Mr. Potato Head, the comic strip, has a lot going for it: Not only does it feature a toy that's a member of the Toy Hall of Fame, but the cocreaters of the strip are legendary cartoonist Jim Davis and Garfield collaborator Brett Koth.
We've lost our way, and God is calling us to return to Him. Every church walks a "path," comprised of methods, programs, worship styles, etc. The paths our churches travel may have served us well in the past, but they are losing their effectiveness with every passing day. Christian churches in America are facing the challenge of decline, yet many cling to their current paths expecting fresh results of revival and renewal. We are deceived and need direction. God told Israel through the prophet Jeremiah, This is what the LORD says: "Stand at the crossroads and look; ask for the ancient paths, ask where the good way is, and walk in it, and you will find rest for your souls. But you said, 'We will not walk in it'" (Jeremiah 6:16 NIV). Today, churches are standing at a crossroads. The Crossroads is a critical point of decision that can mean life and fruitfulness or death and extinction, depending on the choices we make today. Will we stay on the unfruitful paths, or will we seek God for the ancient paths of His choosing: Paths of Holy Spirit power and Kingdom purposes? At the crossroads, the choice must be made. The Crossroads points the way to the ancient paths of true Kingdom fruitfulness.
The companion book to the HBO film about the Nirvana singer and songwriter, “the most intimate rock doc ever” (Rolling Stone). Kurt Cobain, legendary lead singer, guitarist, and songwriter of Nirvana, “the flagship band of Generation X,” remains an object of reverence and fascination for music fans. For the first time, his story was told in the fully authorized feature documentary, Kurt Cobain: Montage of Heck, in 2015. Brett Morgen—the Oscar®-nominated filmmaker behind such acclaimed documentaries as the HBO presentation Crossfire Hurricane, which celebrated the fiftieth anniversary of the Rolling Stones, and The Kid Stays in the Picture—was writer, director, and producer of film. Visual artist Frances Bean Cobain, Cobain’s daughter, was executive producer. This riveting book accompanied Morgen’s documentary and delved further into the material created for the film, presenting an illuminating and honest portrait of the Nirvana frontman that captured the contradictions that made up his character. The book is composed of the extended versions of the exclusive interviews featured in the film. It also showcases the film’s incredible visuals with a mixture of animation stills, rare photography, and other treasures from Kurt Cobain’s personal archive. Director Brett Morgen offers his personal thoughts on the creation of the film and the need to shatter the mythos that surrounds Cobain. Taking fans into and beyond Morgen’s movie with unparalleled insight into the world of the late musician, this book is the perfect complement to a milestone documentary that forever changed the way fans view Kurt Cobain. “The film offers the bells and whistles but the book provides the real guts of the tale.” —Examiner
More than twenty years have passed since Kurt Cobain took his own life in April 1994. Today, his legacy continues to fascinate, inspire, and haunt us. This riveting chronicle, which accompanies award-winning director Brett Morgen's highly anticipated documentary, paints an illuminating and honest portrait of the Nirvana frontman, capturing the contradictions that made up his character: he could be sincere and sentimental and also ironic and sarcastic, was sweet yet sour, and was both serious and very funny. This book - the only book about Kurt that has been produced with the cooperation of his widow, Courtney Love, and the Cobain Estate - includes interviews with numerous family members and friends, many of whom speak publicly about their relationship with Kurt for the first time, along with animation stills from the film, never-before-seen photographs, and other artefacts, offering revealing new insights into the life and character of Kurt Cobain. It is the ultimate book for fans of Nirvana, whose popularity continues to endure, and of Kurt, who remains a fascinating icon of popular culture.
And on your right, ladies and gentlemen, please observe The Conservative (Conservitus Americanus). This fascinating species in-habits vast territories across middle America, but rarely reveals itself in coastal urban areas. It is commonly believed to be uptight, humorless, and devoid of compassion, and is often characterized as racist, homophobic, and highly eco-unfriendly. Primary behaviors include unnecessary warmongering, tax cutting, and gun collecting. For decades, conservatives have proven to be hopelessly un-hip, and their mating habits dull. They are highly feared and often despised, for so few know and understand their true nature. Get ready to meet the conservative next door or in the office down the hall, the person you never thought in a million years was one of "them." Lively, witty, and thought-provoking, Why You're Wrong About the Right blows the lid off the stereotypes that have long been associated with the American Right, and reveals the face of today's conservatives: an intellectually and philosophically diverse new breed of young, outgoing, smart, friendly professionals who live and work among liberals everywhere! Themselves closet conservatives in Leftoid Land (aka Manhattan), S. E. Cupp and Brett Joshpe inject their own unique and colorful points of view into an honest dialogue on conservative ideas in American life and popular culture, and draw from interviews with a roster of renowned writers and political personalities, including Tony Stewart, Tucker Carlson, Brian C. Anderson, Laura Ingraham, Pat Toomey, David Horowitz, Ted Hayes, and many more. Undercover conservatives, reveal your true colors with pride! Liberals, hug a conservative today! And whichever side you find yourself on, you'll be engaged, surprised, and happily re-educated when you discover Why You're Wrong About the Right.
