For nearly five decades, poet Brendan Galvin has written about the birds of the tidal flats, woods, and marshes around his Cape Cod home and on islands in the North Atlantic. He knows their field marks, habits, and songs, and his work demonstrates an obvious fascination with them. Whirl is King gathers forty-three of his bird poems about herons, owls, shorebirds, warblers, raptors, wrens, and other exotic visitors blown in by wind and storm. Whirl is King features Galvin's hallmark descriptive powers and verbal music on full display and demonstrates his talent as a contemporary poet."--BOOK JACKET.
Sharply observed and metaphorically inventive, Ocean Effects is a worthy follow-up to Galvin's National Book Award finalist Habitat. It includes a new vein of Galvin's trademark richly observed lyric poems on the biota, landscapes, and weathers of coastal New England. Seascapes and the natural world bracket sequences spoken by personae as various as the seventeenth-century American colonist Roger Williams, small-town cops, a squatter in the ruins of Chernobyl, a nineteenth-century Russian general in Mongolia, and a Cape Cod carpenter. Galvin's monologues, tensile and energetic free verse, are touched with the speech of the historical periods in which they take place.
The Air's Accomplices vividly evokes poet Brendan Galvin's love for the rugged landscapes of Cape Cod and Ireland and their elusive inhabitants. Weaving themes of death, migration, and aging into an exploration of the natural world, Galvin's work reflects a deep engagement with the places he and his family have called home, as well as with the triumphs and tragedies of human life. The collection begins by examining the vagaries of age, as Galvin ponders his role as caretaker for his wife following her stroke. It then moves into remembrances of walks on the beaches of Cape Cod, encounters with land and sea animals, and observations of the Atlantic Ocean's calm and violence. Other poems commemorate Galvin's Irish heritage and the emigration of family and friends from Donegal to the suburbs of his native Massachusetts. Whether eulogizing a deceased pet or capturing the flight of a seabird, The Air's Accomplices reveals a keen sense of observation and empathy for all living things.
A master craftsman who seamlessly combines vision and contemplation, Brendan Galvin is considered among the most powerful naturalist poets today. Habitat, Galvin's fourteenth poetry book, combines eighteen new works with lyric pieces from the past forty years -- including two book-length narratives, Wampanoag Traveler and Saints in Their Ox-Hide Boat. In a voice of quiet authority leavened with humor, Galvin intimately conveys his landscapes, birds and animals, people, and weather. By elevating the commonplace to the crucial, he takes his readers very far from the familiar. Habitat offers an opportunity to trace a remarkable poetic career. In their richly various shapes, colors, textures, and strategies, Galvin's poems bear witness to matters both joyful and intractable. Full of noose-around-the-neck wisecracks, you'd have been an unwilling toiler, envying the horse its stamina, the hare its jagged speed over broken fields, and bog cotton its deference to wind on peatlands against blue mountains, where it crowds white-headed as ancient peasants herded off the best grazing, enduring as if they'd do better as plants hoarding minerals through winter, hairy prodigals spinning existence from clouds, from mistfall two days out of three, the odd shoal of sun drifting across. -- from "A Neolithic Meditation
Partway to Geophany, the latest collection by celebrated poet Brendan Galvin, chronicles the waxing and waning of the year in a small seacoast town on Cape Cod, alongside observations of other beloved places. As a naturalist and environmentalist, Galvin undertakes poems that meditate on wildlife, landscape, and the passage of time. His verse presents powerful and immediate detailings of quotidian experience, with poems about love and loss, local people and customs, foreign and domestic travel, and writing itself. Throughout, Galvin probes the implied question, What is humanity’s place in the natural world? His masterful use of the narrative lyric produces poems of great mystery and intimacy, in tones varying from grave to playful, as he reflects on the cruelties of time and the pleasures of being alive.
