Handsome, reserved, almost frighteningly aloof until he was approached, then playful, cordial, Nathaniel Hawthorne was as mercurial and double-edged as his writing. “Deep as Dante,” Herman Melville said. Hawthorne himself declared that he was not “one of those supremely hospitable people who serve up their own hearts, delicately fried, with brain sauce, as a tidbit” for the public. Yet those who knew him best often took the opposite position. “He always puts himself in his books,” said his sister-in-law Mary Mann, “he cannot help it.” His life, like his work, was extraordinary, a play of light and shadow. In this major new biography of Hawthorne, the first in more than a decade, Brenda Wineapple, acclaimed biographer of Janet Flanner and Gertrude and Leo Stein (“Luminous”–Richard Howard), brings him brilliantly alive: an exquisite writer who shoveled dung in an attempt to found a new utopia at Brook Farm and then excoriated the community (or his attraction to it) in caustic satire; the confidant of Franklin Pierce, fourteenth president of the United States and arguably one of its worst; friend to Emerson and Thoreau and Melville who, unlike them, made fun of Abraham Lincoln and who, also unlike them, wrote compellingly of women, deeply identifying with them–he was the first major American writer to create erotic female characters. Those vibrant, independent women continue to haunt the imagination, although Hawthorne often punishes, humiliates, or kills them, as if exorcising that which enthralls. Here is the man rooted in Salem, Massachusetts, of an old pre-Revolutionary family, reared partly in the wilds of western Maine, then schooled along with Longfellow at Bowdoin College. Here are his idyllic marriage to the youngest and prettiest of the Peabody sisters and his longtime friendships, including with Margaret Fuller, the notorious feminist writer and intellectual. Here too is Hawthorne at the end of his days, revered as a genius, but considered as well to be an embarrassing puzzle by the Boston intelligentsia, isolated by fiercely held political loyalties that placed him against the Civil War and the currents of his time. Brenda Wineapple navigates the high tides and chill undercurrents of Hawthorne’s fascinating life and work with clarity, nuance, and insight. The novels and tales, the incidental writings, travel notes and children’s books, letters and diaries reverberate in this biography, which both charts and protects the dark unknowable core that is quintessentially Hawthorne. In him, the quest of his generation for an authentically American voice bears disquieting fruit.
Over the course of her 57-year career, Augusta Jane Evans Wilson published nine best-selling novels, but her significant contributions to American literature have until recently gone largely unrecognized. Brenda Ayres, in her long overdue critical biography of the novelist once referred to as the 'first Southern woman to enter the field of American letters,' credits the importance of Wilson's novels for their portrait of nineteenth-century America. As Ayres reminds us, the nineteenth-century American book market was dominated by women writers and women readers, a fact still to some extent obscured by the make-up of the literary canon. In placing Wilson's novels firmly within their historical context, Ayres commemorates Wilson as both a storyteller and maker of American history. Proceeding chronologically, Ayres devotes a chapter to each of Wilson's novels, showing how her views on Catholicism, the South, the Civil War, male authority, domesticity, Reconstruction, and race were both informed by and resistant to the turbulent times in which she lived. This comprehensive and meticulously researched biography contributes not only to our appreciation of Wilson's work, but also to her importance as a figure for understanding women's roles in history and their art, evolving gender roles, and the complicated status of women writers.
A provocative and inspiring exploration of women writers from the first writers in history to today’s greats—with a new introduction by Ntozake Shange. Wild Women and Books celebrates some of the most revered and radical women writers of history. Beginning with the first recorded writer of either gender, Enheduanna of Sumeria, and ending with acclaimed contemporary writers like Toni Morrison and J.K. Rowling, this is a must-read for those who must read. Brenda Knight brings more than a hundred female authors to life for today's readers—from Aphra Ben to Zora Neal Hurston and from Ann Rice to the Ya-Ya Sisterhood. Knight recounts their tumultuous paths to literary acclaim in chapters such as Literary First Ladies; Ink in Their Veins; Banned, Blacklisted, and Arrested; and Women Whose Books Are Loved Too Much. From religious transcribers and political dissidents to erotic playwrights and romantic poets, no subject or literary form is left untouched. In honor of those women whose pens pioneered, persevered, and proved that the female voice is brilliant, Knight invites you to explore the literary legacy of women.