With The Abyssal Plain, Holloway and Talley have managed to transform the Cthulhu Mythos into something with a more modern flavor, drawing not just from the well of cosmic horror, but from technothrillers, survival horror, and splatterpunk, with just a dash of the lost sensibilities of the shudder pulps. A cup full of tentacles mixed with existential nihilism and sprinkled with liberal quantities of gore, this is Lovecraftian horror with a bloody bent that few others have dared to explore. --Peter Rawlik, author of Reanimators They called it the Event. The Event changed everything. The earthquakes came first, including the Big One, shattering the Pacific Rim and plunging the world into chaos. Then the seas came, the skies opened, and the never-ending rain began. But as bad as that was, there is something worse. The Rising has begun. A lone man who abandoned the world for his addictions searches a waterlogged Austin for something, anything to cling to. Little does he know that something else searches for him. In the Sonoran Desert, the downtrodden of the world search for a better life north of the border, only to see the desert become an ocean: an ocean that takes life and gives death. In the woods of Alabama, survivors escape to Fort Resistance, but soon discover that it isn't just the horrors of the deep places of the world that they need to fear; but rather a new and more deadly pestilence that has grown in their own ranks. In England, it's too late to fight, and all that's left is to survive. One man reaches for his own humanity, but what to do when humanity is an endangered species? And in the Pacific, He is rising. In The Abyssal Plain: The R'lyeh Cycle, authors William Holloway, Michelle Garza and Melissa Lason, Brett J. Talley, and Rich Hawkins have created a timely and uniquely modern reimagining of the Cthulhu Mythos.
The 10th anniversary edition, now with a new preface by the author "A wonderfully smart, lively, and culturally astute survey." - The New York Times Book Review "Grand entertainment...fascinating for anyone curious about the perplexing miracles of how great television comes to be." - The Wall Street Journal "I love this book...It's the kind of thing I wish I'd been able to read in film school, back before such books existed." - Vince Gilligan, creator of Breaking Bad and co-creator of Better Call Saul In the late 1990s and early 2000s, the landscape of television began an unprecedented transformation. While the networks continued to chase the lowest common denominator, a wave of new shows on cable channels dramatically stretched television’s narrative inventiveness, emotional resonance, and creative ambition. Combining deep reportage with critical analysis and historical context, Brett Martin recounts the rise and inner workings of this artistic watershed - a golden age of TV that continues to transform America's cultural landscape. Difficult Men features extensive interviews with all the major players - including David Chase (The Sopranos), David Simon and Ed Burns (The Wire), David Milch (NYPD Blue, Deadwood), Alan Ball (Six Feet Under), and Vince Gilligan (Breaking Bad, Better Call Saul) - and reveals how television became a truly significant and influential part of our culture.