The Air's Accomplices vividly evokes poet Brendan Galvin's love for the rugged landscapes of Cape Cod and Ireland and their elusive inhabitants. Weaving themes of death, migration, and aging into an exploration of the natural world, Galvin's work reflects a deep engagement with the places he and his family have called home, as well as with the triumphs and tragedies of human life. The collection begins by examining the vagaries of age, as Galvin ponders his role as caretaker for his wife following her stroke. It then moves into remembrances of walks on the beaches of Cape Cod, encounters with land and sea animals, and observations of the Atlantic Ocean's calm and violence. Other poems commemorate Galvin's Irish heritage and the emigration of family and friends from Donegal to the suburbs of his native Massachusetts. Whether eulogizing a deceased pet or capturing the flight of a seabird, The Air's Accomplices reveals a keen sense of observation and empathy for all living things.
A narrative poem on the adventures of a philosophical Yankee "banana hand" in Central America. "Men get older and die, my dear, but jungle's / always young and full of piss and vinegar.
Recent presidents have responded to the evolving rules of the campaign finance system and the competitive electoral landscape by devoting substantial amounts of their most valuable resource—their time—to fundraising. In the follow-up to his 2012 book, The Rise of the President’s Permanent Campaign, Brendan Doherty argues that presidential fundraising is an underexamined tool of modern presidential leadership and should be viewed as an instrument of presidential power akin to signing statements, executive orders, public speeches, and veto threats. Presidents raise campaign cash for themselves and for their fellow party members in the hope of electoral gains that will reshuffle the governing deck in their favor, but acting as fundraiser in chief sparks a host of controversies. Based on an original dataset of 2,190 presidential fundraisers spanning more than four decades of presidents from Carter to Trump, Fundraiser in Chief is the first book-length work to analyze presidential fundraising in a systematic and comprehensive manner. Doherty draws on an unprecedented amount of empirical evidence to shed light on modern presidents’ fundraising priorities and strategies as they seek to move the country closer to their vision of a more perfect union. Fundraiser in Chief is a study of presidential resource allocation strategy: how much of their scarce time presidents devote to fundraising, for whom they do it, what priorities are illuminated by their efforts, how their fundraising strategies relate to the evolving campaign finance landscape, under what circumstances they fundraise behind closed doors, and the resulting controversies and implications for presidential leadership and the American political system. Doherty offers an argument about the incentives that drive presidents to fundraise so frequently while examining the controversial implications of their extensive efforts to raise campaign cash. He contends that rising campaign costs, limits on contributions to candidates and political parties, the inadequacy of the resources provided by the presidential public funding system, the specter of Super PACs raising funds in unlimited amounts, and fiercely competitive contests to control the White House, Congress, and governors’ offices across the country have all incentivized presidents to embrace their role as fundraiser in chief.
While the presidency has always been a political office, the distinction between campaigning and governing has become increasingly blurred in recent years. Yet no one until now has documented the phenomenon of the "permanent campaign" and analyzed its impact on the executive office. In this eye-opening book, Brendan Doherty provides empirical evidence of the growing focus by American presidents on electoral concerns throughout their terms in office, clearly demonstrating that we can no longer assume that the time a president spends campaigning for reelection can be separated from the time he spends governing. To track the evolving relationship between campaigning and governing, Doherty examines the strategic choices that presidents make and what those choices reveal about presidential priorities. He focuses on the rise in presidential fundraising and the targeting of key electoral states throughout a president's term in office-illustrating that recent presidents have disproportionately visited those states that are important to their political prospects while largely neglecting those without electoral payoff. He also shows how decisions about electoral matters previously made by party officials are now made by voter-conscious operatives within the White House. Doherty analyzes what these changing dynamics portend for the nature of presidential leadership, contending that while such strategies can at times strengthen a president's hand, they can also undermine his role as a unifying national leader, heighten public cynicism, and limit prospects for bipartisan compromise. He further shows how trends in presidential fundraising undermine the conventional understanding of the predatory relationship between the president and his party. Drawing on new systematic evidence of presidential fundraising and travel, archival research at presidential libraries, and accounts by presidents and their aides, Doherty musters a mountain of evidence to offer an objective, comprehensive argument about the causes, indicators, and implications of the rise of the permanent campaign as no previous book has done-an evenhanded account that seeks to disparage no individual president. Concise and accessible, The Rise of the President's Permanent Campaign engages crucially important questions about the development of the presidency-as well as larger normative questions about what we want in a leader-as it challenges the convention in political science that has long kept most scholarship on presidential campaigns separate from the study of the presidency itself.
