The Alaska Yukon Pacific Exposition, held during the summer of 1909, was the first "world's fair" held in Seattle. Capitalizing on the popularity of the booming gold rush, the exposition was designed to showcase the riches of the Pacific Northwest and highlight trade with the Pacific Rim nations and beyond. Millions of visitors came to Seattle to experience the one-of-a-kind attractions, exhibits, and events held during the AY PE, which became the footprint for the modern University of Washington campus. Many of these visitors stayed to populate the growing metropolis. From the ornate European-style architecture to the fountains and gardens, the amusements of the Pay Streak, and the exotic Oriental exhibits, the AYPE entertained and educated while bringing needed business to Washington State.
A majestic book."--Bessel van der Kolk, MD, author of The Body Keeps the Score A unique joint memoir by a U.S. Marine and a conflict photographer whose unlikely friendship helped both heal their war-wounded bodies and souls "The dueling-piano spirit of SHOOTING GHOSTS works because its authors are so committed to transparency, admitting readers into the dark crevices of their isolation."--Wall St Journal Through the unpredictability of war and its aftermath, a decorated Marine sergeant and a world-trotting war photographer became friends, their bond forged as they patrolled together through the dusty alleyways of Helmand province and camped side by side in the desert. But when Sergeant T. J. Brennan was injured during a Taliban ambush, he and conflict photographer Finbarr O’Reilly returned home, each to face the fallout of war in their own way. Their friendship offered them both a shot at redemption. Shooting Ghosts looks at the horrors of war directly, but then turns to a journey that draws on our growing understanding of what recovery takes, charting the ways two survivors have found to calm the ghosts and reclaim a measure of peace.
An extremely fluent and effective text designed to be a complete resource for single semester modules, this new edition has a unique combination of text, case studies. The emphasis is on practicality and the text encourages the student to engage with the debate itself and not just the theory. Also available is a companion website with extra features to accompany the text, please take a look by clicking below - http://www.palgrave.com/business/brennan/
Describes how to write applications using the Motif toolkit from the Open Software Foundation (OSF), going into detail on every Motif widget class, with useful examples to help programmers develop their own code. Tips on programming in general are also included. The authors assume competence with C and familiarity with fundamental X Window System concepts. Chapters are marked by uncut tabs for easy location. The manual is updated for Motif 1.2, but still usable for Motif 1.1. Annotation copyright by Book News, Inc., Portland, OR
Environmental philosophy is one of the exciting new fields of philosophy to emerge in the last forty years. "Understanding Environmental Philosophy" presents a comprehensive, critical analysis of contemporary philosophical approaches to current ecological concerns. Key ideas are explained, placed in their broader cultural, religious, historical, political and philosophical context, and their environmental policy implications are outlined. Central ideas and concepts about environmental value, individual wellbeing, ecological holism and the metaphysics of nature set the stage for a discussion of how to establish moral rules and priorities, and whether it is possible to transcend human-centred views of the world. The reader is also helped with an annotated guide to further reading, questions for discussion and revision as well as boxed studies highlighting key concepts and theoretical material. A clear and accessible introduction to this most dynamic of subjects, "Understanding Environmental Philosophy" will be invaluable for a wide range of readers.
‘I told the guy sometimes your arm around my neck felt like...a feather boa...and sometimes it felt like a big ol’snake. Squeezing the life outta me.’ One transatlantic marriage. Three continents. Two wars. Boa is an acerbic, warm and honest account of a husband andwife whose relationship spans thirty years of love, laughter,addiction, and warfare. A reading of Boa premiered at the Hightide Festival 2014.
