It is 1958 as a teenager scans the beach of Cabo Mar. But Max is not a casual visitor gazing at the Pacific as he appears to be. He is really a three-hundred-year-old Searcher going mad with frustration. Sir Maximillian, the seventh knight of King Authors Round Table, is on a maddening quest to find Lo-Lo, the lost daughter of his true love, Queen Elainea journey that has taken him much longer than he ever imagined. For Max, many challenges lie ahead. He must find Lo-Lo and return her to her mothers throne, avenge the brutal murder of her mother, and trace the royal blood line of their Kingdom of Astolot. Meanwhile, twenty-two-year-old Lo-Lonow going by Roz in her mortal lifeis living in California, without any idea that hundreds of years ago, she was kidnapped and now eerily resembles Elaine, her mother from so long ago. But when Max finally sees Lo-Lo emerging from the ocean, he can hardly believe his eyes. He has found her at last, but Lo-Lo may not be ready to hear everything he has to say. In this magical tale laced with greed and avarice, only time will tell if the force of overwhelming love has the power to bring generations of courageous characters together at last.
Musicals, it is often said, burst into song and dance when mere words can no longer convey the emotion. This book argues that musicals burst into song and dance when one body can no longer convey the emotion. Rogers shows how the musical’s episodes of burlesque and minstrelsy model the kinds of radical relationships that the genre works to create across the different bodies of its performers, spectators, and creators every time the musical bursts into song. These radical relationships—borne of the musical’s obsessions with “bad” performances of gender and race—are the root of the genre’s progressive play with identity, and thus the source of its subcultural power. However, this leads to an ethical dilemma: Are the musical’s progressive politics thus rooted in its embrace of regressive entertainments like burlesque and minstrelsy? The Song Is You shows how musicals return again and again to this question, and grapple with a guilt that its joyous pleasures are based on exploiting the laboring bodies of its performers. Rogers argues that the discourse of “integration”—which claims that songs should advance the plot—has functioned to deny the radical work that the musical undertakes every time it transitions into song and dance. Looking at musicals from The Black Crook to Hamilton, Rogers confronts the gendered and racial dynamics that have always under-girded the genre, and asks how we move forward.
There are many studies of local communities during their heydays, but the life of a community in decline is rarely studied. The Once and Future Silver Queen of the Rockies delves into the life of Georgetown, Colorado, after the turn of the twentieth century as mining in Clear Creek County steadily declined and ultimately collapsed. One of the earliest mining communities in the state, Georgetown began to struggle for survival as the nineteenth century drew to a close. The price of silver dropped precipitously while other mining camps were still opening around the region. The new, bright future once envisioned for the “Silver Queen of the Rockies” began to fade. Yet the community managed to survive and re-create itself in the new world of the twentieth century. Tourism, skiing, and historic preservation replaced mineral extraction as the basis of the regional economy. Today, Georgetown maintains the aesthetic feel of a nineteenth-century mining town and stands as an example of community-supported historic preservation. This richly illustrated sequel to The Rise of the Silver Queen tells the compelling story of Georgetown’s survival, and ultimate flourishing, after the loss of its principal industry. It is an interesting and engaging addition to the history of Colorado and the West.
When we think of environmental action, we draw upon images from the disaster of Love Canal or from A Civil Action - stories of lone activists fighting the government or some corporation against all odds. In their provocative essay, Sabel, Fung, and Karkkainen demonstrate that an effective alternative is emerging. Before environmental disasters occur, citizen groups are collaborating with experts, business leaders, and local and federal governments to figure out what is best for their own neighborhoods. These examples point to more than successful environmental action: they represent a model of grassroots democracy that can be applied to the needs of any community"--Back cover.
