-nine, globe-trotting, trust fund-endowed Gabriel Tucker is horrified to learn that all that’s left of his inheritance is a crumbling Miami Beach apartment building named the Venus De Milo Arms. Alone, penniless, and lacking any sort of useful skills, he heads to Miami to reconstruct his life. His new neighbors are an unlikely mix of tenants: an elderly Holocaust survivor, a lip-synching drag queen, a cynical two-bit gossip columnist, and a rebellious young performance artist who Gabriel starts to fall for. Quickly he is thrust into the outrageous world of South Beach, where temptations abound and quick fortunes, mountains of drugs, nonstop sex, and beautiful women (and men) for sale (or rent) are the order of the day. He becomes a ringside witness to the excesses and intrigues of Italian fashion empires, Cuban refugee supermodels, rapacious German developers, old-fashioned crooked politicians, and a cast of colorful characters that would make Caligula blush. South Beach’s debauched and seductive glow makes for an unlikely place to start over. But it is here, among the faded art deco buildings and eclectic residents, that Gabriel will find a home—and a love—that he never expected. “[Antoni] mischievously and triumphantly combines explicit sexual encounters with keen, hilarious social commentary and genuine compassion to create a love letter to a crazy place and a sweet tale of friendship, succor, and love.” —Booklist
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