Systematic analysis of the determinants of climate policy durability, combining state-of-the-art policy theories with empirical accounts of landmark political events
What's so special about Thomond Park? The crowd. Simply the crowd. The atmosphere is electric.' Donal Spring, one of Munster rugby's greatest. Since the first game played there in 1934, Thomond Park has become one of the world's iconic rugby venues. It is a magnificent stadium, famous for many great occasions, notably Munster's 1978 victory over the All Blacks and the 'Miracle Match' against Gloucester in 2003. It also has a worldwide reputation for tradition, wit and an outstanding sense of fair play. Here the history of Thomond Park is traced in a colourful and entertaining style, featuring some rare photos of Munster favourite Paul O'Connell, and highlighting great games played and great characters who have graced the arena.
For nearly five decades, poet Brendan Galvin has written about the birds of the tidal flats, woods, and marshes around his Cape Cod home and on islands in the North Atlantic. He knows their field marks, habits, and songs, and his work demonstrates an obvious fascination with them. Whirl is King gathers forty-three of his bird poems about herons, owls, shorebirds, warblers, raptors, wrens, and other exotic visitors blown in by wind and storm. Whirl is King features Galvin's hallmark descriptive powers and verbal music on full display and demonstrates his talent as a contemporary poet."--BOOK JACKET.
This stunning collection presents locales ranging from Ireland to the Outer Hebrides, the Orkneys, the Shetland Islands, and the poet’s native Cape Cod. In line after line Brendan Galvin evokes the physical world with a naturalist’s eye, dazzlingly apparent in the brushstrokes by which he depicts a gull sliding “on a crawl of heat among exposed hummocks” or white birches standing “like hairline / faults of frost / driven through stone.” In all this seething life, in this world of light and shadows, Galvin suggests a web of sensibility. Cemeteries, deserted villages, lost faces—such fragments Galvin transmutes into meditations on the blood-deep mysteries of death, desire, and the phylogeny of consciousness, all conjured with an instinct for the telling nuance of behavior and a delight in the language of everyday conversation. Lying behind much of Sky and Island Light is the question of what is worthy of our passion; the answer, we learn in “A Cold Bell Ringing in the East,” comes most easily to the outsider: What joy in having been at all, in feeding the fire and knowing that everything isn’t about us. What joy indeed. Sky and Island Light is a superb collection by a remarkable poet, one who combines uncannily scrupulous habits of observation with astonishing stylistic grace.
Sharply observed and metaphorically inventive, Ocean Effects is a worthy follow-up to Galvin's National Book Award finalist Habitat. It includes a new vein of Galvin's trademark richly observed lyric poems on the biota, landscapes, and weathers of coastal New England. Seascapes and the natural world bracket sequences spoken by personae as various as the seventeenth-century American colonist Roger Williams, small-town cops, a squatter in the ruins of Chernobyl, a nineteenth-century Russian general in Mongolia, and a Cape Cod carpenter. Galvin's monologues, tensile and energetic free verse, are touched with the speech of the historical periods in which they take place.
This stunning collection presents locales ranging from Ireland to the Outer Hebrides, the Orkneys, the Shetland Islands, and the poet’s native Cape Cod. In line after line Brendan Galvin evokes the physical world with a naturalist’s eye, dazzlingly apparent in the brushstrokes by which he depicts a gull sliding “on a crawl of heat among exposed hummocks” or white birches standing “like hairline / faults of frost / driven through stone.” In all this seething life, in this world of light and shadows, Galvin suggests a web of sensibility. Cemeteries, deserted villages, lost faces—such fragments Galvin transmutes into meditations on the blood-deep mysteries of death, desire, and the phylogeny of consciousness, all conjured with an instinct for the telling nuance of behavior and a delight in the language of everyday conversation. Lying behind much of Sky and Island Light is the question of what is worthy of our passion; the answer, we learn in “A Cold Bell Ringing in the East,” comes most easily to the outsider: What joy in having been at all, in feeding the fire and knowing that everything isn’t about us. What joy indeed. Sky and Island Light is a superb collection by a remarkable poet, one who combines uncannily scrupulous habits of observation with astonishing stylistic grace.