Brenda Ueland was a journalist, editor, freelance writer, and teacher of writing. In this book she shares her philosophies on writing and life in general. Ueland firmly believed that anyone can write, that everyone is talented, original, and has something important to say. In this book she explains how to find that spark that will make you a great writer. Join the millions of others who've found inspiration and unlocked their own talent.
White Heat is the first book to portray the remarkable relationship between America's most beloved poet and the fiery abolitionist who first brought her work to the public. As the Civil War raged, an unlikely friendship was born between the reclusive poet Emily Dickinson and Thomas Wentworth Higginson, a literary figure who ran guns to Kansas and commanded the first Union regiment of black soldiers. When Dickinson sent Higginson four of her poems he realized he had encountered a wholly original genius; their intense correspondence continued for the next quarter century. In White Heat Brenda Wineapple tells an extraordinary story about poetry, politics, and love, one that sheds new light on her subjects and on the roiling America they shared.
Athens, Harmony, Hartland, and St. Albans surround the 3,500-acre Great Moose Lake in central Maine, and this volume reveals the fascinating history found here. Sportsmen discovered this land in the mid-1800s and established hunting lodges on the lakes shore, which continued for more than 60 seasons. In their heyday, the lodges provided employment for locals and planted alluring mysteries for later generations. Citizens later thrived on the farming and manufacturing in the late 19th and early 20th century. The colorful past left a rich heritage of seasonal and year-round residents and visitors that shaped the personality of the area. Around Great Moose Lake unravels some mysteries of the lodges and focuses on the changing culture around the lake and its four towns.
Frances Milton Trollope (1779-1863) was a prolific, provocative and hugely successful novelist. She greatly influenced the generation of Victorian novelists who came after her such as Charles Dickens, George Eliot and Elizabeth Gaskell. This book features Trollope's social problem novels.
Thinking Allegory Otherwise is a unique collection of essays by allegory specialists and other scholars who engage allegory in exciting new ways." "Not limited to an examination of literary texts and works of art, the essays focus on a wide range of topics, including architecture, philosophy, theater, science, and law. Indeed, all language is allegorical. This collection proves the truth of this statement, but more importantly, it shows the consequences of it. To think allegory otherwise is to think otherwise-forcing us to rethink not only the idea of allegory itself, but also the law and its execution, the literality offigurative abstraction, and the figurations upon which even hard science depends." --Book Jacket.
The Effective Teaching of Religious Education provides an accessible yet intellectually rigorous resource for all those involved in the teaching of RE in schools today. Written with the needs of specialist and non-specialist teachers in mind, in both the primary and secondary sectors, it successfully integrates theory and practice, encouraging debate and reflection on a broad range of issues in what is often regarded as a complex and often controversial subject area. The second edition has been written with the collaboration of a new co-author, Penny Thompson and has been thoroughly updated, revised and extended to include: A new chapter on the place of Christianity in RE New material on the purpose of RE and on the relationship of RE to other subjects A new Appendix on tackling assessment and syllabus requirements A new companion website at www.pearsoned.co.uk/watson-thompson including an overview of the use of ICT in RE teaching, web links and practical resources for use in the classroom.
“Easy Recorder for the Junior Grades” is a good tool for a wellrounded music program of instrumental, vocal, rhythmic and theory skills. It can be used for junior grades or middle school. There are theory tips so the teacher can learn along with the students. Contents include: * 70 songs * tips for teachers * recorder techniques * a brief history of the recorder * dance activities * Christmas carols and spirituals * Lyrics for some songs * hand/eye coordination skills * a guide to evaluation * ideas for methods * a wide range of music(unison, rounds, duets, theme and variations) The fingering is for English or Baroque recorders.
Literary Nonfiction. Asian American Studies. Memoir. "Heartfelt and at times heart-rending, SEAWEED AND SHAMANS details Brenda Paik Sunoo's journey through grief into solace. Written with courage and generosity, her collection of essays traverses personal memory and Korean-American history, as well as the thoughts and drawings garnered from diary entries of the child she lost. A testimony to the endurance of faith and art, life and love. SEAWEED AND SHAMANS is a gift of healing"--Nora Okja Keller, author of Comfort Woman and Fox Girl.
