Brett Josef Grubisic's Books

The Age of Cities: A Literary Artifact

By: Brett Grubisic

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The Age of Cities: A Literary Artifact

By: Brett Grubisic

Winston closed his eyes with relief. He heard muffled pulses of party noise, but still felt damp and uncomfortable. His brain had turned haywire. At the mirror over the sink he was relieved to find his everyday face and no tell-tale outward sign - febrile flush, scarlet ears, Mr. Hyde eyes. He bent to the sink--both mirror and basin were too low, as though the bathroom had been built for children or with grief-shrunken Eastern European widows in mind - and splashed his face with cold water.''.... Equal parts Bildngsroman and purported literary artifact, The Age of Cities is really about the age of innocence. A manuscript is discovered inside a hollowed-out home economics textbook from the 1950s: the story of a male librarian from a small town who comes to the big city at the height of the Cold War in 1959. At first he is giddy with the discovery of an urban paradise, allowing him to reinvent himself at the same time as the city is. But his accidental discovery of a gay subculture - culminating in a feverish, dream-like initiation - pushes him irrevocably towards crisis. Written in the dialect of the time and framed by contemporary ''analysis,'' The Age of Cities is an imaginary artifact that is about the past and present all at once: a novel of ambiguous boundaries and invasive dichotomies. It is also about discovery, loss, and the ages-old ''closet'' where stories lie hidden from view.

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Page Count

266

Publisher

ReadHowYouWant.com

Published Date

ISBN 10

1458782573

ISBN 13

9781458782571

Understanding Beryl Bainbridge

By: Brett Josef Grubisic

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Understanding Beryl Bainbridge

By: Brett Josef Grubisic

In this introduction to prolific British novelist Beryl Bainbridge, Brett Josef Grubisic provides a biographical sketch of the writer, discussion of her motivations and techniques, and a detailed survey of her fiction that places the works in the traditions of British black comedy, social novels, and historical fiction. In approaching her works, Grubisic maps Bainbridge's movement from social to historical novels, beginning with the comic historicism of Young Adolf and continuing to her most recent fiction, The Birthday Boys, Every Man for Himself, Master Georgie, and According to Queeney. Grubisic holds that in portraying historical events through a variety of narrative techniques or from oblique vantage points, Bainbridge's latest novels partially ally themselves with the style and ideological concerns of literary postmodernism while still recalling the defining view of hardship established in her youth."--BOOK JACKET.

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