Twenty years ago, the term 'ethnic cleansing' entered the common lexicon. The terrible events that took place in the UN 'safe haven' at Bihac in North-west Bosnia between 1992 and 1995 represent the Bosnian conflict in microcosm. Muslim fought all factions of Serb, Muslim fought Muslim, and the Croats interfered. As an EC Monitoring Mission Observer, author Brendan O'Shea was not only an eye witness to the horrific war crimes committed by all sides but also had access to both EU and UN official documents. As such he was perfectly placed to unravel the deceit, the politicking and the struggle for power that led to tragedy and suffering for hundreds of thousands of innocent men, women and children. The names Radovan Karadzic, Ratko Mladic – both on trial at The Hague –Slobodan Milosevic, Alija Izetbegovic and Franjo Tudjman have become synonymous with the worst excesses perpetrated during the war in Bosnia. This book makes an important contribution to our understanding of that conflict.
I was born in a united Ireland, I want to die in a united Ireland.' Born in Belfast in 1920, Joe Cahill has been an IRA man motivated by this ambition all his life. IRA activists rarely speak about their lives or their organisation, but here Cahill gives his full and frank story, his viewpoint, his experiences -- from Northern Irish prison cells of the 1940s, on a death sentence, to Washington when the Good Friday Agreement was being negotiated. He tells of the visit he made to Colonel Gaddafi to arrange for arms and ammunition, and the fateful voyage of the Claudia; Bloody Sunday and the burning of the British Embassy in Dublin; the high-drama helicopter escape of IRA prisoners from Portlaoise Jail. This is the story of an extraordinary journey, Cahill's own life mirroring the growth, changes and development of the republican movement as a whole through more than sixty years of intense involvement.
Modern developments in both science and history challenge us to a far greater degree of empiricism than has been traditionally considered necessary in the study of theology. Any attempt to move in this direction can be significantly helped by Bernard Lonergan's breakthrough discovery of the notion of functional specialties in 1965. The strategy of this book is to make use of this discovery and provide a theological reflection on mission appropriate to the present age. The author begins with an insight available from biblical research but absent from current theologies of mission. This is the general recognition that the texts concerning a universal mission are in fact an instance of retrojection. Building on this through an interpretation of Lonergan's functional specialties of interpretation and history, he unfolds the startling implications for grasping the central creative significance of the 'word of God'. As the argument transfers from one specialty to the next, it moves towards ever-richer empiricism, culminating in the specialty of communications. Here the creativity which will be needed to address faithfully the message of Jesus to our contemporary world in all its complexity becomes apparent.
O'Donnell et al.'s Educational Psychology provides pre-service teachers with a comprehensive framework for implementing effective teaching strategies aimed at enhancing students' learning, development, and potential. Through a meticulous examination of relevant psychological theories, supplemented by contemporary local case studies, and detailed analysis of lesson plans, the text offers a nuanced understanding of educational psychology without resorting to specialised terminology. Central to the text is a reflective practice framework, equipping readers with the essential skills to bridge theoretical concepts with real-world classroom scenarios. Emphasising critical thinking and reflective practice, the text underscores their significance in fostering sustained professional growth and success. By integrating reflective practice into the fabric of the narrative, utilising real classroom examples, Educational Psychology cultivates a deep-seated understanding of the practical applications of psychological principles in educational contexts.
