Dorotea Bazan, captured by raiding Indians in the 19th century, grows to love her tribal husband and children. She deeply resents being "rescued" years later by her countrymen.
Based on a South American legend of an abused Argentinean girl kidnapped by Ranquel indians, "A Bride Called Freedom" gives the story a different twist. "The Prince and His Father" mixes past and present as a modern-day mother tells her troubled teen-age son a tale of an ancient Inca Prince in order to show him a path to healing.
A young woman named Viviana Suárez writes a series of letters to her friend in the United States, telling the story of Dorotea Bazán, "said to have been captured by Indians in the late nineteenth century," and resistant of rescue. Years later, grown and married, Viviana finds herself in the middle of the eternal conflict between a seemingly rigid father and a rebellious teenage son.
This book presents a case study of popular music heritage to address why, and how, Cleveland, Ohio has claimed to be the "birthplace of rock 'n' roll" and became the home of the Rock and Roll Hall of Fame. It explores the role of radio DJs, record stores, concerts and myths in shaping the relations between people, places, and the past.
This fluent and comprehensive field guide responds to increased interest, across the humanities, in the ways in which digital technologies can disrupt and open up new research and pedagogical avenues. It is designed to help scholars and students engage with their subjects using an audio-visual grammar, and to allow readers to efficiently gain the technical and theoretical skills necessary to create and disseminate their own trans-media projects. Documentary Making for Digital Humanists sets out the fundamentals of filmmaking, explores academic discourse on digital documentaries and online distribution, and considers the place of this discourse in the evolving academic landscape. The book walks its readers through the intellectual and practical processes of creating digital media and documentary projects. It is further equipped with video elements, supplementing specific chapters and providing brief and accessible introductions to the key components of the filmmaking process. This will be a valuable resource to humanist scholars and students seeking to embrace new media production and the digital landscape, and to those researchers interested in using means beyond the written word to disseminate their work. It constitutes a welcome contribution to the burgeoning field of digital humanities, as the first practical guide of its kind designed to facilitate humanist interactions with digital filmmaking, and to empower scholars and students alike to create and distribute new media audio-visual artefacts.
Cauca's Indigenous Movement in Southwestern Colombia: Land, Violence, and Ethnic Identity provides a vivid account of how the indigenous communities of Cauca in southwestern Colombia engaged with the Colombian central state. Troyan begins with the question of how 3.4 percent of the Colombian population obtained legal rights to close to a quarter of the national territory. Her in-depth study of the correspondence between the central state and indigenous communities of Cauca reveals that the nation state played a key role in the legitimization of land claims based on ethnic identity. Starting with the indigenous movement led by Manuel Quintín Lame in 1914, this book shows how, in contrast to the local authorities of Cauca, the central state adopted a more sympathetic albeit contradictory approach to indigenous communities’ grievances throughout the twentieth century. Land, Violence, and Cauca's Indigenous Movement in Southwestern Colombia presents an examination of state initiatives in the 1930s, 1950s, 1960s, and 1970s toward indigenous communities in Cauca, whichsheds light on the political and social construction of Colombian indigenous identity. Troyan also reveals how violence and the representation of violence shaped the conversations between the central state and indigenous communities of Cauca; the central state’s inability to exert a monopoly on violence, Troyan argues, places indigenous communities and their leaders in jeopardy despite the discursive legitimization of land claims based on ethnic identity.
The nation's capital has been home to a rich basketball tradition that began more than 80 years ago with a start-up league in the 1920s and continues today with the Washington Wizards. Under Hall of Fame coach and general manager Red Auerbach, the Washington Capitols reached the finals of the Basketball Association of America in just their third year of existence, and such renowned players as Wes Unseld, Chris Webber, and Michael Jordan have all played for a Washington, DC, area team. In The Bullets, the Wizards, and Washington, DC, Basketball, Brett L. Abrams and Raphael Mazzone chronicle the area's history of professional basketball, from the sport's origins as a regional game up through the present day as a multi-billion dollar business. This book captures the highs and lows of the Bullets, the Wizards, and all the other basketball teams in Washington's history. The authors meticulously researched newspaper and magazine articles, as well as archival material from the Basketball Hall of Fame, to give a complete and comprehensive history of the DC teams. Their findings illuminate the owners, players, and rivalries, and also provide insight into the events, trades, and most significant games that occurred throughout the history of professional basketball in the DC area. A fascinating look at the history of professional basketball in our nation's capital, The Bullets, the Wizards, and Washington, DC, Basketball will appeal to all fans of the sport.
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