Examples & Explanations for Professional Responsibility, Sixth Edition, is a thorough and comprehensive text that can be used by students as a study aid and by professional responsibility teachers as a class text. It covers the whole field of professional responsibility, focusing not only on the ABA Model Rules, but on the often-complex relationship between the rules and doctrines of agency, tort, contract, evidence, and constitutional law. Beginning with the formation of the attorney-client relationship, the book proceeds through topics including attorneys’ fees, malpractice and ineffective assistance of counsel, confidentiality and privilege rules, conflicts of interest, witness perjury and litigation misconduct, advertising and solicitation, admission to practice, and the organization of the legal profession. Coverage includes all subjects that are tested on the Multistate Professional Responsibility Exam (MPRE), including: A chapter on judicial ethics, a subject tested on the MPRE and not often covered thoroughly, if at all, in law school professional responsibility courses. Updated discussion and examples based on recent developments in the law, including the ABA’s simplification of the rules on advertising and solicitation, new Model Rule 8.4(g) on discrimination in the practice of law, the California Supreme Court’s Sheppard Mullin opinion on advance waivers of conflicts, and continuing developments in the impact of technology on the practice of law. More MPRE-style multiple-choice questions in the Examples. New to the Sixth Edition: Revised and updated to reflect recent developments in the law having to do with lawyering, including new ABA rules, ethics opinions, and cases. New and revised examples and explanations in many chapters. Professors and students will benefit from: Comprehensive, updated coverage of all areas of professional responsibility, with attention to areas that are particularly challenging for students (as well as many practicing lawyers!), such as conflicts of interest and privilege and confidentiality. A study aid that without “teaching to the test,” provides students with thorough preparation for the MPRE, which is the first licensing exam that many law students take.
What ambitions lay behind Roman provincial governance? How did these change over time and in response to local conditions? To what extent did local agents facilitate and contribute to the creation of imperial administrative institutions? The answers to these questions shape our understanding of how the Roman empire established and maintained hegemony within its provinces. This issue of imperial hegemony is particularly acute for the period during which the political apparatus of the Roman Republic was itself in crisis and flux--precisely the period during which many provinces first came under Roman control. Imperial Power, Provincial Government, and the Emergence of Roman Asia, 133 BCE-14 CE uses a case study of the province of Asia to focus closely on the formation and evolution of the Roman empire's administrative institutions. Comparatively well-excavated, Asia's rich epigraphy lends itself to this detailed study, while the region's long history of autonomous civic diplomacy and engagement with a range of Roman actors provide vital evidence for assessing the ways in which Roman empire and hegemony affected conditions on the ground in the province. Asia's unique history, moving from allied kingdom to regularly assigned provincia to a reconquered and reorganized territory, offers an insight into the complex workings of institutional formation. From an investigation of the institutions which emerged in the province over a long first century (133 BCE-14 CE), Bradley Jordan considers the discursive power of official utterances of the Roman state, and the strategies employed by local actors to negotiate a favourable relationship with the empire.
We live in an era of depression, a condition that causes extensive suffering for individuals and families and saps our collective productivity. Yet there remains considerable confusion about how to understand depression. Depression: Integrating Science, Culture, and Humanities looks at the varied and multiple models through which depression is understood. Highlighting how depression is increasingly seen through models of biomedicine—and through biomedical catch-alls such as "broken brains" and "chemical imbalances"—psychiatrist and cultural studies scholar Bradley Lewis shows how depression is also understood through a variety of other contemporary models. Furthermore, Lewis explores the different ways that depression has been categorized, described, and experienced across history and across cultures.
Psychiatry has lagged behind many clinical specialties in recognizing the importance of narrative for understanding and effectively treating disease. With this book, Bradley Lewis makes the challenging and compelling case that psychiatrists need to promote the significance of narrative in their practice as well. Narrative already holds a prominent place in psychiatry. Patient stories are the foundation for diagnosis and the key to managing treatment and measuring its effectiveness. Even so, psychiatry has paid scant scholarly attention to the intrinsic value of patient stories. Fortunately, the study of narrative outside psychiatry has grown exponentially in recent years, and it is now possible for psychiatry to make considerable advances in its appreciation of clinical stories. Narrative Psychiatry picks up this intellectual opportunity and develops the tools of narrative for psychiatry. Lewis explores the rise of narrative medicine and looks closely at recent narrative approaches to psychotherapy. He uses philosophic and fictional writings, such as Anton Chekhov’s play Ivanov, to develop key terms in narrative theory (plot, metaphor, character, point of view) and to understand the interpretive dimensions of clinical work. Finally, Lewis brings this material back to psychiatric practice, showing how narrative insights can be applied in psychiatric treatments—including the use of psychiatric medications. Nothing short of a call to rework the psychiatric profession, Narrative Psychiatry advocates taking the inherently narrative-centered patient-psychiatrist relationship to its logical conclusion: making the story a central aspect of treatment.