Born in Dublin in 1942, Anthony Clare was the best-known psychiatrist of his generation. His BBC Radio 4 show, In the Psychiatrist’s Chair, which ran from 1982 to 2001, brought him international fame and changed the nature of broadcast interviews forever. Famous interviewees included Stephen Fry, Anthony Hopkins, Spike Milligan, Maya Angelou and Jimmy Savile, each of whom yielded to Clare’s inimitable gentle yet probing style. Clare made unique contributions to the demystification and practice of psychiatry, most notably through his classic book Psychiatry in Dissent: Controversial Issues in Thought and Practice (1976). This book, the first, official biography of this much-loved figure, examines the man behind these achievements: the debater and the doctor, the writer and the broadcaster, the public figure and the family man. Using extensive public and family records, we ask: Who was Anthony Clare, really? Were there just one Anthony Clare, or many? What drove him? And what is to be learned from his life, his career, and his unique, sometimes controversial legacy to our understanding of the mind? This is the remarkable story of a remarkable person.
Catholic institutions today are faced with the challenge of redefining themselves within a context of growing pluralisation and detraditionalisation. Following the empirical work on Catholic School identity, Identity in Dialogue, this book attends to the institution of the parish. Engaging with the Hopes of Parishes offers a theoretical framework for parish life in a new context. It introduces a new diagnostic tool, the Searching for Parish Engagement Scale, and it proposes four models for parish life today: the convinced parish, the engaged parish, the devoted parish and the consumerist parish. Brendan Reed is a parish priest in the Archdiocese of Melbourne, Australia. He is adjunct lecturer at Catholic Theological College, University of Divinity.
A collection of interviews of the top fiddlers in the Irish tradition, Handy with the Stick brings together previously published magazine pieces with new work to present a broad view of Irish fiddling. Interviewees include Tommy Peoples, Siobhan Peoples, Paddy Glackin, Matt Cranitch, John Carty, Brendan McGlinchey, Caoimhin O Raghallaigh and Sarah Blair. Historical pieces include Junior Crehan, Patrick Kelly and Sean Ryan. By looking at players from multiple eras and regional styles, Handy with the Stick deepens our understanding of the people involved in Irish traditional music. Each chapter is accompanied by transcriptions of representative fiddle tunes, some of which are previously unpublished originals.•
Galvin's book-length poem, 'Wampanoag Traveler, ' is told from the point of view of one Loranzo Newcomb, a fictional eighteenth - century natural historian, gardener, lone wanderer, fabulist, and failed lover.
An endangered right whale attempting to nurse her new calf in the December ocean, foxgloves blooming in different places from year to year, or the rescue of imperiled Kemp’s ridley sea turtles—the bounty and cruelty of nature infuses this latest collection of poems from Brendan Galvin, which takes as its maxim finding the extraordinary in the ordinary all around us. The poems chronicle the waxing and waning of the seasons from one winter to the next in the area around Egg Island, the dunes near a small seacoast town on the outermost reaches of Cape Cod, Massachusetts. Galvin’s training as a naturalist and environmental writer is evident as his practiced eye roves the waves, marshes, and forests, finding meaning and beauty in the smallest detail— bird-watching, rebuilding a woodpile, or the flight of bobwhite quail. Other poems recall the poet’s affectionate memories of his deceased wife and the life they shared together, acknowledging grief without veering into the maudlin. Always present beneath the surface is the question of where humans fit into this wild, ever-changing landscape. In meditations that recall the poetry and prose of Mary Oliver or W. S. Merwin, Galvin sets off on a vivid journey sure to increase readers’ appreciation for the natural world. Perhaps his most compelling message is that readers need not jet off to Everest or Kilimanjaro to experience mystery and beauty on Earth—there’s wonder aplenty in our own backyards.
The authoritative exposé of private equity: what it is, how it kills businesses and jobs, how the government helps, and how we stop it Private equity surrounds us. Firms like Blackstone, Carlyle, and KKR are among the largest employers in America and hold assets that rival those of small countries. Yet few understand what these firms are or how they work. In Plunder, Brendan Ballou explains how private equity has reshaped American business by raising prices, reducing quality, cutting jobs, and shifting resources from productive to unproductive parts of the economy. Ballou vividly illustrates how many private equity firms buy up retailers, medical practices, prison services, nursing-home chains, and mobile-home parks, among other businesses, using little of their own money to do it and avoiding debt and liability for their actions. Forced to take on huge debts and pay extractive fees, companies purchased by private equity firms are often left bankrupt, or shells of their former selves, with consequences to communities that long depended on them. Perhaps most startling is Ballou’s insight into how this is happening with the active support of various arms of the government. But, as Ballou reveals in an agenda for reining in the industry, private equity can be stopped from wreaking further havoc.
