With Tripas, Brandon Som follows up his award-winning debut with a book of poems built out of a multicultural, multigenerational childhood home, in which he celebrates his Chicana grandmother, who worked nights on the assembly line at Motorola, and his Chinese American father and grandparents, who ran the family corner store. Enacting a cómo se dice poetics, a dialogic poem-making that inventively listens to heritage languages and transcribes family memory, Som participates in a practice of mem(oir), placing each poem’s ear toward a confluence of history, labor, and languages, while also enacting a kind of “telephone” between cultures. Invested in the circuitry and circuitous routes of migration and labor, Som’s lyricism weaves together the narratives of his transnational communities, bringing to light what is overshadowed in the reckless transit of global capitalism and imagining a world otherwise—one attuned to the echo in the hecho, the oracle in the órale.
Brandon Som's The Tribute Horse unearths strange knowledge about the ways migration acts upon and is affected by a body's language, culture, perception and physical manifestations. Using found text, prose poem and Oulipian narrative, Som constructs a poetry deep in its theoretical rigor, ravishing in its sonic pleasure, and delicate in its formal constructions, drawing from various sources, including Chinese painting, Japanese photography, and narrative of immigrants through Angel Island, including that of his own grandfather.
With Tripas, Brandon Som follows up his award-winning debut with a book of poems built out of a multicultural, multigenerational childhood home, in which he celebrates his Chicana grandmother, who worked nights on the assembly line at Motorola, and his Chinese American father and grandparents, who ran the family corner store. Enacting a cómo se dice poetics, a dialogic poem-making that inventively listens to heritage languages and transcribes family memory, Som participates in a practice of mem(oir), placing each poem’s ear toward a confluence of history, labor, and languages, while also enacting a kind of “telephone” between cultures. Invested in the circuitry and circuitous routes of migration and labor, Som’s lyricism weaves together the narratives of his transnational communities, bringing to light what is overshadowed in the reckless transit of global capitalism and imagining a world otherwise—one attuned to the echo in the hecho, the oracle in the órale.
Wilson Brown, an escaped slave, was indeed awarded the Congressional Medal of Honour for his heroic actions under the Command of Rear Admiral David Glasgow Farragut during the Battle of Mobile Bay. The novel depicts most graphically the life of African-Americans under slavery. Just as Wilson Brown was able to preserve his dignity and worth as a human being under extraordinarily trying circumstances, so too has Brandon resurrected his authentic self-hood.
This book provides a history of the electric chair and analyzes its features, its development, and the manner of its use. Chapters cover the early conceptual stages as a humane alternative to hanging, and the rivalry between Edison and Westinghouse that was one of the main forces in the chair's adoption as a mode of execution. Also presented are an account of the terrible first execution and a number of the subsequent gruesome employments of the chair. The text explores the changing attitudes toward the chair as state after state replaced it with lethal injection.
Few scary stories begin with a disclaimer that they are fictional. Instead, they claim to be true even when they are not. Such stories blur the line between fiction and reality, pushing audiences to consider where fiction ends and reality begins. These kinds of horror stories comprise the understudied subgenre of liminal horror. As the first book on this subject, this volume surveys a variety of liminal horror films. It discusses the different variations within liminal horror's sub-genres and considers why horror films are obsessed with the natures of, and borders between, fiction and reality. After first laying out the basic traits of the horror genre in the context of liminality, this book then dives into film more specifically and how the medium is uniquely situated to explore the movement between the fictional and the real. Through lenses such as dreaming, memory, and perception, the following chapters explore the role liminal horror plays in the the human psyche's subconscious/unconscious, and the various functions of the human mind in perceiving, or misperceiving, reality.
Since he was twelve, Brandon Sulser has survived four brushes with death. One of those life-threatening injuries left him paralyzed from the chest down. Although his life story appears to be unfair, Brandon knows that life is only negative and hard if you allow it to be. And in his experience, we are all paralyzed in our own way, by bad choices, by circumstance, by illness, etc. His paralysis happens to be more obvious than most, but make no mistake; we are all paralyzed. But we don't have to stay that way.
The industry's longest-running publication for baseball analysts and fantasy leaguers, Ron Shandler's 2019 Baseball Forecaster, published annually since 1986, is the first book to approach prognostication by breaking performance down into its component parts. Rather than predicting batting average, for instance, this resource looks at the elements of skill that make up any given batter's ability to distinguish between balls and strikes, his propensity to make contact with the ball, and what happens when he makes contact—reverse engineering those skills back into batting average. The result is an unparalleled forecast of baseball abilities and trends for the upcoming season and beyond.