Devoted, eccentric, and compelling, Gertrude and Leo Stein were constant companions, from childhood to adulthood, until, finally, they spoke no more. Americans, expatriates, and virtually orphans, they lived together for almost forty years, collaborating in one of the great artistic and literary adventures of the twentieth century. Sister Brother tells the story of that adventure and relationship. With a personality that drew people toward her?regardless of what they thought of her inventive, hermetic prose?Gertrude Stein dazzled and perplexed. Enigmatic, intelligent, and self-absorbed, Leo also dazzled but in his own way. One of the crucial figures in Gertrude?s early years, he was the original guiding spirit of the famed salon at 27 rue de Fleurus, which continued for almost two decades. From her early days as a medical student to her first days in Paris, Gertrude was passionately driven toward the career in which she distinguished herself, demanding appreciation as an exceptional writer who knew precisely what she intended. This book shows how Gertrude slowly struggled with what became a unique voice?and why her brother spurned it. ø With its wealth of new and rare material, its reconstruction of Leo?s famed art collection, and its array of characters?from Bernard Berenson to Pablo Picasso?this biography offers the first glimpse into the smoldering sibling relationship that helped form two of the twentieth century?s most unusual figures.
Frances Milton Trollope (1779-1863) was a prolific, provocative and hugely successful novelist. She greatly influenced the generation of Victorian novelists who came after her such as Charles Dickens, George Eliot and Elizabeth Gaskell. This book features Trollope's social problem novels.
Focusing on representations of women's literary celebrity in nineteenth-century biographies, autobiographical accounts, periodicals, and fiction, Brenda R. Weber examines the transatlantic cultural politics of visibility in relation to gender, sex, and the body. Looking both at discursive patterns and specific Anglo-American texts that foreground the figure of the successful woman writer, Weber argues that authors such as Elizabeth Gaskell, Fanny Fern, Mary Cholmondeley, Margaret Oliphant, Elizabeth Robins, Eliza Potter, and Elizabeth Keckley helped create an intelligible category of the famous writer that used celebrity as a leveraging tool for altering perceptions about femininity and female identity. Doing so, Weber demonstrates, involved an intricate gender/sex negotiation that had ramifications for what it meant to be public, professional, intelligent, and extraordinary. Weber's persuasive account elucidates how Gaskell's biography of Charlotte Brontë served simultaneously to support claims for Brontë's genius and to diminish Brontë's body in compensation for the magnitude of those claims, thus serving as a touchstone for later representations of women's literary genius and celebrity. Fanny Fern, for example, adapts Gaskell's maneuvers on behalf of Charlotte Brontë to portray the weak woman's body becoming strong as it is made visible through and celebrated within the literary marketplace. Throughout her study, Weber analyzes the complex codes connected to transatlantic formations of gender/sex, the body, and literary celebrity as women authors proactively resisted an intense backlash against their own success.
‘An affectionate tribute to someone who quietly but firmly shaped her own place in the world.’ Books+Publishing Brenda Niall has turned her biographer’s eye to a personal subject—her grandmother, Aggie. She tells the story of a fiercely independent and intelligent woman who braved a new country as a single woman, teaching in a country school, before marrying a Riverina grazier, whose large powerful family was wary of the newcomer with ideas of her own. Aggie dealt with hardships and loneliness after the early and drawn-out death of her husband, and brought up her seven children to be happy—all with a calm determination. But it was the memory box and her longing for the sea that captured the imagination of her granddaughter. Brenda Niall is one of Australia’s foremost biographers. She is the author of five award-winning biographies, including her acclaimed accounts of the Boyd family. In 2016 she won the Australian Literature Society’s Gold Medal and the National Biography Award for Mannix. Brenda has degrees from the University of Melbourne, the Australian National University and Monash University. In 2004 she was awarded the Order of Australia for ‘services to Australian literature, as an academic, biographer and literary critic’. She frequently reviews for the Age, Sydney Morning Herald and Australian Book Review. ‘Can You Hear the Sea? creates a portrait, from other kinds of evidence, of a woman whose silence sealed her most intimate moments. With a light touch, Niall looks at her grandmother’s life through the prism of the imaginative world in which she was immersed...Aggie’s is a story of independence and grit: understated, necessary, uncelebrated.’ Australian ‘Aggies gift of the shell and the empty box put two questions to Brenda Niall. They also addressed her craft and her desire. Could she recreate the sounds and feel of the past out of unpromising materials, and could she fill the empty box while recognising that it remained empty? This book answers both questions with assurance. One might hope that among the next generation of Aggie’s descendants another young person will hear in it the sea that flows into story telling.’ Eureka Street ‘Niall’s beautifully told tale will have echoes in thousands of other Australian families.’ SA Weekend ‘Gentle and engaging biography...Aggie was undoubtedly a remarkable and intelligent woman, and this book is a lovely testament to her life.’ Good Reading ‘Insightful.’ Yours ‘[Niall] is clear about her process, asking questions, noting gaps, offering her own memories with an easy blend of intimacy and distance, in an authoritative yet conversational voice...Niall writes with respect for a woman who built a dynasty across centuries, was adventurous and stable, traditional and ahead of her time, English and embodied the best of Australia.’ Australian Book Review ‘Agnes’s story charts the changing role of women in the colonies, the impact of the world wars and the rise and fall of family fortunes...Niall’s beautifully told tale will have echoes in thousands of other Australian families.’ SA Weekend ‘Niall's skill is to listen with a discerning ear, to acknowledge the views and to seek always the social, political and historical context and influences. Her craft as a skilled biographer gives her grandmother a fresh life, one that will resonate with many in families of similar background, but wider than that, provide another piece in the picture of the European settlement of Australasia.’ Otago Daily Times ‘A fascinating subject...Hopefully people still find ways to write biographies that so adeptly capture the particularity of lived experience.’ Saturday Paper
In this probing exploration of what it means to be deaf, Brenda Brueggemann goes beyond any simple notion of identity politics to explore the very nature of identity itself. Looking at a variety of cultural texts, she brings her fascination with borders and between-places to expose and enrich our understanding of how deafness embodies itself in the world, in the visual, and in language. Taking on the creation of the modern deaf subject, Brueggemann ranges from the intersections of gender and deafness in the work of photographers Mary and Frances Allen at the turn of the last century, to the state of the field of Deaf Studies at the beginning of our new century. She explores the power and potential of American Sign Language—wedged, as she sees it, between letter-bound language and visual ways of learning—and argues for a rhetorical approach and digital future for ASL literature. The narration of deaf lives through writing becomes a pivot around which to imagine how digital media and documentary can be used to convey deaf life stories. Finally, she expands our notion of diversity within the deaf identity itself, takes on the complex relationship between deaf and hearing people, and offers compelling illustrations of the intertwined, and sometimes knotted, nature of individual and collective identities within Deaf culture.
Contains three early examples of the genre of New Woman writing, each portraying women in ways wholly different to those which had gone before. This title includes "Kith and Kin" (1881), "Miss Brown" and "The Wing of Azrael".
Australia’s leading biographer Brenda Niall, now in her nineties, turns the spotlight on her own story in this fascinating memoir of a remarkable life and career
Contains three early examples of the genre of New Woman writing, each portraying women in ways wholly different to those which had gone before. This title includes "Kith and Kin" (1881), "Miss Brown" and "The Wing of Azrael".
This compelling collection advocates for an alternative view of deaf people's literacy, one that emphasizes recent shifts in Deaf cultural identity rather than a student's past educational context as determined by the dominant hearing society. Divided into two parts, the book opens with four chapters by leading scholars Tom Humphries, Claire Ramsey, Susan Burch, and volume editor Brenda Jo Brueggemann. These scholars use diverse disciplines to reveal how schools where deaf children are taught are the product of ideologies about teaching, about how deaf children learn, and about the relationship of ASL and English. Part Two features works by Elizabeth Engen and Trygg Engen; Tane Akamatsu and Ester Cole; Lillian Buffalo Tompkins; Sherman Wilcox and BoMee Corwin; and Kathleen M. Wood. The five chapters contributed by these noteworthy researchers offer various views on multicultural and bilingual literacy instruction for deaf students. Subjects range from a study of literacy in Norway, where Norwegian Sign Language recently became the first language of instruction for deaf pupils, to the difficulties faced by deaf immigrant and refugee children who confront institutional and cultural clashes. Other topics include the experiences of deaf adults who became bilingual in ASL and English, and the interaction of the pathological versus the cultural view of deafness. The final study examines literacy among Deaf college undergraduates as a way of determining how the current social institution of literacy translates for Deaf adults and how literacy can be extended to deaf people beyond the age of 20.
