A fascinating historical novel for young adults set in pioneer New Zealand. The year is 1833 and Lizzie Kemp's father, James, is a missionary to Maori at Kerikeri in the Bay of Islands. Lizzie is twelve years old: sparky, determined, and recently crippled by an illness. When hers baby brother dies and her mother becomes ill, nothing Lizzie does seems able to make things better. As the eldest daughter of seven children, much is expected of her. Life isn’t easy, but does God care? Is there any point in praying, as her father has taught her? Based on a true story, Lizzie, love is a moving and vibrant cameo of life in early colonial New Zealand. Brenda Delamain brings Lizzie Kemp to us: thoughtful, brave and fully alive.
Adaptive Strategies for Small-Handed Pianists brings together information from biomechanics, ergonomics, physics, anatomy, medicine, and piano pedagogy to focus on the subject of small-handedness. The first comprehensive study of its kind, the book opens with an overview of historical, anatomical, and pedagogical perspectives and redresses long-held biases concerning those who struggle at the piano because of issues with hand size. A discussion of work efficiency, the human anatomy, and the constraints of physics serves as the theoretical basis for a focused analysis of healthy movement and piano technique as they relate to small-handedness. Separate chapters deal with specific alternative approaches: redistribution, refingering, strategies to maximize reach and power, and musical solutions for technical problems. Richly illustrated with hundreds of examples from a wide range of piano repertoire, the book is an incomparable resource for piano teachers and students, written in language that is accessible to a broad audience. It balances scholastic rigor with practical experience in the field to demonstrate that the unique physical and musical needs of the small-handed can be addressed in sensitive and appropriate ways.
A cold case comes up by a young girl who speaks with the dead people. Marine Thibeau has a strange new pupil in her class. A chubby and timid little girl of Irish descent, Gwendolyne communicates with a teenager who’s been dead for twenty years!Realizing that her pupil is ostracized because of her paranormal powers, the teacher takes the girl under her wing, defends her against bullies and believes in her frightening psychic premonitions. But how to reveal to the authorities that a series of murders, all foreseen by Gwendolyne, are very real and that they originate in the same long-forgotten cold case?Gendarme Thomas Moreau, assisted by the teacher, by the girl with second sight and by a weird bird watcher, embarks in an investigation that involves victims scattered in various regions of France. However, the associates must act quickly to get ahead of the killer who is about to strike for the fourth time and to murder the last man involved in the old and terrible unsolved case. Discover this panting thriller at the frontiers of paranormal. EXTRACT There was, however, one notable exception. One girl seemed to be excluded from these talkative little coteries. As a result, the child wandered around the periphery of the groups, perhaps gleaning a word here and there in the conversations, but was never allowed to participate. Or else she simply leaned against the huge plane tree in the center of the yard, or against the chain-linked fence, and stared with envy at the animated circles of youngsters who sometimes shrieked with laughter at some remark. To start with, most of her classmates had popular and contemporary Christian names such as Louane, Manon, Lola, Lina or Chloé. The girl’s admittedly beautiful but ancient Celtic first name, Gwendolyne, was considered old fashioned and funny. Unfortunately, in these days of styles and rigid uniformity among children and adolescents, her long mass of tightly curled carrotred hair, her very round and freckled face and her chubbiness, added to her out-dated clothes, ostracized her instantly; her peers also laughed at her bulky homemade sweaters and her old scuffed shoes. Discreetly, Marine approached one of the chattiest groups in the schoolyard. Among the laughing friends, she had spotted one of her best students. ABOUT THE AUTHOR Like many other Anglo-Saxon children, Brenda Lee O'Ryan was brought up on stories of ghosts that rattle their chains and haunt Scottish castles, of ladies in white, holding high a lamp, who roam the corridors of London homes and foretell imminent deaths, and of malicious leprechauns, those elves of the Irish forests, who hide the shoes of disobedient children during moonless nights. As a teenager, she turned to the crime novels of elderly English ladies in which the investigations were led by private detectives, sometimes of noble birth, stylishly dressed with or without bowler hats, who always found the assassin before the often incompetent police officers in frumpy clothes. Once an adult, she decided to write more contemporary whodunits that would combine the supernatural element that used to make her shiver as a child, with her own type of investigator – a sort of young, attractive and modern Miss Marple, in love with a, no less attractive, French police officer. Brenda Lee O’Ryan (the pen name of a well known published author) spent a great deal of her life in the United States. She learned to speak French in Quebec and loved France, which she discovered during her numerous trips to Europe. One day, she decided to set down her suitcases for good. Today she lives in French Catalonia, on the Mediterranean coast, near Perpignan.
Throughout her literary and critical career, Canadian writer Carol Shields (1935–2003) resisted simple categorization. Her novels are elegant puzzles that confront the reader with the ambiguity of meaning and narrative, yet their position within Shields’ critical feminist project has, until now, been obscured. In Carol Shields and the Writer-Critic, Brenda Beckman-Long illuminates that project through the study of Shields’ extensive oeuvre, including her fiction and criticism. Beckman-Long brings depth to her analysis through close readings of six novels, including the award-winning The Stone Diaries. Elliptical, open-ended, and concerned with women writing about women, these novels reveal Shields’ critique of dominant masculine discourses and her deep engagement with the long tradition of women’s life writing. Beckman-Long’s original archival research attests to Shields’ preoccupation with the changing efforts of waves of feminist activism and writing. A much needed reappraisal of Shields’s innovative work, Carol Shields and the Writer-Critic contributes to the scholarship on life writing and autobiography, literary criticism, and feminist and critical theory.
A fascinating historical novel for young adults set in pioneer New Zealand. The year is 1833 and Lizzie Kemp's father, James, is a missionary to Maori at Kerikeri in the Bay of Islands. Lizzie is twelve years old: sparky, determined, and recently crippled by an illness. When hers baby brother dies and her mother becomes ill, nothing Lizzie does seems able to make things better. As the eldest daughter of seven children, much is expected of her. Life isn’t easy, but does God care? Is there any point in praying, as her father has taught her? Based on a true story, Lizzie, love is a moving and vibrant cameo of life in early colonial New Zealand. Brenda Delamain brings Lizzie Kemp to us: thoughtful, brave and fully alive.
For years, I have heard real-life stories from women in the midst of a storm. Their stories have been heart-wrenching because of powerful feelings of hopelessness. They have experienced tragic losses, severely broken childhoods, rebellion of many kinds, abortion, sexual abuse, abusive relationships, broken marriages and many other desperate situations. So often, hearing someone elses story with similar experiences created hope. These ladies show with Gods grace, no situation is beyond restoration and healing! Some familiar questions I consistently hear from broken hearts are: Where is my hope? Will I survive this? Am I being punished by God? Will I ever be able to trust again? Will my children and family survive this? How do you forgive God and the one who hurt you? How do you forgive yourself? My shame is overwhelming. How do you overcome it? Did you feel angry? Did you get mad at God? How did you get out of bed in the morning? Where is God in all this mess? How can a good God let this happen? Do you hear me God? What do I do about all the gossip? How can God use this tragedy for good?
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