For more than 35 years, the very best in baseball predictions and statistics The industry's longest-running publication for baseball analysts and fantasy leaguers, Ron Shandler's Baseball Forecaster, published annually since 1986, is the first book to approach prognostication by breaking performance down into its component parts. Rather than predicting batting average, for instance, this resource looks at the elements of skill that make up any given batter's ability to distinguish between balls and strikes, his propensity to make contact with the ball, and what happens when he makes contact—reverse engineering those skills back into batting average. The result is an unparalleled forecast of baseball abilities and trends for the upcoming season and beyond.
San Antonio District Attorney Chris Sinclair has not see his first love, Jean, since college. When a young woman's body is found buried in a shallow grave, like an afterimage in his mind, he sees Jean's face in hers and knows the girl is Jean's daughter. Chris wonders if she is not his daughter as well, and vows to discover the truth, even though he fears what that might be.
In The Long March Home, Red Sonja succumbs to insanity and is imprisoned within a Turanian asylum. Has Sonja lost her wits, or does she have a secret agenda of her own? And in The Crimson Well, The She-Devil with a Sword faces her most fearsome foe yet: the time-lost vampire lord, Dracula! After years of wandering abroad, Red Sonja returns to her homeland of Hyrkania. Can Red Sonja defeat Dracula... or will she succumb to his vampire bite and kill in his name? Issues 72-80 of Red Sonja: She-Devil with a Sword by Eric Trautmann, Marcio Abreu, Brandon Jerwa and Sergio Fernandes Davilla. All of the beautiful covers by artists Walter Geovani, Mel Rubi, Erik Jones, and Lucio Parrillo.
New York Public Library Teen Book List In colonial America, hard work proved a constant for most women—some ensured their family's survival through their skills, while others sold their labor or lived in bondage as indentured servants or slaves. Yet even in a world defined entirely by men, a world where few thought it important to record a female's thoughts, women found ways to step forth. Elizabeth Ashbridge survived an abusive indenture to become a Quaker preacher. Anne Bradstreet penned her poems while raising eight children in the wilderness. Anne Hutchinson went toe-to-toe with Puritan authorities. Margaret Hardenbroeck Philipse built a trade empire in New Amsterdam. And Eve, a Virginia slave, twice ran away to freedom. Using a host of primary sources, author Brandon Marie Miller recounts the roles, hardships, and daily lives of Native American, European, and African women in the 17th and 18th centuries. With strength, courage, resilience, and resourcefulness, these women and many others played a vital role in the mosaic of life in the North American colonies.
Maritime piracy's improbable re-emergence following the end of the Cold War was surprising as the image of pirates evokes masted galleons and cutlasses. Yet, the number of incidents and their intensity skyrocketed in the 1990s and 2000s off of the coasts of Indonesia, Malaysia, the Philippines, India, Bangladesh, Nigeria, and Somalia. As Ursula Daxecker and Brandon Prins demonstrate in Pirate Lands, Maritime piracy-like civil war, terrorism, and organized crime-is a problem of weak states. Surprisingly, though, pirates do not operate in the least governed areas of weak states. Daxecker and Prins address this puzzle by explaining why some coastal communities experience more pirate attacks in their vicinity than others. They find that pirates do well in places where elites and law enforcement can be bribed, but they also need access to functioning roads, ports, and markets. Using statistical analyses of cross-national and sub-national data on pirate attacks in Indonesia, Nigeria, and Somalia, Daxecker and Prins detail how governance at the state and local level explain the location of maritime piracy. Additionally, they employ geo-spatial tools to rigorously measure how local political capacity and infrastructure affect maritime piracy. Drawing upon interviews with former pirates, community members, and maritime security experts, Pirate Lands offers the first comprehensive, social-scientific account of a phenomenon whose re-appearance after centuries of remission took almost everyone by surprise.
Collects Avengers (1996) #1-12, Fantastic Four (1996) #12, Iron Man (1996) #6 And #12, Captain America (1996) #12 & Material From Fantastic Four (1996) #6 And Captain America (1996) #6. In 1996, the hottest creators of the day teamed up to reimagine and reinvigorate Marvel’s greatest heroes. The Avengers and Fantastic Four were reborn with bold new looks on a brave new world, their origins re-envisioned with a raw vitality and contemporary sensibility. Captain America, Scarlet Witch, Vision, Hawkeye, Hellcat and more: the Avengers’ lineup is both new and classic — but will Thor assemble alongside them? They’ll need him against revised versions of Kang, Ultron, the Enchantress, the Masters of Evil and others — but as Ant-Man and Iron Man enter the fray, what is Loki up to in the shadows? Plus: The Avengers and Fantastic Four take on the Hulk — and Galactus!
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