Pre-World War II Hollywood musicals weren't only about Astaire and Rogers, Mickey and Judy, Busby Berkeley, Bing Crosby, or Shirley Temple. The early musical developed through tangents that reflected larger trends in film and American culture at large. Here is a survey of select titles with a variety of influences: outsized songwriter personalities, hubbub over "hillbilly" and cowboy stereotypes, the emergence of swing, and the brief parade of opera stars to celluloid. Featured movies range from the smash hit Alexander's Ragtime Band (1938), to obscurities such as Are You There? (1930) and Swing, Sister, Swing (1938), to the high-grossing but now forgotten Mountain Music (1937), and It's Great to Be Alive (1933), a zesty pre-Code musical/science-fiction/comedy mishmash. Also included are some of the not-so-memorable pictures made by some of the decade's greatest musical stars.
FAITH, HOPE, LOVE Stephen discovers how profoundly his six-week experience with Arianne changed him with schools resumption. He feels her presence daily and finds he must carry forward the lessons she taught. He meets Gina Cameron in his first class of the new term; she helps Stephen teach his first important lesson through song. Stephens friends also make discoveries in their lives. Richard Fuller returns to his classes in Philadelphia more confident and assertive than in the past. Andrew Thompson finds changes in his high school orchestra some of which enormously displease him. His actions have repercussions far beyond Ariannes final lessons for him. As school progresses, Stephen, Doug, and Jason prepare the orchestra for their fall performances, the first of which takes them to an elementary school. Stephen meets second-grader Elinor Rogers through an unexpected musical duet. The little girl simply astonishes him. Andrew Thompsons outburst forces both his principal and orchestra teacher to reassess their positions on the schools music program. Andrew has thrown them a challenge which they simply cannot ignore. Consequently, Stephen and Doug make a return trip to the Philadelphia area, where they lead an orchestra clinic for Andrews orchestrathe orchestra where Arianne once played. The trip inspires the young men from Clarkstowne to make new friends and deepen their friendship with Andrew. And, during this trip, Stephen has another encounter with seven-year-old Elinor, who will put everything he learned from Arianne to the test. She and her mother are on the bus with Stephen and Doug for the return trip to Clarkstowne; when the bus crashes, Stephen discovers that, suddenly, he is all she has left in this world where the only gifts he can give her are faith, hope, and love. And the greatest of these is love
The history of the United Firefighters Union (UFU) in Queensland is an unusual and inspiring story. In an era of large amalgamated unions it remains a small union, servicing the special needs of firefighters and at a time when only 20 percent of Australian workers belong to a trade union the UFU still commands the loyalty of virtually all Queensland firefighters.While most Australian unions have been in existence since at least the early twentieth century the UFU was only registered in Queensland in 1976. Prior to this date, firefighters belonged to the Australian Workers Union. They only secured their own union after a bitter four-year dispute in Rockhampton that involved the dismissal and eventual reinstatement of that city's UFU firefighters.If the UFU is an unusual union then firefighters are also atypical unionists. Most of their working lives are spent carrying out routine training drills. But, at any moment, this routine can be interrupted by a 'call-out' where they can be exposed to mayhem and traumatic death. Fire fighting demands the highest levels of physical fitness, experience and courage. It also requires the capacity to behave, in all circumstances, as a team member rather than as an individual.While a sense of 'mateship' is common in most jobs the dangers inherent in fire fighting create special bonds. Such bonds have created a unique, tightly-knit workforce whose solidarity is reflected in their union.
The Masquerade: The Troubles of Westbridge By: Bradley Allen A fantastic tale of magic and swords, good and evil, light and dark. This is a time of witchcraft and monsters, the age of dragons and wizards. A land filled with great perils. Werewolves, vampires, and more hunt in the darkness. Wicked evils preying on those less fortunate and weak. A time when forces united to combat the evils of the night. This is the story of four such individuals, coming together from four very different walks of life. All with one unifying goal. To snuff out monsters and make these lands safe once again. This is the time of the Masquerade. Drawing inspiration from the rich lore of the Dungeons and Dragons universe, The Troubles of Westbridge is a D&D campaign come to life, with imaginative characters, terrifying monsters, and a band of hardscrabble heroes. These four members of the Masquerade must use their disparate skills and talents to track down and vanquish the terror of Westbridge – before it's too late. The Troubles of Westbridge is perfect for youth readers 9–13 but an entertaining adventure for any fan of fantasy.
This study of early sound shorts begins with an explanation of the development of sound motion pictures in Hollywood by such influential companies as Warner Bros. and Fox, with an emphasis on short subjects, leading up to the first few months when all of the major studios were capable of producing them. The next chapters discuss the impact on other mass entertainments, the development of audible news reels and other non-fiction shorts, as well as the origins of animated sound subjects. A comprehensive list of pre-1932 American-made shorts completes the volume.