A master craftsman who seamlessly combines vision and contemplation, Brendan Galvin is considered among the most powerful naturalist poets today. Habitat, Galvin's fourteenth poetry book, combines eighteen new works with lyric pieces from the past forty years -- including two book-length narratives, Wampanoag Traveler and Saints in Their Ox-Hide Boat. In a voice of quiet authority leavened with humor, Galvin intimately conveys his landscapes, birds and animals, people, and weather. By elevating the commonplace to the crucial, he takes his readers very far from the familiar.Habitat offers an opportunity to trace a remarkable poetic career. In their richly various shapes, colors, textures, and strategies, Galvin's poems bear witness to matters both joyful and intractable.Full of noose-around-the-neck wisecracks, you'd have been an unwilling toiler, envying the horse its stamina, the hare its jagged speed over broken fields, and bog cotton its deference to wind on peatlands against blue mountains, where it crowds white-headed as ancient peasants herded off the best grazing, enduring as if they'd do better as plants hoarding minerals through winter, hairy prodigals spinning existence from clouds, from mistfall two days out of three, the odd shoal of sun drifting across. -- from "A Neolithic Meditation
Alongside both historic and recent photographs, readers will learn about each MLB team's history, greatest seasons, greatest players, and team records. In addition, the book offers an in-depth introduction about the sport's history, a section on star players, and information on the statistical leaders in various categories. Features include a glossary, additional resources, and an index. Aligned to Common Core Standards and correlated to state standards. Abdo Reference is an imprint of Abdo Publishing, a division of ABDO.
The bounty and cruelty of nature infuses this latest collection of poems from Brendan Galvin, which takes as its maxim finding the extraordinary in the ordinary all around us--that there's wonder aplenty in our own backyards.
Brendan Galvin’s book-length poem, Wampanoag Traveler, is told from the point of view of one Loranzo Newcomb, a fictional eighteenth-century natural historian, gardener, lone wanderer, fabulist, and failed lover. A sort of Johnny Appleseed in reverse, Newcomb traverses the American colonies, gathering seeds, botanical specimens, and fauna for the gardens and collections of wealthy patrons in England, and a host of observations for himself. Wampanoag Traveler makes vivid a lost world in which science and superstition, fact and tall tale are interlocked. The poem is arranged in fourteen sections that deal variously with such subjects as gardening, the mystical delirium that follows a poisonous snakebite, failed love, hummingbirds and skunks, and the young Newcomb’s apprenticeship to a “birdmaster” who bears a close resemblance to Audubon. The section, “Some Entertainments Sent with a Gift Snuffbox Carved from an Alligator’s Tooth,” which was awarded a Sotheby’s Prize by Ted Hughes and Seamus Heaney through the Arvon International Poetry Competition in 1987, is a poetic tall tale in which Newcomb describes raising a baby alligator to dragon-sized proportions. My first alligator I dragged out of a fish hawk’s grasp when it was no longer than my foot, and trained it up on crabs and herring until what I hesitate to call gratitude appeared and strengthened in its nature at last, and I could with patience inure it to reins and a light saddle. Through much of the poem, a somber tone, a pervading sense of sadness, underlies the naturalist’s exuberant vision. Newcomb feels an unpurgeable sorrow rise from his sense of isolation his preference for gardening over people (“no easy admission”). He mourns the fact that the American garden he loves is already being despoiled. In the poem’s last section, “Envoy,” Newcomb projects into the future a history of the apple as a metaphor for American innocence gone sour. Combining a vibrant early American sensibility with his own contemporary sense of poetics, Galvin creates a life that proceeded in a very different time from our own, fraught with choices we no longer remember. In a remarkable tour de force, he engages a voice from the past in a dialogue with a future that becomes—magically and sadly—our own historical moment.
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