Everything in Tess Trevor's world is threatened. Her father lies unconscious in a hospital bed. Her home is endangered by bankruptcy. Even her relationship with Cal, the man she loved so long, is changing. When Justin Galloway enters her life, Tess is quite certain she can't trust him. Justin is a financial manager hired to get her family's ranch back on track. But although Tess tries not to judge, she finds herself doubting Justin's integrity. And when mysterious accidents begin to happen on the ranch, Tess can't help but suspect Justin. Why, then, does she find herself drawn to him? In the midst of such upheavel, can she sort out her feelings and find true love?
Handsome, reserved, almost frighteningly aloof until he was approached, then playful, cordial, Nathaniel Hawthorne was as mercurial and double-edged as his writing. “Deep as Dante,” Herman Melville said. Hawthorne himself declared that he was not “one of those supremely hospitable people who serve up their own hearts, delicately fried, with brain sauce, as a tidbit” for the public. Yet those who knew him best often took the opposite position. “He always puts himself in his books,” said his sister-in-law Mary Mann, “he cannot help it.” His life, like his work, was extraordinary, a play of light and shadow. In this major new biography of Hawthorne, the first in more than a decade, Brenda Wineapple, acclaimed biographer of Janet Flanner and Gertrude and Leo Stein (“Luminous”–Richard Howard), brings him brilliantly alive: an exquisite writer who shoveled dung in an attempt to found a new utopia at Brook Farm and then excoriated the community (or his attraction to it) in caustic satire; the confidant of Franklin Pierce, fourteenth president of the United States and arguably one of its worst; friend to Emerson and Thoreau and Melville who, unlike them, made fun of Abraham Lincoln and who, also unlike them, wrote compellingly of women, deeply identifying with them–he was the first major American writer to create erotic female characters. Those vibrant, independent women continue to haunt the imagination, although Hawthorne often punishes, humiliates, or kills them, as if exorcising that which enthralls. Here is the man rooted in Salem, Massachusetts, of an old pre-Revolutionary family, reared partly in the wilds of western Maine, then schooled along with Longfellow at Bowdoin College. Here are his idyllic marriage to the youngest and prettiest of the Peabody sisters and his longtime friendships, including with Margaret Fuller, the notorious feminist writer and intellectual. Here too is Hawthorne at the end of his days, revered as a genius, but considered as well to be an embarrassing puzzle by the Boston intelligentsia, isolated by fiercely held political loyalties that placed him against the Civil War and the currents of his time. Brenda Wineapple navigates the high tides and chill undercurrents of Hawthorne’s fascinating life and work with clarity, nuance, and insight. The novels and tales, the incidental writings, travel notes and children’s books, letters and diaries reverberate in this biography, which both charts and protects the dark unknowable core that is quintessentially Hawthorne. In him, the quest of his generation for an authentically American voice bears disquieting fruit.
White Heat is the first book to portray the remarkable relationship between America's most beloved poet and the fiery abolitionist who first brought her work to the public. As the Civil War raged, an unlikely friendship was born between the reclusive poet Emily Dickinson and Thomas Wentworth Higginson, a literary figure who ran guns to Kansas and commanded the first Union regiment of black soldiers. When Dickinson sent Higginson four of her poems he realized he had encountered a wholly original genius; their intense correspondence continued for the next quarter century. In White Heat Brenda Wineapple tells an extraordinary story about poetry, politics, and love, one that sheds new light on her subjects and on the roiling America they shared.
Devoted, eccentric, and compelling, Gertrude and Leo Stein were constant companions, from childhood to adulthood, until, finally, they spoke no more. Americans, expatriates, and virtually orphans, they lived together for almost forty years, collaborating in one of the great artistic and literary adventures of the twentieth century. Sister Brother tells the story of that adventure and relationship. With a personality that drew people toward her?regardless of what they thought of her inventive, hermetic prose?Gertrude Stein dazzled and perplexed. Enigmatic, intelligent, and self-absorbed, Leo also dazzled but in his own way. One of the crucial figures in Gertrude?s early years, he was the original guiding spirit of the famed salon at 27 rue de Fleurus, which continued for almost two decades. From her early days as a medical student to her first days in Paris, Gertrude was passionately driven toward the career in which she distinguished herself, demanding appreciation as an exceptional writer who knew precisely what she intended. This book shows how Gertrude slowly struggled with what became a unique voice?and why her brother spurned it. ø With its wealth of new and rare material, its reconstruction of Leo?s famed art collection, and its array of characters?from Bernard Berenson to Pablo Picasso?this biography offers the first glimpse into the smoldering sibling relationship that helped form two of the twentieth century?s most unusual figures.