Whether you are planning a road trip or looking to engage with history from the comfort of your couch, the second edition of America's Scientific Treasures is sure to satisfy your craving for scientific and technologic history. Stephen M. Cohen and Brenda H. Cohen, a mother-son pair, take readers through countless museums, arboretums, zoos, national parks, planetariums, natural and technological sites, and the homes of a few scientists in this exciting volume. The two combine their expertise in chemistry and history, making this an educational travel guide for science and technology enthusiasts. The book is split into nine geographic regions and organized by state, and it includes how to get to each place, whom to contact, whether it is handicapped-accessible, and even where you can grab a bite to eat nearby. Cohen and Cohen provide the history and significance of each location, plus they offer images for notable locations like the African Savanna at the San Francisco Zoo & Gardens and the Smithsonian Arctic Studies Center in the Anchorage Museum. The resulting book is a navigable travel guide perfect for any science or technology enthusiast. So, what are you waiting for? Let's take a journey through the history of American sciences and engineering.
The definitive collection of essays, both original and previously published, that address the impact and influence of a century of women's film making in Canada.
In this book, Brenda Longfellow examines one of the features of Roman Imperial cities, the monumental civic fountain. Built in cities throughout the Roman Empire during the first through third centuries AD, these fountains were imposing in size, frequently adorned with grand sculptures, and often placed in highly trafficked areas. Over twenty-five of these urban complexes can be associated with emperors. Dr. Longfellow situates each of these examples within its urban environment and investigates the edifice as a product of an individual patron and a particular historical and geographical context. She also considers the role of civic patronage in fostering a dialogue between imperial and provincial elites with the local urban environment. Tracing the development of the genre across the empire, she illuminates the motives and ideologies of imperial and local benefactors in Rome and the provinces and explores the complex interplay of imperial power, patronage, and the local urban environment.
George Eliot is one of the most celebrated novelists in history. Her books, including Middlemarch, Daniel Deronda, and Adam Bede, are as appreciated now as they were in the nineteenth century. Yet her nonconformist and captivating personal life—a compelling story in itself—is not well known. Ridiculed as an ugly duckling, Eliot violated strict social codes by living with a married man for most of her adult life. Soon after he died, she married a much younger man who attempted suicide during their honeymoon. The obstacles Eliot overcame in her life informed her work and have made her legacy an enduring one. Brenda Maddox brings her lively style to bear on the intersection of Eliot's life and novels. She delves into the human side of this larger-than-life figure, revealing the pleasure and pain behind the intellectual's public face. The result is a deeply personal biography that sheds new light on a woman who lived life on her own terms and altered the literary landscape in the process.
ONE OF THE BEST BOOKS OF THE YEAR: Jennifer Szalai, The New York Times; The New York Times Book Review; NPR; Publishers Weekly “This absorbing and important book recounts the titanic struggle over the implications of the Civil War amid the impeachment of a defiant and temperamentally erratic American president.”—Jon Meacham, Pulitzer Prize–winning author of The Soul of America When Abraham Lincoln was assassinated and Vice-President Andrew Johnson became “the Accidental President,” it was a dangerous time in America. Congress was divided over how the Union should be reunited: when and how the secessionist South should regain full status, whether former Confederates should be punished, and when and whether black men should be given the vote. Devastated by war and resorting to violence, many white Southerners hoped to restore a pre–Civil War society, if without slavery, and the pugnacious Andrew Johnson seemed to share their goals. With the unchecked power of executive orders, Johnson ignored Congress, pardoned rebel leaders, promoted white supremacy, opposed civil rights, and called Reconstruction unnecessary. It fell to Congress to stop the American president who acted like a king. With profound insights and making use of extensive research, Brenda Wineapple dramatically evokes this pivotal period in American history, when the country was rocked by the first-ever impeachment of a sitting American president. And she brings to vivid life the extraordinary characters who brought that impeachment forward: the willful Johnson and his retinue of advocates—including complicated men like Secretary of State William Seward—as well as the equally complicated visionaries committed to justice and equality for all, like Thaddeus Stevens, Charles Sumner, Frederick Douglass, and Ulysses S. Grant. Theirs was a last-ditch, patriotic, and Constitutional effort to render the goals of the Civil War into reality and to make the Union free, fair, and whole. Praise for The Impeachers “In this superbly lyrical work, Brenda Wineapple has plugged a glaring hole in our historical memory through her vivid and sweeping portrayal of President Andrew Johnson’s 1868 impeachment. She serves up not simply food for thought but a veritable feast of observations on that most trying decision for a democracy: whether to oust a sitting president. Teeming with fiery passions and unforgettable characters, The Impeachers will be devoured by contemporary readers seeking enlightenment on this issue. . . . A landmark study.”—Ron Chernow, Pulitzer Prize–winning author of Grant
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