Description: Dunecollects, for the first time, the sand dune photographs of both Edward and Brett Weston, two giant names in modern photography. Previously, their remarkable dune photographs--dramatic abstractions of light and shadow and sensuous shape--were featured as samples in overview publications on the artists, just a picture here and there. This lush volume brings together father and son in a personal, unique fashion, showcasing the photographs each made in the same locations. Adding depth is an original essay by Brett Weston's longtime friend, traveling companion and biographer, John Charles Woods. Woods' intimate, forthcoming narrative describes what it was like to accompany the younger Weston into the dunes and what his habits and personality were like. Charis Wilson, Edward Weston's one-time wife, excerpts a passage from her acclaimed book Through Another Lens, in which she tells of a 1936 trip she and her husband made to the dunes of Oceano, California. Also included are correspondence between father and son, and excerpts from Edward Weston's daybooks.
The New York portfolio was produced by Weston in 1951. It contains Weston's photographs of New York from the 1940s -- photographs that contrast with his photographs of San Francisco and evidence Weston's growth as a photographer. The original 1951 title page and the introduction by Beaumont Newhall are reproduced in facsimile. Included is an afterword by art historian Roger Aikin.
Between 1939 and 1980 Brett Weston produced sixteen limited edition portfolios of original photographs. He believed passionately in the power of his original prints and chose the portfolio as the way to reach an expanded audience while still maintaining control over image quality. Today, Westons original portfolios are rare, expensive, and relatively inaccessible in museums, archives, libraries, or private collections. Most of the photographs in these new books have never before been reproduced. To recreate the feeling of the original portfolios, great care has been taken not only with the reproduction of the photographs, but with every aspect of these books. Where there is text in the portfolios, it is reproduced in facsimile, and the colour of each books cover has been selected to match the covers of the original portfolio cases.
The original White Sands portfolio, produced in 1949, contained twelve photographs and was printed in an edition of fifty. In 1975 Weston printed a second edition of the portfolio in an edition of seventeen. It included eight of the original ten photographs made in the 1940s (negatives from two of the photographs in the original portfolio were damaged and unprintable), two others from the 1940s that had not been included in the first portfolio and two from 1975, for a total of twelve prints. This book contains the original ten photographs plus the four new pictures from Weston's 1975 edition. The original 1949 title page and the introduction by Nancy Newhall are reproduced in facsimile. Included is an Afterword by art historian Roger Aikin. As a bonus, the book includes an additional photograph along with a facsimile reproduction of Brett's letter describing the picture as "Edward's favorite". Although it was not included in either of the original portfolios, Brett included it as a gift with the portfolio from which this book has been reproduced.
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