In this book, Stevenson explores the long-simmering resentment within LA's black community that ultimately erupted in April 1992 by focusing on an preceding event that encapsulated the growing racial and social polarization in the city over the course of the 1980s and early 1990s: the 1991 shooting of a fifteen-year old African American girl, Latasha Harlins, by a Korean grocer who suspected Harlins of shoplifting.
From its earliest days to the present, the onscreen image of the librarian has remained largely the same. A silent 1921 film set the precedent for two female librarian characters: a dowdy spinster wears glasses and a bun hairstyle, and an attractive young woman is overworked and underpaid. Silent films, however, employed a variety of characteristics for librarians, showed them at work on many different tasks, and featured them in a range of dramatic, romantic, and comedic situations. The sound era (during which librarians appeared in more than 200 films) frequently exaggerated these characteristics and situations, strongly influencing the general image of librarians. This chronologically arranged work analyzes the stereotypical image of librarians, male and female, in primarily American and British motion pictures from the silent era to the 21st century. The work briefly describes each film, offering some critical commentary, and then examines its librarian, considering every aspect of the total character from socio-economic conditions and motivations for leaving or not leaving the library, to personal attributes (such as clothing, hair, and age) and entanglements with the opposite sex, to commonly used props, plot situations and lines ("Shush!"). The work comments on whether librarians and library work are depicted accurately and analyzes the development of the public's image of a librarian. The accompanying filmography lists librarian characters and notes stereotypes such as buns and eyeglasses. With bibliography and index.
“Brenda Wineapple’s wonderful account of the Scopes trial sheds light not only on the battles of the past but on the struggles of the present.”—Jon Meacham “History at its most delicious.”—The New York Times Book Review (front page review, Editors’ Choice) The dramatic story of the 1925 Scopes trial, which captivated the nation and exposed profound divisions in America that still resonate today—divisions over the meaning of freedom, religion, education, censorship, and civil liberties in a democracy “Propulsive . . . a terrific story about a pivotal moment in our history.”—Ken Burns “No subject possesses the minds of men like religious bigotry and hate, and these fires are being lighted today in America.” So said legendary attorney Clarence Darrow as hundreds of people descended on the sleepy town of Dayton, Tennessee, for the trial of a schoolteacher named John T. Scopes, who was charged with breaking the law by teaching evolution to his biology class in a public school. Brenda Wineapple, the award-winning author of The Impeachers, explores how and why the Scopes trial quickly seemed a circus-like media sensation, drawing massive crowds and worldwide attention. Darrow, a brilliant and controversial lawyer, said in his electrifying defense of Scopes that people should be free to think, worship, and learn. William Jennings Bryan, three-time Democratic nominee for president, argued for the prosecution that evolution undermined the fundamental, literal truth of the Bible and created a society without morals, meaning, and hope. In Keeping the Faith, Wineapple takes us into the early years of the twentieth century—years of racism, intolerance, and world war—to illuminate, through this pivotal legal showdown, a seismic period in American history. At its heart, the Scopes trial dramatized conflicts over many of the fundamental values that define America, and that continue to divide Americans today.
Donna Reed has been called everyone's favorite mother and her recognition as such has stood the test of time. But before she became known as the ultimate mom for her role on The Donna Reed Show, Miss Reed was already a veteran film actress with almost forty films to her credit. Among these are her performances in It's a Wonderful Life and From Here to Eternity. Her role in the latter garnered her a Best Supporting Actress Oscar. This book is a comprehensive reference to the life and work of Donna Reed for use by researchers as well as fans. Performing arts researcher Brenda Scott Royce has compiled a self-contained reference work to Donna Reed's career and life. A brief biography begins the book, followed by detailed examinations of Miss Reed's work in motion pictures, television, and radio. Also listed are media reviews of her work, a listing of awards and nominations, and a chronology of major events in her life. An annotated bibliography follows these sections, and it lists all articles and other items about Donna Reed that appeared in major magazines, fan magazines, books, and newspapers. The entries in each section are cross-referenced for easy referral by the reader. This bio-bibliography will be an important addition to libraries with a performing arts collection, students of media arts, and Donna Reed fans.
The daughter of an Indianapolis mortician, Janet Flanner really began to live at the age of thirty, when she fled to Paris with her female lover. That was in 1921, a few yearsøbefore she signed on as Paris correspondent for the New Yorker, taking the pseudonym Gen?t. For half a century she described life on the Continent with matchless elegance.
