This study examines the satirical and polemical literature written in response to the 18th-century Methodist revival and the ways Methodists, who were acutely aware of the antagonism that tailed the revival, responded to this literature, both in public and in the ways they expressed and practiced their faith.
This study examines the satirical and polemical literature written in response to the 18th-century Methodist revival and the ways Methodists, who were acutely aware of the antagonism that tailed the revival, responded to this literature, both in public and in the ways they expressed and practiced their faith.
This book examines how Methodism and popular review criticism intersected with and informed each other in the eighteenth century. Methodism emerged at a time when the idea of a ‘public square’ was taking shape, a process facilitated by the periodical press. Perhaps more so than any previous religious movement, Methodism, and the publications associated with it, received greater scrutiny largely because of periodical literature and the emergence of popular review criticism. The book considers in particular how works addressing Methodism were discussed and critiqued in the era’s two leading literary periodicals – The Monthly Review and The Critical Review. Focusing on the period between 1749 and 1789, the study encompasses the formative years of popular review criticism and some of the more dramatic moments in the textual culture of early Methodism. The author illustrates some of the specific ways these review journals diverged in their critical approaches and sensibilities as well as their politics and religious opinions. The Monthly’s and the Critical’s responses to the Methodists’ own publishing efforts as well as the anti-Methodist critique are shown to be both multifaceted and complex. The book critically reflects on the pretended neutrality, reasonableness, and objectivity of reviewers, who at times found themselves negotiating between the desire to regulate literary tastes and the impulse to undermine the Methodist revival. It will be relevant to scholars of religion, history and literary studies with an interest in Methodism, print culture, and the eighteenth century.
What do taco salad, monkeys, mountain climbing, elk hunting, Shamu, and shrink-wrap have to do with marriage? Everything, according to author Brett C. McInelly. Whether taking his cue from fine Mexican cuisine, the great outdoors, or the majesty of the animal kingdom, the author interweaves humor with thought-provoking commentary as he explores the mysteries and wonders of married life from a decidedly male viewpoint. Hardly a model of husbandly perfection, he recounts his efforts to become that illusive creature known as the good husband. Most married men share this same desire. What many lack, however, is know-how. Men and the Art of Marriage Maintenance provides dozens of practical and creative tips, from the simple to the elaborate, that men can use on a day-to-day basis to make their marriage healthier and happier. Each tip is prefaced with a humorous anecdote and insightful commentary. While witty and light in its approach, Men and the Art of Marriage Maintenance speaks to deep issues regarding attitudes and behaviors that lead to a successful marriage. Readers, both men and women, will identify with the author's experiences as they come away with increased desires to work harder for that elusive goal of happily ever after.
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