Billy Parker will always be one of the greats…I’m proud that he has this autobiography to really show who he was and is." ~ Dolly Parton A lover of country music and broadcasting from his earliest days, Billy Parker took his first tentative steps into both those fields while still in his teens, leading to lasting renown as both a top-rated deejay and country recording artist. Following a stint as the front man for Ernest Tubb’s famed Texas Troubadours, Billy returned to his native Oklahoma, where he originated one of the first nationally known overnight radio shows of the ‘70s. For years, Billy’s voice rode nightly over the mighty airwaves of the original KVOO, a 50,000-watt flamethrower that spread Billy Parker’s Big Rigger show all across the country. Later, as program director for the station, he helped many country performers at all levels, becoming well-known for giving everyone a fair shake, regardless of their stature in the industry. Thanks – Thanks A Lot doesn’t just refer to the famous hit record he cut back in the 1960s; it’s also Billy Parker’s sincere nod to those who helped make him what he is today: a performer with several national hits; a trailblazing, multiple-award-winning deejay; and—as the call letters of the station that brought him stardom indicate —nothing less than the Voice of Oklahoma. "Billy was so important to the Oak Ridge Boys. He helped break all our songs and the Midwest followed. Billy was a trusted voice of radio. I am so blessed that our paths crossed and we became good friends for over five decades." ~ Duane Allen (of the Oak Ridge Boys)
This book focuses on the 11 men, lawyers and bankers, who are responsible for the creation of Wall Street's merger industry. It specifically concentrates on the events and personalities who dominated Wall Street during the takeover battles of the 1970s and 1980s. Lawyers Joe Flom and Marty Lipton, the godfathers of modern M&A, educated bankers on takeover laws and regulations as well as tactics. Flom and Lipton were also superlative businessmen who built their own firms to become Wall Street powerhouses. The two men drew into their orbit a circle of bankers. Felix Rohatyn, Ira Harris, Steve Friedman, Geoff Boisi, Eric Gleacher and Bruce Wasserstein were close to Lipton. Robert Greenhill and Joe Perella were close to Flom. M&A Titans provides insight into the culture of the different investment banks and how each of the bankers influenced the firms they worked in as they became more powerful. Some such as Gleacher, Harris, Wasserstein, Perella and Greenhill clashed with the men running their firms and left. Others such as Friedman and Boisi stayed and profoundly influenced how the firm did business. The career of Michael Milken, perhaps the notorious name on Wall Street in the 1980s, is also examined as well as the actions and tactics of his firm, Drexel Burnham Lambert. Milken and Drexel paved the way for the growth of private equity and helped popularize attacks on management by investors such as Boone Pickens and Carl Icahn.
The self-proclaimed "Hottest Band in the World," KISS is one of the most popular groups in the history of rock, having sold more than 100 million albums during their more than 40-year reign. With more gold albums than any other American band, they were inducted into the Rock and Roll Hall of Fame in 2014. KISS influenced a generation of musicians, from Garth Brooks and Motley Crue to Nirvana and the Red Hot Chili Peppers. The original leather-clad, makeup-wearing line-up--Ace "Spaceman" Frehley, Gene "Demon" Simmons, Paul "Starchild" Stanley and Peter "Catman" Criss--and their classic hits "Beth" and "Rock and Roll All Nite" are forever etched in pop culture consciousness. This encyclopedia of all things KISS provides detailed information on their songs, albums, tours, television and movie appearances, merchandise, solo work and much more, including replacement members Eric Carr, Vinnie Vincent, Bruce Kulick, Mark St. John, Eric Singer and Tommy Thayer.
In sensual, dazzling language that ranges from lyrical heights to low comedy, Blue Bel Air leaps from the halls of science to urban blight, from fine dining to rummage sales, from thoughts of mass murder at a family picnic to a bacchanal on the shores of Lake Superior, from metaphysics to the dark cave of unreason and the insoluble ties of blood. Omnia vincit amor: Love conquers all. Does it? Omnia amans amens, this much seems sure: All lovers are demented. Sylvia Stenmark is a brilliant, troubled young woman whose accomplishments cannot compensate for a splintered family past and present. She works in the catacombs of a university laboratory complex, friend and executioner to radioactive mice. Bryce Fraser is a reporter who doesn't believe in facts. His past is haunted by the suicide of his father ("a full professor, a poet of small renown") seven years earlier. Carla, a cook, is Bryce's friend and Sylvia's high school classmate. When Sylvia unexpectedly resurfaces in Carla's life, and at the same time enters Bryce's life in a very different way, the forces of coincidence and fascination draw them together into a shifting triangle which will try the powers of friendship, loyalty, and love. On his first, odd date with Sylvia, Bryce comes away with Sylvia's grandmother's car, a 1962 Bel Air, and his fate becomes enmeshed for a time in the car's vintage machinery and in his own embrace of coincidence and the intuitive life that he strives to lead. The Blue Bel Air is a vehicle in many senses, a vehicle that Bryce can't quite seem to steer. Blue Bel Air is a novel that illuminates character with precision, humor, and brilliance. It ponders motive while refusing easy psychology, temperingrationality with the mysterious workings of what Bryce calls "the secret desire". It encompasses a richly textured world of love and betrayal, reason and imagination, heartbreak and joy.
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