Drawing on nearly 2,000 previously unpublished letters, Brenda Maddox presents a rich and startlingly new portrait of D. H. Lawrence: a hilarious mimic, a lover of nature, an inspired teacher, a brilliant journalist, an ecological visionary, and, above all - a married man.
This volume in The SAGE Reference Series on Disability explores the arts and humanities within the lives of people with disabilities. It is one of eight volumes in the cross-disciplinary and issues-based series, which incorporates links from varied fields making up Disability Studies as volumes examine topics central to the lives of individuals with disabilities and their families. With a balance of history, theory, research, and application, specialists set out the findings and implications of research and practice for others whose current or future work involves the care and/or study of those with disabilities, as well as for the disabled themselves. The presentational style (concise and engaging) emphasizes accessibility. Taken individually, each volume sets out the fundamentals of the topic it addresses, accompanied by compiled data and statistics, recommended further readings, a guide to organizations and associations, and other annotated resources, thus providing the ideal introductory platform and gateway for further study. Taken together, the series represents both a survey of major disability issues and a guide to new directions and trends and contemporary resources in the field as a whole.
In 1904, having known each other for only three months, a young woman named Nora Barnacle and a not yet famous writer named James Joyce left Ireland together for Europe -- unwed. So began a deep and complex partnership, and eventually a marriage, which endured for thirty-seven years. This is the true story of Nora, the woman who, transformed by Joyce's imagination, became Molly Bloom, arguably the most famous female character in twentieth-century literature. It is also the story of Ireland, a social history encapsulated in the vivid recreation of Joyce and his small Irish entourage abroad. Ultimately it is the portrait of a relationship -- of Nora's complicated, committed, and at times shocking relationship with a hardworking, hard drinking genius and with his work. In NORA: THE REAL LIFE OF MOLLY BLOOM, the award-winning biographer Brenda Maddox has given us a powerful new lens through which to see both James Joyce and the woman who was in turn his inspiration and his salvation.
ONE OF THE BEST BOOKS OF THE YEAR: Jennifer Szalai, The New York Times; The New York Times Book Review; NPR; Publishers Weekly “This absorbing and important book recounts the titanic struggle over the implications of the Civil War amid the impeachment of a defiant and temperamentally erratic American president.”—Jon Meacham, Pulitzer Prize–winning author of The Soul of America When Abraham Lincoln was assassinated and Vice-President Andrew Johnson became “the Accidental President,” it was a dangerous time in America. Congress was divided over how the Union should be reunited: when and how the secessionist South should regain full status, whether former Confederates should be punished, and when and whether black men should be given the vote. Devastated by war and resorting to violence, many white Southerners hoped to restore a pre–Civil War society, if without slavery, and the pugnacious Andrew Johnson seemed to share their goals. With the unchecked power of executive orders, Johnson ignored Congress, pardoned rebel leaders, promoted white supremacy, opposed civil rights, and called Reconstruction unnecessary. It fell to Congress to stop the American president who acted like a king. With profound insights and making use of extensive research, Brenda Wineapple dramatically evokes this pivotal period in American history, when the country was rocked by the first-ever impeachment of a sitting American president. And she brings to vivid life the extraordinary characters who brought that impeachment forward: the willful Johnson and his retinue of advocates—including complicated men like Secretary of State William Seward—as well as the equally complicated visionaries committed to justice and equality for all, like Thaddeus Stevens, Charles Sumner, Frederick Douglass, and Ulysses S. Grant. Theirs was a last-ditch, patriotic, and Constitutional effort to render the goals of the Civil War into reality and to make the Union free, fair, and whole. Praise for The Impeachers “In this superbly lyrical work, Brenda Wineapple has plugged a glaring hole in our historical memory through her vivid and sweeping portrayal of President Andrew Johnson’s 1868 impeachment. She serves up not simply food for thought but a veritable feast of observations on that most trying decision for a democracy: whether to oust a sitting president. Teeming with fiery passions and unforgettable characters, The Impeachers will be devoured by contemporary readers seeking enlightenment on this issue. . . . A landmark study.”—Ron Chernow, Pulitzer Prize–winning author of Grant
This book explores the relationship between sex and belonging in law and popular culture, arguing that contemporary citizenship is sexed, privatized, and self-disciplined. Former sexual outlaws have challenged their exclusion and are being incorporated into citizenship. But as citizenship becomes more sexed, it also becomes privatized and self-disciplined. The author explores these contesting representations of sex and belonging in films, television, and legal decisions. She examines a broad range of subjects, from gay men and lesbians, pornographers and hip hop artists, to women selling vibrators, adulterers, and single mothers on welfare. She observes cultural representations ranging from Queer Eye for the Straight Guy to Dr. Phil, Sex in the City to Desperate Housewives. She reviews appellate court cases on sodomy and same-sex marriage, national welfare reform, and obscenity regulation. Finally, the author argues that these representations shape the terms of belonging and governance, producing good (and bad) sexual citizens, based on the degree to which they abide by the codes of privatized and self-disciplined sex.