There are some who might say adventure is a young mans gamebut is age the only indicator of youth? Can someone be brave and wild at an older age, as well, especially if filled with passion? Along the beaches of the Dead Sea, a group of varied archaeologists come together to seek adventure, no matter the cost. Jon and his team are mostly young, but aging Professor Craft isnt one to let the young people take charge. Its been years since his last big find, and hes hungry for glory once again, perhaps in the form of a Dead Sea Scroll. But the team soon stumbles upon ancient puzzles and mystery that could very well end in death. The professor might be weaker in body but he is strong in mind and wiser than his younger cohorts. As the dig unearths secret after secret, he feels a great find is close at hand. Yet, how far are these scientists willing to go to be the one to make the big discovery? Will ambition and intrigue turn to murder in the name of greed?
Using a wealth of first-hand accounts, author Bradley M. Gottfried pieces together each brigade’s experience at Gettysburg. Whether stories of forced marches, weary troops, or the bitter and tragic end of the battle, you’ll experience every angle of this epic battle. Learn what happened when the guns stopped firing and the men were left with only boredom and dread of what was to come. This collection is a lively and fascinating narrative that empowers the everyday men who fought furiously and died honorably. Every detail of the Battle of Gettysburg is included in this comprehensive chronicle.
Essentials of Cognitive Neuroscience guides undergraduate and early-stage graduate students with no previous neuroscientific background through the fundamental principles and themes in a concise, organized, and engaging manner. Provides students with the foundation to understand primary literature, recognize current controversies in the field, and engage in discussions on cognitive neuroscience and its future Introduces important experimental methods and techniques integrated throughout the text Assists student comprehension through four-color images and thorough pedagogical resources throughout the text Accompanied by a robust website with multiple choice questions, experiment vidoes, fMRI data, web links and video narratives from a global group of leading scientists for students. For Instructors there are sample syllabi and exam questions
The most memorable Hollywood musicals of 1930s showcased the talents of stars like Fred Astaire, Jeanette MacDonald, Bing Crosby and Alice Faye. The less memorable ones didn't. This book takes a look at the unsung songfests of the '30s--secondary or forgotten features with short-lived or unlikely stars from major studios and Poverty Row. Through analysis of films such as Lord Byron of Broadway (1930), Shoot the Works (1934), Bottoms Up (1934), Moonlight and Pretzels (1933) and The Music Goes 'Round (1936), the author profiles such performers as Dorothy Dell, Lee Dixon, Peggy Fears, Lawrence Gray, Joe Morrison and the mother-daughter team of Myrt and Marge. Behind-the-scenes figures are discussed, like the infamously profligate producer Lou Brock, whose flops Down to Their Last Yacht (1934) and Top of the Town (1937) cost him his career. Filmographies and production information are included, with background on key participants.
As Hollywood entered the sound era, it was rightly determined that the same public fascinated by the novelty of the talkie would be dazzled by the spectacle of a song and dance film. In 1929 and 1930, film musicals became the industry's most lucrative genre--until the greedy studios almost killed the genre by glutting the market with too many films that looked and sounded like clones of each other. From the classy movies such as Sunnyside Up and Hallelujah! to failures such as The Lottery Bride and Howdy Broadway, this filmography details 171 early Hollywood musicals. Arranged by subgenre (backstagers, operettas, college films, and stage-derived musical comedies), the entries include studio, release date, cast and credits, running time, a complete song list, any recordings spawned by the film, Academy Award nominations and winners, and availability on video or laserdisc. These data are followed by a plot synopsis, including analysis of the film's place in the genre's history. Includes over 90 photographs.
Adiabatic shear bands are found in a variety of metals and other materials; they cause rapid weakening due to energy concentration into narrow regions of the material. This is the very first book on this important topic and the only true introduction to the subject. An enhanced and updated student-friendly edition of the authors' 1992 book Adiabatic Shear Localization: Occurrence, Theories and Applications, this seminal text now includes essential Further Reading sections in some chapters. It explains adiabatic shear bands in a descriptive rather than a mathematical way, with a ‘quick reference’ section for readers wanting a more rapid introduction. Entirely comprehensive, the reader can dip into the chapters as suits his or her course material or research.If you are a postgraduate materials scientist, engineer, physicist, metallurgist, or indeed any researcher in materials that undergo rapid deformation and failure, this text is not to be missed.
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