Dublin Burning is a vivid, clear-eyed account of the 1916 Rising and is the most complete account we have from a senior participant. No other senior Volunteer figure has left a similar memoir of Easter Week. Commandant W.J. Brennan-Whitmore was officer commanding the Volunteer position at the head of North Earl Street, an outworking of the GPO garrison. Its purpose was to delay and frustrate any attempt by the British to deploy reinforcements coming from Amiens Street railway station (now Connolly). Commandant Brennan-Whitmore and his men held this position for over seventy-two hours until forced out by British artillery. He and his troops attempted to retreat northwards through the slums, hoping to reach the safety of the suburbs. But he and his men were not Dubliners and were unfamiliar with the city. They were captured in a tenement where they had taken refuge and were interned in Frongoch in Wales until 1917. Brennan-Whitmore's book is a unique document, one of the most valuable accounts of the Rising available to us.
How postwar abstract modernist paintings came to be seen as metaphorical embodiments of masculine selfhood; an examination of the critical discourse surrounding the work of Matisse, de Kooning, Pollock, and the post-painterly Abstractionists. In the era of The Man in the Gray Flannel Suit--when social pressures on men to conform threatened cherished notions of masculine vitality, freedom, and authenticity--modernist paintings came to be seen as metaphorical embodiments of both idealized and highly conflicted conceptions of masculine selfhood. In Modernism's Masculine Subjects, Marcia Brennan traces the formalist critical discourses in which work by such artists as Henri Matisse, Willem de Kooning, and Jackson Pollock could stand as symbolic representations that at once challenged and reproduced such prevailing cultural conceptions of masculinity. Rejecting the typical view of formalism's exclusive engagement with essentialized and purified notions of abstraction and its disengagement from issues of gender and embodiment, Brennan explores the ways in which these categories were intertwined, historically and theoretically. Brennan makes new use of writings by Clement Greenberg and other powerful critics describing the works of Matisse, the postwar New York School abstract expressionists, and their successors, the post-painterly abstractionists. The paintings of Matisse, she argues, were represented in part as intellectually engaged and culturally respectable centerfolds. Brennan examines de Kooning's Woman series--perhaps the most significant effort to incorporate feminine presence within abstract expressionist imagery--as extended cultural metaphors for bourgeois masculinity's conflicted relationship with its feminine "others." She also shows how the aggressive energy of Pollock's nonfigural painterly idiom became domesticated in the press by the repeated pairing of his work with images of Pollock in the studio and at home with his wife, the artist Lee Krasner. Finally, discussing the rise of the post-painterly abstractionists in the sixties, Brennan shows how, both despite and because of the critical presence of Helen Frankenthaler, formalist responses to the works of Morris Louis and Kenneth Noland provided an opportunity to promote idealized conceptions of masculine creativity.
A complete programmer's reference for the Motif toolkit. This book provides reference pages for the Motif functions and macros, the Motif and Xt widget classes, the Mrm functions, the Motif clients, and the IUL file format, data types, and functions. Reference material has been expanded and covers Motif 1.2.
Irish Tax Reports is the only comprehensive set of reports of Irish tax cases ever published. This unique set brings together all tax cases in Ireland since the foundation of the state. Many previously unreported judgments are included, as are many of the cases stated. Each spring, all new cases from the previous year are published in a bound paperback volume along with new Cumulative Tables and an index. These annual volumes are merged and republished in hardback form, every four to five years, allowing users to maintain and expand their hardback sets. Volumes may also be purchased separately. 1. Contents 2016 This outlines cases and determinations contained in the 2016 volume. 2. Contents 1922–2016 This is a chronological list of all the cases reported, which also shows key words relating to each case and references indicating where the case was previously reported. 3. Cases 2016 These are all the relevant cases since the 2014-15 publication. 4. Cases reported This is an alphabetical list of the cases reported. 5. Cases considered This is an alphabetical list of the cases referred to in judgments or cases cited in the cases reported in full. 6. Statutes considered This table lists, in alphabetical and numerical sequence, the statutory provisions considered by the courts. 7. Destination table (Taxes Consolidation Act 1997) This table enables the reader to trace the present location of legislation between 1967 and 1997. 8. Index This is an alphabetical subject index which sets out the subject matter of each case in the six volumes.
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