An examination of the growth and development of alternative schools in American society and their role in the public school environment. In Alternative Schools: A Reference Handbook, educator Brenda Edgerton Conley surveys the emerging alternatives to our conventional educational system—a system that is not only costly, but ineffective for many children. In a resource aimed at a broad audience—school administrators, politicians, and, most important, parents—Conley offers both a historical and a present-day perspective on alternative educational programs. What sets the alternative education movement apart, she argues, is its acknowledgment that we all learn differently. That knowledge has given rise to an explosion of exciting alternatives—from open schools to home schooling, from charter schools to church schools. These alternative schools are smaller and less bureaucratic, more responsive to the community, and more receptive to change.
Love Inspired brings you three new titles for one great price, available now for a limited time only from September 1 to September 30! Enjoy these uplifting contemporary romances of faith, forgiveness and hope. This Love Inspired bundle includes The Boss's Bride by Brenda Minton, North Country Hero by Lois Richer and A Canyon Springs Courtship by Glynna Kaye. Look for 6 new inspirational stories every month from Love Inspired!
Histological techniques form the basis of many areas of research, yet they can often be poorly understood. Aimed at postgraduate students and those at an early stage of their career, this title provides a detailed and comprehensive introduction to histological techniques. With detailed images and slides, this book provides a unique overview of the area while providing the reader with a guide to how to use and incorporate histological techniques within their own research. Written by experts working within the field, this book is an essential handbook for anyone wanting to learn more about histological methods and how to apply them successfully.
Day Book of Jeremiah Smith Jewett Volume One January 1, 1854 December 31, 1869 Jeremiah Jewett s impact on NH history and the Lakes Region was unknown until the recent discovery of his numerous, daily, handwritten journals, painstakingly recorded from 1854 unti l 1900. His life in Warren and Lakeport/Laconia, NH found him wearing many hats: husband, father, preacher, lawyer, railroad surveyor, merchant,undertaker and gentleman farmer. His vivid descripti ons of his life over 46 years and travels around the country at World Industrial Fairs, Methodist religious gatherings and railway excursions in NH, New England and beyond, are embellished by his emoti onal, notable accounts of the death of Abraham Lincoln, unknown medical diseases of the era, and the tragic loss of a beloved son at age 19. Probably no one impacted the towns of Warren, Lakeport (Meredith Bridge) and Laconia, NH like Rev. Jeremiah S. Jewett . These volumes relate to his daily experiences in the latt er years of his life. Brenda M. Polidoro, editor, brings his history of NH to life, in his own words and style, penned in bound leather. The authenti c transcribed volumes are a riveti ng account of someti mes tragic and yet hopeful, positi ve ti mes as seen by one person at the turn of the century.
Love Inspired brings you three new titles for one great price, available now for a limited time only from October 1 to October 31! Enjoy these uplifting contemporary romances of faith, forgiveness and hope. This Love Inspired bundle includes Storybook Romance by Lissa Manley, The Cowboy's Christmas Courtship by Brenda Minton and A Season of Love by Kim Watters. Look for 6 new inspirational stories every month from Love Inspired!
In 1881 Thomas and Elizabeth Tannatt said a final good-bye to Massachusetts and the eastern seaboard and set out in search not of land but of opportunities for social and political advancement. Facing severe limitations to their goals in the depressed and disheveled postwar East, the Tannatts went west to Walla Walla, Washington Territory, to pursue their dreams of influence and status. ø Domesticating the West examines the motivations of late-nineteenth-century middle-class migrants who moved west to build communities and establish themselves as leaders. The West offered new opportunities for solidly middle-class eastern families who endured hardship, uncertainty, and displacement during the Civil War, and who struggled to carve out meaningful social space in the war?s aftermath. Brenda K. Jackson places the Tannatts at the center of this movement and demonstrates how gender, class, and place affected the new migrants? abilities to integrate into their new communities. She also shows how easterners redefined themselves as leaders of a new, moral western environment through volunteerism and political participation. While many studies of westward expansion focus exclusively on the earliest pioneers, Jackson adroitly shows how later arrivals shaped the social, economic, and cultural growth of the nation.
A Vindication of the Redhead investigates red hair in literature, art, television, and film throughout Eastern and Western cultures. This study examines red hair as a signifier, perpetuated through stereotypes, myths, legends, and literary and visual representations. Brenda Ayres and Sarah E. Maier provide a history of attitudes held by hegemonic populations toward red-haired individuals, groups, and genders from antiquity to the present. Ayres and Maier explore such diverse topics as Judeo-Christian narratives of red hair, redheads in Pre-Raphaelite paintings, red hair and gender identity, famous literary redheads such as Anne of Green Gables and Pippi Longstocking, contemporary and Neo-Victorian representations of redheads from the Black Widow to The Girl with the Dragon Tattoo, and more. This book illuminates the symbolic significance and related ideologies of red hair constructed in mythic, religious, literary, and visual cultural discourse.
Join Brenda to take a new look at customer service. Through a series of stories that are as funny as they are enlightening, explore updated skills and techniques for making your customers part of your team. Break old habits and ensure a personalized, positive, professional level of service every time. Learn updated skills for meeting and greeting, approaching customers, responding to inquiries and finding new solutions to old problems. Challenge yourself to adopt a new vocabulary which focuses on what can be done instead of what can’t be done. Use words and phrases that move the situation ahead and prevent defensiveness and arguments. Implement a formula for positive outcomes based on questions, options, solutions and actions. Create an environment of excellence in all of your communications and customer service.
African Americans have a long history of active involvement and interest in international affairs, but their efforts have been largely ignored by scholars of American foreign policy. Gayle Plummer brings a new perspective to the study of twentieth-century American history with her analysis of black Americans' engagement with international issues, from the Italian invasion of Ethiopia in 1935 through the wave of African independence movements of the early 1960s. Plummer first examines how collective definitions of ethnic identity, race, and racism have influenced African American views on foreign affairs. She then probes specific developments in the international arena that galvanized the black community, including the rise of fascism, World War II, the emergence of human rights as a factor in international law, the Cold War, and the American civil rights movement, which had important foreign policy implications. However, she demonstrates that not all African Americans held the same views on particular issues and that a variety of considerations helped shape foreign affairs agendas within the black community just as in American society at large.
The Internet is changing the way we communicate. As a cross between letter-writing and conversation, email has altered traditional letter-writing conventions. Websites and chat rooms have made visual aspects of written communication of greater importance, arguably, than ever before. New communication codes continue to evolve with unprecedented speed. This book explores playfulness and artfulness in digital writing and communication and anwers penetrating questions about this new medium. Under what conditions do old letter-writing norms continue to be important, even in email? Digital greetings are changing the way we celebrate special occasions and public holidays, but will they take the place of paper postcards and greeting cards? The author also looks at how new art forms, such as virtual theatre, ASCII art, and digital folk art on IRC, are flourishing, and how many people collect and display digital fonts on handsome Websites, or even design their own. Intended as a time capsule documenting developments online in the mid- to late 1990s, when the Internet became a mass medium, this book treats the computer as an expressive instrument fostering new forms of creativity and popular culture.
Carlie and her new husband, Gus Dennis, enjoy thier small apartment and close church family in rural Virginia. The little they have belongs to them and brings them comfort. Unanswered questions in Gus's past are not important-until the day a stranger comes to their door. Gus had preferred not to tell Carli that he was the only heir to Dennis Mining and Manufacturing-and unimaginable wealth. Now the company needs Gus as CEO, and Carli's ideal marriage suddenly faces the combined powers of high society and Gus's manipulative mother. Carli doesn't understand her place in this new lifesytle that seems to go against her Christian foundations. Can her marriage to Gus survive the extreme pressures from work, society, and family? Or will she have to find her own path away from the dream of wedded bliss?
Teenagers Sheridan Kohl and Jason Wyatt were parked at the lake in Whiterock, Tennessee, when a stranger wearing a ski mask shot them both. Sheridan lived but Jason died—and the stranger was never caught. Even though Sheridan's family moved away right afterward, she's never been able to put the crime behind her. And now that someone doesn't want her to come home Because of a new development in the case, Sheridan returns to Whiterock. But when she's attacked a second time, it's only because of Jason's stepbrother, Cain Granger, that she survives—and Cain's the last person she wants to face. If not for their history, if not for her, Jason wouldn't have been in that parked car. Cain knows that whoever killed his brother probably isn't a stranger at all. But figuring out that person's identity is easier said than done—especially since the killer seems to be taunting them both: watch me.
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